First Trailer For ‘Avengers: Age Of Ultron’

bloody disgusting - Wed, 10/22/2014 - 19:15

Oh my god. Earlier today a few photos from “Avengers: Age of Ultron” leaked, but within a few hours, the entire trailer has leaked ahead of next week’s premiere on Agents of S.H.I.E.L.D. It’s glorious in every way, and surprisingly way more dark than I had originally anticipated.

Marvel Studios presents “Avengers: Age of Ultron,” the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to the Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.

Avengers: Age of Ultron opens on May 1st, 2015.

What do you think of the trailer? Am I the only one who thinks Ultron is incredibly bad ass?

EDIT: In the wake of this leak, Marvel responded appropriately and released the teaser online. Enjoy it in HD glory.

Categories: Horror News

Wicked ‘Fear Clinic’ Poster Sets Up Tonight’s Premiere!! (Exclusive)

bloody disgusting - Wed, 10/22/2014 - 18:55

Face your fears…

Anchor Bay is gearing up for the upcoming release of Fear Clinic, starring horror legend Robert Englund. While we await its world premiere at Screamfest in Hollywood tonight (Wed., October 22nd; tickets here), Bloody Disgusting has an exclusive preview of the brand new Fear Clinic poster.

Making the leap from web series to feature film, Fear Clinic is set for release in early 2015.

Written by Aaron Drane and Robert G. Hall (Laid to Rest) and directed by Hall, the film stars Robert “Freddy Krueger” Englund, Fiona Dourif (Curse of Chucky), and Thomas Dekker and features the acting debut of Stone Sour and Slipknot lead vocalist Corey Taylor.

When trauma-induced phobias begin to re-emerge in five survivors a year after their horrifying tragedy, they return to the “Fear Clinic,” hoping to find the answers they need to get cured.

Dr. Andover (Robert Englund), a fear doctor who runs the clinic, uses his Fear Chamber to animate their fears in the form of terrifying hallucinations. However, the good doctor soon begins to suspect that something more sinister may be at work, something that yearns to be more than just a hallucination…

Get full details on tonight’s screening!

Categories: Horror News

[MHHFF '14 Review] ‘That Guy Dick Miller’ Spotlights One of Horror’s Great Character Actors

bloody disgusting - Wed, 10/22/2014 - 18:28

For many people including myself, we first knew him as Mr. Futterman in Gremlins. Then we saw him as the shorter guy warning people against horror cinema in Matinee. His face kept popping up everywhere, in so many genre films fans hold dear. Most could recognize the face, but most didn’t know the name. Now the man, the character actor who has appeared in over 150 movies since the mid ‘50s, gets his well-deserved time in the spotlight thanks to the entertaining and charming documentary That Guy Dick Miller.

Director Elijah Drenner (American Grindhouse) gathers an impressive line up of filmmakers, family, friends, and actors (even Corey Feldman) who talk about Miller’s career and personal life. After 90 minutes of listening to them, it’s tough not to argue that Dick Miller is the man.

The film only flirts a little with his pre-acting life. We meet his brothers and they talk about growing up and the impact on Dick’s life their mother had (she was a renowned opera singer). He came up in the Bronx and that New York swagger would become a trademark of pretty much all his roles. As many of the participants point out in the film, Dick makes it look easy and steals the show no matter how small of a role he’s in.

This passion for the art of acting is contrasted nicely in the film with Dick’s workingman diligence for paying the bills. That Guy Dick Miller splits up his career into two distinct categories: Corman and Post-Corman. Roger himself pops up a lot in the doc, providing insight on his work with Dick and just what’s so damn appealing about the guy. His classic portrayal of Walter Paisley in Corman’s A Bucket of Blood is noted as the pinnacle of this era. Not just because Dick kills it as the iconic wannabe-hipster, but because it would be one of the last times he got a leading role, which is a damn, damn shame.

From there the film touches on loads of Dick’s iconic smaller roles in films like The Terminator, Night of the Creeps, and Gremlins. Joe Dante brings particularly deep insight into his love for the man and his frequent collaborations with him (including the blink-and-you-miss-it role in Innerspace). Their relationship really is a joy to hear about and as always, Dante is a terrific orator.

The glimpses into his personal life that Drenner provides show how dedicated Dick really is. They also allow viewers to get to intimately know the man whose face we’ve noticed in dozens of our favorite movies over the past decades. Even at 85, he’s quick with a joke and wildly in love with his wife. That Guy Dick Miller does a remarkable job spotlighting one of film’s great character actors. And it’s about time.

Categories: Horror News

‘Starry Eyes’ Poster, Stills Get Famous

bloody disgusting - Wed, 10/22/2014 - 17:16

MPI has announced a November 14th release for the incredible Hollywood slasher Starry Eyes (read our review), which will be available on iTunes and other VOD platforms.

We just now scored some hi-res imagery to go with a brand new one-sheet.

Written and Directed by Kevin Kolsch and Dennis Widmyer, who are in talks to helm Leatherface, the new Texas Chainsaw movie, “Determined to make it as an actress in Hollywood, Sarah Walker spends her days working a dead-end job, enduring petty friendships and going on countless casting calls in hopes of catching her big break. After a series of strange auditions, Sarah lands the leading role in a new film from a mysterious production company. But with this opportunity comes bizarre ramifications that will transform her both mentally and physically into something beautiful… and altogether terrifying.

Alex Essoe, Noah Segan, Pat Healy, Amanda Fuller, Shane Coffer, Fabianne Therese all star.

Categories: Horror News

[Comic Book Review] “Arkham Manor” #1 Gives Gotham’s Insane A Housewarming

bloody disgusting - Wed, 10/22/2014 - 15:55

By the end of “Arkham Manor” #1 your groans of familiarity will wash away with excitement. The Batman universe has go through a huge transformation under group editor Mark Doyle, and Gerry Duggan brings a different type of Batman to the page, one I didn’t think I wanted, but one I’m very happy to have.

WRITTEN BY: Gerry Duggan

ART BY: Shawn Crystal


PRICE: $2.99

RELEASE: October 22, 2014

It’s very clear to me that “Batman: Eternal” is really trying to change the status quo of Gotham. What better and more twisted way to celebrate 75 years, than tearing down the very sturdy foundations of the old universe. Right for the opening pages, Arkham Asylum is no more. The mad house that elevated Batman to a literary icon in the eighties has closed it’s doors and the insane of Gotham are in need a new home.

Luckily billionaire Bruce Wayne’s home is just laying around empty waiting to be acquired by the city. It’s bought up, it’s secrets are put to rest, and Arkham Manor is born. The gigantic home that gave birth to Gotham’s most twisted mind now houses an entire population of maniacs.

The premise alone should be enough to sell any longtime Batman reader. Gerry Duggen ensures to make it worth your way by bleeding as much heart into the old building that he can. This isn’t a story about Batman, but about the place in Gotham that made him.  There is a sense of moving on, and longing on the page here. The transition is handled with a certain sense of trepidation, that breeds excitement.

Shawn Crystal’s distinct style brings Gotham to muddy life, and adds a little rougher edge to the New52’s Batman than you might be used to seeing. He’s a little more rugged, worn down, and weathered. But it’s for the best.

Crystal’s ability to channel the transition and longing in this moment is incredible. A two page spread showing the difference between the Manor then, and now is striking. Bruce’s jaunt down a hall is populated by ghostly flashbacks to his past that tell a deep story about his relationship to the now insane asylum.

It’s only fitting that Duggen bring his story to a boiling point at the end of the issue. But, somehow keeps in grounded in a more street level version of Gotham than we’re used to. It’s something I found in his co-writtten issue of Batman with Synder and something we’re seeing again here. In the wake of an incredible rogues gallery, Duggen opts for something a little smaller and more human. It makes the push of the issue all the more interesting.

Is Batman doing this for the prevention of crime, or does he care more about the building than his own wellbeing. Is he so concerned with petty murderers that he needs to forget about the likes of TwoFace, Scarecrow and the like, or is he just heading inside to check the locks?

I suppose we’ll find out in thirty. Until then, consider me sold.

Categories: Horror News

[Five Skull Comic Review] “Five Ghosts” #13 Has Terror On Every Page!

bloody disgusting - Wed, 10/22/2014 - 15:50

It’s been a cold, cruel summer without my beloved “Five Ghosts” on the shelves. Luckily Barbiere and Mooneyham return with a thunderous force that will make you forget there was ever a break.

WRITTEN BY: Frank J Barbiere

ART BY: Chris Mooneyham


PRICE: $2.99

RELEASE: October 22, 2014

Five Ghosts has been incredibly gifted at straddling different genres. Barbiere has done an impeccable job at crafting a world so large, that anything feels possible. So this month with Fabian heading to Romania, the book feels distinctively darker, and is better for it. Within the opening pages were treated to a masterful balance of story and art that introduces the type of undead horde we’ll be seeing a lot of in this arc. It’s grisly and enchanting, and a ton of fun to watch Fabian execute zombies with arrows.

Further in the issue we’re treated to larger more picturesque pages that have an incredible scope and Gothic tone. The result isn’t dizzying but rather seamlessly inserts itself in the book to further establish this world of horror.

Fabian is still haunted by his past and this issue goes to show that even recent events have now been added to his list of sins. His heart weighs heavy but his quest remains the same, however stupid it may be. He’s still not ready to succeed just yet, and Barbiere makes sure to remind us of this.

As if that wasn’t enough we spend some time with a new villain of sorts. The final pages tease what we’re about to be up against, and it seems like one fucked up doctor who absolutely relishes the undead is about to make Fabian’s life hell.

Throughout the issue Chris Mooneyham makes the effort to further diversify his already insane art. He makes large sweeping panels layered unlike anything he’s done before and makes Fabian’s vampire the most chilling ghost of all, within one page. He’s a fucking titan and if you forgot, the opening pages displaying a zombie orgy of death will quickly remind you of his skill. I honestly can’t wait to see where things go next, because the gore in this issue had me on the edge of my seat.

It’s not often a comic can take a few months off without missing a beat, but “Five Ghosts” makes it look easy. The balance between exposition and action creates a tightly paced introduction to this new and horrific chapter that doesn’t forgive or forget past sins.

So relax, “Five Ghosts” is back and better than ever. The world of horror has never felt so fun, but thanks to Mooneyham’s sick pleasure in vanquishing the undead, and Barbiere’s ability to genre shift like a chameleon a genuine terror permeates every page and compels you to read further.

Don’t miss this book, and frankly push it on everyone you know and love.

Categories: Horror News

Horror Pumpkin Carvings Are Even Cooler When Painted (Halloween Treat)

bloody disgusting - Wed, 10/22/2014 - 15:50

Keeping up with our onslaught of Halloween Treat articles, reader Chris Cheetham let us know about an article at Bored Panda where they have a feature article on John Neill, a famous sculptor and pumpkin carving master who creates some of the most insane Halloween pumpkin carvings you will ever see.

Neill, who is now a member of the Laguna College of Art and Design, began his career in movies as an artist for clients like Michael Jackson, Jurassic Park, and Universal Studios, explains the site.

He will be holding a live pumpkin carving demonstration on Sunday, Oct. 26th at the Laguna Beach College of Art and Design.

This shit POPS when he adds color to them. I honestly haven’t seen pumpkin carvings that were painted before, and now I think I’m in love.

Photo Credit: John Neill

Categories: Horror News

[Comic Book Review] “Buffy the Vampire Slayer: Season 10” #8 Takes The Scoobies Back To Sunnydale

bloody disgusting - Wed, 10/22/2014 - 15:14

A special Halloween issue of “Buffy the Vampire Slayer: Season 10” takes readers back to Sunnydale, as the gang pursues the stolen VAMPYR book through a raging—inevitably doomed by an ancient, soul-devouring demon—bash at the Hellmouth. Lending his artistic vision to the series is legendary comic book illustrator Richard Corben, who works alongside Christos Gage and Rebekah Isaacs to deliver another top tier addition to the Buffyverse.

WRITTEN BY: Christos Gage

ART BY: Rebekah Isaacs, Richard Corben

PUBLISHER: Dark Horse Comics

PRICE: $3.50

RELEASE: October, 2014

Reviewed By: ShadowJayd

 “Return to Sunnydale” Part One is the first of a two-part story arc which opens with the VAMPYR book being missing, and the gang pointing comical and exasperated fingers at one another. After learning that it was Andrew who stole the book, Buffy, Spike, and Willow go on a retrieval mission to Sunnydale, where occult enthusiasts happen to be celebrating the existence of magic. Unfortunately, throwing a party at the Hellmouth is never a wise decision, and quite naturally, chaos ensues.

With the perfect balance of nostalgia, wit, and sincerity, Christos Gage writes in a way that is thoroughly engaging, and not in the least bit pandering. It’s very easy for writers to delve into contrived narratives when the story calls for characters to revisit their shared pasts, but Gage allows the issue to move forward naturally, while seamlessly shifting between present obligations and addressing serious past events that ultimately shaped the characters into who they are today. He seems to have a knack for setting up reflective moments like these, and Rebekah Isaacs has a way of capturing them with her pencils.

With a fluidity that echoes Gage’s narrative perfectly, the artwork by Isaacs is equally impressive. Through conscious choice of apparel to distinguished mannerisms, she actually manages to successfully illustrate the familiar personalities of the main characters on paper. This issue also showcases her ability to effectively create a sense of space and depth as evidenced during Buffy, Willow, and Spike’s excursion through the ruins of Sunnydale. Supporting the kinetic flow of Isaacs’ pencils and livening up the fantasy elements in this installment is Dan Jackson on colours. His style is very much characterized by soft, yet dark, tones and his penchant for utilizing a wide range of hues to capture the richness of Gage’s reality. Together, both Jackson and Isaacs present another great show of interior artwork.

Multi-award winning artist, Richard Corben graces the pages of “Buffy Season 10” #8 with a 3-page flashback feature focusing on this issue’s Demon of the Week Month (the physical appearance of which was inspired by his cover art for Warren Magazine’s“Eerie” #31, first published in 1970). His signature style, though obviously very dissimilar to Isaacs’, lends itself well to the dark and macabre tale Gage has concocted for the ancient demon, and fits nicely within the context of the narrative. Expect his usual incorporation of graphic violence and exaggerated characterizations with fantastically embellished features within the book.

Overall, “Buffy the Vampire Slayer: Season 10” #8 proves to be another solid issue thanks to a phenomenal effort by the creative team, a surprise Halloween treat in the form of groundbreaking comic book artist, Richard Corben, and a cliffhanger panel that will set your soul on FIRE.

ShadowJayd, known everywhere else as Farah Jayden Hakkak, began writing for Bloody-Disgusting in July 2012. You can find her on Twitter, or praising legendary comic book artists in her art column, Visions of Horror.



Categories: Horror News

Sega Details First Expansion for ‘Alien: Isolation’

bloody disgusting - Wed, 10/22/2014 - 15:07

Sega has offered up some new details on the first of five planned story expansions for developer Creative Assembly’s thoroughly terrifying survival horror game, Alien: Isolation. The first bit of DLC is called Corporate Lockdown and will follow Seegson executive Ransome as he tries to escape to the Torrens with valuable Nostromo data. The DLC will bring with it three new challenge maps — Severance, Scorched Earth and Loose Ends — where you can show off your sweet survival skills with the help of online leaderboards.

Corporate Lockdown will be available October 28 for $7.99 (€6.99 / £5.59) and will be followed up by four more packs that will each follow a different playable character and unique objectives, maps and game modes.

If you haven’t grabbed Alien: Isolation yet, I suggest you get on that. In my review, I called it “hugely successful” in its attempt to build a survival horror game around one of the most influential films of all time. You don’t even need to be an Alien fan to enjoy this.

Categories: Horror News

[5 Skull Comic Review] “Colder: The Bad Seed” #1 Is Delightfully Macabre

bloody disgusting - Wed, 10/22/2014 - 15:06

“Colder: The Bad Seed” #1 is the second arc in the critically acclaimed “Colder” series written and drawn by the power team behind “Prometheus: Fire and Stone”: Paul Tobin and Juan Ferreyra.  This series picks up some time after the events of “Colder” and follows Declan as he learns to use his abilities to heal the insane.  His relationship with Reece has developed, and a new big bad is in town.  Nothing at all has been lost from the first volume, this is still the book that will introduce you to the type of horrors you could never have imagined.  If this is your first introduction to “Colder”, please don’t miss out.

WRITTEN BY: Paul Tobin

ART BY: Juan Ferreyra


PRICE: $3.99

RELEASE: October 22, 2014

Review By Eric Switzer

In case you missed volume one: Declan was a patient in an insane asylum in the mid-twentieth century wherein horrible chemical experiments were done on the patients.  This eventually led chaos and destruction and attracted the attention of a being called Nimble Jack who eats the souls of the crazy.  Rather than consume Declan he curses him with certain abilities (including an ever falling body temperature) in anticipation of eating him in the future when he is tender.

To hide from Nimble Jack, Declan goes almost completely comatose and allows a caretaker named Reece from one of his subsequent mental hospitals to take him in.  Eventually by happenstance Nimble Jack stumbles upon Declan and Declan decides to wake up and have the most ruckus mind fucking battle of all time with the creature.

“The Bad Seed” has a new bad guy, one that may even surpass Nimble Jack in being disturbing and awful.  These are the kind of characters that make you worry about the mental stability of the creators.  Swivel collects people’s fingers by slicing them right the fuck off, is made of fingers, and has a weird thing about milk.  Its twisted, its hilarious, it makes it hard to sleep at night.

“Colder” always surprises, and each surprise is both horrible shocking and delightfully macabre.  Declan has the ability to move in an out of “The Hungry World” a place where the insane live, and what he finds there is all manners of fucked up.  Combined with a dose of humor and a healthy amount of romance, this book hits all the bases and establishes itself as a really unique horror entry on your self.

If you long for the style and flavor of “Locke and Key” you’ll want to check out “Colder”.  Volume #1 should be around $14.99 at your LCS and in my opinion it is essential reading for volume #2.  I promise you won’t be disappointed.

Eric Switzer  is an aspiring filmmaker and screenplay writer living in Los Angeles.  His work tends to focus on the lighter side of entropy, dystopic futures, and man’s innate struggle with his own mortality.  He can be found on twitter @epicswitzer or reached via email at


Categories: Horror News

[Comic Book Review] “POP” #3 Is A Little Too Heavy On Plot

bloody disgusting - Wed, 10/22/2014 - 14:56

The penultimate issue of “POP” by Curt Pires and Jason Copland takes a plot heavy direction as things build towards the grand finale.  The socially critical themes and tones that have made this series stand out are missing from this issue due, it would seem, to having so much story to tell.  Don’t expect to have your mind blown with this one, it looks like Pires is saving the best for last.

WRITTEN BY: Curt Pires

ART BY: Jason Copland


PRICE: $3.99

RELEASE: October 22, 2014
Review By Eric Switzer

Remember the last season of “LOST” when Jacob finally reveals himself and all the beautiful mystery he was responsible for suddenly sound like utter horse shit coming out of his mouth?

“POP” may very well have set the bar too high with issues one and two.  My feeling about this issue is that it tells its story but doesn’t really say anything worth hearing.  It tries to: in a scene in which our heroes-on-the-run examine nature of existence and the burden of ephemerality, but it is full of familiar sentiments and does little to provoke the imagination.  I realize these are high expectations to have for a single issue of a limited series, but this book has impressed to an almost soul-shaking degree and now, in issue three, I feel slightly abandoned.

A big issue I have with setting aside the social critique how non-compelling the characters are.  Elle is essentially a blank slate whose purpose has seemed to be a physical representation of the questions Pires is interested in asking, rather than a fully fledged human character, and Coop is disconnected, depressed, and representative of consumer culture, again not a dynamic human being.  Too much time is spent on the would-be killer couple hunting Elle and the enigmatic Cartel, though always fun to look in on, has the thinnest characters imaginable.

Again, I don’t mean to disparage, because this book has meant a lot to me and I’m expecting big things from the finale.  I’m just starting to feel as though I can see a hint of the wires, a edge of a stage light, and the corner of a hastily painted backdrop.  The magic isn’t lost, but it may have faded.

Eric Switzer  is an aspiring filmmaker and screenplay writer living in Los Angeles.  His work tends to focus on the lighter side of entropy, dystopic futures, and man’s innate struggle with his own mortality.  He can be found on twitter @epicswitzer or reached via email at

Categories: Horror News

Today In Horror History: The Film That Killed ‘Freddy vs. Jason vs. Ash,’ ‘Halloween III’ and An Epic Opening Massacre!

bloody disgusting - Wed, 10/22/2014 - 14:49

October 22 is an absolutely crazy day in horror history, as we begin with a look back to 2004. Yes, today is the 10th anniversary of the day The Grudge remake killed any chances of New Line Cinema bringing us Freddy vs. Jason vs. Ash, a story we were very close to.

As it was told to me through sources close to the project, New Line, after the monster success of the 2003 Freddy vs. Jason, was working with Sam Raimi to bring Ashley J. Williams into the franchise sequel. Ash, best known from the Evil Dead films and Army of Darkness, was to leave S-Mart, lock on his chainsaw and battle both Jason Voorhies and Freddy Krueger of the Friday the 13th and Nightmare On Elm Street franchise, respectively. There was even a treatment that Bloody Disgusting still has the exclusive on.

Now, as it goes, there was allegedly a verbal agreement that was to be announced on October 25th, 2004. That was until Ramie’s Ghost House Productions’ The Grudge opened to nearly $40M, among $187M worldwide. That’s HUGE. He allegedly reneged on the deal (and didn’t inform anyone at New Line) by announcing he’d be remaking his 1981 The Evil Dead instead.

That was 10 years ago. And that’s crazy. Thank the heavens we have the Freddy vs. Jason Vs. Ash treatment to relish in. It would have been epic.

The lore of Freddy vs. Jason Vs. Ash and The Grudge‘s destructive force on Hollywood wasn’t the only thing to happen on October 22. In fact, horror fans were destroyed when they entered the theater in 1982 to see Halloween III: Season of the Witch only to discover Michael Myers wasn’t in it. I was 2 years old when Halloween III came out, so I couldn’t tell you the extent of fan rage, but I do know a lot of you still scream “fuck Halloween III“. You’re wrong, dead wrong, as Season of the Witch is one of the best Halloween-themed horror films ever made. Directed by Tommy Lee Wallace, it was released by Universal and made $14M at the box office. It eventually would lead to The Return of Michael Myers in Halloween 4.

Also released on this day in horror history, Paranormal Activity 2, which released in 2010. I initially liked the movie, but it holds up terrible and is easily the second worst in the franchise. It was a monster success, though, as Paramount is currently developing a sixth film.

Lastly, and the most fun of the lot, is the 2002 Ghost Ship, one of Dark Castle’s awful awful remakes. While the film is absolutely garbage it boasts one of the greatest opening scene in cinema history. Watch below as an entire cruise line is decapitated…

Categories: Horror News

[Comic Book Review] “Edward Scissorhands” #1 Understands and Honors The Original

bloody disgusting - Wed, 10/22/2014 - 14:46

Edward Scissorhands is, for many of us, a classic. We loved it, during our goth phase, our angst-ridden middle school years. It’s the movie that started our crush on Johnny Depp, the movie that made us decide to try out black nail polish and lipstick. Or it’s the movie that really understood our poor tortured hormone-ridden teen souls, the movie that finally articulated what it was like to be the social outcast we imagined ourselves to be. It holds an important place in our collective psyche, campy charm and all. As we’ve grown, we’ve become more and more aware of the ludicrousness of the story, the exaggerated stylized aesthetic. But it’s still there, in our hearts, a vital memory.



ART BY: Drew Rausch


PRICE: $2.99

RELEASE: October 22, 2014

Reviewed By: Katy Rex

Kate Leth, Drew Rausch, and the creative team on IDW’s “Edward Scissorhands” must know what our mall goth phase was all about. They too stomped around in New Rocks and bled Manic Panic. This comic doesn’t go back and try to re-create the movie. That would be ineffective and almost disrespectful of the original. Instead, it picks up a few years after the movie left off:

“At the end of the beloved film, we see Kim relating the story of Edward Scissorhands to her young granddaughter. Now a teenager, Megs begins to wonder about the stories she heard as a child, despite her mother’s wishes. The years and loss have not been kind to Edward, who is more reclusive than ever, and beginning to find some strange and unusual things in the shadowy halls of his castle on the hill…”

The art is a mix between Jhonen Vasquez (Johnny the Homicidal Maniac, Invader Zim) and Adventure Time. It’s a playful nod toward the dark and spooky, but light and fun and engaging at the same time. The writing captures Edward’s childlike wonder and crippling depression, and the “new” character, Megs, is the epitome of teen, groaning and moaning because mornings exist and doubting everything her mother says.

As amazing as all of that is, the cherry on top of this teen-angst sundae is the aptly-named Clippings section in the back, where the creators interact with us, the readers, as we share our awful stories of high school selves. Including pictures. Eyeliner pictures. It’s as great as it sounds, I promise. Bonus: teenage picture of Kieron Gillen (Phonogram, The Wicked + The Divine) and his long hair and bass guitar.

Katy Rex writes comics analysis at, and She also writes scholarly articles for various academic journals. She really likes butt jokes, dinosaurs, and killing psychos and midgets in Borderlands 2. She has a great sense of humor if you’re not an asshole. Twitter: @eotucomics Tumblr: Instagram: @katy_rex Email:


Categories: Horror News

‘F.E.A.R. Online’ Has Finally Creeped Onto Steam

bloody disgusting - Wed, 10/22/2014 - 14:45

Prepare your butts, because I have it on good authority that Alma’s coming for all of ‘em. After a small delay, F.E.A.R. has gone free-to-play with F.E.A.R. Online, out now on Steam. The beauty of this installment in everyone’s favorite slow-mo horror shooter franchise is there’s really no reason not to check it out, because the only investment it’ll require from you is a little over 3 GB of precious hard drive space.

If you’d rather watch me play this game before you decide if it’s worth even that, I’ll be playing through it with David in our 13 Days of Horror series later this week. Until then, here’s a trailer.

Categories: Horror News

[Comic Book Review] “The Delinquents” #3 Has a Goat! Any Questions?

bloody disgusting - Wed, 10/22/2014 - 14:38

Bonding, drinking, and lots of debasing behavior between all of the less-than-noble champions’ blossoms in The Delinquents #3. That goat sure does come in handy, too. Having never read a Valiant comic before this series, I can attest that this is an uber-easy story to get into.

WRITTEN BY: James Asmus and Fred Van Lente
ART BY: Kano
PUBLISHER: Valiant Entertainment
PRICE: $3.99
RELEASE: 17 September 2014

Reviewed by: Your Friendly Neighborhood Brady
Twitter: @mrbradysteele

Hobo treasure map. Miscreant heroes and evil mutated meat making companies are chasing it down. What is going to possibly go right for anyone involved? Personally, I hope no one gets what they want here because these characters seem to become more fun when they don’t achieve their goals. Writers James Asmus and Fred Van Lente have made something truly irreverent and engaging in every way a comic should. All that plus it’s really funny how Archer, Armstrong, Quantum, Woody and the Goat stumble and bumble and pan handle their way across the country tracking down this elusive booty.

The art by Kano continues to shine in this chapter as in previous ones. It seems there’s nothing Kano can’t make truly striking. At the same time, the smaller moments where you see the heroes connect during their various shenanigans gives it unexpected warmth to these blundering, lumbering and loveable idiots. I don’t want to spoil any of the visual random buffet you’ll read but as a life-long fan, there are lots of new and original things to see here.

I concede again that I’m new to the Valiant universe. Having said that, I definitely want to learn more about it. To me,The Delinquents #3 is a great introduction to two pillar series Archer & Armstrong and Quantum and Woody. I want to know more and plan to (hopefully for Christmas). Read on now and enjoy the ride like these characters and creators do: shamelessly.


Categories: Horror News

[Comic Book Review] “Predator: Fire & Stone” #1 Is The Predator Comic You’ve Craved Since ’87

bloody disgusting - Wed, 10/22/2014 - 14:34

We’ve had Aliens, Prometheus and AVP, but now it’s time for Joshua Williamson to put them all to shame with the glorious “Predator” #1. This debut issue pulls no punches. No one is safe and death lies in wait around every corner. The tension is palpable and the action is visceral; this is the Predator comic we’ve been waiting for since ’87.

WRITTEN BY: Joshua Williamson

ART BY: Chris Mooneyham


PRICE: $3.50

RELEASE: October 22, 2014

Reviewed By Torin Chambers

Williamson quickly sidesteps one of past Predator comics largest potholes, introducing the Predator. We don’t spend issue upon issue following bumbling protagonists trying to figure out what mysterious creature is hunting them. Predator is in the title. There’s no need to treat each one like it’s the first time, and that’s exactly what Williamson avoids.

The protagonists here are smart and crafty, they know there’s something onboard with them and they’re going to find it. Our ‘hero’ Galgo is one slippery, slimy, greasy son of a bitch. He’s beyond cocky and looks out for himself above all else. You’d never want to be his friend (or even in his proximity) but he’s insanely fun to read. It’s an absolute joy to watch him work people, pushing the right buttons and conning others into early graves. He’s an incredibly strong protagonist in his own right, he could carry a story sans-predator — easy.

But this isn’t Galgo: Fire & Stone, it’s a god damn Predator story. More specifically it’s the story of Ahab, an old Predator who’s on his last great hunt. I won’t spoil what he’s hunting here, although if you were at Dark Horse’s NYCC panel, like me, then you know where things are going. Trust me though this, Ahab is definitely hunting his own white whale and when it comes to pass, it’ll be a spectacle.

It’d be a crime if I didn’t praise the hell out of Christopher Mooneyham’s gritty and detailed art. He was born to draw a Predator comic. The way Mooneyham works with Ahab’s heat vision is brilliant, I’ve never seen it used in such creative ways. This creative attention to detail extends to all of Ahab’s arsenal and I have no doubts it’ll just get more and more fun as the series continues.

The days of calling an okay Predator comic a blessing are over. Once this 4 issue series has concluded it will become what all Predator comics are compared to, I can feel it in my bones. Williamson and Mooneyham expertly sow the seeds for the Predator epic we’ve all wanted, and Predator has deserved, for years.

Torin Chambers is a rad dude from the nineties who does film stuff or something. Thomas the Tank Engine is his favorite transformer. Find him on Twitter @TorinsChambers


Categories: Horror News

[Comic Book Review] “Memetic” #1 Weaponizes Memes To Create Genuine Terror

bloody disgusting - Wed, 10/22/2014 - 14:20

In three days, the world as we know it is going to shit. And, in “Memetic” #1 James Tynion IV and Eryk Donovan begin to take us on the three issue journey of how it happens.

WRITTEN BY: James Tynion IV 
ART BY: Eryk Donovan
PRICE: $3.99 
RELEASE: October 22, 2014

Reviewed By Pablo Arriaga

The story begins with Aaron Summer, a young kid who is browsing the right Reddit page at the right time when the “Good Times Sloth” image pops up online, and people love the shit out of it. They obsess over it. It makes them feel good. It makes them feel euphoric and they can’t have enough of it. Yet Aaron’s odd eyesight and his inability to see most colors causes him to be unaffected by the image. As he sees the world go completely apeshit over the picture, we move over to Marcus Shaw, a former member of the military who’s career may be retired but his discipline and hunger for truth hasn’t. His desire to find out what’s happening is sparked when the meme phenomenon hits a little too close to home.

Our two main characters, although not completely in the forefront, become the vehicles to two different aspects of this world. Aaron is the man on the front lines – the one who will experience the clusterfuck that the world is becoming. We’re introduced to his childhood friend and another close one he tries to contact, but other than that he seems like a normal twenty something kid in college. Marcus on the other hand is completely detached from electronics, and being nearly blind he’s also immune to the effects of the meme, but is very interested in them. Marcus becomes our flashlight in the dark, trying to figure out what’s causing all the mayhem, and more importantly who might be behind it.   The real focus of this story is the event itself. The term “Memetic” is based off of the Richard Dawkins’ theory that an idea is passed along through cultural groups to further the species. Tynion IV flips this theory and merges it with the modern use of “memes” on the internet. From there he plays with the notion that a simple internet image that becomes a meme could bring about the destruction of the human race in three days. With all the ‘Gates’ and information leakages happening these days, an unbelievable amount of information at our fingertips all the time. Therefore, weaponizing a meme it’s something that’s viable enough to be terrifying.

Eryk Donovan’s art is set on everything that’s happening in this world and not missing an eye for detail. With an amazing flow from one panel to the next one, you’re not feeling like you’re missing any moments or are stuck, mirroring Memetic’s world to ours. Aaron’s “I should go to sleep” moment is all too familiar to all of us. Whether it’s trying to fall asleep but our phone is right there, or opening our laptops again to check something and have another four hours sucked out, everyone is on their cellphone, tweeting something, checking Facebook. Just when we’re settled into and feeling comfortable about what happened, it’s kicked into high gear and everything takes a massive dive. No one is sure what’s happening, all they know is that it’s got something to do with the Good Times Sloth.

I wish I’d gotten to know the characters a little bit more, but this being the first out of only three issues the focus is mainly on what is happening, and what our characters are going to do about it. By the looks of it, the next two issues are going to be non-stop action well worth your money.

Pablo Arriaga has been bringing the gospel of The Slacker Nerd to countless people the world over with He also writes the most metal rants on the web and knows a better recipe for tacos than you do. For more writings or to be baptized in the arms of Matthew McConaughey follow Pabby on Twitter and Facebook.

Categories: Horror News

[Comic Book Review] Nick Brehmer Needs You To Read “Zero” #11

bloody disgusting - Wed, 10/22/2014 - 14:12

Edward Zero’s bed is warm. He’s got Siobhan now. He’s got a snow-covered cottage nestled in Iceland’s remote countryside. He’s got pet chickens, wine, and a car. He had two full bags of groceries before he launched them at the face of the assassin waiting for him to get home…


ART BY: Ricardo Lopez Ortiz

PUBLISHER: Image Comics

PRICE: $2.99

RELEASE: October 22, 2014

Reviewed by Nick Brehmer

You know what, I’m just going to be fully honest with this one: I’m tired of waiting for these issues of “ZERO” to come out. Then when they do come out, I get tired of writing reviews for them. I’m tired of trying to convince you jokers to start reading this incredibly fascinating series. I’m tired of trying to think of new ways to explain how blown away I am by the creative artistry of the artist each issue (#11 is drawn by Ricardo Lopez Ortiz, by the way) and the narrative genius that Kot injects into his storylines. I’m tired of flipping the page, seeing the paneling, and saying, “shoot, look at that paneling.” I’m tired of rereading each issue thinking, no, knowing that I’m missing sometime big. I’m tired of all the burning questions I have by the end of each issue. What’s with the volcano? Who’s on the phone? What does it all mean? It’s so tiring!

Are you reading this Ales Kot & co.? I’m tired!


Dammit. Until next time…

A product of the harsh lands of Northern Ontario, Nick Brehmer is in fact a sensitive flower currently blooming in the GTA. He spends his downtime wishing he was British. Follow him on Twitter and Instagram @nicholasbrehmer

Categories: Horror News

[Comic Book Review] “Clive Barker’s Nightbreed” #6 Begs You To Visit Midian!

bloody disgusting - Wed, 10/22/2014 - 13:56

A solid installment worth-reading, “Clive Barker’s Nightbreed” #6 will surprise readers with its twisted sense of dark humor. Based on Clive Barker’s “Cabal” novella, this spinoff explores the underground inhabitants living in the secluded city of Midian. Not only is the series exploring new territory within the “Nightbreed” mythology, it is also creating a surreal world readers must visit.

WRITTEN BY: Clive Barker and Marc Andreyko

ART BY: Piotr Kowalski, Emmanuel Xerx Javier


PRICE: $3.99

RELEASE: October 22, 2014

Reviewed By Jorge Solis

Aaron Boone is about to meet two interesting characters living in Midian. Lude and Annastasjia are sharing origin stories in a competitive game to “out-tragedy” each other.” Abandoned by his mother, the demon-looking Lude has lived a lonely life as an orphan. The Hollywood starlet Annastasjia has not aged a bit since the ’20s because she has someone else’s head living beside her. Though they have diverse backgrounds, with special circumstances, Boone is about to learn how all roads eventually lead to Midian.

Barker and co-writer Marc Andreyko keep the narrative entertaining through their witty sense of comedic timing. The writing duo delivers some laugh-out-loud humor through Lude in his coming-of-age tale. Though Lude has the face of a demon, he is really an orphan wanting the answer to why his mother abandoned him. This is about whether an unwanted child should forgive their parent for not being there.

At its best, Andreyko’s storytelling knows when to split and connect the two origin stories through their themes. Abandoned by the limelight, Annastasjia wants to strike back at Hollywood for forgetting about her. When revenge leads to nowhere, Annastasjia is able to find a home for herself, along with people who accept her, at a carnival freakshow.

Artist Piotr Kowalski Javier hits at the right expressions throughout Lude’s emotional arc. Though he is supposed to be the comic relief, Lude is really using the humor as a self-defense mechanism. Whenever the panels hit their dramatic points, Lude is then drawn cartoonishly, as if he’s avoiding the seriousness.

Emmanuel Xerx Javier captures a violent slasher tale with Annastasjia’s origin story. In her revenge plan, Annastasjia cuts off a man’s head and throws the decapitated piece in front of a moving car. We get to see all the blood when she slits the throat of the doctor who ruined her life.

“Clive Barker’s Nightbreed” #6 has crafted two interesting protagonists that should become fan-favorites. Just reading the “Nightbreed” comic makes me want to preorder “The Cabal Cut.”


Categories: Horror News

Teaser Video For ‘Insidious: Chapter 3′ Trailer!

bloody disgusting - Wed, 10/22/2014 - 12:36

Focus Features released a trailer for the forthcoming Insidious: Chapter 3 teaser, which hits officially tomorrow!

Leigh Whannell, co-creator of the terrifying horror franchise, directs the third film.

The full cast of Insidious: Chapter 3 includes Dermot Mulroney (August: Osage County) and Stefanie Scott (Jem and the Holograms) starring alongside Lin Shaye, Angus Sampson, and Mr. Whannell, with the latter trio reprising their roles from the first two movies in the franchise.

This chilling prequel, set before the haunting of the Lambert family, reveals how gifted psychic Elise Rainier (Lin Shaye) reluctantly agrees to use her ability to contact the dead in order to help a teenage girl (Stefanie Scott) who has been targeted by a dangerous supernatural entity.

Focus Features will release Insidious: Chapter 3 domestically nationwide on Friday, May 29th, 2015.

Categories: Horror News