[Comic Book Review] “Divinity” #2 – How Do You Deal With A God?

bloody disgusting - Wed, 03/18/2015 - 13:35

Reviewed by Brady Steele. “Divinity” #2 makes the benevolent man from the stars granting heart’s desires to some and anxiety and twitchy trigger fingers for others. With such a powerful and polarizing figure establishing roots on Earth, what will the rest of the world do? How will they deal with such an overwhelming unknown factor?

WRITTEN BY: Matt Kindt

ART BY: Trevor Hairsine

PUBLISHER: Valiant Entertainment

PRICE: $3.99

RELEASE: 18 March 2015

Abram Adams has travelled farther than any other human and become something much more in the process. There seems to be nothing he cannot do now that he has returned to his home world. Can this much power in one person ever end well? For once, I want it to. Writer Matt Kindt has really made this made-made-God tale so compelling already that I want to see how far he’s going to push things before the inevitable break.

Trevor Hairsine’s art is helping in spades to show how cool this journey is to behold. Describing out loud how some people’s deepest desires manifest in this story could sound ridiculous. However, thanks to Hairsine’s art, you can still see the humanity where now only pure animal instincts remain. Flying, for example, has never looked so utterly poignant until you see the ‘Sergeant’, Divinity’s would attacker last issue, take flight.

This has so far been a refreshing take on the benevolent god making utopia on Earth. I’ve been very impressed with how Kindt and Hairsine’s arc and really want to see how things progress with each page. The fact that Unity, the MI-6’s elite tactical team and Valiant Universe’s team supreme, are entering the fray only adds to the anticipation I have for next month. Pick up this series and see how much change is coming, whether Earth is ready or not.

Mr. Steele enjoys all things comics and imagination-based. Using his lifetime of comic-fu-dom for good, he imparts his knowledge for the universe to enjoy and for you, dear readers, to pass it on.

Twitter: @mrbradysteele

Categories: Horror News

“From Dusk Till Dawn” Casts Its ‘Lord Amancio Malvado’

bloody disgusting - Wed, 03/18/2015 - 13:28

El Rey Network and Miramax announced today that Esai Morales (Criminal Minds, NYPD Blue) has joined the sophomore season of Robert Rodriguez’s “From Dusk Till Dawn: The Series” in a recurring role.

Morales has been cast in the role of “Lord Amancio Malvado,” a figure of terrifying cruelty and power who has a complicated and obsessive relationship with Santánico Pandemonium (Eiza González).

The series is currently in production in Austin, TX.

Morales joins the returning internationally renowned cast: D.J. Cotrona (Dear John, G.I. Joe: Retaliation); Zane Holtz (Holes, The Perks of Being a Wallflower); Jesse Garcia (Quinceañera, Sons of Anarchy); Eiza González (Lola: Érase Una Vez); Wilmer Valderrama (That ’70s Show, To Whom It May Concern); Madison Davenport (Noah, Shameless); Brandon Soo Hoo (Tropic Thunder, Ender’s Game, Incredible Crew); Jake Busey (Motorcycle Gang, Contract); and recent cast additions Danny Trejo (Machete, Con Air), and Briana Evigan (Step Up 2).

Season one of “From Dusk Till Dawn: The Series” centered on bank robber Seth Gecko (Cotrona) and his violent, unpredictable brother, Richard “Richie” Gecko (Holtz), who were on the run to Mexico when they encountered former pastor Jacob Fuller (Robert Patrick) and his family, who were taken hostage. Using the family RV to cross the border, chaos ensued when the group detoured to the Titty Twister, a strip club populated by culebras, snake-like ancient creatures who survive by drinking human blood. They were forced to fight until dawn in order to get out alive.

Season two explores a new chapter in this supernatural crime saga that travels from Mexico to the edgy, tricked-out Texas of Robert Rodriguez. It also deepens and complicates the core relationships between the characters, while adding new faces and new dynamics. Season Two begins with our characters in their separate worlds – Santánico (González) and Richie (Holtz) are outside Houston, living like Bonnie and Clyde; Seth and Kate (Madison Davenport) are scraping by South of the Border; and Freddie Gonzalez (Jessie Garcia) is protecting his wife and young daughter in a Houston suburb. And Carlos Madrigal (Valderrama) and Scott Fuller (Brandon Soo Hoo) emerge from the Titty Twister, changed men. They will all come together once again – this time facing off against an even bigger threat.

Categories: Horror News

‘It Follows’ Gets Screwed Out Of Wide Theatrical Release?

bloody disgusting - Wed, 03/18/2015 - 13:21

MAJOR UPDATE TO THIS STORY: IT FOLLOWS WILL OPEN IN THEATERS EVERYWHERE!

I battled a Bloody Disgusting reader on Twitter explaining to him that It Follows would never get a wide theatrical release. While I want to say “I told you so” it appears we were both sorta right.

David Robert Mitchell’s horror film was on the verge of being the biggest horror breakout since the 2007 Paranormal Activity, that was until cable companies and other home viewing platforms allegedly threw a wrench in TWC-Radius’ plans.

According to Indiewire sources, Radius told theaters that they were going to expand to about 1,000 cinemas on March 27th. But by day’s end they had returned to their original VOD plan, possibly in part under pressure from cable companies and other home viewing platforms.

While a lot of you immediately think of iTunes as THE go-to VOD company, their numbers aren’t as impressive as companies like Redbox and Netflix, who can make or break a home video release. Having exclusives on Time Warner/Xfinity and DirecTV are also a huge deal these days, from my own personal experience.

My only question is – why would The Weinstein Company allow themselves to be bullied by home video chains, when a wide theatrical release and major breakout would result in major exposure and financial gains for the home releases? It’s all a bit perplexing, frustrating, and mostly rage-inducing.

Indweller attempts to explain a bit, pointing out the $7-10 million in marketing costs that would need to be recouped. In addition, theaters would only pay part of their grosses to Radius, and there was no guarantee on short notice that future bookings would have done enough to cover increased costs.

Sticking to early VOD means that Radius’ costs would be much lower, they explain, with Radius retaining a higher share of revenues. So this route guarantees them a profit, with whatever theatrical revenue they take in (possibly in the range of $2 million or more).

For those interested in the business side of indie releases, I think it’s important to click over and read a bit more.

In regards to It Follows, SEE IT IMMEDIATELY. I gave it a perfect score, calling it “a classical horror masterpiece.” Mike Pereira referred to as a creepy, mesmerizing exercise in minimalist horror” when reviewed out of the TIFF last September.

“For 19-year-old Jay (Maika Monroe), the fall should be about school, boys and weekends at the lake. Yet after a seemingly innocent sexual encounter she suddenly finds herself plagued by nightmarish visions; she can’t shake the sensation that someone, or something, is following her. As the threat closes in, Jay and her friends must somehow escape the horrors that are only a few steps behind.”

Categories: Horror News

Could Connie Britton Return to “American Horror Story”?

bloody disgusting - Wed, 03/18/2015 - 13:04

When Neil Patrick Harris openly campaigned for a role on the Ryan Murphy anthology series “American Horror Story”, he got his wish. Now, one of the stars of the debut season hopes to make a triumphant return.

Connie Britton was the central character in the Beetlejuice-esque FX “American Horror Story”, which premiered in the fall of 2011. She played Vivien Harmon, wife to the abusive and cheating husband, Ben Harmon, who both turn up dead in the haunted house.

Now, the star of “Friday Night Lights” and the ongoing “Nashville” hopes to return and tell another “story”.

Variety reports that the ladies of the show were celebrated by the Television Academy Tuesday night with a special panel, including cast members Kathy Bates, Jamie Brewer, Connie Britton, Sarah Paulson, Lily Rabe and Gabourey Sidibe, along with executive producers Jennifer Salt and Alexis Martin Woodall.

Some of the women, like Paulson and Rabe, have been part of the show for several seasons; Britton, however, was only in the first, dubbed “Murder House” — but she hasn’t ruled out returning to the show.

When asked by moderator Debra Birnbaum, executive TV editor at Variety, if she would return to the show, she didn’t miss a beat before answering, “Of course I would,” eliciting a roar of excitement from the audience.

“I would love to come back, but scheduling is tricky,” clarified Britton, who currently stars in ABC’s “Nashville.”

Still, Britton looked back fondly on her experience on “American Horror Story,” remembering the show before it became an Emmy-winning hit.

“The thing that [creator Ryan Murphy] said to me was, ‘You can take my word for it that you will not be doing anything that you’ve been doing for the last five years on this show,’” said Britton, who had been doing “Friday Night Lights” before “American Horror Story.” “And that appealed to me a lot.”

I think we’re all in love with Britton as an actress, who’s one of the best out there next to Vera Farmiga. With the loss of Jessica Lange, it would be spectacular to see Britton back on the show, even if it were a bit-part.

Categories: Horror News

[5 Skull Comic Review] “Spread” #6 Will Rip Your Face Off

bloody disgusting - Wed, 03/18/2015 - 12:55

Reviewed By Torin Chambers. “Spread” #6 closes off its phenomenal first arc in an obscenely grotesque masterpiece. An absolute joy to read, Justin Jordan pulls no punches exploding out of the gate at a breakneck pace that never lets up. It’s larger and more monstrous than life, with twists and turns that’ll catch you off guard and rip your face off. With more than a few bold moves Spread will never quite be the same going forward.

WRITTEN BY: Justin Jordan

ART BY: Kyle Strahm

PUBLISHER: Image Comics

PRICE: $2.99

RELEASE: March 18, 2015

There’s so much going on the entire issue it’s hard to know where to begin. First off it never feels jumbled or rushed, the plot unfolds organically and heinously. No and Ravello continue their bloody, unflinching battle amidst the three Spreadworms who, in a stroke of genius, Spread into each other forming one massive horrendous monstrosity. It’s a fucking glorious combination of expertly penned narration from Jordan and breathe taking visuals from Strahm and Sobreiro.

Moving from the enormous scope of that fight we’re thrown into Molly’s equally tense situation. The Preacher has baby Hope in his cold clammy hands, along with a knife which he intends to use to rend her little body asunder. Even though Hope is narrating all of this from the future the tension is not diminished in the slightest. It’s palpable throughout the entire issue, no one is safe in fact it feels as though anyone could die at any moment. Entirely new concepts and mysteries are also thrown at us during this whole altercation. We ever so briefly glimpse Molly and Hope someplace orange with Molly’s hair looking like spread tentacles, the Preacher also appears to have a flashback to a boy on an operating table with his chest cavity and brain exposed. What these mean is readily prevalent but more seeds for the future.

Spread is an exemplary horror comic and by far the number one body horror comic currently on the stands. Every page is a joy to behold for both the sublime art and the superb story. The trade collecting all 6 issues of the first arc is due out next month, I highly recommend any and all horror fans to buy it and spread it around.

Torin Chambers is a rad dude from the nineties who does film stuff or something. Thomas the Tank Engine is his favorite transformer. Find him on Twitter @TorinsChambers

 

Categories: Horror News

SXSW 2015: Deathgasm Cast and Crew Interviews

Dread Central - Wed, 03/18/2015 - 12:30

After the World Premiere of Deathgasm (review) went over like an out of control round of pyrotechnics at SXSW, the cast and crew sat down with us to discuss how winning a contest led to a grassroots effort to get the heavy metal horror comedy off the ground and into cinemas.

Producers Ant Timpson, Andrew Beattie and Sarah Howden were on hand as well as stars Milo Cawthorne and Kimberly Crossman. Last but not least, a hoarse Jason Lei Howden told us a little bit about how much fun it was to direct his dream movie.

DC: Some comedians have said they wouldn’t have come up with certain bits if it wasn’t for pot. Do you think Deathgasm would exist if it wasn’t for alcohol?

Jason Lei Howden (director): I’ve never touched a drop! Yeah, it’s funny you say that. The first draft was written over nine days and I was pretty drunk for most of that. Obviously, except for the rewrites. Sarah put some of it together as well.

DC: That’s a good method.

JLH: I think I was also trying to channel the teenage stoner mentality, the sort of stuff that would’ve cracked me and my friends up when we were sixteen. It sounds like it worked from the feedback that I’ve heard.

DC: It does have that vibe where you want to be back in your room as a teenager again with your posters.
JLH: A lot of it was based on my middle childhood apart from the demons and the girls, probably more demons than girls.

DC: And Milo, when I was a kid that’s actually how I did sound on guitar, just like you in the beginning of the film. Do you actually play?

Milo Cawthorne (Brodie): I play a little bit of acoustic but so badly. I play the drums a little bit. It was great because we’re all supposed to be a little bit awkward.

DC: Did you guys ever jam?

MC: We did have one jam and it sounded absolutely amazing.

JLH: We gave these guys a crash course in metal. It was like a Metal 101 class. I think it was good for these guys to meet some real hardcore metal heads that were actually sort of analyzing the way that he stands.

DC: How many bands were you aware of before as opposed to them submitting?

JLH: I hand picked the bands myself so as a metal fanboy it was the biggest honor. Especially, my favorite, Emperor, who were my favorite when I was thirteen or fourteen, this Norwegian black metal band that were involved in some of the church burnings. They’re on the straight and narrow now.

DC: The bands makeup is an homage to them.

JLH: Exactly. So, getting them on the soundtrack was amazing. Emailing some of my heros blew my mind.

DC: So Ant, would you talk a little bit about the Make My Movie Contest and how everything got developed.

Ant Timpson (producer): Yeah, it was a competition that’s the second time around, the first time we came out with a Rom-com. Then, I thought it would be kind of cool to do a horror version of that same scheme so we talked to MPI and the Commission and they were both into doing it again so we did another round. We just wanted a logline synopsis and a poster that encapsulated your vision so we got a really quick sense of what your project would be about. But really we just made it completely open to try and enthuse anyone to say, ‘Hey, I could actually make a movie. I’ve got a chance.’ Jason’s project Deathgasm was really one of the hot picks.

JLH: I was just stalking metal heads. I even contacted metal sites and got interviews.

Andrew Beattie (producer): It’s actually a good policy to do what Jason did and put heaps of projects in because the guys that won last time put in four or five projects also.

DC: About the effect, even though it looks like there was a batshit energy on set, did you plan everything out because of your effects background?

JLH: It did change, we had to tone some stuff down and figure out what we could do with what we had. Some stuff changed just before we called ‘Action’ where we literally just said, ‘Let’s do this instead.’ My background is visual effects and I messed around with practical effects when I was really young.

DC: Do you remember the first gag you did as a kid that you were really proud of?

JLH: I remember when I was thirteen at boarding school stuffing this school uniform with other clothes and throwing it off a building. It was based on a true story actually about his deranged psychopath who murders all these kids at a school. My teacher said I could borrow this video camera so I handed it in this thing but no camera ever came. But, yeah, I got into visual effects which has helped a lot. Actually Andrew is behind a lot of the physical makeup, he has a makeup effects background.

Mary Howden (producer): Most people on set the complexity of saying ‘We’ll fix it in post’ but with some of the effects we had to fix it in post.

Andrew Beattie: That’s not a unique experience for a horror film, that’s every film. One of the things you don’t think about is if you splatter a room full of blood, you’ve got to clean the blood up and that takes an hour and you don’t have that kind of time. Blood is just like water, it finds a way.

DC: Kimberly, was there way too much blood and testosterone for you on set?

Kimberly Crossman (Medina): I loved it. It was all a new experience for me dealing with all of those practical things. Everything else I’ve worked on hasn’t had the gore so I was really excited to work with the blood. I loved going home and showing my family at 3 a.m. because I would just get bloodier and bloodier over the twenty days.

DC: Were they proud?

KC: They were concerned but that’s okay. They knew I was having a ton of fun.

Ant Timpson: Kim doesn’t have blood, she has Red Bull.

KC: I love that what I thought about [heavy metal] has been completely contradicted. When these guys are talking about the unity and how everyone in the genre has been helpful and compassionate and generous with their time, those aren’t really qualities that I would’ve have thought, oh, the heavy metal genre is like this. I love that it’s really challenged me on that. Everyone gave more than they were required to give and I think that’s why this film will be a success because it doesn’t fall short anywhere. You’ve got a great soundtrack, you’ve got a great script, you’ve got comedy and talent …

Andrew Beattie: And nudity!

Written and directed by Jason Lei Howden, Deathgasm stars Milo Cawthorne, James Blake, Kimberley Crossman, and Stephen Ure.

Synopsis:
New kid in town Brodie and bad-boy Zakk quickly bond over their mutual admiration of heavy metal. But when these two metal thrashing losers unwittingly summon malevolent forces, their dreams of stardom may just have to be put on hold.

The post SXSW 2015: Deathgasm Cast and Crew Interviews appeared first on Dread Central.

Categories: Horror News

[Comic Review] “Plunder” #2 – Brings Big Body Horror Thrills

bloody disgusting - Wed, 03/18/2015 - 12:29

Reviewed by Torin Chambers. By fully embracing its horror aspects, “Plunder” #2 becomes a much more solid and consistent read than its predecessor. It delivers equal parts suspense and action all wrapped up in some terrific character development. With all of the boring set up from last issue out of the way the book has real room to breathe now. This allows it to flex its horror muscles and begin digging deeper. Everything improves as the books drops its exposition shackles and generates true forward motion from start to finish.

WRITTEN BY: Swifty Lang
ART BY: Skuds McKinley
PUBLISHER: BOOM!
PRICE: $3.99
RELEASE: March 18, 2015

Wasting no time this issue picks up immediately where the last ended. Bahdoon crouches over the infected cook who just destroyed one of his fellow pirates (Disco) and almost Bahdoon himself. There he contemplates the strange consistency of the cook’s blood, it’s thick and sticky, almost like a syrup. While preoccupied with this new discovery he doesn’t notice the sinister looking worm that is birthed from the cook’s gaping face wound. It ominously crawls away, living to fight another day, or maybe even later this issue…

When he regroups with his fellow pirates they’re obviously ticked off about Disco’s death and Bahdoon’s true but fantastical tale does nothing to help his situation. The rest are ready to throw him to the dogs, so to speak, but luckily Stain stands up for him. He takes Bahdoon under his wing and together they split off (always a good idea in a terrible scenario) to continue searching the ship.

There’s some tangible character development delivered from this team-up, something the first issue was lacking. Bahdoon’s arc is excellent here. He really come into his own and turns into someone you want to root for instead of inspiring indifference.

Later in the issue there’s a decently large action set piece that I’m unsure about. It’s something that’s hard to judge because there are still two issues left but it feels like it’s too soon. We’ve barely had any encounters with normal infected people and after this monstrosity they’ll only pale in comparison from now on. I hope Plunder sticks with it and keeps going bigger and bigger, instead of taking us back to lowly peons again.

Plunder #2 improves upon issue #1 in every way, giving an all-around stronger story that body horror fans should definitely check out.

Torin Chambers is a rad dude from the nineties who does film stuff or something. Thomas the Tank Engine is his favorite transformer. Find him on Twitter @TorinsChambers

Categories: Horror News

[Comic Review] “Ei8ht” #2 Is Must Read Sci Fi Mystery

bloody disgusting - Wed, 03/18/2015 - 12:06

Reviewed By Jorge Solis. An interesting follow-up, “EI8HT” #2 takes readers on a twisted journey into the scattered timeline. With an insanely clever premise and eye-catching visuals, the story continues at a fast pace and keeps building its sci-fi world. The top-notch artwork and snappy writing in the second installment of “EI8GHT” will make any reader a fan.

WRITTEN BY: Mike Johnson & Rafael Albuquerque

ART BY: Rafael Albuquerque

PUBLISHER: Dark Horse Comics

PRICE: $3.99

RELEASE: March 18th, 2015

In the snowy mountains, a killer from the future has been sent into the time-stream on a suicide mission. Desperate to save his loved ones, Joshua is under orders to assassinate his target, but the job won’t be any easy. Lost in an unfriendly environment, Joshua finds himself captured and with most of his memories gone. Will he put back together his scattered memories piece by piece in time? Or has his mission already failed?

My favorite part of the story is how writer Mike Johnson plays around with the nonlinear structure. Readers are asked to put the pieces of the puzzling story together, but it’s not told in a confusing manner. Because Joshua is an unreliable narrator, he is also answering the story’s own questions; we are figuring out what’s happening just as he is. In an emotional flashback, Johnson slows down the pace to develop Joshua and give him purpose.

Artist Rafael Albuquerque mixes elements from the past, present, and future, in a vibrant color palette. The plane crash in the opening pages is heart-pounding suspenseful as Albuquerque emphasizes the facial expressions in tight close-ups. The Meld is a mishmash of an apocalyptic future and prehistoric Ice Age. You get a sense of the environment but you’re never quite sure what the time period is.

“EI8HT” #2 is a must-read sci-fi mystery/thriller with phenomenal artwork. I cannot wait to see what happens in the next issue.

Categories: Horror News

New Anthology Found In the Dark

Dread Central - Wed, 03/18/2015 - 12:00

Another horror anthology of the indie variety is headed our way, and right now we have your first look. Ever wonder what goes on In the Dark? Wonder no more!

From the Press Release:
The trailer and poster for the new feature film In the Dark, written and directed by Chris St. Croix and David Buchert, are here. The horror/thriller will be released on DVD exclusively at Family Video stores on Tuesday, March 24th.

The filmmakers have chosen to release the feature at Family Video first, before digital, to honor the films that inspired them and help keep the video store tradition alive. In the Dark centers around two killers hiding out in a rundown motel who discover a bag of videotapes. They soon realize the horror isn’t only on the TV screen. An axe-wielding maniac, a murderous matchmaker, and a sin-slaying creature from Hell wait for them… In the Dark.

The film features FX work by Rick Prince (Syfy Channel’s “Face Off”) and stars Katie Groshong (Jugface), William J. Harrison (Lawless), Leslie Mills (“Nashville”), Clay Brocker (D4), Tristan Jackson (“Dawson’s Creek”), and Olivia Bishop (Zombie Warz).

The post New Anthology Found In the Dark appeared first on Dread Central.

Categories: Horror News

Tiger Lab Vinyl Offers The Briefest Of Teases For ‘Wicked City’ Vinyl OST

bloody disgusting - Wed, 03/18/2015 - 12:00

Early last month, we reported that Tiger Lab Vinyl, a new boutique record label that focuses on remastering and reissuing anime soundtracks, would be making Osamu Shoji‘s Wicked City its first release.

Now fans of the cult anime film can get a wickedly (see what I did there?) short taste of the upcoming soundtrack as Tiger Lab posted a video to their Instagram of a test pressing being played. You can see the video below.

As we previously reported, Tiger Lab is giving this release the full attention that it deserves, stating that the, “…LP will have all new and original artwork. The masters came directly from composer Osamu Shoji!

As of yet, there is no official release date.

Test press listening-TLV001! Pre orders and announcements soon! Bringing #anime #soundtracks on #vinyl straight to your turntable! #WickedCity

A video posted by Tiger Lab Vinyl (@tigerlabvinyl) on Mar 17, 2015 at 6:07pm PDT

Categories: Horror News

[TV Review] “The Flash” Episode 115, ‘Out Of Time’

bloody disgusting - Wed, 03/18/2015 - 11:36

By Brady Steele / twitter: @mrbradysteeleWith ten episodes to go before the season finale, things are starting to escalate quickly, which is saying something on a show like this. This show’s producers are really good at keeping lots of plotlines spinning at the same time and this week is no exception. In this week’s episode, ‘Out of Time’, old scores are brought back to be settled between Detective Joe West (Jesse L. Martin) and the revenge-seeking new Weather Wizard / Mark Mardon (Liam McIntyre). Mardon’s weather control is much deadlier than his dearly departed scumbag brother from the first episode. This is just one more quality casting of a Flash Rogue which I’ve no doubt will play out spectacularly down the line somewhere.

Tearing through everyone in the way, Flash, the police and the S.T.A.R. Labs team try to keep Joe at a distance before anyone else can get hurt. With all this going on, the suspicions behind Dr. Harrison Wells (Tom Cavanagh) motivations finally come to light with disastrously tragic results for everyone involved. The twists keep coming as love stories, time travel and disasters all strike Central City literally at the same time. I can only imagine it being a bit confusing to a non-comic book fan but ratings suggest otherwise which is great to see.

As a fan of the lore of The Flash, I`m aware of things that will likely happen. I know when certain names pop up, that means this person will be either being a bit player or a major character in the story. As I`ve said before, these showrunners are ambitious and my previous theory of building a TV Justice League-type show was already confirmed a few weeks ago with the CW announcing another spinoff show featuring characters from both Arrow and The Flash. Having said all that, I really don`t know what`s going to happen next which makes this a great show to watch week in and week out. Like every good genre show, the last minute really keeps viewers pumped for next week. The hooks keep coming and I want more!

 

SCORE: 8.5 / 10 BOLTS

Categories: Horror News

SXSW 2015 – We Are Still Here Cast Interviews

Dread Central - Wed, 03/18/2015 - 11:30

After a solid response for Ted Geoghegan’s directorial debut, We Are Still Here (review), the cast was in a great mood as we sat down with them at the historic (that means haunted) Driskill Hotel in downtown Austin during SXSW.

Barbara Crampton, Larry Fessenden, Lisa Marie, Monte Markham and Andrew Sensenig all joined in for a fun discussion about the film and the possibility of delving even further into its dense story in the future.

DC: Did everyone have fun at the premiere last night? I know it was a little weird with Fast & Furious 7 playing next door. I’m glad that there weren’t explosions rattling the walls.

Larry Fessenden: That would’ve been a big problem. It was fine. In fact, it got our indie ire up.

DC: Why are you going to wait in line to see that when it’s about to come out?

Lisa Marie: Why would you go see it anyway? I wouldn’t.

LF: Yeah when there are all these undiscovered gems potentially hiding in every crevice of the city and instead you’re going to that.

DC: Barbara, have you been enjoying your return to genre in recent years. You’re really a part of this new family of filmmakers that grew up with you and they’re wanting you to be in their films.

Barbara Crampton: It’s been a shockingly wonderful experience that I never thought I’d have. I moved up to San Francisco with my husband a number of years ago and had two kids back to back. I left L.A. and I thought I would have to live in L.A. to make movies and to get jobs and audition for things. One day I got a call from my agent and I said I was surprised he still had my number because he hadn’t called me and I hadn’t phoned him in 6 or 7 years. He said you’ve just been offered a part in a film called You’re Next and I said, ‘Who are these people? Do they want me to come in and audition?’ He’s like, ‘No, they just want to offer you the part. It’s a horror movie and they need a Mom.’ I read the script and I thought it was great and I said yes so I have Simon Barrett to blame and thank for having be back in this new horror renaissance that we seem to be having. And, yes, since that movie came out people have been calling me who grew up watching some of these movies I was in with Stuart Gordon, so it’s really wonderful to now come back and work with some of these young filmmakers.

Ted [Geoghegan] I actually met on You’re Next because he was the publicist and now he’s making movies. So, it’s been really fun to coming back and working with this new crop of horror directors.

Technically, you and Larry were in You’re Next together but now you get to appear on screen together. How was it working with each other? Have you heard anything so far from fans that are excited to see you together?

BC: We haven’t really seen too many people because the movie played last night at midnight and we were so tired we went back to our hotels and then got up this morning to meet you!

Andrew Sensenig: There’s been a lot on Twitter, lots and lots of tweets like ‘Fessenden and Crampton on screen together, my dream come true!’

DC: It is a bizarre dream, admittedly.

AS: Someone who needs to get help.

DC: Has it been rewarding to see Ted being this vision to the screen after knowing him awhile in different circumstances.

LF: It was startling when he said, ‘Do you want to be in my film?’ and that MPI was behind it and behind the financing. I just thought that’s great because they do actually write a check and a movie gets made. I know he worked for them as a publicist and when I heard Travis [Stevens] was involved I was excited because he’s got his own cred going on. It happened really fast. I know Barbara was talking to him for a much longer time about the ramp up into the film but with me it was like, ‘Do you want to do this in a month?’ I’ve known Ted socially and semi-professionally all these years and he produced my segment of ABC’s of Death 2 along with Mark Walkow.

DC: Is it ever hard to take off your directing hat and just act? I’m sure you gave a lot of advice.

LF: I gave advice. To anyone who will listen! My whole time doing movies, I love the Chekhov idea that one day you’re the lead and the next day you’re carrying the spear. It’s an old tradition from theatre that we’re really all in this group together and we’ve got to pitch in wherever’s appropriate. Of course you make suggestions but you know your place, you’re there to support the vision and you’re there to support the guy who’s got the vision. I feel this very strongly, it’s how I run my company. Sometimes I’m editing special effects for Ti West when he made a movie back in the old days. I was happy to cut in the bat shots and he was a young kid and telling me what to do and that was the role at that time.

DC: Sure, for The Roost.

LF: Then, of course, other times (with German accent) I expect people to listen to me! Ted, Travis Stevens and the DP formed this great group of very smart, enthusiastic, efficient creators and then we were able to fill in from there.

Andrew Sensenig: The three of those always seemed to have each other’s back which was very refreshing to see on the set. They shared ideas, they would get to a point where they might have different visions but they’d say well two out of three wins. When Ted said he really wanted to go one direction they all backed him.

DC: Monte, I know you’ve returned to acting again too. Why did you decide to come back after being in the documentary world for so long?

Monte Markham: Well, I’ve done it.

DC: You’ve been around the world enough at this point.

MM: I can’t even begin to describe to you. People say to write a book but I don’t want to spend the next ten years of my life reliving what I’ve just done in the last five. A&E was a good time but it devolved into Dog the Bounty Hunter and just crap. It’s cable. I had a great time. But then, I called my agent and he said, ‘You’re alive!’ It’s a whole different world, everyone I know now is either dead or out of the business or running it. This is a thrill for me, last night was great.

DC: Well, I know, Lisa, it’s kind of fun for you I would think in this role to let out your hippie side and do a look that people aren’t accustomed to seeing you in.

Lisa Marie: Yeah, I loved it. I loved every minute of it. I mean, I still, I’m loving it now.

DC: Was it maybe the most blood you’ve been around in a while?

LM: Oh, I’ve been around blood. It’s so much about this cast and crew and it was really fun from the beginning and it continues to be. It’s like this gift because it doesn’t always happen when things just come together in a magical way. On this project I really felt that.

DC: I could see a prequel possibly happening. Could does you see yourselves involved playing different roles perhaps like in “American Horror Story”?

LF: That’s a crazy good idea, throw that at the producers. That would be fun to do so that there would be a connection especially if this movie does continue to inspire.

AS: There were many conversations about what really went on thirty years ago. There’s a story about how things started but we still don’t really know what happened.

DC: I want to see the credits sequence again.

LF: Maybe this is revealing too much but that was originally at the beginning of the film as you can well imagine. It sets something up with these evocative, old-timey images. I think to Ted’s credit he wanted there to be a lot of questions in play and the audience is really trying to catch up. Of course, the people don’t really know what’s going on either. Ted insists that you could write a detailed account of what happened if you watch the movie a couple of times.

Synopsis:
In the cold, winter fields of New England, there sits a house that wakes up every 30 years and demands a sacrifice.

The post SXSW 2015 – We Are Still Here Cast Interviews appeared first on Dread Central.

Categories: Horror News

First Look at Samara from Upcoming Prequel Rings

Dread Central - Wed, 03/18/2015 - 11:26

Back in January we learned that F. Javier Gutierrez was working on a reboot of The Ring, though recent clarification has revealed that the film is actually a prequel to 2002’s remake. It will tell the infamous tape’s origin story, and on tap today is your first look at Matilda Lutz as the new Samara!

The sneak peek comes courtesy of Gutierrez’s Instagram, where the director has been sharing all sorts of behind the scenes goodies. So be sure to follow him for the latest updates.

Rings will hit theaters on November 13, 2015.

Gutierrez is directing from a script written by Akiva Goldsman, David Loucka, and Jacon Aaron Estes.

Based on a Japanese cult success, the first U.S. film went on to gross $249 million at the worldwide box office. That was enough to justify a sequel, which didn’t match the first one’s B.O. power but still grossed $160 million worldwide.

A photo posted by F. Javier Gutierrez (@fj6utierrez) on Mar 17, 2015 at 6:19am PDT

A photo posted by F. Javier Gutierrez (@fj6utierrez) on Feb 4, 2015 at 4:06pm PST

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Categories: Horror News

This “Re-Animator” Inspired Metal Track Gets Brian Yuzna’s Two Thumbs Up!

bloody disgusting - Wed, 03/18/2015 - 11:00

German metal band Hackneyed have a song on their upcoming album Inhabitants of Carcosa called “Re-Animator”. As I’m sure you can imagine, the lyrical content of the song is directly inspired by the 1985 film of the same name. As far as metal tracks go, it’s really damn good. It sounds incredibly tight and has a darkly sinister yet widely epic feel.

I’ve also been told that the rest of the album is heavily inspired by the works of H.P. Lovecraft, so fans of that style of metal may very well have found their next big release to pay attention to!

Re-Animator producer Brian Yuzna, who went on to direct the film’s sequels, even gave it his thumbs up, stating that the song, “…is very tongue in cheek.

The album Inhabitants Of Carcosa was mixed by Nikita Kamprad and mastered by Dan Swanö (Evergrey, Nasum, Opeth). It will will be released on May 15 and can be pre-ordered via Bandcamp.

“Re-Animator” lyrics:
LIFE

REF
I keep working on my cure for longer life
Day and night – NIGHT
My reagent even wakes you if you die
Back to life – LIFE

I
Spending hours in my lab
Treating rats, guinea pigs,
My neighbour’s cat – and Dr Gruber
A little side effect:
After injecting them with life,
They scream aloud and getting uber

Bridge:
This guy called Hill – does not have any skill
Talking about minutes, six to twelve
THAT’S A LIE
This debate’s more than just a strife
He’s ignoring all my facts,
But I will bring men back to life

LIFE
BACK TO LIFE

REF
I keep working on my cure for longer life
Day and night – NIGHT
My reagent even wakes you if you die
Back to life – LIFE

II
After the setback – still searching for a cure
and keep my work ahead – by improvising
But still I have to find a lab – to make it pure
find someone to assist, pretending socializing

Bridge:
His name is Cain, he thinks that I’m insane
But he needs the rent – for a house with basement
A perfect Igor for my plan
Helps me to get into the morgue
So I can finally start to work

REF
Day and night – NIGHT
My reagent even wakes you if you die
Back to life – LIFE

I keep working on my cure for longer life
Day and night – NIGHT
And even if the failures became rife
Back to life – LIFE

Categories: Horror News

Artist Spotlight: Teri Long’s Long Gone Dolls

Dread Central - Wed, 03/18/2015 - 11:00

In our relentless pursuit to bring you all that is cool and macabre on the world weird web, we’ve been alerted to another artist who creates custom dolls that are deadly cute! Check out your first look at Teri Long’s Long Gone Dolls!

I take unloved, unwanted, and sometimes damaged dolls and give them a new life (or death in most cases),” says Long on the official Long Gone Dolls Facebook page. “Each doll is signed and dated by me and will be one of a kind unless stated otherwise.

About 3 years ago – I decided to paint a few dolls to decorate my house for an annual Halloween party my husband, Chris, and I host,” Long tells us. “Soon, friends and family saw them and started asking if they could purchase them. Then, after I started selling them locally, I noticed there was a huge interest in them! I then opened an etsy.com store back in October of 2013 so they could be seen by more than just the locals. Luckily, it didn’t take long, and they started to take off!

Long continues, “I truly put my heart and soul into all the dolls I create. My mother, Janet Campbell, will create any clothing I need if I am making special characters. She is an amazing seamstress with a knack for perfection. I believe it has rubbed off on me! I absolutely love creating these dolls and watching them come to life (or death in most cases) under my hand. At this point, I have sold a couple thousand dolls as I have since lost count!! My dolls are attempting to “infect” the world!

Click on the link abov,e which has direction on just how you can score one of these creepy must-have creatures that are pretty much guaranteed to disturb those around you!

The post Artist Spotlight: Teri Long’s Long Gone Dolls appeared first on Dread Central.

Categories: Horror News

ScreenCraft Horror Screenplay Contest NOW LIVE!

Dread Central - Wed, 03/18/2015 - 10:30

Think you’ve got what it takes to deliver a really solid horror screenplay? Well then, the ScreenCraft Horror Screenplay Contest is a great place to test your mettle. Read on for the details.

From the Press Release:
ScreenCraft has unveiled the jury for its third annual ScreamCraft Horror Screenplay Contest.  This competition seeks fresh voices in horror film screenwriting – a genre with a rabid fan base and a proven track record for establishing new voices in filmmaking.

The competition is open for entries until July 1st.  Winners receive cash prizes and access to Hollywood industry executives who specialize in horror filmmaking.  The grand prize winner will also get a phone call with acclaimed horror screenwriter C. Robert Cargill, whose credits include SINISTER, SINISTER 2, and the highly anticipated DEUS EX feature film.

The 2014 jury includes Hollywood’s top representatives and producers of the genre:

  • Scott Henderson, Agent at Paradigm Talent Agency, represents renowned horror filmmakers James Wan and Leigh Wannell (SAW, DEAD SILENCE, INSIDIOUS)
  • Andrew Wilson, Literary Manager at Zero Gravity, represents acclaimed horror writer Clive Barker (HELLRAISER, NIGHT BREED, THE MIDNIGHT MEAT TRAIN) among many others!
  • Ryan Turek, VP of Development at Blumhouse Productions (company credits include PARANORMAL ACTIVITY, INSIDIOUS, SINISTER, OCULUS, THE PURGE, Academy-award nominee WHIPLASH and the upcoming UNFRIENDED).
  • Miles Fineburg, Development Executive at Terror Films (TRACE, THE CHOSEN)

“We look forward to discovering new screenwriting voices in this unique contest for horror film screenwriters,” said Cameron Cubbison, ScreenCraft co-founder.

The competition is operated by ScreenCraft, a Los Angeles-based media consultancy dedicated to helping screenwriters and filmmakers master their craft and connecting them with industry executives who need viable scripts.

Submission and eligibility info can be found here!

The post ScreenCraft Horror Screenplay Contest NOW LIVE! appeared first on Dread Central.

Categories: Horror News

Here’s Eli Roth With Lorenza Izzo On ‘The Green Inferno’ Set (Exclusive)

bloody disgusting - Wed, 03/18/2015 - 10:23

While we wait for the exciting news of The Green Inferno’s release, Bloody Disgusting has an exclusive image from the set showing Roth directing Lorenza Izzo in the Peruvian Amazon!

Heading deep into the Amazon with Izzo are Ariel Levy, Daryl Sabara and Kirby Bliss Blanton, who star in the pic that “follows a group of student activists who from New York City travel to the Amazon to protect a dying tribe, but crash in the jungle and are taken hostage by the very natives they saved.

Recent news states that we should be hearing some good news very soon, while Roth had indicated he expects it to see the light of day in August or September. Watch for official news as soon as it comes in.

Categories: Horror News

‘Hotline Miami 2′ OST Takes Samples From ‘Silent Hill’

bloody disgusting - Wed, 03/18/2015 - 10:00

If you haven’t heard of the Hotline Miami series, you’re missing out. Styled after 1980′s gangster/action films, the top-down game is viciously brutal, outrageously violent, and also features some incredible music! On the latest game, you’ve got artists such as Carpenter Brut, Perturbator, Mega Drive, Jasper Byrne, and a hell of a lot more. But one of the tracks has a nifty little sample in it.

It turns out that El Huervo‘s track “Ghost” uses samples from “Tears Of…”, which appeared on the Silent Hill 1 soundtrack. You can hear both tracks below to compare and contrast, although it’s pretty much near impossible to miss the relation.

Categories: Horror News

Exclusive: Kyler Hester Takes a Turn in The Chair

Dread Central - Wed, 03/18/2015 - 10:00

To close out our set visit reports for The Chair, Kyle Hester, one of the stars and producers of the new horror-behind-bars thriller, sat down to talk with us exclusively about his creepy new project.

“I became involved,” he said, “when I saw a post on Facebook by Ezra Buzzington. I saw that he and Bill Oberst, Jr., were in this movie, and I just had to be involved. I then ran into Ezra at the Hollywood Horror Film Festival, and he pointed me in the direction of Peter Simeti. I sent my acting reel over to him, and the rest is history! I came on as an actor and ended up producing the film. I am so proud of everyone that helped make this film a reality.”

He plays a prison guard named Bowen, who’s pretty sadistic and at times downright evil. So it’s interesting to learn from Hester that in the beginning “Bowen was actually a guard with no lines. I was told that I would have the opportunity to imrov so I said, ‘What the heck – let’s do this.’ But by the time we started shooting, Bowen had plenty to say so it developed as we went along. Bowen is actually solid in his convictions. He believes that an eye for an eye is the way it should be so that is how he lives… sometimes taking it to the extreme.”

Related Story: Exclusive: Ezra Buzzington and Bill Oberst, Jr., Talk The Chair

We wondered what it was like to create and build an entire prison set, and whether it felt as claustrophobic as it looked. “Funny thing about the set,” Hester says. “When we were doing the location scouting, we were looking for actual prisons and jails to shoot at. But nothing was available. We were three weeks from filming with no prison set. Some people wanted to push the shoot, but actor availability would have made that very difficult. So I said, ‘Let’s build the set.’ Our production designer, Anthony Pearce, went about designing it, and it was on! I have lots of experience in that area so we made the decision to build it. We only had three weeks so we were still finishing the set even as we started filming. I would come in and work on the set for a couple of hours and then get into makeup for Bowen. It was crazy for the first few days.”

After taking such a proactive stance and pursuing The Chair because of its cast, we had to know if his co-stars lived up to his expectations. “The actors really hit it out of the park!” Hester enthused. “Bill Oberst, Jr., was amazing. Ezra is a joy to work with and a true professional. We had a very intense scene together. Tim Muskatell did a wonderful job as Sullivan. Roddy Piper was mesmerizing to watch. Noah Hathaway and Zach Galligan were awesome and intense. Total pros! Derrick Damions great to work with. I don’t want to leave anyone out… I was really impressed with the entire cast.”

Directed by Chad Ferrin, The Chair stars Bill Oberst, Jr., Timothy Muskatell, Noah Hathaway, Zach Galligan, Naomi Grossman, Derrick Damions, Ezra Buzzington, Susan Eisenberg, Kin Shriner, Jacob Banser, Kyle Hester, Robert Rhine, Tomas Boykin, Christian Hutcherson. and Roddy Piper.

Synopsis:
Richard Sullivan (Timothy Muskatell) is an innocent man struggling to escape his fate on Death Row. Witnessing the murders of his fellow inmates at the hands of the prison’s sadistic and psychotic Warden (Oberst) and his crew of guards, Sullivan decides that the only way to survive is to fight back. With the body count rising, the Warden and his guards close in on Sullivan. As he matches the brutality occurring in the prison, Sullivan starts to lose his grip on reality. Memories of the childhood abuse he suffered at the hands of his mother combine with vivid hallucinations which push him to the very edge, forcing him to question his sanity at every turn.

For more information and updates, visit the official The Chair website and follow the film on Twitter @theCHAIRhorror or on Facebook.

The post Exclusive: Kyler Hester Takes a Turn in The Chair appeared first on Dread Central.

Categories: Horror News

ABCs of Death 2 (UK Blu-ray / DVD)

Dread Central - Wed, 03/18/2015 - 06:00

Starring a ton of people

Directed by a ton of people

Distributed by Monster Pictures UK

The first The ABCs of Death was an admirable experiment – line up 26 filmmakers to create a horrific presentation of short films, each themed on a single letter of the alphabet. Unfortunately, save for just a few entries, it was primarily an exercise in boredom and missed opportunity. Not be dissuaded from their Big Idea, however, series creators Tim League and Ant Timpson decided to take a second run with the concept.

And it’s a good thing that they did – because The ABCs of Death 2 is leaps and bounds ahead of its predecessor.

Going into extreme detail with every short would be a herculean task, but suffice it to say that for every poor (or outright terrible) entry into this anthology, there are two more that more than easily make up for the shortcomings with their quality. Director E.L. Katz (Cheap Thrills) opens the show with a bang with the excellent ‘A is for Amateur’, perfectly marrying elements of excitement, grimness and black humour to great effect in setting audience expectations for the rest of the anthology.

On top of that, other standout entries include Alejandro Brugués’ desert island drama ‘E is for Equilibrium’, which winds up being another darkly funny feel good entry for men; Robert Boocheck’s utterly fabulous slow-motion slice of insanity ‘M is for Masticate’ (which sports a gut-busting punch line in the finish); Juan Martínez Moreno’s brutal ‘Split'; Steven Kostanski’s wild and just plain wrong ‘W is for Wish’ (which also prompts a severe hankering to go and watch Manborg again); Inside directors Alexandre Bustillo and Julien Maury’s highly disturbing ‘X is for Xylophone’ and Robert Morgan’s stop-motion animated ‘D is for Deloused’ – one which is so full of gruesome, weird atmosphere that you’ll feel like taking a shower afterwards.

That isn’t to discount the rest of the entries that don’t quite reach those heady heights, as there are plenty more worthwhile shorts from directors such as Julian Gilbey (whose short, ‘C is for Capital Punishment’, contains one of the most upsettingly horrendous decapitations to hit the screen in years), Jim Hosking, Julian Barratt, Larry Fessenden and Vincenzo Natali to be had during The ABCs of Death 2‘s 2-hour runtime.

Those that fail to impress, such as Bill Plympton’s ‘Head Games’ (superbly animated in his unique style, but feeling totally out of place in this anthology) and Lancelot Imasuen’s ‘L is for Legacy’ (a confused narrative mess laden with poor effects that simply pales in comparison to its brethren here) generally do so because they simply don’t stand up to the quality of other shorts surrounding them – something which certainly couldn’t be said about the first ABCs of Death.

And so with the quality remaining consistently high, The ABCs of Death 2 gives the audience little to worry about but sitting back and enjoying the eclectic selection. By the very nature of filmmaking, not every viewer is going to feel the same about every short – but there’s more than enough here, at a reliable level of value, for everyone to enjoy. With this release, League and Timpson have undoubtedly pulled off what they had hoped to in the first place – and if they can keep the quality control up to this level, there’ll be plenty of welcoming anticipation for a third run.

Following that overview, special mention has to be given to The ABCs of Death 2‘s closing short, ‘Z is for Zygote’. Chris Nash’s short film stands head and shoulders as the anthology’s most riveting, disturbing and absolutely horrifying piece of work. Expectant mothers will look away; childless couples will glance at each other in mutual affirmation and absolutely everyone will gasp in shock at the ghastly climax of this tale. Kudos also goes to the anthology’s opening and closing score, which is quite possibly the most unsettling “la la la”-themed musical number ever to defile one’s ears.

Overall, The ABCs of Death 2 pulls the admirable feat of flipping the quality stack in comparison to the previous entry, offering a great mix of the horrendous and the humorous with only a few duds to be had – and those that are good, are really good.

Monster Pictures deliver The ABCs of Death 2 to UK DVD sporting the trailer as the sole special feature, which is very disappointing considering there is most likely a wealth of behind-the-scenes material to be had from even a few of the shorts involved.



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Categories: Horror News