Reviewed By Taylor Hoffman.
In “Pisces” #2 Kurtis Wiebe and Johnny Christmas dig deeply into the mind of a haunted veteran whose ghosts of war follow him throughout the rest of his fractured life. After reading this issue, it seems clear that all the pain that Dillon Carpenter, our main character, harbors is as existential as directly related to his air-force experience. As we travel through his life in flashback and flash-forward, we’ve already seen how much he’s treated as a villain and a failure by his father, his country, and the mystery woman from the first issue. In this second issue, Wiebe and Christmas take the horrors inside of Dillon’s mind and spreads them onto the pages like the plague.
Story by: Kurtis Wiebe
Art by: Johnnie Christmas
Publisher: Image Comics
Release Date: 5/27/15
The majority of this issue focuses on trust issues: can others trust him, can he trust anyone else, and, most importantly, can he trust himself?
We are thrown into the darkest memories of Carpenter and our eyes can’t help but dwell on his misery in an attempt to understand it all. Christmas draws nightmare demons like thick, black tar with worlds inside each smooth bubble that pops into a puddle of ink. He isn’t alone in his plight and a fellow veteran reassures him that there’s some, albeit very little, help and hope left for them. Both confide their shame and nightmares at a late night diner stop which gives readers a new level of depth to our main character.
There’s a lot to unpack in this scene, but reading it might motivate readers to understand the harsh reality of those who can’t speak out in fear of being silenced completely. Dillon is a survivor of war with no idea how to cope with the guilt through life with more than the simple takes that keep him going day by day, which is a rough routine that sedates, but never satisfies him. In the most lucid moment of his panic attacks, he’s blinded by the sheer violence and extreme loss in his life. We’re seeing his stream of consciousness wildly malfunction and flood with fears.
Wiebe proves he did his research on PTSD and war veterans, which clearly shows in the dynamics of Dillon’s relationships in this issue. It’s a stunning piece to examine, and it’s an opportunity to delve into taboo topics in war without celebrating war itself. It’s hard to articulate the absolute beauty of this issue because reading it is an intensely emotional dive into a mind scared and interrupted by reality. Each reader will find something deeply personal while staring into the starry abyss of death’s secret devils screaming in unison to be freed. Will anyone listen to Dillon when he’s finally in space? Who or what will hear his screams?
Pisces is an unfolding masterpiece that’s pushing the boundaries of comics past a point of ignorance and into a mind of real horror. While it’s only on the second issue, there’s so much ground and space left to explore. Wiebe and Christmas are the perfect team to fill out this grotesque and truly upsetting horror story of silence and mental illness. Dillon’s nightmares are getting worse, but are they just in his head or is there something extraterrestrial in the same form lurking beneath?
“Negative Space” #1 is weird and different, which’ll put some people off while at the same time deeply connecting with others. It almost felt like I was reading a Philip K. Dick novel at times. The brilliantly cerebral story paints a picture of a subtly horrifying dystopia. Corporations controlling people’s lives like giant puppet masters, ruling and influencing the world through staged events. It’s nightmare inducing stuff, that’s a little too close to reality.
WRITTEN BY: Ryan K Lindsay
ART BY: Owen Gieni
PUBLISHER: Dark Horse Comics
RELEASE: July 8, 2015
The protagonist, Guy Harris, is struggling with some serious writer’s block when we first meet him. Unbenounced to him his current inability to write has much farther reaching consequences than he could ever imagine. A mysterious organization are monitoring him and his current lack of creative output has thrown a bit of a wrench into their plans. Though they may be mysterious to us readers, they’re hardly shadowy as they’ve got a massive tower with their logo on it as a base.
This organization has enough power to do whatever they need to and they will exercise it to the fullest extent get what they want. That is bad news for the poor and unsuspecting Guy Harris, as they systematically break him down in an attempt to force his writer’s block away. Each fabricated scenario is more cruel than the last as Guy is put through the ringer. We slowly learn bits and pieces about the organization’s motives, although every answer only raises a plethora of questions.
Who’s behind this organization, what do they want, when/where does this story take place, why’s Guys writing so important and how’re they doing what they do? All these and many more are raised but not answered, at least not in a way that’s desirable right now. Don’t take this as a negative though, as it’s one of the book’s most appealing factors.
Intrigue is thick in Negative Space #1, the future of this book interests me greatly. It’s out there, way out there, and it’s not afraid to venture even further out.
Negative Space hits finer comic shops inJuly, but make sure to preorder the book now using code: MAY150012
While companies brand their movies and television shows on food products all the time, usually it’s just a stupid photo on a can of soda.
It’s a rare treat when an character or property is used as the actual product, which is why is was so cool to have things like Pac-Man cereal or Hi-C’s “The Real Ghostbusters”-themed Ecto Cooler. Yes, Ecto Cooler was so awesome that people have created their own recipes to keep the spirit of the fruity drink alive.
Ecto Cooler was such a massive success for the company, so much so that it’s sort of surprising they never attempted to brand another franchise with their juice boxes.
Thanks to The-Holidaz Blog we can now imagine a world with various Hi-C juice boxes themed with horror icons. John Squires dug up the following images that were created and shared multiple times back in 2013, and are still floating around the site’s Facebook page. The really cool blog created three series, one of which imagines Hi-C themed after the Universal Monsters Frankenstein, The Mummy, The Wolfman, Dracula and more!
Check out all of the boxes below, with some of the highlights being Rosemary’s Berry, Evil RedHannibal Nectar and of course Grape White.
Even though Jennifer Kent’s The Babadook is overhyped, it’s still a fabulous movie with a iconic new villain.
The Babadook character is so popular it’s starting to cross over into pop culture, although it never has nearly the same impact as The Human Centipede.
Still, there’s all sorts of cool costume tutorials and art being shared, such the case with this incredibly realistic and creepy digital piece created by Conzpiracy on Deviant Art.
In The Babadook, a single mother, plagued by the violent death of her husband, battles with her son’s fear of a monster lurking in the house, but soon discovers a sinister presence all around her.
Between the infamous “book” and the Babdook, this film will easily gain cult status.
Blood moon, total lunar eclipse, Samhain (Halloween), and Sabrina’s 16th birthday. It’s a perfect night for a witch baptism…a perfect evening for a young Sabrina to get in bed with Satan. But before the ritual can be complete, our cute little blonde witch must deal with some boyfriend issues…because frankly, Harvey’s in deep shit.
WRITTEN BY: Roberto Aguirre-Sacasa
ART BY: Robert Hack
PUBLISHER: Archie Comics
RELEASE: May 27, 2015
“Sabrina” issue #3 focuses on the most important night of her life in two distinct ways, her human Sweet 16 and her inhuman baptism. The comic starts off with a quickly paced and fascinating flashback “field trip” to the woods where Aunts Hilda and Zelda continue their witch schooling with 11-year-old Sabrina. I loved this scene particularly because in their schooling, they mention real Salem witch trials, even going so far as to teach the comic’s readers a bit about an actual historical figure, Giles Corey, a man accused of witchcraft during the trials and pressed to death. This was a very nice touch on the part of writer Aguirre-Sacasa. It added a sense of realism I wasn’t expecting. And when realism is paired with a book like “Sabrina,” it’s only more haunting in the end.
Before the witch trials, witch babies were baptized at infancy, after the witch trials however, the rules were changed. A witch needed to be of an appropriate age to understand the decision to be baptized and accept the Dark Lord’s “gift” –fully embracing their witchhood…this age is 16. Sabrina can actually choose to live as a mortal because of her mother being mortal, something her father made sure of, so she has a unique and difficult decision ahead of her: go to the pep rally, celebrate her birthday with her hot boyfriend, get it on with her hot boyfriend…you know, the normal teenage shit we think is the most important thing that will ever happen in our life, OR…sign her name in Satan’s book, becoming a full witch and forgoing many of those epic teenage pleasures and hardships.
On the day before Sabrina’s 16th birthday, Halloween, and a lunar eclipse, Sabrina has just been informed by her new drama teacher, Madame Satan (see issue #2) that she and her dreamy love, Harvey, will be the leads in Bye, Bye, Birdie. When she presents the news to Harvey, he suggests celebrating, then proceeds to pressure Sabrina into going all the way with him on her birthday. He pulls all the classic lines as Sabrina tells him “no” over and over. Which pretty much makes me want to cut his dick off. But regardless of what Sabrina wants, she continues to say no because there must be “no defilement” before a young witch’s 16th birthday. They must be pure for Satan (one of the most ironic things I’ve every typed).
Madame Satan (in teacher form) pops up here and there with her crow familiar who spies on Sabrina, causing trouble all over the place. Specifically, she sees to it that Harvey doubts his relationship with Sabrina and manipulates him into seeking out Sabrina in the dark woods on the night of her baptism.
Like I said, deep shit.
As usual, the creators of “Sabrina” completely nail it. One of the truly wonderful aspects of this comic is that both the witch plot and the growing-up-as-an-everyday-high-school-student plot are hyper-realistic, dark, and challenging. Because Sabrina’s human side of things is written so genuine and deft, it makes the supernatural side of things feel just as real. One might think there would be a stark juxtaposition, but instead, the entire story blends flawlessly into a truly haunting and believable comic.
One of the most obvious things I’ll say in this review is how stunning Hack’s art is. We’ve long praised Hack in the comic community for his intensely gorgeous art, but good lord, he does something entirely unique with “Sabrina” that makes it almost impossible to tear your eyes from each page. The colors are calm and somewhat muted, but within each panel there’s a pop of brightness, usually red, usually lips, something to give the page a bit of sexuality and danger.
This combination of creators has delivered yet again. They’ve given us so much in one issue without confusing us or rushing the story. And so I ask…are you reading this dark matter?
I guess because of the holiday, the news has been insanely slow. So, instead of sitting on my ass I figured I may as well share with you this fantastic piece of art I discovered over on reddit.
RearNakedChode is behind the 18″ x 24″ acrylic on canvas that shows Freddy Krueger from A Nightmare On Elm Street in all of his glory.
It’s seriously a stunning piece of work I would be proud to hang on my wall – as long as it’s not in my kitchen.
Arriving on DVD June 16th, 2015 via Artsploitation Films is The House With 100 Eyes, which is described as Henry: Portrait of a Serial Killer meets This is Spinal Tap.
The gory mockumentary The House with 100 Eyes is said to be the grisliest, darkest horror-comedy ever imaginable.
In it, “Ed and Susan are just your average, middle-class American suburban married couple: they have their quirks, their romantic moments, their hobbies. One of these hobbies has even turned into a small business venture for the couple…because Ed and Susan are also serial killers who sell snuff videos of their crimes through the internet underground. Since Ed is determined that their next video will surpass all of their previous work, he has decided that it will feature three kills in one night – but after they abduct their intended victims, things don’t go as planned.“
There’s nothing better than a horror movie that really nails its ending. The axe comes down, the blood splatters the screen spelling out “You’re Next!,” and I leave the theater giggling like a hyperactive child who’s been told he gets to fly to Disney World on the back of Falkor the Luck Dragon. That good movie high lasts all night long, and a huge part of the rush comes from it being such a rare occurrence.
(Warning: the following article contains SPOILERS for The Devil Inside, It Follows, The Blair Witch Project, and The Houses October Built.)
Horror films tend to end on a down note. It’s pretty much obligatory to tack on an ending “stinger”—one last scare just when you thought the survivors were safe. It’s now so clichéd that it would seem downright revolutionary to actually let the protagonist get away. But not all downer endings are cheap fake-outs. Some of the most potent horror films derive their power from a raw gut-punch of an ending (Night of the Living Dead and Martyrs come to mind). In the best of these, the whole point of the film is expressed through the bleakness of its ending. As depressing or infuriating as these endings can be, they are always powerful and rarely disappointing.
Powerful downer endings are just as rare as those finales that have the whole audience hooting at the screen with an overflow of unbridled awesome. Much more common are those flat-out letdown endings that leave you mourning your misspent 90 minutes. And they seem to be reaching epidemic proportions as of late.
No recent film has drawn as much ire for its “out with a whimper” ending as 2012’s The Devil Inside. Not only does the film end abruptly, killing off the entire cast with a car wreck, it adds insult to injury by following it directly with “For more information visit ScrewYouTicketBuyers.com.” As anticlimactic as the car wreck was, it did make sense in terms of the overall narrative. It could even have been a pretty great ending were it framed in a way that made you feel the danger of high speed driving while fighting off a possessed woman. But I’m pretty sure it was mainly the URL that pissed people off. We paid for a whole ticket, we want a whole movie.
Which leads me to It Follows.
I missed something, right? With so many people calling it the best horror film of the decade, I know something must have gone over my head. Why else would so many people be so stoked about a movie that ends with zero resolution?
My disappointment was all the more palpable because the movie was almost really good. The evil spirit as venereal disease angle was highly original, if a tad goofy. But they made it work, and I was especially eager to find out how on earth they were going to get rid of the thing. I was glad their pool electrocution plan failed miserably because that was just dumb. But I couldn’t think of a better plan, other than staging an orgy and passing it to so many people that you’d buy yourself a couple of months. I doubted they were going to take it there. I was utterly stumped. I couldn’t wait to see what those clever filmmakers were going to pull out of their bag to get those kids off the hook. And then…
The two leads walk hand-in-hand down the street with the thing still after them. Roll credits.
What? Did you run out of fucking film? Money? Ideas? You don’t tell half a story and then just shrug. And how are so many people fine with this?
I’m fine with ambiguous endings. I love them, actually. But they have to pose an interesting question, and that question should be central to the interpretation of the film. That question can’t be “What do you suppose happens next?”
Since I can be a little slow on the uptake and the fact that people aren’t rioting in the streets demanding refunds leads me to believe I’ve overlooked something. It happens. Sometimes an ending sneaks up on you, follows you home, waits until you’re alone, and then pounces. My friend likes to tell the story of the first time he saw The Blair Witch Project. One of his friends hadn’t connected the last shot with the story about Rustin Parr making one child face the corner while he killed the other. It was several hours after the movie had ended, but when someone in the group pointed out the connection, everyone witnessed this guy’s face going white and saw his almost comical full-body shiver as he recalled the film’s final image.
I had a moment like that in the shower this morning. Last night I watched The Houses October Built and, for the most part, enjoyed it. Except for the ending. It wasn’t terrible, just sort of a letdown. While my claustrophobia kicked in big time during the live burial scene, I had been hoping for something more visceral and brutal. After seemingly interminable screaming and pounding from inside the coffins, the camera pans up to a masked figure and credits roll. Yawn.
But thinking about it this morning, I recalled the masked figure’s long brown hair. I thought about how almost all the “scare actors” had appeared at earlier haunted attractions, except for the one they ended with. And that hair, it looked almost exactly like… Click.
HOLY SHIT! IT WAS THE GIRL THEY JUST BURIED!
The implications of this one simple, easily overlooked detail changed everything. The whole time you’re thinking that nothing supernatural is going on, that it’s just this group of masked psychos who happen to be very good at following their prey from campsite to campsite, but no. Once you fall victim to them, you become one of them. That’s why there were 50 of them in one scene. Suddenly all the little details I’d written off as unrealistic and nothing more than moments of sloppy screenwriting made sense. Brain = Kapow!
The moral of the story is that sometimes a lame ending is actually an awesome ending that just went over my head. Which is why I’m counting on all you astute horror hounds out there to tell me what I missed in It Follows. I beg you to enlighten me to the hidden brilliance of its non-ending. Because from where I’m standing, the film just seems to
The post Out with a Whimper: When Horror Endings Disappoint appeared first on Dread Central.
The one thing that’s so scary about FX’s “American Horror Story” is that it’s based on some level of realism. While the stories are a complete fabrication, they’re inspired by something much like Leatherface was inspired by Ed Gein.
Following an episode of the now-concluded “American Horror Story: Freak Show,” Philly Now made the connection between a real-life “freak show” museum and the one in the show.
“American Morbidity Museum,” which the show locates in Philadelphia, is clearly inspired by Philadelphia’s “Mütter Museum,” which displays the nation’s most famous collection of fascinating anatomical specimens.
The site was so curious that they contacted J. Nathan Bazzel, director of communications for the College of Physicians of Philadelphia, which owns the Mütter.
While Bazzel hasn’t seen the show himself, he acknowledges that “people really enjoy the program, and if it opens people’s minds to better understanding of what it means to be human, we certainly welcome that.” But he’s eager to stress that, unlike the grotesquerie portrayed on American Horror Story, the Mütter Museum is a place of education and, above all else, empathy for the human condition.
“All of the specimens from the collection have a very human story to them,” Bazzel says. “That was really one of Dr. Mütter‘s primary goals [when he gifted his collection to the college]: It was to better enable medical students to develop in the realm of compassion.”
Whereas American Horror Story‘s fictional Morbidity Museum might have acquired Ma Petite’s body through questionable means, the Mütter, of course, does not act like a plot point in a horror show. “One thing we do not — we do not — do is purchase specimens,” Bazzel stresses. “We don’t. We receive specimens from other institutions if they’re getting rid of them. For instance, we received approximately 670 brain slices and segments embedded in acrylic from St. Vincent’s Hospital in New York when they were shutting down. Other specimens we receive from private donations, such as doctors who may have various specimens from their teaching collections, and they’re retiring and decide to donate them to us. It’s very diverse.”
Celebrating the diversity of human physical existence, in fact, is a big part of the point. “The human form is not one specific form,” Bazzel says, “and that’s one of the things we hope that people understand when they come to the Mütter. It attracts people for many different reasons, but it doesn’t matter why they come. What does matter is that they walk away with an understanding of compassion, and we hope that visitors walk away with a better understanding of what it means to be human.”
Just browsing Google images you’ll find all sorts of connections to “American Horror Story”, just take a look above and below.
There’s never been a better time for scripted horror, mystery, sci-fi, and suspense series on television. It’s wonderful to have so many choices in top-quality programming, and there’s yet another coming down the pike and into our homes on June 1, 2015.
ABC’s “The Whispers” is brought to us by the likes of Steven Spielberg and “Under the Dome” and “The Killing” executive producer Soo Hugh, and it stars “Revenge’s” Barry Sloane, “American Horror Story’s” Lily Rabe, horror icon Dee Wallace, and Milo Ventimiglia (“Heroes”). The pilot episode, directed by One Hour Photo’s Mark Romanek, is eerie and creepy as can be. While the series is based on a short story by Ray Bradbury (“The Zero Hour,” which was originally published in his Illustrated Man anthology), it feels more like something from Stephen King with just perhaps a touch of Guillermo Del Toro’s “The Strain” miniseries.
The first episode centers on a little girl named Minx (her given name was Mink in the Bradbury tale… why change it?), who’s played to great effect by 11-year-old Kylie Rogers. Minx has an imaginary friend she calls Drill. At first, it’s all innocent fun and games. But then of course, someone dies. Drill is blamed. But Drill isn’t real… is he?
It’s interesting to note that, while the series “The Whispers” is only very loosely based on “The Zero Hour,” how topical – and chilling – it is in relevance to kids and killing today. First published in 1951, “The Zero Hour” recounted how the neighborhood children all started playing this game called “Invasion.” Invasion was invented by an evil alien entity called Drill, who plans on taking over the world by compelling those with the most fragile, suggestible minds to eliminate anyone over the age of 10. Minx’s mother laughs at this and marvels at her daughter’s imagination. However, when Mom gets on the phone with her friend in another state, she’s told that they are playing the same game with someone named Drill too. This is absolutely a foreshadowing and a scary premonition of our modern-day “Slender Man” legend that’s actually driven real, everyday kids to attempt murder.
“The Whispers” features an ensemble cast, ranging from little pixies to hardboiled cops, reporters to government agents, and ill-fated parents and scheming scientists. While it’s more a mystery and a conspiracy thriller than outright horror (at least in the pilot episode, which is all we were allowed to see this early on), “The Whispers” has no shortage of murder and mayhem. To complicate things even more, Drill infiltrates the mind of the daughter of the President of the United States (played by Gary Hershberger). As the clock counts down throughout Season One, the race is on to save not only individual families, but the world.
I liked what I saw; if you enjoy shows like “Under the Dome,” “Jericho,” and “The Returned,” then “The Whispers” is definitely worth the space on your DVR. It premieres June 1 at 10-11 pm ET/PT on ABC.
“The Whispers” stars Lily Rabe as Claire Bennigan, Barry Sloane as Wes Lawrence, Milo Ventimiglia as John Doe, Derek Webster as Jessup Rollins, Kristen Connolly as Lena Lawrence, Kylie Rogers as Minx Lawrence, and Kyle Harrison Breitkopf as Henry Bennigan.
The series is executive produced by Steven Spielberg, Justin Falvey, Darryl Frank, and Zack Estrin. The pilot was written and co-executive produced by Soo Hugh, who also developed the series. “The Whispers” is produced by ABC Studios with Amblin TV as co-producer.
We love to play games with our children. But what happens when someone else starts to play with them, too? Someone we don’t know. Can’t see. Can’t hear. In “The Whispers” someone – or something – is manipulating the ones we love most to commit the unthinkable. In the country’s center of political power, Washington D.C., several kids have been talking about their imaginary friend, Drill. What the parents don’t know is that this friend is not as imaginary as they think. And when the mysterious games Drill convinces them to play turn dangerous, FBI child specialist Claire Bennigan is called in to investigate. What is it that Drill wants, and why does he – or it – only communicate with children? As the clock counts down, a suspenseful race will begin to save not only their families, but the world. Before it’s too late.
One of the coolest fan films we’ve seen in awhile was the “Marvel Zombies vs. Army of Darkness,” courtesy of “Slash/Up,” a multiverse fanfilm web-series that was also behind “Sarah Connor vs. Jason.”
Now, they’ve informed us that they’re hard at work on “Ash vs. The DC Dead,” which they say “is basically a gigantic middle finger to the house of mouse.”
Why? Well, they were forced to remove “Marvel Zombies vs. Army of Darkness”, which has now returned to YouTube in all of its glory!
It features Spider-Man, Iron Man, Hulk, Wolverine, oh, and Ash using Iron Man’s repulser beam on a zombie. Fuk yeah!
If you thought the 80s were dead — think again! On September 1st, Anchor Bay Entertainment goes full 80s retro with Lost After Dark, a loving but harrowing homage that takes audiences back to the decade when slashers ruled the silver screen. The directing debut of writer/director Ian Kessner, Lost After Dark is said to feature visceral, old-school prosthetic “kills,” and pop songs pulsing to an electronic beat.
“Spring Ball, 1984. Adrienne (Kendra Timmins, Midnight Sun, “Wingin’ It”), a straight-A student, joins her quarterback crush Sean (Justin Kelly, Maps To The Stars, Big Muddy) and some friends in sneaking out of their high school dance for some unsupervised mayhem. The teens’ party plans hit a snag when they run out of gas on a deserted road. They head out on foot and discover a rundown farmhouse where they hope to find help. Instead they find themselves at the mercy of Junior Joad (Mark Wiebe, Sweet Karma), a cannibal killer from an urban legend. After the brutal murder of one of their friends, the group’s quest for help becomes one of survival. Will anyone survive the night?”
Produced by Goldrush Entertainment’s Eric Gozlan and co-written by Bo Ransdell, Lost After Dark features Robert Patrick (Terminator 2, From Dusk ‘Til Dawn), Eve Harlow (“The 100″), Stephan James (Selma), Jesse Camacho (Kick-Ass 2), Elise Gatien (Diary Of A Wimpy Kid: Dog Days), Alexander Calvert (Lost Boys: The Tribe), Lanie McAuley (Scarecrow), and David Lipper (Black Widower), as well as fun cameos from Sarah Fisher (“Degrassi: The Next Generation”) and Rick Rosenthal (Director of Halloween II & Halloween: Resurrection).
From Kickstarter to the Croisette at Cannes Film Festival – it’s almost a scenario as outlandish as the plot of the retro mythical mash-up. This past weekend Laser Unicorn’s Kung Fury premiered in The Directors’ Fortnight shorts programme.
The VHS was loaded and the 30 minutes of pure nostalgia porn raised the roof with the crowd-funded final film.
Cast and crew attended as the humble director and star took to the stage and read from prompt cards to steady his nerves.
Read no further if you want to remain pure and spoiler free for the online release on May 28th. I’ll leave you by saying Kung Fury is the Avengers Assemble if it had been made in the 90’s. It’s great and I hope it beats Gangnam style as the most watched YouTube video of all time.
The short utilizes the iconic shots from the trailer while expanding on the narrative. From the douche villain skateboard flipping car moment we cut to an arcade machine where some bros get sad at ending their game. Their game is ended when the arcade cabinet transforms more realistically than anything Michael Bay has done before erupting on to the street, flipping people the bird while delivering deadly laser blows to all and sundry. With the disturbance being reported, the police send their best man to diffuse the emergency – Enter Kung Fury!
Arriving on the scene KF takes on the corrupt console in ever outlandish montage moments perforated with tracking & static VHS breaks. After giving him a game over screen we learn about KF’s origin & powers. Through being struck by lightning & bitten a cobra he was born, naturally.
Losing his buddy in a grizzly ninja slice we learn of his reluctance to take on a new team mate in the form of Tricera-cop – a Jurassic partner in fighting crime with an inexplicable British accent & crotch homing bullets.
Hitler & Hackerman are introduced through a hilarious cell phone scene which sets into motion the events that transport KF back to the era of Vikings & dinosaurs.
Making friends through history Kung Fury eventually makes it to Nazi Germany to face off against Kung Führer & his legion of SS Soldiers.
Faux product placement & hand drawn animation connect the other events of the film before a team up across time & the Hoff sung closing credits.
There’s a lot of style, epic one liners & heart but ultimately it’s been seen before through the work of Astron-6 or more recently in Turbo Kid. With the a feature in the works it’s hard to tell if the material can stretch out to a full length version or if the thirst for the absurd throwback culture would have quenched by that point of delivery.
If Jurassic World sucks & when Terminator Genisys inevitably does, turn to Kung Fury on repeat to make everything better in the world.
We told you about Tricia Lee’s upcoming One Drop a little over a month ago, and now, after two years of development, one month of pre-production, nineteen days of principal photography, one day of B-unit shooting, twenty-seven drafts of the script, several buckets of blood, a big pile of guts, many many creatures, and a few sleepless nights, it is in the can! Even better, we have a teaser trailer for the film to share!
With the exception of veteran genre king Julian Richings (“Supernatural,” “Orphan Black”), One Drop was the first horror film experience for several newcomers to the genre: Lara Gilchrist (“Battlestar Galactica,” “Defying Gravity”), Benjamin Arthur (“Working the Engels,” “Less than Kind”), Torri Higginson (“Stargate: Atlantis”), and Mark Taylor (“Flashpoint,” “Instant Star”). The film also features an appearance by Peter Blankenstein (Human Centipede I, II, and III).
The producers told us, “This amazingly talented and dedicated cast poured their hearts into their roles and worked closely with director Tricia Lee to create three-dimensional characters that have rich layers and interesting back stories. They embraced the horror genre with enthusiasm and provided our editor with plenty of scares, stunts, and emotionally raw moments. Lee is one of very few female directors to lead genre projects from beginning to end and tap into something that resonates with audiences around the world. With Tricia Lee and Chris Luckhardt at the helm, our tireless crew was able to bring the script to life, making One Drop’s two-year journey one step closer to finishing. But as we head straight into post-production, we still need help from the fans. With only a few days left on our Indiegogo campaign, their support to help us reach our $20,000 goal will go a long way to ensuring that One Drop will have the highest quality visual effects, a strong sound design, and the perfect music to set the mood.”
Ready to venture back into “Wayward Pines” with us on Thursday? We are already 100% hooked on the show, and if you are too, here are three new sneak peeks of the upcoming Episode 1.03, “Our Town, Our Law.” Here’s hoping they manage to keep up the surprises like Juliette Lewis’ “reckoning” that ended last week’s installment!
“Wayward Pines” Episode 1.03 – “Our Town, Our Law” (airs 5/28/15; 9-10 PM)
Following Beverly’s “reckoning” in the town square, Ethan is shocked by Kate’s participation in the heinous act. Although determined to find his way out of Wayward Pines, Ethan meets real estate agent Peter McCall (guest star Justin Kirk), who gives him a new house.
Meanwhile, Theresa and Ben head to Idaho to find Ethan, who has another run-in with Sheriff Pope.
Cast: Matt Dillon as Ethan Burke; Melissa Leo as Nurse Pam; Carla Gugino as Kate Hewson Ballinger; Toby Jones as Dr. Jenkins; Terrence Howard as Sheriff Pope; Juliette Lewis as Beverly; Shannyn Sossamon as Theresa Burke; Tim Griffin as Adam Hassler; Charlie Tahan as Ben Burke; Reed Diamond as Harold Ballinger. Guest Cast: Siobhan Fallon Hogan as Arlene Moran; Justin Kirk as Peter McCall; BJ Harrison as Receptionist.
“Like” “Wayward Pines” on Facebook at facebook.com/WaywardPines. Follow the series on Twitter at @WaywardPinesFOX, and join the discussion using #waywardpines. See photos and videos on Instagram by following @Wayward Pines.
The post See a Trio of Clips from Wayward Pines Episode 1.03 – Our Town, Our Law appeared first on Dread Central.
With the title of “Operating Table,” it’s no wonder the new promo for “Teen Wolf” Season 5, which focuses on Tyler Posey’s Scott, left us feeling a bit queasy. Beginning this June, “Bad blood will reign!”
The 20-episode fifth season of “Teen Wolf” kicks off via a two-part premiere on June 29th and 30th.
The post New Teen Wolf Season 5 Promo Not for the Squeamish appeared first on Dread Central.
We’re still extremely high on the majesty that Mad Max: Fury Road (review) was, and we can only pray that the upcoming video game Mad Max is as good. Hell, even if it’s a tenth as good as the movie, that means it will kick a copious amount of ass.
Warner Bros. Interactive Entertainment and Avalanche Studios today unveiled the Mad Max “Savage Road” trailer, showing Max, who is left for dead as his cherished Interceptor is stolen by the merciless Wasteland tyrant Scrotus and his warboys. Max must rebuild a powerful new war machine to escape the deadly Wasteland and can only do that with the aid of his quirky sidekick and expert mechanic, Chumbucket.
Mad Max will be released on September 1, 2015 for PlayStation 4, Xbox One, and Windows PC.
EW has posted several photos from the set of AMC’s upcoming spinoff series “Fear The Walking Dead“, which is currently shooting in Vancouver, Canada. The photos show stars Cliff Curtis and Kim Dickens as well as show creator Dave Erickson, producer and comic creator Robert Kirkman, and more. You won’t see much in the way of action or zombies, so don’t get your hopes up too high. Still, it’s great to see the team who is making this a reality.
“Fear the Walking Dead,” which is set in Los Angeles and focuses on new characters and storylines, stars Kim Dickens (Gone Girl, “Sons of Anarchy”) as Madison, Cliff Curtis (“Missing,” “Gang Related”) as Travis, Frank Dillane (Harry Potter and the Half-Blood Prince) as Nick and Alycia Debnam-Carey (Into the Storm) as Alicia. Also joining the cast as series regulars are Elizabeth Rodriguez (“Orange is the New Black”) as Liza and Mercedes Mason (Quarantine 2: Terminal) as Ofelia.
More photos can be seen at the above link.
Okay, X-philes, this one’s for you! Entertainment Weekly caught up with “The X-Files” star David Duchovny to talk about what fans can expect when the series returns to Fox next year.
“I just read it [the script] about an hour ago, and I started crying reading the first page,” says Duchovny. “It was just so strange to see the names on the page. It had nothing to do with the script itself. It was just like, I’d been talking about this for a long time. We’d been planning it for a long time. It took a long time to get all the people in the same place and get the deal with Fox. So let’s say two years we’ve been talking about doing it. Now it’s the fun part. Now we actually get to do it. That was nice and strangely emotional for me, and I’ll have to figure out how to use that [in the performance].”
Even cooler? Duchovny says he’s open for more after this return.
“I would be open to doing another cycle. I don’t know that I could do a 20-episode version of this show at this point in my life, and I don’t know that Gillian could. But I think everybody is open-ended on what happens after this. Certainly, we didn’t bring it back with the idea of ending it.”
Returning actors announced thus far include stars Duchovny and Gillian Anderson (Mulder and Scully) plus Mitch Pileggi (FBI Assistant Director Walter Skinner) and William B. Davis (Cigarette-Smoking Man).
“The X-Files” originally premiered in September 1993. Over the course of its nine-season run, the influential series went from breakout sci-fi favorite to massive global hit and became one of the most successful television dramas of all time. The show earned 16 Emmy Awards, five Golden Globes, and a Peabody Award. Look for “The X-Files” to open on Fox Sunday, January 24, 2016.
David Duchovny is a National treasure.
While he’s an astounding actor who’s criminally underrated, what I love most about him is how honest he is with the press. And now that “The X-Files” reunion is a real thing, he’s being asked about it in every interview.
Just the other day he told EW that he got emotional when reading the new “X-Files” revival script.
“I just read it about an hour ago and I started crying reading the first page. It was just so strange to see the names on the page. It had nothing to do with the script itself. It was just like, I’d been talking about this for a long time. We’d been planning it for a long time. It took a long time to get all the people in the same place and get the deal with Fox. So let’s say two years we’ve been talking about doing it. Now it’s the fun part. Now we actually get to do it. That was nice and strangely emotional for me, and I’ll have to figure out how to use that [in the performance].”
Duchovny got emotional because he was so happy about a project, which is as rare and magical as a unicorn in Hollywood. It makes me emotional knowing that, after all of these years, he’s still this invested in both the character and the project. Duchovny is going to put his all into Fox Mulder’s return, even if it’s only 6 episodes.
But alas, there’s always talk of more, and Duchovny is so dedicated he’d like “The X-Files” to continue past this closing arc.
“I would be open to doing another cycle,” Duchovny said. “I don’t know that I could do a 20-episode version of this show at this point in my life, and I don’t know that Gillian could. But I think everybody is open ended on what happens after this. Certainly, we didn’t bring it back with the idea of ending it.”
Gillian Anderson has been just as vocal about her love of the franchise that launched her career. And being a regular on “Hannibal” is eating up much of her time, as well as a wide variety of other projects. With streaming services taking over the world, I think there’s a lot of opportunity to see “X-Files” go further than 6 episodes. And frankly, I like the idea of short, self-contained stories that get straight to the point. There’s nothing worse having to sit through “filler” episodes just to get to the finale’s big reveal, right?!
FOX is getting ready for a big push, setting “The X-Files” for return on Sunday, January 24, 2016. If it’s as big as I think it’s going to be, be prepared to believe in more than just Mulder and Scully…