We’re continuing to rollout exclusives for Warner Bros. Home Entertainment’s Disaster L.A.: The Last Zombie Apocalypse Begins Here, this time with a second clip that has your first look at a zombie attack. During an apocalypse, always hope that you have a friend with a gun ready to save your ass…
Independent filmmaker Turner Clay’s newest sci-fi zombie thriller arrives September 16 Direct-to-Video Blu-ray and DVD release, plus Digital Download.
Clay wrote, directed and produced (with John Will Clay) Disaster L.A.: The Last Zombie Apocalypse Begins Here which “tells the story of a group of friends desperately trying to escape the toxic smoke that is the deadly result of a meteor shower strike in the middle of Los Angeles. In its wake, neither friends nor strangers are safe from each other. The only hope for survival is to try to reach the coast before it’s too late.”
Justin Ray and Jerod Meagher star and Stephanie Estes, Ron Hanks, Michael Taber, Dennis Leech, Ali Williams, Morgan Jackson and Kendall Mayhew are featured.
There are four things that dominate my life: horror, basketball, pizza and cake. Just the mere thought of combining two of those things could make my head explode (if not my heart, first).
I just now learned of Cakeageddon, which is described as an “edible horror farm.” Yes, a farm of horror filled with delicious treats; it’s like treat-or-treating from the gods!
Unfortunately, I’m here in the States, so a trip to Standalone Farm in the UK is out of the question. Those UK readers who Hansel and Gretel the hell out of that shit, be sure to share your photos and stories from the event.
A perverse cake box of fairy tales including deformed Animal Farm characters, ‘Three (Slaughtered) Little Pigs, Red Riding Hood and her basket of intestines and the nemesis of Miss Muffet, a giant 7ft spider… all of course in 100% edible form. Cakeageddon is coming… Miss Cakehead presents a twisted fairy tale for your taste buds as the world’s first edible horror farm opens at Standalone Farm in Letchworth Garden City this Halloween.
The event combines live horror action with cake for the first ever time, creating an incredible terrifying edible experience the likes of which have never been seen before. The family farm attraction taken over by renowned creative and food art curator Miss Cakehead for a special event targeted strictly at older teenagers and adults which features some of the world’s most infamous cake makers.
Red Riding Hood chasing you through the woods and the remains of the three slaughtered little pigs strung up and dripping ‘blood’ (strawberry sauce) are just some of the CAKE treats in store for you when the mistress of macabre cake takes over Letchworth Garden City’s Standalone Farm every night from the 29th October to the 1st November. Cakeageddon – the World’s first edible horror farm – will be extreme gruesome cake at its most terrifying.
Scattered around the farm will be a series of large scale cake installations which brave visitors will be able to tuck into if there dare… There will be plenty of nasty surprises in store as they go on their cake-walk though the night… Even the children’s play barn on the farm is touched by Miss Cakehead’s twisted mind, taken over by a nightmarish edible creation of Animal Farm.
Not forgetting her macabre cake roots, Miss Cakehead’s extreme cake shop – Eat Your Heart Out – will be back for the fourth year. In fact this year there are two; one based at Standalone Farm itself (which can be visited without having to enter the farm) and another at The Hoxton Shoreditch.
More information on tickets and the event can be found at www.cakeageddon.com or by following @miss_cakehead on Twitter.
Jonestown Films has announced the start of production on The Wicked One.
The indie slasher is “A story about a girl who claims a monster sized slasher is after her and is admitted into a mental institution. Her psychiatrist is skeptical until the killer shows up.”
The Wicked One is directed by Tory Jones and stars Katie Stewart, Jack Norman, Dale Miller, and Ari Lehman (Friday the 13th).
Here’s your first look:
We’re nearly 15 years into the 21st century, if some of you can believe that. That’s given us a swatch of horror films and it’s worth making sure that we recognize the great ones that have come out so far.
With that in mind, we’ve got Terminal Gods vocalist Robert Cowlin, who has decided that he’s up for the task of looking into this topic and weighing in with his thoughts.
Horror movies, so many to choose from. I spent four years studying and exhibiting them and still you merely scratch the surface. How can one reduce this great swelling tide into one coherent list? The stuff of nightmares, fantasy, story books – and here are my favourite ones loosely tied together under this thing we call genre. No, this is the sort of thing that requires a much larger canvas than I am permitted here. I am restricted to the concept of the list, but that’s it. How to fill it? Well, I once toyed with the idea of a thesis that had post-millennial horror films at its core. I won’t go into the interlinking theories and themes now, but I scoured my archive of popular 21st Century horror and here are five that I always recommend…
Read on for Cowlin’s Top 5 Horror Films Of The 21st Century!
Warner Bros. Home Entertainment will be releasing Turner Clay’s Disaster L.A.: The Last Zombie Apocalypse Begins Here tomorrow, and right now we have an exclusive clip for you guys to digest. Only the flesh-hungry need apply!
Justin Ray and Jerod Meagher star; and Stephanie Estes, Ron Hanks, Michael Taber, Dennis Leech, Ali Williams, Morgan Jackson, and Kendall Mayhew are featured.
Disaster L.A. Release Details
Warner Bros. Home Entertainment (WBHE) has acquired Disaster L.A.: The Last Zombie Apocalypse Begins Here, independent filmmaker Turner Clay’s newest sci-fi zombie thriller, and has warned fans to brace themselves for a September 16 Direct-to-Video Blu-ray and DVD release, plus Digital Download — in time for Halloween viewing.
Clay wrote, directed, and produced (with John Will Clay) Disaster L.A.: The Last Zombie Apocalypse Begins Here, which tells the story of a group of friends desperately trying to escape the toxic smoke that is the deadly result of a meteor shower strike in the middle of Los Angeles. In its wake neither friends nor strangers are safe from each other. The only hope for survival is to try to reach the coast before it’s too late.
Zombies are currently entertaining the world more than ever, as evidenced by the recent successes of “The Walking Dead” TV series and last year’s film World War Z, starring Brad Pitt, which became the highest zombie grosser of all time with over $202 million domestically. Boxofficemojo.com, which has tracked zombie movies since 1982, estimates they’ve grossed more than a billion dollars at the domestic box office since then. That doesn’t include dozens of movies made before that.
While zombie movies have been around since the ‘70s (1972’s White Zombie is considered the first), many credit George A. Romero’s low-budget Night of the Living Dead (1968) — still listed at the top of all-time favorite zombie movies — as the model for all subsequent zombie films. A ‘90s zombie revival points to the creation of the first zombie video game,“Resident Evil, which was adapted to the big screen in 2002.
Other top-ranked favorites include Romero’s Dawn of the Dead (1978), Lucio Fulci’s Zombie (1979), Dan O’Bannon’s The Return of the Living Dead (1960), Peter Jackson’s Dead Alive (1992), Resident Evil (2002), Danny Boyle’s 28 Days Later (2002), Edgar Wright/Simon Pegg’s Shaun of the Dead (2004), Zack Snyder’s Dawn of the Dead (remake, 2004), and Ruben Fleischer’s Zombieland (2009).
Turner Clay is the first to say he owes a debt to those who preceded him: “As a kid I was blown away by Romero’s Dawn of the Dead. I realized what makes zombies so fascinating is to imagine what you’d do if they were real. Then I started to notice zombies doing just that: evolving into faster, more realistic creatures. Danny Boyle’s 28 Days Later is one of my all-time favorite zombie films because it was really scary. When I found out it was done with a small crew and a cheap digital camera, I was so inspired, I decided to buy my own camera and go all out for the zombie genre.”
Clay’s first effort was State of Emergency about a small town’s chemical facility that explodes, releasing deadly toxins that cause mutations in the town’s residents.
“Turner is an up-and-coming filmmaker so for WB, distributing this film was a logical move. In spite of our vast horror library, we only have only a few films in the zombie segment of the horror genre. This picture will complement our repertoire and continue to drive our physical and digital strength in the fourth quarter,” said Jeff Baker, WBHE’s Theatrical Catalog EVP and GM.
“I’m convinced the reason zombies are so powerful is that they capture an atheistic fear of the dead,” says Esquire’s Stephen Marche. “There seem to be two choices [to deal with them]: shoot them in the face or run away. It’s not much, but even that very slim measure of control provides enough pleasure to bring in millions of viewers every time they show up on screen.”
One final note that illustrates zombies’ current popularity: The government agencies of Homeland Security, Federal Emergency Management Agency (FEMA), and the Centers for Disease Control (CDC) have all recently issued zombie “alerts” as a lighthearted way of getting people to focus on preparedness for actual threats.
CDC Director Ali S. Khan noted, “There are all kinds of emergencies out there that we can prepare for. Take a zombie apocalypse, for example. That’s right; I said z-o-m-b-i-e a-p-o-c-a-l-y-p-s-e. You may laugh now, but when it happens, you’ll be happy you read this, and hey, maybe you’ll even learn a thing or two about how to prepare for a real emergency.”
The post Exclusive Clip: Disaster L.A.: The Last Zombie Apocalypse Begins Here appeared first on Dread Central.
Does “Destiny” live up to the hype? In this week’s content-packed show, Don and Justin discuss just that, and also, what will the game’s long-term future look like? And just what parties are Don and Justin late to? Edge of Tomorrow, The Bridge, and even “The Walking Dead” to name but a few.
LEGO is now the largest toy company in the world. The expensive little bricks have captured the imagination of youth for decades, and has since been made into a feature film, the incredible LEGO Movie. Now, people are pushing for the creation of LEGO sets from Jaws to Ghostbusters, which has made LEGO cool even for adults.
Custom LEGO makers Minifigs.me has already been at it for quite some time, creating horror-themed LEGO known as “Oh the Horror!”
They’re hoping to add a little jeapordy to your toy-chest with their second series of custom-printed horror minifigures, depicting seven more iconic horror characters!
With names like ‘Pincushion’, ‘Boomstick’ and ‘Creepy Doll’, you don’t have to be a horror aficionado to see they are a tongue in cheek tribute to some of our all-time favourite horror flicks. All of them are fully custom using LEGO pieces and printed directly with state of the art printing technology.
These creepy-cute little guys can be found over at http://www.minifigs.me/horror.
From Christian Sesma, the director of Night Crew, comes Lost Time, a new sci-fi alien abduction indie starring Rochelle Vallese, Luke Goss, Robert Davi, Lin Shaye, Derek Mears and Jenni Blong.
In the film, “After leaving a doctor visit with the worst news, Valerie Dreyfuss and her sister Melissa come to a stop on a lonely stretch of road. Their car is engulfed by a blinding light….12 hours later Valerie wakes to the horror that her sister is gone, nowhere to be found.”
Check out the first trailer, poster and still from the alien abduction film from Spotlight Pictures. The trailer actually looks pretty interesting, mixing in elements of “The X-Files” and Fire In the Sky. I like that possibly the government is working with the extraterrestrial beings?
It’s been close to a year since we last got an update on Ryan Lightbourn’s Sleepwalkers, but the first-time feature director is wrapping up post-production now, and a new trailer has come our way.
The film was written and directed by Lightbourn and stars Ansley Gordon, Amanda Phillips, Tommy Goodman, Ben Owen, and Ben Evans. Producers are Lightbourn, Aviva Christie, Tim Story, and Jesse Fox. It’s only a few short months away from completion and has been submitted to a number of film festivals.
The new trailer for Sleepwalkers, a vicious creature feature, was shot in the bayous and swamps of Florida, helping to create its dark tone. An official release date will follow shortly; in the meantime enjoy this sneak peek along with some new stills.
Sleepwalkers tells the story of five college students as they attempt to enjoy a festive spring break getaway, only to encounter a deadly, nocturnal presence. As horrific events unfold, the group joins forces with a local convenience store owner and a prison escapee. Nighttime approaches, and they must set aside their differences and use their wits to survive.
The post Another Trailer Emerges from the Swamp for Sleepwalkers appeared first on Dread Central.
In the latest clip from Magnet’s Honeymoon (read our review), now on iTunes, VOD and in limited theaters, “Game of Thrones” star Rose Leslie is discovered deep in the woods naked, bruised and battered.
“Young newlyweds Paul (Harry Treadaway) and Bea (Rose Leslie) travel to remote lake country for their honeymoon, where the promise of private romance awaits them. Shortly after arriving, Paul finds Bea wandering and disoriented in the middle of the night. As she becomes more distant and her behavior increasingly peculiar, Paul begins to suspect something more sinister than sleepwalking took place in the woods.
Treadaway and Leslie give captivating leading performances as a couple that takes new love to disturbing depths. With romance slowing giving way to terror, writer/director Leigh Janiak puts her unique stamp on this intimate, chilling thriller.”
Leigh Janiak’s festival fav stars Rose Leslie (“Game of Thrones”), Harry Treadaway (“Penny Dreadful”), Ben Huber and Hanna Brown.
Much like the colorful style of the film (see above), /Film shares these two alternate retro one-sheets for The Guest (review), knocking on your door September 17. We’ve also included the theater listings ICYMI.
Directed by Adam Wingard, “A soldier (Dan Stevens) introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.“
Opening day theaters
Empire 25 Theaters
Village Theatre 7
River East 21
Showplace Icon 16
Century Evanston 12
AMC Star John R 15
AMC Livonia 20
Cinemark West Plano 20
ArcLight Hollywood 15
Aventura Mall 24 Theatres
South Beach 18
Cobb Dolphin Cinema 19
AMC Desert Ridge
Pacific Place 11
Love movies about real hauntings? Then be aware – The Paranormal Diaries: Clophill (review) is hitting DVD at the end of the month, and we’re giving away a copy!
To enter for your chance to win, just send us an email at email@example.com including your FULL NAME AND MAILING ADDRESS. We’ll take care of the rest.
This contest will end on at 12:01 AM PT on September 27th.
The Paranormal Diaries: Clophill Release Details
Image Entertainment is releasing horror film The Paranormal Diaries: Clophill (based on true events) on DVD and digital download on September 70, 2014. Co-directed by Michael Bartlett and Kevin Gates, the film stars Gates, Bartlett, Craig Stovin, Criselda Cabitac, Mark Jeavons, and Rob Whitaker.
Six investigators head to one of the world’s most haunted places to uncover the source of supernatural sightings and phenomena. Known for centuries as a notorious magnet for grave robbers, body snatchers, Satanists, and cultists since the time of The Black Death, the ruined St. Mary’s Church at Clophill plays host to filmmaker Kevin Gates and his team of researchers. Obsessed with unraveling the secrets of this “unholy ground,” they venture into the murky darkness armed with cameras, curiosity, and a need to expose the truth. However, some secrets were meant to stay buried – permanently. Over the course of three chilling nights, it becomes clear that they have unleashed something ancient and evil that has long been hungry to escape into this world.
- Audio commentary with co-directors and cast
- “Tales from the Graveyard” deleted scenes-->VISIT THE EVILSHOP @ AMAZON!
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Directed by John Suits
The Scribbler is based on the graphic novel of the same name written by Dan Schaffer, who also developed the story for film. And The Scribbler definitely has the feel of a graphic novel coming alive on the screen. Filled with a menagerie of colorful, insane characters and some intriguing sci-fi gadgetry, The Scribbler is a comic come alive.
The story revolves around Suki, a young woman suffering from dissociative identity disorder. She’s crazy. Carrying around about a dozen personalities, Suki finds herself projecting them on a dog and an elevator, and the voices in her head are always giving her all kinds of nutty ideas. However, her doctor considers her almost cured so Suki is staying in a halfway house called Juniper Towers (a ka Jumper Towers), where patients of Dr. Sinclair go after a hospital stay and treatment to try to ease back into society. Unfortunately, that doesn’t ever really happen.
The brooding, mentally unstable Suki is played by Katie Cassidy who does a commendable job in the role. She brings out Suki’s dark side but also has fun with the lighter aspects of her personality that surface from time to time, especially when she’s with Hogan (Garret Dillahunt), the only male resident of Juniper Towers, who realizes he’s in a building with a bunch of women with daddy issues, and he does his best to make the rounds with all of them. Together, Suki and Hogan prove to be an entertaining combination.
Aside from the two leads, The Scribbler is filled with plenty of interesting fringe characters. Juniper Towers has a terrific atmosphere, and the residents are realistic but at the same time almost Wonderlandish. Gina Gershon plays sex addict Cleo; and Ashlynn Yennie plays Emily, who has an irrational fear of clothing (that’s right). But perhaps the coolest resident of Juniper Towers is (fittingly enough for the Wonderland feel) Alice, played by Michelle Trachtenberg. Channeling Sylvia Soska with her look, Trachtenberg is very cool as the dark and threatening Alice. She is the most dangerous resident of the tower, and Suki finds herself having to deal with Alice on several occasions. The atmosphere of the entire film is really fun. Shots inside the residence are always somewhat surreal, and when director John Suits takes the action outside, it has almost a Gotham City feel to some of the scenes.
So here we have our hero, Suki, living in Juniper Towers with Dr. Sinclair’s orders to use the Siamese Burn Therapy machine he’s created to help erase some of the extra personalities she’s carrying around. The only problem is, when you get down to the final few personas, how can you be sure you’re the true one and only that belongs there? You can’t.
The Scribber moves along at a very efficient pace and is fun to watch. The ending of the film, however, makes a bit of a transition from the horror/sci-fi story we’ve watched for the first hour and takes a turn that almost has a superhero feel. Once the mysterious secrets of Juniper Towers are revealed and we find out just what is going on with the Siamese Burn Therapy, things go south a bit in the end. Not to say that the movie doesn’t hold up completely, but once you peel away some of the great fringe characters who helped carry the film through the first hour, some of what is left is less than stellar. Good, but not great.
You can find a bit of everything in The Scribbler. Without a doubt it touches into horror and sci-fi, and even some decent comedic elements exist in it. The intensity of the majority of the film is kind of lost in the finale that feels forced. But when the guy who wrote the graphic novel is also writing the script, I suppose you’ve got to go with what he says.
The Scribbler is entertaining and has plenty of action to keep viewers interested. If you can handle an ending that feels like an afterthought, then you’ll dig this one.
7 out of 5
Discuss The Scribbler in the comments section below!
With the final few episodes of the season, you’d think The Strain wouldn’t waste precious time with plotlines that don’t move the story forward. Would you be surprised to know that “Loved Ones” actually contains no plot progression whatsoever?
That’s right, this episode begins and ends in the exact same place for all of the characters. It’s infuriating. The story feels so padded. It’s stalling against an inevitable conclusion for reasons unknown. It’s almost afraid that the main plot line could be resolved too quickly so it spreads itself too thin for too long.
Let’s get some obvious issues out of the way. The episode begins with Zack magically being able to access the Internet in a world that has had the Internet shut down. (A fact, which we’re constantly reminded of.) He turns on find my iPhone and tracks his mom’s phone with ease. Then Eph says the coming apocalypse can wait, and everyone else is like it’s cool, go find your ex-wife. So he leaves.
It’s amazing too, because he’s looking for this iPhone in a red case, and luckily he’s able to spot it from approximately 100 feet away in the possession of a homeless woman with a badly burnt leg. Hard cut to him wrapping gauze around her burn. Then I hope you like flashbacks! Because this week is like an episode of Pimp My Ride: flashbacks on flashbacks on flashbacks.
What is so important that it requires so many flashbacks to tell the story, why it’s the demise of Kelly Goodweather! As someone who’s familiar the source material, Kelly’s journey should prove interesting, but this week we’re treated to it all at once. We’re constantly reminded of what happened in the past, and this just feels like a last ditch effort to retread old ground in an attempt to stall the major story for one more week.
I enjoy her transformation. I even liked some of her scenes this week. But so much of this defies pacing logic. I feel shortchanged as a viewer. We gained no new information from Kelly’s journey and we didn’t even feel the emotional weight of her demise until the final minutes of the episode. Eph finding the necklace in the basement was enough to know that she was dead. Frankly it would have been more interesting to see Kelly’s story play out last week and have Eph retrace her journey this week. Instead we see it all play out twice, right here, right now.
I digress, but that’s what this episode felt like, a gigantic digression. While I didn’t enjoy most of what last week had to offer I still felt like it inched things along for some of the key players. This week we got no Eichorst, virtually no Abraham, and a couple wasted scenes with Vasily.
The result was a truly painful hour of television that finally got away with establishing the rules of it’s world in favor of focusing on character. But the characters are so scattered and one dimensional that it’s hard to feel anything for them or what they’re going through. The Strain is having a serious identity crisis. It can’t decide on the story it wants to tell, and it’s trying too hard to tell too many stories. Instead the narrative should take a page from the Dark Horse Comic adaptation and really look at cutting the fat from the bloated narrative.
There needs to be a serious change of focus in these final three weeks for me to stick around into season two. Bring back the horror, and show me the world in chaos.
- Matt going to the bathroom before killing Kelly, doesn’t make any sense at all.
- The quick scene of Kelly seeing the internals of humans passing by was fantastic. Just a walking heart, gimme dat blood.
- I loved the weird way the Vampires are just walking around in society. The ones that Kelly viewed were terrifying but too few and far between.
- God damn The Stonehart scenes were useless.
- Really? No Eichorst, or Gus?
- Where’s Quinlan?
What did you think of “Loved Ones” ?
A couple of weeks ago we were challenged by the cast and crew of Muck to take on the ALS #IceBucketChallenge with a bloody twist. Of course we did it, and believe me when I tell you the mere thought of it makes my nuts shrivel back up!
We then challenged Joe Lynch, Adam Green, and Brooke Lewis. Lewis is a feisty spitfire, and that’s just one of the reasons we love our Ms. Vampy! She got together with Staci Layne Wilson (who was filming) and The Purge: Anarchy‘s Jasper Cole to deliver the shiver-inducing goods to you, and we have the video proof right here!
Check out Brooke’s video and imagery below along with ours. Adam, Joe… we’re still waiting…
For more on ALS and what you can do to help (besides dousing yourselves with frigid liquid), visit the ALS Association website.
The post Brooke Lewis Accepts Dread Central’s Bloody ALS #IceBucketChallenge appeared first on Dread Central.
The 2014 Son of Monsterpalooza at the Marriott Hotel and Convention Center in Burbank, CA, is in the books; and right now we have a look at some of the sights for you monster-hungry fiends who couldn’t make it.
Boasting guests like Angus Scrimm, Reggie Bannister, Gunnar Hansen, Ed Neal and Terri McMinn as well as seminars, vendors, a costume contest and walk-through monster museum, Son of Monsterpalooza 2014, which ran September 12-14, was just as impressive as its predecessors.
The post Son of Monsterpalooza Image Gallery Crawls from the Grave appeared first on Dread Central.
The “Scooby-Doo” gang continues their run-in with horror icons as Travis Falligant now imagines the crew on the run from Chopping Mall, Slumber Party Massacre, I Know What You Did Last Summer and even Dr. Giggles.
Assuming he goes forth with a fourth batch of crossover art, what films or creatures would you like to see? How about the Leprechaun? Critters? Cujo? I’m pretty sure he can make one for every horror icon by year’s end.
Men don’t fear swords, they fear monsters.
In a very “Game of Thrones”-esque clip from Universal Pictures’ Dracula Untold, Luke Evans asks to become a monster to save his family.
The Gary Shore-directed version of Bram Stoker’s novella will now open in theaters October 10, 2014.
In the film, “Luke Evans is starring as the most famous of vampires in an origin story that sees a Transylvanian prince risk eternal damnation in order to save his wife and son from a Turkish horde. Barks will play a figure in Eastern European folk tales known as a baba yaga, a beautiful young woman who turns into a savage witch. Kristjansson will play Bright Eyes, an Eastern European taken as a slave as a young boy and now a vicious assassin in the Ottoman Army. Parkinson will play Dracula’s son, named Ingeras.”
Starring Luke Evans, Sarah Gadon, Dominic Cooper, Zach McGowan, Samantha Barks, Thor Kristjansson and Art Parkinson, the film was shot in Belfast last year.
It’s nearly mid-September, which means plotting and planning for the perfect Halloween costume is, for many people, well underway. After all, putting together the right outfit takes time, it takes dedication, and it definitely requires passion.
Now, there are some tried and true costumes out there that are perfectly fine. You’ve got the Grim Reaper, Jason Voorhees, Waldo, etc… These costumes have survived the test of time and simply work, regardless of who wears it.
But then there are several costumes that are overdone, overplayed, and really, really need to just stop. And we’re here to start a discussion on that concept.
So, read on for my personal three outfits, or outfit concepts, that are just overdone beyond recognition. Then, when you’re done, leave a comment with your thoughts on What Is The Most Overdone Halloween Costume!
Bethesda has announced an incredibly exciting collaboration with Warner Bros. Movie World that will give fans the opportunity to experience the horrors of Shinji Mikami’s upcoming survival horror game The Evil Within in the flesh with a special maze inspired by it. The maze is one of several haunted attractions in their annual Fright Nights event that’s scheduled to kick off next month on Australia’s Gold Coast.
If you’re unable to make the trip but are planning on attending EB Expo in Sydney (Oct 3-5), there will be a “teaser version” of the maze at Bethesda’s booth along with a demo for The Evil Within.
Unfortunately, while there are theme parks here in the States that host Fright Nights events, this attraction has only been confirmed for Australia.
I never thought I’d say it, but I’m intensely jealous of our Aussie readers right now. I mean, as cool as this is it doesn’t come close to making up for the ridiculously inflated prices of new releases ($80) or their awful video games classification board that’s banned Manhunt, State of Decay, Silent Hill: Homecoming and freaking Dark Sector (seriously, Australia? Dark Sector?).
It’s still a win. More than that, this is something our Aussie friends can use to take their mind off the time when a dingo ate their baby while they were busy putting shrimps on the barbie.
The Evil Within hits PC, PS3, PS4, Xbox 360 and Xbox One on October 14.