Back in April of 2013, we learned that J.J. Abrams’ Bad Robot Productions was in negotiations for the rights to Stephen King’s bestselling 2011 novel 11/22/63 for a possible TV series, but then not much happened. Today we finally have an update, and the “network” the show is heading to isn’t one you’d expect.
Per Hulu’s Blog Hulu has greenlit “11/22/63″ – a new Hulu Original from J.J. Abrams’ Bad Robot Productions, acclaimed author Stephen King, executive producer/writer Bridget Carpenter, and Warner Bros. Television.
Here are the details direct from Craig Erwich, Hulu’s Senior Vice President, Head of Content:
This direct-to-series order marks a monumental deal for Hulu as we partner with J.J. Abrams and Stephen King, two of the most celebrated storytellers of our time. We are thrilled to be working with them and with Warner Bros. Television to bring this unique take on one of the most seminal historic events of the twentieth century to Hulu.
Based on the best-selling, award-winning novel by Stephen King, “11/22/63″ will take viewers on a journey back to the day that former President Kennedy was shot and ask the eternal question: “What if?” Part thriller, part love story, “11/22/63″ is a fascinating story that goes beyond the concept of time travel. With the talented team of producers bringing the story to life, we are confident that “11/22/63″ will be an event series that our viewers will love.
“11/22/63″ joins our growing offering of premium Hulu Originals and reinforces our mission to continuously captivate and connect audiences with the stories they love. The series will make its debut exclusively on Hulu. Until then, keep checking back for more details.
The post Hulu Gives Stephen King’s 11/22/63 a Direct-to-Series Order appeared first on Dread Central.
Riding the marginal success of their Sharknado series, the Syfy Channel has another silly B-movie in production: Lavalantula. It’s exactly what it sounds like, a tarantula that shoots lava. But this time they have an ace up their sleeve in the form of a mini-Police Academy reunion!
Lavalantula stars Steve Guttenberg (Mahoney), Leslie Eastebrook (Callahan), and Michael Winslow (Larvell Jones)! To be sure this band of cop comedy legends are in the right hands, Syfy has brought in Big Ass Spider (our review) director Mike Mendez.
According to EW, Lavalantula is currently in production and will air sometime next summer. For now, check out the poster below and PRAY Michael Winslow busts out some crazy sound effects with his mouth.
Here at Dread Central we’re all about giving back, and any time we get the chance to help spread the word about a worthwhile cause, we jump on it. Two have come to our attention that we’re thrilled to share with you.
First up, Gary Cecil over at The Black Cat Horror Blog has launched a Get Kids in Costumes initiative. The basis of this charity is to help underprivileged children and their families on Halloween to make sure that the little ones have Halloween costumes and baskets to celebrate the spookiest day of the year.
Every dollar earned will go directly to an account set up specifically for the donations! Whether it’s a penny or a hundred bucks, it doesn’t matter. Click here to learn more and to contribute.
One thing I know about first-hand is how much it sucks to spend Halloween night in the hospital. Believe you me, it was NOT as exciting as it was for Laurie Strode in Halloween II. That being said, one of the most popular Halloween shops, Spirit Halloween, has launched a Spirit of Children campaign as a means to help make the hospital stays of kids a lot more fun on Halloween.
Click here to learn more and to contribute.
Come on, guys! It’s that time of year when everyone is entitled to AT LEAST one good scare! Do something good… and spooky… today!
Directed by Conor McMahon
In From the Dark Irish director Conor McMahon sacrifices the goofy humor seen in his previous effort Stitches in favor of no-nonsense horror that combines a fear of the dark with vampire mythology.
From the Dark is exceedingly simple in terms of its story: While on holiday, a young couple named Mark (Cromwell) and Sarah (Algar) become stranded on a muddy back road in rural Ireland. Brandishing a flashlight, Mark takes off on foot to discover an old house in which lies an elderly man in a state of delirium and shock from a wound to the neck. After returning to the car to get Sarah for assistance, they discover that the old man has fallen victim to a sinister creature with a strong distaste for the light.
With a simple twist on the vampire mythology, McMahon starts things off strong and creepy, keeping the creature out of focus or moving ever so slightly out of frame with the arrival of a light source. Throughout much of the film he keeps this trend going, even when the creature has traded in the shadows of the woods of Ireland for the confines of a dimly lit house; out of focus background shots, quick moments of action, and dimly moonlight-lit rooms keep the creature’s true appearance from being fully revealed. Granted, glimpses are seen, at least enough to show its form.
Bipedal and tall, the creature is an unholy union of Nosferatu and the subterranean humanoids from The Descent with a bit of vampire goodness from I Am Legend tossed into the mix. The result is mostly uninspired, but the real magic in the film is when McMahon keeps it relegated to the shadows.
Ironically, it’s From the Dark’s simplicity and straightforward approach that hinders it the most. After darkness falls, it becomes a mostly one-note film with Sarah’s quest for light taking a repetitive turn that’s fairly unsatisfying given the interesting setup. Once all hell breaks loose, the suspense slowly fades in favor of a more action-oriented approach, but darkness with only the moonlight and a cell phone to (mostly) lead the way renders it unexciting. There are only so many ways you can keep the same process of “hide, find light, fight back, hide” engaging enough before you’re itching for something new.
But what McMahon gets right he does in a way that helps to offset its many issues. In addition to remaining relatively tight and genuinely suspenseful at times, the two leads are exceptionally believable as an ordinary, run-of-the-mill couple seeking to get away from it all for a few days before being thrust into an extraordinary situation. They bicker and trade barbs, but underneath it all there is a very real and natural sense of love and respect for each other. As a result, you genuinely care about their plight, especially when Mark becomes incapacitated and Sarah must do everything she can to save them from the darkness.
From the Dark is a mostly fun and a little scary, yet inoffensive film that, although satisfying for what it is, could have benefited greatly from a little bit of risk-taking. It takes the safe route. It’s not bad, it’s not great, it’s just a well-made little thriller.
We now have release details for the Bryan Singer-produced The Taking of Deborah Logan.
Adam Robitel’s possession horror film gets an early release on October 21 before it hits VOD and DVD November 4 through Millennium Entertainment.
“Mia Medina (Michelle Ang) has finally found the perfect subject for her PhD thesis film on Alzheimer’s Disease. For the next several months, cameras will record the everyday life of mother Deborah Logan (Jill Larson) and her daughter, Sarah (Anne Ramsay). But as the days progress, strange things begin to happen around Deborah that are not consistent with any findings about Alzheimer’s. It becomes apparent that there’s something besides Alzheimer’s that has taken control of Deborah’s life. It’s an evil that is far worse than the debilitating disease with which she was first diagnosed.“
Jill Larson, Anne Ramsay, Michelle Ang, and Ryan Cutrona star.
Progressive rock legends Pink Floyd have unveiled the album artwork and track listing for their upcoming album The Endless River, which is the first new album since 1994′s The Division Bell. The album, which is set to be released on November 10th (pre-order here), consists of music recorded in the 1993 sessions that led to The Division Bell as well as additional overdubs from David Gilmour and Nick Mason.
“‘The Endless River’ has as its starting point the music that came from the 1993 ‘Division Bell’ sessions. We listened to over 20 hours of the three of us playing together and selected the music we wanted to work on for the new album. Over the last year we’ve added new parts, re-recorded others and generally harnessed studio technology to make a 21st century Pink Floyd album. With Rick gone, and with him the chance of ever doing it again, it feels right that these revisited and reworked tracks should be made available as part of our repertoire.
Head below for the artwork and track listing.
The Endless River Track Listing:
‘Things Left Unsaid’
‘It’s What We Do’
‘Ebb and Flow’
‘The Lost Art of Conversation’
‘On Noodle Street’
‘Eyes to Pearls’
‘Louder Than Words’
What has eight legs and breathes fire? Whatever it is, please keep it far the hell away from me as I don’t need that kind of shit in my life! What I do need, however, is a new flick from Mike Mendez, and if it stars a hellish beast like the one I just described, then I’m okay with that too!
From the Press Release
Giant lava-breathing tarantulas – Lavalantulas – erupt out of ancient volcanoes in the Santa Monica Mountains, raining death and destruction upon Los Angeles, in the new Syfy Original Movie Lavalantula, premiering in summer 2015.
With the City of Angels on the verge of incineration, only a washed up ‘90s action hero actor, played by Steve Guttenberg (Police Academy, Diner) — joined by Police Academy alumni Leslie Easterbrook (Police Academy) and Michael Winslow (Police Academy: The Series) — stand in the way of this monstrous swarm of bloodthirsty creatures who burn their victims alive.
Currently in production in Los Angeles, Lavalantula also co-stars Nia Peeples (“The Young and the Restless”) and Ralph Garman (KROQ/LA DJ).
Lavalantula will be directed by Mike Mendez, who won a Saturn Award for helming Big Ass Spider!
Look for more on this feature showcasing fire-breathing tarantulas as soon as we get it!
Friday was a memorable night for Hollywood’s horror fans, as Universal Studios kicked off this year’s Halloween season with the annual Eyegore Award ceremonies, followed by the launch of 2014′s Halloween Horror Nights attractions. I got a chance to check out this year’s honorees and presenters on the red carpet before the festivities began, and as always, this year’s turnout featured both familiar and new faces from the worlds of big- and small-screen horror.
Rick Baker, David Naughton & John Landis
An American Werewolf in London director John Landis, accepting his career-spanning award tonight, was accompanied by Oscar-winning makeup FX guru Rick Baker (a previous Eyegore recipient, now presenting) and the American Werewolf himself, actor David Naughton. Needless to say, it was a historic moment to see this legendary trio reunited… and the crowd was encouraged to hear Landis describe walking through the park’s American Werewolf maze for the first time: “It scared the shit out of me!” he admitted. I made a mental note of that, as I remember watching that film in the theater as a kid, scrunched down in my seat and frozen in wide-eyed terror… naturally, I had to come full-circle and see what Landis was so afraid of himself.
Greg Nicotero & Robert Kirkman
Another effects legend, the great Greg Nicotero, arrived to accept his award for his landmark work on The Walking Dead, as presented by series creator Robert Kirkman and Talking Dead host Chris Hardwick. “I’ve been doing this for 30 years,” Nicotero said of his lauded FX career, “but when I come to the set of The Walking Dead, it’s like my first day on the job. I love that; I love that I still learn, and that I can get better, thanks to the support of all you guys.”
Robert Rodriguez & McKenzie Westmore
One of the superstars of the night arrived to massive cheers from a huge throng of fans: Robert Rodriguez, here to accept a career achievement award for his contributions to horror entertainment, was accompanied by the series cast of From Dusk Till Dawn on Rodriguez’s El Rey Network, as well as beloved genre icon Danny Trejo, who flashed his signature Machete moves.
Danny Trejo, Sid Haig
“I love that they named this the Eyegore,” Rodriguez said, citing the eyeball violence inflicted on the actors in his movies (e.g. Johnny Depp in Once Upon a Time in Mexico and Michelle Rodriguez in Machete). He also regaled the audience with his rendition of his mother’s blood-curdling scream, to help prepare himself for a walk-through of his own From Dusk Till Dawn maze: “That’s what I’ll sound like tonight,” he said. “And you too!”
Face Off team members Lois Burwell, Glenn Hetrick & Ve Neill
Other horror heavyweights included Devil’s Rejects star Sid Haig, who always has a kind word for the fans, and the judges from SyFy’s Face Off; the show’s host, McKenzie Westmore, returned to the podium as emcee for the evening.
Myles Kennedy & Slash
The ceremonies concluded with a live performance by Grammy-winning guitar god Slash and singer Myles Kennedy of “Nothing Left to Fear,” the moody title track from the film of the same name (and the first feature to be released by Slash’s own horror-centric production company, Slasher Films).
Following the awards came the part I’ve been looking forward to all year – when they sent us all out into the night to sample this year’s crop of horror attractions. Having missed last year’s event, I was eager to catch up… and I’d forgotten just how massive Universal City’s facilities actually were. Halloween Horror Nights attractions tend to take over the majority of the park’s real estate from late September to early November, and this year was no exception.
With only so much time available – and knowing there are some pretty long lines for each maze – I’d planned out my evening as carefully as possible, and managed to hit nearly all of the new offerings. In between, Universal managed to keep the massive waiting crowds occupied with a rave/party atmosphere, including rounds of horror trivia and scantily-clad dancers twerking and grinding to tracks by Rammstein, Rob Zombie and Marilyn Manson.
The most elaborate entry this year is the “Walking Dead: End of the Line” walk-through attraction, which begins with a “Terror Tram” ride into the hills that deposits you at the entrance to an outdoor survival maze. From there, you set out on a smoke-shrouded trail that weaves through some of the most elaborate park sets I’ve ever seen, including the entire fuselage of a downed airliner and a huge military compound patrolled by chainsaw-wielding survivors (who are just as likely to come after you as the nearby walkers). The near-darkness and dense smoke on the trail allows for zombie actors to blend in, ninja-like, with the crowd before suddenly turning on unsuspecting victims, leading to some of the night’s best screams, panicked freakouts, and bursts of nervous laughter.
Also worth checking out is the new Alien Vs. Predator maze, which wins my vote for most impressive set design of the evening: the indoor structure is made to resemble a blasted-out rural town, whose residents have been seized to incubate xenomorph invaders. All the alien life-cycles are represented, with facehuggers launching themselves at passers-by, chestbursters ripping out of cocooned actors amid sprays of blood (you’ll get wet, but not stained) and of course full-size alien warriors fighting with some impressively large, laser-wielding Predators over who gets to dissect the helpless human visitors. I won’t spoil the most impressive set-piece here, but let’s just say it’s the best possible conclusion to an Alien-themed attraction.
Other cool installments include the creepy “Clowns 3D,” which not only features just about every kind of psychotic clown you could imagine – in well-done 3D and a brain-frying assault of black-light colors – but most notably an excellent original score by Slash himself. Coulrophobic (i.e. clown-fearing) visitors will have therapy material for years to come… and that’s not including the stilt-walking killer clowns that wander outside the maze to nab unsuspecting park-goers, along with heavily armed masked marauders from The Purge: Anarchy maze – many of whom were able to blend into small crowds before turning to attack, sending patrons scattering in all directions.
The Dracula Untold maze followed a more traditional spook-house route, but the blend of old-school gothic and modern vampire trappings kept things fresh and freaky, and if you’ve ever wondered what it would be like to be attacked by all the competitors’ monstrous creations from Face Off… well, you won’t soon forget that experience, which captured the best Halloween flavor of the night. The From Dusk Till Dawn maze recreates the “Titty Twister” set from the movie and the series, and the actors here are among the most aggressive you’ll ever encounter (at least among attractions where they don’t actually assault the guests), be they vampires or well-armed human survivors.
Hands down, my personal favorite this year would have to be that American Werewolf maze, which lovingly recreates all the memorable moments from the 1981 classsic, from the Slaughtered Lamb pub to the London Underground, even the many nightmare sequences, and unleashes some seriously scary full-size animatronic werewolves… one of which snapped its jaws so close to me I felt its hair brush my neck. (I now totally understand why even John Landis himself was terrified of this one.) It’s a little too short for my liking, but every second you’re in there is loaded with maximum shock potential, with beautifully designed sets and props.
Exhausted but exhilarated, I survived the ordeal with only minor injuries… and once I’ve rested up, I’ll be ready to go back again. If you’re going to be in the L.A. area between now and November 2nd, try spending a night convincing your friends you’re not pissing your pants in terror – especially when that guy in the group next to you turns out to be less than human… and hungry.
Visit HalloweenHorrorNights.com for tickets, event schedule and more info.
A few days ago we saw the first clip from the upcoming Season 6 premiere of “The Vampire Diaries,” Episode 6.01, entitled “I’ll Remember,” and now we’re back with another, in which we see how Caroline (Candice Accola) is coping with her loss.
“The Vampire Diaries” Episode 6.01 – “I’ll Remember” (airs 10/2/14): After spending the past four months coping with the loss of Damon (Ian Somerhalder) in an unconventional and potentially dangerous way, Elena (Nina Dobrev) has returned to Whitmore College for the start of sophomore year.
Unable to move on, Caroline (Candice Accola) is desperate to find a way to reverse the anti-magic spell the Travelers have put over Mystic Falls and grows frustrated when her calls to Stefan (Paul Wesley) go unanswered.
Tyler (Michael Trevino), who is human once again, has a run-in at a football tailgate that tests his ability to control his anger, while Matt (Zach Roerig) worries that Jeremy (Steven R. McQueen) is dealing with the loss of Bonnie (Kat Graham) in a self-destructive way.
Alaric (Matt Davis), who is struggling to adjust to his new life as a vampire, finds himself in an awkward situation when he meets Jo (guest star Jodi Lyn O’Keefe), a beautiful doctor at the university hospital.
Lastly, while everyone believes Stefan is off tracking a lead to get Damon and Bonnie back, Elena is shocked when she learns the truth of what he has really been up to. Jeffrey Hunt directed the episode written by Caroline Dries.
The post Never Forget this New Clip from The Vampire Diaries Episode 6.01 – I’ll Remember appeared first on Dread Central.
Kojima Productions has released its first concept teaser for the next entry into the Silent Hill franchise, Silent Hills.
The creepy video sets a promising pace as it features dying victims spewing carrion and a glimpse at one of the game’s giant monsters, following the tradition of the Silent Hills series’ inventive monstrosities.
Silent Hills was announced cryptically this year at Gamescom as it was a hidden reveal at the end of Sony’s P.T. demo.
Silent Hills is being helmed by Metal Gear Solid creator Hideo Kojima, along with acclaimed director Guillermo Del Toro. The game features “The Walking Dead” star Norman Reedus.
It always seems like there’s a possibility of World War 3. Even today, while the Cold War has long passed, there’s seems to be a constant feeling that someone in Russia or the US will end up pushing that red button, launching a nuclear holocaust. Obviously, the whole thing makes for potentially great sci-fi and horror films capitalizing on the “What if?” scenario. Newcomer director Peter Engert is the latest to try and weave a tale of survivors struggling in a post-nuclear wasteland. Rather than taking certain liberties, such as the lack of effects from that darn radiation sickness in other post-nuclear films, Engert attempts to present the things in a more realistic fashion. Question is, does it work?
In rural Texas, the Big One has dropped as the United States is in the midst of World War 3. A young doctor named Hunter (C.J. Thomason) through chance meets up with a group of other survivors in a farmhouse cellar. Battling claustrophobia and their interpersonal conflicts, the group of nine must also deal with growing hunger, radiation sickness and a roving gang of dying refugees eager to steal supplies.
As I said, unlike some futuristic films that portray humanity’s struggle against a common foe without worrying about the logical problems inherent with nuclear warfare, Engert has chosen to give the film a very bleak and not-so-rosy outlook. Communications are toast due to the EMP burst from the dropped bomb, the soil is radioactive and the air is practically poison, survivors are soaking up radiation and slowly dying from the fallout, and the emergency broadcasts from the vice-president (!!) are hollow and generic. It’s pretty damn depressing. However, it’s also not out of the realm of reality if a nuke was dropped. Throwing in instances of roving bands of people pettily fighting with other survivors for supplies just adds to the bleakness, knowing that it’s all in vain. It’s an interesting change of pace from what you’d normally expect that’s reluctantly welcome.
Of course, it would all be for nothing if the cast wasn’t up to the job. C.J. Thomason does well as the heroic doctor Hunter. He does much of the exposition, explaining the effects nuclear fallout, while also doing the “doctor thing”, patching people up, gathering supplies and so on. Monica Keena also does well as nurse Elizabeth, doing her job to the best of her abilities for as long as she can. The real star is surprisingly Edward Furlong, who I still remember as John Connor whose acting was all over the place. Not here, as Furlong plays the short-fused redneck prick Brad, who undermines and opposes Hunter’s do-gooder plans. Overall, all the players provide the needed tension and drama that’s required for a film like this.
As you’ve probably determined, this is not a film with a happy outcome. That’s understandable, but unfortunately Engert doesn’t do much more with the film. Much of what Engert does do has been done before in other post-apocalyptic films, including a raid by outsiders on our protagonists’ shelter. Of course, outsiders consist of irradiated folks that bring to mind the rage zombies from 28 Days Later, only crispier. Sure, it does have that exploration of what people would do in a situation such as this, but there’s nothing more to it. There’s a cry for more backstory for the characters, but ultimately that never comes. Instead, the film starts becoming flat by the midway point.
Aftermath strives to be different from what you’d normally get with a post-nuclear film. And while the bleakness and pessimistic outlook does change things up, it doesn’t deviate from the formula we’ve all seen before. Adding in the lack of backstory exploration needed to keep things going, the film comes across as more depressive than it needs to be. While a dose of theoretical reality is nice, you’d still want to be entertained for 92 minutes. Aftermath offers up some good points, but still misses a few things to make it truly worthwhile.
Shot on the RED camera, Aftermath is presented in AVC-encoded 1080p 1.78:1 widescreen. Being shot digitally, the transfer sports solid black levels and great detail, both in light and in shadow. Since the film’s been colour-corrected to help appear harsh and bleak, the palette is appropriately desaturated. Overall, a great-looking transfer.
Audio is presented in DTS-HD Master Audio 5.1. The initial nuclear blast has the appropriate window-rattling oomph in the bass, which is always fun. Much of the dialogue is presented in hushed speech, which makes arguments and the sounds of violence louder than they normally would be. It’s a neat effect, and makes the final act intense to the point of it being almost unbearable. Regardless of the loudness, dialogue comes across clear and free of distortion.
Death Waltz has released the second title in its “Originals” series, this time unveiling The Equestrian Vortex, which is composed by Andrew Liles. The title is now available for pre-order through Death Waltz (Europe) and Light In The Attic (N. America).
Death Waltz Recording Company in association with director Peter Strickland and audio historian Andrew Liles are proud to present the world premiere release of a true classic of Italian cinema: the 1977 giallo THE EQUESTRIAN VORTEX. A tale of a coven of witches presiding under a riding academy, the film has been hailed by both critics and detractors as one of the most disturbing pictures ever made, with much of the credit going to the film’s soundtrack. Supervised by director Giancarlo Santini and created by sound engineer Gilderoy, THE EQUESTRIAN VORTEX is less a score and more a journey into the unconscious, where ghosts swirl with ethereal drones as screams echo into the night. Adding to this is the conspiratorial dialogue from actresses Silvia, Claudia, and Elisa, reading bizarre incantations that unleash the full horror of what lies beneath. We dare you to come out unscathed from the bloodcurdling terror that is THE EQUESTRIAN VORTEX.
A few months ago before SDCC we were the outlet for the exclusive reveal of “Colder: The Bad Seed.” And now as we approach the release of the first issue, Dark Horse Comics have shared a preview. Honestly, Dark Horse has been the go-to company for horror in the past few years, but Colder has been the absolute standout of an incredible collection of releases. Paul Tobin is able to capture the insanity of mental illness with relative ease, and crafts a chilling story unlike any other. Be sure to check out this preview and let your LCS know you want this book.
COLDER: THE BAD SEED #1 | Paul Tobin | Juan Ferreyra
Life goes on for Declan Thomas after his deadly encounter with the psychotic Nimble Jack, but Declan’s strange powers continue to develop, offering him a profound connection with the nature of insanity. Little does he know that the malevolent Swivel wishes to pick up where Nimble Jack left off!
* The sequel to the critically acclaimed series!
* Written by Eisner Award winner Paul Tobin (Bandette, The Witcher)!
* Don’t miss Paul Tobin and Juan Ferreyra on Prometheus: Fire and Stone!
“Juan Ferreyra is a god amongst men who draws our darkest fears and uses his sorcery to haunt the dreams of the sane.”—IGN
COLDER: THE BAD SEED #1 is on sale October 22nd. FOC is next Monday September 29th so be sure to preorder!
Gravitas Ventures’ action/horror indie Run Like Hell will be available on VOD beginning September 23rd, 2014. Before they start their dash to terror, we’ve asked the cast and crew what they biggest fears were. Check out their answers below, and then share your own worst fears!
Produced by Two Guys and a Film (TGAAF), Run Like Hell builds out of a deceptively innocent road trip with two couples into a genre bending adrenaline rush of action filled horror. It’s said to have clever nods to past genre masters like Carpenter.
Run Like Hell is the narrative feature directorial debut of TGAAF principle James Thomas (Hard Sun, Broken Home) and the second feature filmed back to back under their shingle.
In it, “Four friends Dan, Samantha, Maggie and Luke, venture on their first road trip. Every year Samantha and Maggie (sisters), fly home to spend the Fourth of July with their parents, but this year Dan mapped out the PERFECT road trip. Along the way their car is stolen. With no car, no cellular service, and no one in sight, they are forced to seek the help small town locals of Harold and Nancy Johnson. The town’s real motives become obvious as the couples find themselves fighting to stay alive. When there’s nowhere to hide, all they can do is run like hell.“
The cast is led by a number of up and coming indie actors including Dave Finn (Happy Anniversary, Teen Vampire Angst), TGAAF principle Canyon Prince (Hard Sun, Zoolander), Robyn Buck Hard Sun, Prey For the Island), Tamara Carey (18 Year Old Virgin, Hard Sun), Aaron Rice (Redeeming Dave, The Cult) with J Michael Briggs (Army of Darkness, Hard Sun), and Jessica Cameron (Truth or Dare, Paranormal).
From Justin Benson and Aaron Moorhead, who directed the incredible indie Resolution, and also kicked ass on our upcoming V/H/S Viral, also saw the premiere of their Spring at the Fantastic Fest film festival this past weekend.
It was announced today that Drafthouse Films acquired the coming-of-age horror drama out of the festival and will release in limited theaters and on VOD in 2015.
Evil Dead fav Lou Taylor Pucci stars in this eerie and skin-crawling love story that I guarantee you’re going to fall in love with.
Pucci plays a young man in a personal tailspin who flees the US to Italy, where he sparks up a romance with a girl (Nadia Hilker) harboring a dark, primordial secret in this edgy, romantic drama with a supernatural twist.
Radius-TWC recently acquired Goodnight Mommy, a horror thriller that premiered at the Venice Film Festival. Today, Bloody reader Fabien M. shared the trailer, which shows an awfully creepy doppelgänger mommy. This movie looks scary as fuck!
Austrian directors Veronika Franz and Severin Fiala helmed the movie, which “takes place in an isolated home and centers on a pair of twins whose mother returns home from the hospital. But with a bandaged up face and off-liter behavior, the twins begin to think that perhaps this isn’t their mother after all.”
Real-life twins Elias Schwarz and Lukas Schwarz star as does Susanne Wuest.
It’s not over until they’re all dead.
it looks like an all-out war in the new full trailer for “The Walking Dead”, which premieres on Sunday, October 12 at 9:00pm ET/PT.
It stars Andrew Lincoln, Norman Reedus, Steven Yeun, Lauren Cohan, Chad Coleman, Chandler Riggs, Melissa McBride, Emily Kinney, Danai Gurira and Sonequa Martin-Green.
Season Four of “The Walking Dead” ended with Rick and the group outgunned, outnumbered, and trapped in a train car awaiting a grim fate. Season Five picks up shortly thereafter. What follows is a story that weaves the true motives of the people of Terminus with the hopeful prospect of a cure in Washington, D.C., the fate of the group’s lost comrades, as well as new locales, new conflicts, and new obstacles in keeping the group together and staying alive.
Stories will break apart and intersect. The characters will find love and hate. Peace and conflict. Contentment and terror. And, in the quest to find a permanent, safe place to call home, one question will haunt them… After all they’ve seen, all they’ve done, all they’ve sacrificed, lost, and held on to no matter what the cost…Who do they become?
If I’m learning anything here, it’s that Adam is probably the suavest and classiest of the Bloody-Disgusting writers. I mean, have you been keeping an eye on his BD Playlist selections? The guy knows how to listen to music that gently cradles and lovingly caresses the ears.
But don’t take my word for it. Venture forward to see what he recommends you check out this week and make your own opinion!
MGMT – Oracular Spectacular
Alt-rock band Nothing More have released an official video for “Mr. MTV”, which comes from their recently released self-titled album. The video shows the band performing in a studio while subliminal messages keep flashing forth.
I’m convinced that these guys are going to blow up. They write incredibly catchy songs without sacrificing technicality. If you haven’t given them a chance, now is as good a time as any other!
“The Third Rail” is supposed to be the rousing pseudo finale of The Strain but it yet again proved to be an uneven hour, with varied degrees of focus. I just can’t fathom how these episodes were written, as this week the central conflict finally develops while a woman while Alzheimer’s takes up far more time than she needs to, looking for her ash tray.
Let me get this out of the way. I understand her attachment to the object. I understand why she’s hysteric, and I get why she’s part of the show. It’s about holding on, it’s about protecting the one’s closest to us, but why in the name of god do you leave the child and the old lady to hold down the fort? As illogical as that may be, it’s really the child actor playing Zack that bothers me to no end. See, the script has him acting like a mini adult where it’s required and a complete imbecile in other scenes.
Yet, despite all my dialogue problems with this little adult, his story held my favorite moment of the week when he and Gus cross paths. It shows that this world will eventually have our heroes converge on one another and when they do it’ll be glorious. But, until then we have to deal with small moments like this.
Speaking of Gus, he’s becoming a fearsome force for the fight back against the master. It’s clear that he now understands the world has fall to ruin after killing his brother and his mother nothing is sacred, and he was already violent by nature. So his story is really going to be something to watch.
Finally this week we were given some moments of true terror with our group descending into the subway tunnels. There was a real sense of fear when they had to cross over the hordes of sleeping vampires and real tension between the group. And, how awesome was that vamp hitting the third rail and smoking to a crisp? It’s imagery like that, which keeps me coming back week after week.
What keeps me thinking about giving up on this show are moments like Eph’s blind determination to find Kelly amidst these hordes of deadly creatures. On the one hand I get it, this is his wife, but she was completely estranged and very distant. Their relationship wasn’t the strongest and while he may find the compelling need to release her from the virus, the time has come to move on.
Abraham handles everything like a champ, as is assumed with how badass he’s been over the past few weeks. Yet, we get a peak into his defining flaw, his raw determination to defeat the master compels him to make mistakes. He’s far to dedicated to revenge, but how fucking awesome was it when he smashed The Master’s coffin to nothing. He was finally able to make amends with his crucial mistake from years ago. It’s damning how much that actually haunted him because you don’t see it on his face until that very moment.
While Vasily seems to be the only one who can remain objective in this scenario and is reprimanded for it. It’s almost as if they don’t like that he doesn’t care, but it’s his biggest asset. This is a man who killed vermin for a living and now his world is overrun. Let the man go wild, he’s sure to get the job done better than anyone.
With two more weeks to go, The Strain is showing signs of age. This weeks episode felt padded yet again, but was a significant improvement over last week. The large cast forces episodes to narrow their focus but doesn’t always bode well. While, the A story hit new heights of horror for the series, the B story faltered completely with Zack, and Gus’ story was long overdue. We’ve still got a lot of road left to cover and hopefully these last two episodes will help the series stick the landing on an otherwise bumpy season.
- Really don’t dig the look of The Master he comes off impossibly cheap.
- I understand Zack’s dedication to his phone, but getting two strangers killed for it was a little much.
- We need more brief scenes like the one between Zack and Gus, showing how the world is getting smaller every day.
- Two weeks no Eichorst, send help.
What did you think of “The Third Rail?”