One of the most glorious moments in the Bill & Ted franchise comes in Bill & Ted’s Bogus Journey, an criminally underrated classic, when the duo are sucked into Hell by Missy and her group of weird friends.
During a seance seeking help, Missy reads incantations that send Bill and Ted to Hell, where they are forced to face the Reaper in a series of “battles” in order to escape.
But before all of the fun and mayhem, the Wyld Stallyns hilariously fall down a nearly infinite pit. A Youtube user reimagined the fall for a whopping 10 minutes. It’s fucking hysterical. Now, if only someone would make one that loops for an hour, they’d earn the final spot on my personal battle of the bands competition.
Back in April, we got our first look at the asymmetrical multiplayer horror game The Flock. It’s a game of cat and mouse, as creatures called Carriers are hunted by agile monsters known as the Flock. Armed only with a source of light — which also happens to be the Flock’s only weakness — a Carrier’s goal is to survive as long as possible.
It would seem The Flock has reached a point where it can be played by the public, as indie developer Vogelsap is now accepting registrations for the closed alpha they plan to go live on Halloween.
I’ve signed up, and you can too on the registration page.
As for what you’ll need to get in on this, a Steam account and working Internet connection are obviously required. The recommended specs haven’t been nailed down yet.
How well do you know your slasher films? That’s what this week’s quiz asks you and we want to see how well you think you can hold up!
Below are 15 questions, some of them pretty easy and some of them serious stumpers. Head on down to take the quiz and then make sure to let us know how you did!
Some bummer news hit a week ago, announcing the delay of TWC-Dimension’s Amityville, which was to hit theaters this coming January.
Now, we’re being told one of the potential reasons behind the push.
A source who wishes to remain anonymous explains that the studio held two separate screenings for Amityville: The Awakening (this I have confirmed), and the feedback was overwhelemingly positive.
The main issue audiences had with the Franck Khalfoun-directed sequel was with the ending, resulting in the Weinstein execs to order re-shoots. In additional to some additional photography (to spruce up the movie), the effects work was falling behind. The delay gives more time for post work, such as the VFX.
Lastly, the reason for the indefinite delay is that star Cameron Monaghan is in the middle of shooting the new season of “Shameless”, and his schedule is unclear.
Our multiple sources tell us that the plan is to finish everything after the November holiday and aim for a mid/late summer 2015 release.
In the film, “Belle, her little sister, and her comatose twin brother move into a new house with their single mother Joan in order to save money to help pay for her brother’s expensive healthcare. But when strange phenomena begin to occur in the house including the miraculous recovery of her brother, Belle begins to suspect her Mother isn’t telling her everything and soon realizes they just moved into the infamous Amityville house.”
It stars Jennifer Jason Leigh, Bella Thorne, McKenna Grace, Cameron Monaghan, Taylor Spreitler, Thomas Mann and Jennifer Morrison.
Before the found footage craze hit horror, we had endless “me-too” films being done in the Grindhouse style. And like most fads (like found footage), it was done to death by indie filmmakers. Don’t get me wrong, it was a cool concept and harkened back to the days of old, but hinging your film on a particular style can only take you so far. Enter director Joaquin Montalvan’s Legend Of The Hillbilly Butcher, which takes on the Grindhouse style while also paying homage to Texas Chain Saw Massacre. Sounds like a natural fit, but is it style over substance?
Carl Henry Jessup (Paul E. Respass) is a backwoods hunter whose local delicacy amongst his neighbors is serving up tresspassers (aka people). In fact, his late daddy left Carl the same butcher knife he used in his own cannibalistic activities. The only people whom Carl calls family are his half sister Rae Lynn (Theresa Holly), and best friend Billy Wayne (Chris Shumway). Carl misses his parents after their tragic murder-suicide. He tries to summon them to live again with the help a demon named Sam Bakoo. Unfortunately, Carl’s soul isn’t worth the price, and in turn sets off more trouble for the cannibal.
Might as well start off with the film’s Grindhouse claim, which honestly is pretty damn impressive. The film really does look like it’s been through the ringer, sporting a faded, scratched up and otherwise ugly-looking picture. Unlike some indie productions which basically take the quick and easy guide in Adobe After Effects, Montalvan put forth a real effort in making the image look bad in a good way, while not phoning it in and doing it with the standard default settings. It really does give the film character. The same goes for the gore effects. Granted, they’re done on the cheap, but the post effects on the image help to mask this and look better than they normally would.
On the acting front, Paul E. Respass does an adequate job as Carl Jessup. Respass was able to take an obviously flat character script-wise and give it some depth, particularly with the demon subplot. Speaking of which, casting the scrawny-looking Allen East as Sam Bakoo gave the role a bit more weight (I see the irony in that) than if it were played by a more ordinary person. Theresa Holly is a treat as Carl’s half sister Rae Lynn. She’s very charming in the role, and does give the character much-needed sympathy in a film where the majority of it’s characters don’t exactly lend themselves to it.
Remember that “style over substance” quip? Yeah, unfortunately that’s the case for Hillbilly Butcher. Beneath the cool look of the film lies a script that has a serious pacing problem. Long dialogue sequences punctuated by long pauses, long stalking sequences and a just plain long runtime make this more of a chore to sit through than anything. When things do happen, the low budget origins sneak up and disappoint us with a real lack of gore. And that’s another problem with this film, as it doesn’t go all-out with it’s concept of a cannibalistic hillbilly. If the concept was explored and developed further, rather than going the artsy route with the dream sequences involving Bakoo, it probably would’ve been more exciting.
As it stands, Legend Of The Hillbilly Butcher is a missed opportunity. True, it does an excellent job of establishing a Grindhouse look and feel that many low budget films fail to grasp, but it suffers with not fully embracing it’s concept, including it’s painfully slow pace. It’s a shame, since Montalvan, his cast and his crew really seemed to be fully invested in creating a great film that attempts to pay homage to Tobe Hooper’s classic. Hopefully Montalvan will be able to put more into his next film than post-production work.
The 1.78:1 anamorphic widescreen transfer for the majority of the film purposely attempts to replicate the grungy look of an old Grindhouse film as much as possible. The shots that aren’t purposely fiddled with in post sport strong colour saturation and fairly good detail. As for the rest of the film, it really does look like an old VHS tape of a film that wasn’t in the best of condition in the first place. As such, colours are faded, dirt and scratches cover the image, as well as out of focus shots and in some instances the image has a slight shake to it. Very impressive post-production job!
Unfortunately, the Dolby Digital 2.0 track is a sore spot. The overall loudness of the film is very unbalanced. Normal conversations are sometimes hard to hear, but when characters shout or scream, the levels are blown out and it’s distorted. Ambient effects also suffer, as they’re either too quiet or too loud, making their additions in post pretty obvious. What makes things worse is that the disc doesn’t come with any subtitles. It’s tolerable, but just keep your remote handy for quick volume adjustments.
First up is Gutting Da Hillbilly Butcher, an hour-long making-of doc. Consisting of talking head interviews with cast and crew, with director Joaquin Montalvan doing much of the talking. Topics include everything from the origins of the film, how the look of the film came about, casting choices, how the cast went about preparing for certain scenes, sound design, effects shots, how to morgue breathe (?!) and more. It’s pretty in-depth for a low budget film of this nature, though the continued use of the filters used in the film on the raw footage is kind of annoying.
Following that is a six minute short film Straight Razor, which was Montalvan had filmed prior to starting on Hillbilly Butcher. Shot in a similar Grindhouse-style to Hillbilly Butcher, the film is pretty surreal and has some weird imagery.
Horror Happens Interview is an 29 minute candid interview from the Home Grown Radio NJ show, Horror Happens. The host of the show, Jay K aka Jason Kolucki, interviews Montalvan with actors Paul E. Respass and Theresa Holly. The group cover different topics from the making-of doc, including Montalvan’s love of horror, differences in the script from the actual film, inspirations for the characters and more.
Rounding out the extras are three trailers for the film.
I’d have to say that I’m impressed with the effort put into the extras for this film, even if the film itself isn’t the greatest.
Every couple of years or so, a lot of horror experts like to trot out their opinions on the future of the genre. “Zombies are out.” I wish, but not yet. “Werewolves are in.” I wish, but not yet. Recently we’ve been seeing what some see as a resurgence of supernatural horror, which is causing some pundits to predict its death in a sort of a knee-jerk fashion. But here’s the thing, good supernatural horror movies, like last year’s The Conjuring, will never die. The response to both the Annabelle teaser trailer and its more recent full trailer suggest that audiences are as hungry as ever for quality scares.
It all comes down to the unknown. There is so much we don’t understand about the universe and our own lives that the supernatural subgenre can represent metaphorically. On top of that, every single human is wired to fear for their own mortality. I think one of the reasons we’re so resistant to death is that we really have no idea what happens after it occurs. Does our consciousness simply vanish? Is it nothingness? Do we go to some sort of afterlife? Do we become ghosts? Are spirits among us? I’m not a particularly religious person but I have to admit that I occasionally entertain any and all of these possibilities simply because I can’t completely wrap my head around the concept.
These concepts, concerns and fears will never truly dissipate because we will never have concrete answers. That goes for what happens to other people as well as ourselves. In the light of day I don’t believe in ghosts, but I’ve also been known to switch hotel rooms because I’m convinced that there’s a spirit lurking in one of them. The same goes for horror cinema. When we watch something like Paranormal Activity 3, Insidious or The Conjuring, we lose all real objectivity on the matter. Have you ever found yourself watching a zombie film only to find yourself momentarily convinced that they’re real? No. Same thing with werewolves and vampires, right? But when you try to turn out the lights after a particularly effective haunter, it’s a different story. I’m allowed to have all manner of horror ephemera in my house… but not the Annabelle doll. It’s just too unsettling.
The box office backs me up on this. Every five years or so there’s a massive supernatural horror film that captures the zeitgeist, and it happens with a wider audience than with other subgenres. Look at The Exorcist, The Amityville Horror, The Shining, Poltergeist, The Blair Witch Project, The Sixth Sense, The Ring, Paranormal Activity, Sinister, Insidious and The Conjuring. There’s a cultural penetration going on with these movies that you don’t really get from other subgenres. You could even take the upcoming Annabelle as an example. Audiences are primed to see it not only because they recognize the Annabelle doll, which has quickly become as iconic as some of the classic slashers without ever saying a word, but because they trust that the film will do what others can’t … unsettle them.
I don’t believe we’ll see supernatural horror dying out anytime soon. When Annabelle opens on October 3rd you’re likely to see people flocking to it in droves, counting on a sleepless night afterwards.
Black Sabbath has announced that the band will be recording one more album and embarking on a final world tour.
The news comes from vocalist Ozzy Osbourne, who explains to Classic Rock Magazine that this new album doesn’t have a defined release date but that things will need to happen “…sooner rather than later.”
“The whole Sabbath experience this time around was great. We all made friends, we didn’t [fuck] around, we all knew that we had a job to do, and we did it. It was a lot of fun. So we’re going to do one more album, and a final tour.
Once the dust settled after the last tour, we started discussing the idea, because we were getting asked about it all the time. I said to Sharon, ‘What’s going on? Because if there’s no more Sabbath I want to get on with my own thing again,’ and she came back and said ‘Let me look into it.’ Three weeks later I asked her about it again, and she said, ‘Oh, I still have to talk to so and so … ‘ and I said, ‘Sharon, I ain’t [fucking] 21 anymore; if we’re going to do it, I want to do it before I’m 70! Time isn’t on our side!’ So she made the call and came back and said, ‘Yeah, the record company wants another album.’ I believe [producer] Rick Rubin is going to do it with us again.
Sabbath’s last release was 2013′s 13, which was pretty damn fantastic. If you haven’t checked it out, I really encourage you to do so!
Seth Grossman will take an intervention to another level.
Starring Lara Vosburgh, Morgan McClellan, and Colleen McGrann, IFC Midnight sneaks us some new footage from Inner Demons, out in theaters and VOD October 3.
“When the teenage daughter of a religious family transforms from A-student into heroin addict, her parents agree to allow a reality TV crew to stage an intervention and tape her recovery. What they don’t know is that she has been taking drugs to deal with the unnatural, evil feelings growing inside her. When she agrees to rehab, with no drugs to suppress what’s inside, the demon emerges.
A suspenseful and clever reinvention of both the found-footage and possession genres, Inner Demons expertly plays on our culture’s love of reality television. Director Seth Grossman, who worked as a producer on “Intervention,” deftly guides the audience down a path where addiction is just a temporary cure for something much more evil.”
The Babadook is ringing, opening here in the States on November 28, and in the UK on October 24.
Written and directed by Jennifer Kent, the film has terrified audiences since it premiered at the 2014 Sundance Film Festival (read our review). You can get a taste of the scares in this awesome clip where The Babadook pulls a Freddy Krueger…
We just landed a brand new version of the pop-up book poster that boasts a handful of positive reviews.
In it, “Six years after the violent death of her husband, Amelia (Essie Davis) is at a loss. She struggles to discipline her ‘out of control’ 6-year-old, Samuel (Noah Wiseman), a son she finds impossible to love. Samuel’s dreams are plagued by a sinister monster he believes is coming to kill them both.
When a disturbing storybook called ‘The Babadook’ turns up at their house, Samuel is convinced that ‘The Babadook’ is the creature he’s been dreaming about. His hallucinations spiral out of control and as he becomes more unpredictable and violent, Amelia is genuinely frightened by her son’s behaviour.
But when Amelia begins to see glimpses of a sinister presence all around her, it slowly dawns on her that the thing Samuel has been warning her about may be real.”
Every one of us will die. You, me, even our music editor, Jonny B — once thought to be immortal — will eventually meet move on to wherever it is we go when we perish. In fact, we’re all dying right now. Right this very minute, every one of us is hurtling through space at about 70k mph, dodging asteroids, comets, other planets and the Covenant.
This is a fun way to start an article, huh? It sure is, and I’m not even done yet. Any number of things can kill us, and as video games have taught me over the years, many of these deaths are horrific enough that I wouldn’t wish them upon my worst enemy (you know who you are).
This is why I’ve decided to come up with a list of five of what I consider to be some of the most painful deaths I’ve seen in horror games.
Come, darling. Let’s have some fun.
The Alien franchise is my favorite thing ever. This means I would love to surround myself with all the collectibles ever released. But this also doesn’t mean I’d allow myself to get ripped off.
Figures.com writes about a mysterious “Alien Xenomorph soft-vinyl figure” that comes with a transparent vinyl dome (an egg out of a vending machine?), and a disturbing $50 price tag.
This $50 “collectible” is only 4″ tall, too. But if you want to waste your money, you can nab one Thursday, October 2nd, 12noon PST at super7store.com.
Am I missing something?
A better way to spend your money is to nab the entire Blu-ray anthology for only $40. Just saying’…
Sion Sono is a madman and had directed some incredible films over the past few years. Remember Cold Fish? Yup. How about Suicide Club? Yeah, that’s the same Sono!
Next up in his infinite madness is the Drafthouse Films release of Why Don’t You Play In Hell, hitting theaters on November 7.
The film begins when “an amateur production crew and a Yakuza boss as they attempt to make a movie amid the decade-long war between two rival crime lords.”
Jun Kunimura, Fumi Nikaidô, and Shin’ichi Tsutsumi star.
Check out the official U.S. poster below.
In UK cinemas October 29, here’s the international trailer with some new images from The Vicious Brothers’ upcoming sci-fi thriller Extraterrestrial (read our review), arriving in the States on VOD October 17th and in theaters November 21st.
“Still reeling from her parents divorce, April (Brittany Allen) is dragged back to the vacation cabin she spent fond summers at as a child accompanied by a group of friends. Her trip down memory lane takes a dramatic and terrifying turn when a fireball descends from the sky and explodes in the nearby woods. Lead by her boyfriend (Freddie Stroma), the group venture out toward the crash site and discover the remnants of a ship from another planet along with footprints that suggest its alien occupants are still alive. The college friends soon find themselves caught in the middle of something bigger and more terrifying than they ever thought possible.“
Extraterrestrial also stars Gil Bellows (The Shawshank Redemption, House at the end of the Street), Jesse Moss (Final Destination 3, The Uninvited), Melanie Papalia (The Den, Smiley), Michael Ironside (Terminator Salvation, Starship Troopers), Emily Perkins (Ginger Snaps Trillogy), Sean Rogerson (Grave Encounters, 12 Rounds Reloaded) and Anja Savcic (I Love You Beth Cooper, Repeaters).
Archaeologists in Northern Turkey, who have been researching Tokat Castle, believe that they have found the dungeon that held Prince Vlad III, the inspiration for “Bram Stoker’s Dracula,” for 12 years. The dungeon was found when secret tunnels were revealed during a restoration project.
“The castle is completely surrounded by secret tunnels,” Archaeologist Ibrahim Çetin states. “It is very mysterious. It is hard to estimate in which room Dracula was kept, but he was around here.”
Prince Vlad III, also known as Vlad The Impaler, was held hostage in this dungeon in the early 15th century after being captured by Ottoman Turks. He later reclaimed his throne and is said to have died in battle against the Turks in 1476.
Read the entire article over at IBT.
What lurks under the big top? Find out when the Freak Show comes to town October 8th.
Here’s a dope new one-sheet for “American Horror Story: Freak Show”, which turns a man into the big top!
The fourth season begins its tale in the quiet, sleepy hamlet of Jupiter, Florida. The year is 1952.
“A troupe of curiosities has just arrived to town, coinciding with the strange emergence of a dark entity that savagely threatens the lives of townsfolk and freaks alike. This is the story of the performers and their desperate journey of survival amidst the dying world of the American carny experience.“
Jessica Lange, Kathy Bates, Angela Bassett, Frances Conroy, Sarah Paulson, Emma Roberts, Gabourey Sidibe, Denis O’Hare, Jamie Brewer, and Evan Peters return from previous seasons. New cast members includes Michael Chiklis, Wes Bentley, John Carroll Lynch, Finn Wittrock, Matt Bomer, Patti LaBelle and the world’s smallest living woman, Jyoti Amge.
Sony Pictures will battle the supernatural of the funny bone.
The studio has acquired Ghost Cop in a competitive situation from the writing team of Matt Bass and Teddy Bressman, explains TheWrap.
Plot details are being kept under wraps, but the project is described as “a new twist on the buddy cop comedy.”
Thankfully as to not confuse fans of Bill Cosby’s Ghost Dad, the project is currently untitled, though it sold under the working title of Ghost Cop.
David Alpert and Julian Rosenberg will produce for Circle of Confusion (“The Walking Dead”), whose Matt Smith will executive produce.
Legendary Entertainment and Sony-owned Crackle have set Jesse Metcalfe (“Desperate Housewives,” “Dallas”), Meghan Ory (“Once Upon a Time”), Virginia Madsen (Candyman, Sideways), and Dennis Haysbert (Men, Women & Children) to star in zombie chopper Dead Rising: Watchtower, the first project out of Legendary’s Digital Media division, says Deadline.
“As in the vidgame, ‘Dead Rising: Watchtower’ is set during a zombie apocalypse. When a mandatory government vaccine fails, a group of survivors must evade infection while hunting down the root of the epidemic, which leads back to a government conspiracy.”
Leprechaun: Origins helmer and VFX veteran Zach Lipovsky is directing Dead Rising from a script by Tim Carter, based on the bestselling Capcom franchise that’s spawned two sequels and sold 7.6 million copies worldwide to date.
Filming is set to begin tomorrow in Vancouver.
Get ready for worlds to collide like never before!
Twentieth Century Fox Home Entertainment takes you to the center of the battle between apes and humans with Dawn of the Planet of the Apes 3D Blu-ray, Blu-ray and DVD on December 2 and on Digital HD November 11.
Gary Oldman, Andy Serkis, Jason Clarke and Keri Russell star in this thrilling next chapter of The Planet of the Apes.
“It is 2026, and humanity has been pushed to near extinction by a deadly virus. When a group of survivors desperate to find a new source of power travel into the woods near San Francisco, they discover a highly evolved community of intelligent apes led by Caesar (Andy Serkis). The two species form a fragile peace but dissention grows and the groups find themselves hurtling toward all-out war.”
With approximately two hours of special features, the Dawn of the Planet of the Apes Blu-ray will make a perfect holiday gift for any action film fans. The Blu-ray is jam-packed with behind-the-scenes footage and deleted scenes, including intimate interviews with Andy Serkis on how he masterfully created Caesar and inside looks at the secrets of the relationship between man and apes.
For an even more immersive experience in the world of the apes, fans have to get the “Planet of the Apes: Caesar’s Warrior Collection.” Witness the battle for world domination between ape and man with both Rise of the Planet of the Apes and Dawn of the Planet of the Apes on Blu-ray and Digital HD on December 2. The collection comes in a limited-edition, fiercely lifelike replica bust of Caesar wearing his tribal war paint, designed by WETA, the special effects masters responsible for bringing Caesar to life on film. This must-own set includes an all-new 32-page booklet “Planet of the Apes: Building an Icon” that explores WETA’s creation of the Caesar replica, four battle-ready ape collectible character cards and more than 5 hours of special features.
Dawn of the Planet of the Apes DVD SPECIAL FEATURES
● Andy Serkis: Rediscovering Caesar
● 4 Galleries
Dawn of the Planet of the Apes 3D BLU-RAY and BLU-RAY SPECIAL FEATURES
● Deleted Scenes with Optional Commentary by Matt Reeves
● Journey to Dawn
● Andy Serkis: Rediscovering Caesar
● Humans and Apes: The Cast of Dawn
● The World of Dawn
● The Ape Community
● Move Like an Ape: An Artist s Artist’s Medium
● Weta and Dawn
● The Fight for a New Dawn
● Audio Commentary by Matt Reeves
● 4 Galleries
PLANET OF THE APES: CAESAR’S WARRIOR COLLECTION CONTENTS
● Dawn of the Planet of the Apes on 3D BLU-RAY, BLU-RAY and DIGITAL HD
● Dawn of the Planet of the Apes BLU-RAY SPECIAL FEATURES
○ Deleted Scenes with Optional Commentary by Matt Reeves
○ Journey to Dawn
○ Andy Serkis: Rediscovering Caesar
○ Humans and Apes: The Cast of Dawn
○ The World of Dawn
○ The Ape Community
○ Move Like an Ape: An Artist s Artist’s Medium
○ Weta and Dawn
○ The Fight for a New Dawn
○ Audio Commentary by Matt Reeves
○ 4 Galleries
● Rise of the Planet of the Apes on BLU-RAY, DVD and DIGITAL HD
● Rise of the Planet of the Apes BLU-RAY SPECIAL FEATURES
○ 11 Deleted Scenes
○ The Genius of Andy Serkis
○ Scene Breakdown
○ A New Generation of Apes
○ Breaking Motion Capture Boundaries
○ The Great Apes
○ Mythology of the Apes
○ Weta and Dawn
○ Composing the Score with Patrick Doyle
○ Audio Commentaries by Director and Writers
○ Character Concept Art Gallery
Look out Hollywood, you might not be “fresh enough”!
Re-Animator: The Musical has announced that it will be back for a Halloween run this October at the Steve Allen Theater in Hollywood, CA. The show will run October 17th through November 2nd, Fridays through Sundays at 8pm. There will also be preview shows on October 10th through 12th. Admission is $25 with the previews being $20. Tickets can be purchased here.
Head below for a lengthy description of the event, including details on cast and crew.
Re-Animator ™ the Musical” tells the story of Herbert West, a brilliant young medical student who has created a glowing green serum that can bring the dead back to life. What should be a medical breakthrough results in hideous monstrosities and ghastly consequences. “I guess he just wasn’t fresh enough,” is West’s constant refrain in his quest for fresh subjects. Graham Skipper, who won a Best New Performer Award at the New York Musical Theater Festival for his crowd-pleasing turn, returns as the demented young genius.
And operatic Jesse Merlin is back as Dr. Carl Hill who loses his head for Meg, the dean’s beautiful daughter, only to actually lose it at the hands of Herbert West. But thanks to the glowing re-agent, Dr. Hill is still able to take his curtain call with his head tucked underneath his arm.
Also returning from the original cast are (in alphabetical order) Cynthia Carle, Brian Gillespie, Marlon Grace, and Liesel Hanson playing an assortment of doctors, nurses, and rampaging zombies.
New to the cast and Los Angeles are Darren Ritchie (veteran of five Broadway shows, including “Dracula” and “Little Shop of Horrors”) as Dan Cain, the handsome young medical student (and West’s hapless roommate) in love with the dean’s beautiful daughter, now played by vivacious newcomer Jessica Howell (recently on Showtime’s “Masters of Sex”). Ken Hudson Campbell, familiar to many for saving the world with Bruce Willis in “Armageddon,” plays the doomed Dean of the medical school whom West transforms into a mindless zombie.
Stuart Gordon, the director and co-writer of “H.P. Lovecraft’s Re-Animator,” the cult film on which the musical is based, has joined his fearless producing partner Dean Schramm to prove that anything that can be done in a movie can be a hundred times more astonishing live on stage. Gordon spent fifteen years as the founder and artistic director of the Organic Theater of Chicago, where he co-created the original production of “Bleacher Bums,” and produced and directed the world premiere of David Mamet’s “Sexual Perversity in Chicago.” Gordon recently co-created and directed the long-running and critically acclaimed ”Nevermore” with “Re-Animator” film star Jeffrey Combs as Edgar Allan Poe that is now touring the country.
Mark Nutter is composer and lyricist and his cheerfully disturbing songs have been compared to Tom Lehrer. His previous stage credits include the international hit “The Bicycle Men”; “Christmas Smackdown” (created with the equally demented Cynthia Carle): and “Wild Men.” He’s also known for his work on “3rd Rock From the Sun” and “Saturday Night Live.” His CD “Twisted Songs for Twisted Sophisticates” has been banned from the airwaves.
Special effects are from by the same team that created them for the “Re-Animator” movie: Tony Doublin, John Naulin, and John Beuchler. They all won LA Critics’ and LA Weekly Awards for their mind-boggling illusions. And the blood will flow so freely that the first row will be once again designated as a “splash zone” – so bring your raincoats!
Laura Fine Hawkes, who designed the almost-as-bloody “Lieutenant of Inishmore” at the Taper, will provide the creepy sets, Joe Kucharski the moldering costumes and Jeff Ravitz the cadaverous lighting. Stage manager Michael Lemek will be the master of the mayhem.
“Re-Animator™ the Musical” was developed and premiered at the Steve Allen Theater under the artistic direction of Amit Itelman who also founded Trepany House.