Is it just me, or has this season of “Under the Dome” seemed interminable? Finally next week the Season 2 finale, Episode 2.13, “Go Now,” airs on CBS; and we have the ep’s preview and a batch of stills to share.
“Under the Dome” stars Mike Vogel (Barbie), Colin Ford (Joe), Alexander Koch (Junior), Rachelle Lefevre (Julia), Dean Norris (Big Jim), and Mackenzie Lintz (Norrie). Season 2 guest stars include Brett Cullen, Sherry Stringfield, Eddie Cahill, Grace Victoria Cox, Dwight Yoakam, Karla Crome, and Max Ehrich.
“Under the Dome” Episode 2.13 – “Go Now” (airs 9/22/14; 10-11 PM)
A potential exit from the Dome is revealed just as the walls begin closing in on those trapped in Chester’s Mill.
The post Go Now to See Some Stills and a Preview of the Under the Dome Season 2 Finale appeared first on Dread Central.
“Z Nation,” which took a bite out of 1.6 million total viewers during its September 12th debut, was Syfy’s highest rated acquired scripted series premiere since “Doctor Who” back in 2006.
If you were among them and are looking forward to tomorrow night’s Episode 2.01, “Fracking Zombies,” we have another sneak peek plus a “super” teaser to share.
The 13-episode “Z Nation” stars Tom Everett Scott, DJ Qualls, Michael Welch, Kellita Smith, Anastasia Baranova, Russell Hodgkinson, and Keith Allan.
The series airs Friday nights at 10PM on Syfy.
“Z Nation” Episode 1.02 – “Fracking Zombies” (airs 9/19/14)
In New Jersey the survivors run out of fuel and embark on a dangerous mission to replenish their supply. Meanwhile Cassandra’s past comes back to haunt her.
Jason Hawkins’ latest indie flick, The Devil Knows His Own, has landed itself distribution; and we have the skinny on when, where, and how you’ll be able to see it! Read on for details.
Wild Eye Releasing has acquired Jason Hawkins’ new horror film for worldwide VOD and DVD release. The film stars Eileen Dietz with Dara Davey and Natasha Timpani playing a married couple struggling to overcome the traumas of the past. The Devil Knows His Own is at its heart a story of two horribly abused siblings who are haunted by their past and decide to return to their childhood home for the first time in 20 years to try to put the demons of their childhood to rest once and for all.
This is the third film from the Gravestone Entertainment Team.
When Jessica and Ethan Ray receive news their grandmother has passed, they believe the nightmares of their childhoods will finally be laid to rest. Returning home for the first time in over 25 years, the siblings reunite, only to discover a mystery surrounds the house they are inheriting. Within the walls of their family estate, the dead do not rest easy, and the horrors of their childhood are nothing compared to the terror that awaits them.
Thanks to the lovely people at StudioCanal, we’ve nabbed a copy of director Lasse Hallström’s latest thriller, The Hypnotist, on DVD to give away to one lucky UK-based reader. Don’t worry – you don’t need to get on our couch to win it. Just read on!
The Hypnotist stars Mikael Persbrandt (The Hobbit), Lena Olin (The Reader, Chocolat), and Tobias Zilliacus (Beyond Enemy Lines) and is based on the best-selling novel by Scandinavian author Lars Kepler.
In the middle of a dark December night, psychiatrist Erik Maria Bark (Persbrandt) is woken by a telephone call from a hospital in Stockholm. Detective Inspector Joona Linna (Zilliacus) asks for his immediate help in treating an unconscious patient suffering from acute trauma. He hopes that Erik will be able to communicate with the young boy through hypnosis, enabling the police to question him. They intend to find out who so brutally murdered his parents and younger sister in order to track down and save his mysteriously missing older sister before it is too late.
To be in with a chance of winning, simply send an email to email@example.com including YOUR FULL NAME AND POSTAL ADDRESS. Then sit back… close your eyes… relax… and listen to my voice… We’ll take care of the rest.
If the above link doesn’t work for you, email us manually at firstname.lastname@example.org with the subject line “The Hypnotist UK DVD.” Don’t forget to include your FULL NAME and POSTAL ADDRESS.
Please note that this competition is open only to residents of the United Kingdom.
Now this? This is pretty cool! If you see a Thursday night showing of Tusk (there are 8pm and 10pm showings in most playdate theaters), you’ll get your name added to the credits of the film when it comes out on DVD.
How, you ask? All you have to do is take a picture of your tickets stub and post it to Twitter or Instagram with the hashtags #WalrusYes and #TGITusk.
Tusk (review), written and directed by Kevin Smith, stars Justin Long, Haley Joel Osment, Genesis Rodriguez, and Michael Parks. Long plays a journalist who finds the story of a lifetime in Mr. Howe (Parks), a worldwide adventurer with amazing tales and a curious penchant for walruses.
Producers are Sam Englebardt, William D. Johnson, and David Greathouse for Demarest and Shannon McIntosh for Smith’s SModcast Pictures banner. Jennifer Schwalbach and XYZ’s Nate Bolotin are executive producers.
Look for the flick in theatres on September 19, 2014.
The post See Tusk Thursday and Get Your Name in the Credits appeared first on Dread Central.
Paramount has vacated Christopher Landon’s (Paranormal Activity: The Marked Ones) Scouts vs. Zombies from its March 13, 2015, release date, a date which is now occupied by Paranormal Activity: The Ghost Dimension. So, when will you be able to take in Landon’s little sliver of undead goodness?
Look for the flick in theatres a bit earlier than expected on February 20, 2015.
Sarah Dumont, Halston Sage, Lukas Gage, Patrick Schwarzenegger, Tye Sheridan, Logan Miller, Joseph Morgan, and David Koechner star. Andy Fickman, Todd Garner, Bryan Brucks, and Betsy Sullenger are producing.
Scouts vs. Zombies follows a group of Boy Scouts who try to fend off a zombie attack in their small town.
We’ve been sitting patiently waiting to find out exactly when we’ll be seeing the sixth film in the Paranormal Activity franchise, and today Paramount gave the film a date and even a new title! Read on for details.
Look for Paranormal Activity: The Ghost Dimension in theatres on March 13, 2015. This confirms a story which originally appeared on Bloody Disgusting stating that the flick was going to be here a lot sooner than its previously announced 2016 release.
Greg Plotkin is directing from a screenplay by Jason Pagan and Andrew Stark. No word on just who will be returning or which storyline they’ll be working with, but it’s a good bet it will be all-encompassing. Expect surprises.
The post Paranormal Activity: The Ghost Dimension Dated for March 2015 appeared first on Dread Central.
The CW Unveils The Vampire Diaries Season 6 Key Art and First Clip from Episode 6.01 – I’ll Remember
Ready for the first clip from “The Vampire Diaries” Episode 6.01, “I’ll Remember”? Then you’ve come to the right places as we have that for you right here along with the new Season 6 key art that The CW just released.
“The Vampire Diaries” Ep. 6.01 – “I’ll Remember” (10/2/14)
After spending the past four months coping with the loss of Damon (Ian Somerhalder) in an unconventional and potentially dangerous way, Elena (Nina Dobrev) has returned to Whitmore College for the start of sophomore year.
Unable to move on, Caroline (Candice Accola) is desperate to find a way to reverse the anti-magic spell the Travelers have put over Mystic Falls and grows frustrated when her calls to Stefan (Paul Wesley) go unanswered.
Tyler (Michael Trevino), who is human once again, has a run-in at a football tailgate that tests his ability to control his anger, while Matt (Zach Roerig) worries that Jeremy (Steven R. McQueen) is dealing with the loss of Bonnie (Kat Graham) in a self-destructive way.
Alaric (Matt Davis), who is struggling to adjust to his new life as a vampire, finds himself in an awkward situation when he meets Jo (guest star Jodi Lyn O’Keefe), a beautiful doctor at the university hospital.
Lastly, while everyone believes Stefan is off tracking a lead to get Damon and Bonnie back, Elena is shocked when she learns the truth of what he has really been up to. Jeffrey Hunt directed the episode written by Caroline Dries.
The post The CW Unveils The Vampire Diaries Season 6 Key Art and First Clip from Episode 6.01 – I’ll Remember appeared first on Dread Central.
Were you as bummed as I was that you only got to see Godzilla in Legendary’s Godzilla for just over 11 minutes?!? Well now, thanks to Sideshow Collectibles, you could take the big guy home in grand fashion!
Below you’ll get a look at their 24″ Godzilla Maquette, which is nothing short of stunning. The figure stands ominously upon a highly detailed base featuring destroyed rubble.The only thing? The price tag is as always high, but you get what you pay for, ya know!
This bad boy will run you $799.99, but thankfully you can pay in installments. Go ahead. Drool. It’s okay. We’re right there with ya.
Playing as part of this year’s Fantastic Fest in Austin, Texas, is The Stranger, a new film produced by Eli Roth and Nicolás López (Aftershock). Directed by Guillermo Amoedo, the flick star Luis Gnecco, Lorenza Izzo, Ariel Levy, and Aaron Burns.
Check out the first look below courtesy of Latino Review.
Guillermo Amoedo shows a deft ability to turn a bloodthirsty monster movie on its head into a slow-burn, character-driven film. THE STRANGER takes its time, building the tension through occasional flashbacks and having the audience sympathize with Peter, who grew up not knowing his father. Peter, like the audience, is kept largely in the dark about his father’s motives or even what he is… because he’s certainly not human. What is apparent is the chaos his dad’s return has on the small town, especially a member of the police force and his violence-prone son.
THE STRANGER is ultimately about family, the legacy we pass on to our children and the lengths we go to protect and ensure their survival, no matter how dark and deadly they might become.
The post Trailer and Poster for Eli Roth-Produced The Stranger appeared first on Dread Central.
Directed by F.W. Murnau
Distributed by Eureka!
Widely regarded as Nosferatu director F.W. Murnau’s crowning masterpiece, Faust: Eine deutsche Volkssage – to give it its full original title – is not only a shining jewel of the filmmaker’s oeuvre but an historical cinematic milestone of major significance.
A telling of the German folk tale of the same name, Faust concerns a wager made between heaven and hell (in the form of an Archangel and the Devil Mephisto) for the fate of all mankind: If Mephisto can completely corrupt the soul of one man – the eponymous alchemist Faust (Ekman) – then the world will be his.
Putting his plans in motion, Mephisto unleashes a deadly plague on Faust’s home village. As his desperate search for a cure proves fruitless while the dying citizens call for his help, Faust enters into a one-day-only ‘trial’ pact with Mephisto. Suddenly, he is able to cure the sick with his bare hands, driving back the plague. All comes to a rough end, however, when the people discover that Faust can no longer look upon or touch the sign of the cross, and so to escape impending execution, he commands Mephisto to make him young again and whisk him away.
Consumed by the pleasures of his newfound youth and power, Faust goes on to accept the full agreement – his soul for indefinite command of Mephisto’s power – and sets about attempting to woo the innocent Gretchen (Horn). Tragedy abounds, however, as Mephisto’s scheming leads to increasingly dire consequences for Gretchen, her family, and Faust himself – pulling them all down a path of darkness which may very well spell the end of the world as we know it.
A product of the silent era of cinema, Murnau’s Faust continues to stress its historical importance, and impact on the art form, to this day. While grounded in the level of visual theatricality customary (and necessary) at the time, it nevertheless produces consistent displays of technical marvel via camera movement, sweeping miniature vistas, and brilliantly effective special effects – to name just a few of the elements Murnau has up his sleeve. Convincingly medieval costuming and set design provide a backdrop for touches of Expressionist style, though somewhat less overtly representative of the movement than similar output of the decade such as Robert Wiene’s The Cabinet of Dr. Caligari.
Story wise, Murnau’s Faust is closer in narrative to that of Johann Wolfgang von Goethe’s play than any other version, though various elements are tweaked to suit the filmmaker’s vision. Emil Jannings relishes his part as the devious Mephisto, full of theatrical mischievousness, wide-mouthed grins, and evil stares. He seems especially happy during the second act’s racier sex farce elements, grinning cheekily as he cops a feel of Gretchen’s aunt, for example. Camilla Horn’s performance as the aforementioned tortured innocent is truly something else – a brave and standout turn at a time when perfection in physical performance was required to truly communicate with audiences, and she communicates all too well.
Faust is a classic for a reason; anyone with even slightly more than a passing interest in cinema ought to cherish this film outright – though a bemoaning of the rather abrupt and saccharine ending would be a forgivable umbrage. It’s a superlative, inventive piece of work by a masterful, visionary director that remains as engrossing and surprising today as it was almost 90 years ago. Yes, it’s that old – and yes, it’s still that good. In a great turn, it’s now actually even better with this “Masters of Cinema” release from Eureka!, which, for the first time outside of Germany, gives us Murnau’s domestic cut – the original cut created for screening within the country of origin which contains all of the best takes and shots and forms his actual, preferred vision.
Picture quality for the domestic cut is startlingly good. Sporting a 1080p high-definition transfer, it’s as close to perfect as one could likely ever expect Faust to look. Grain and print damage are obviously prevalent given the age of the material, and the image can appear rather soft at times, but honestly – you’ve never seen it as wonderfully presented as this, trust me. The export cut that most will be used to by now is also included but doesn’t receive the same meticulous treatment. It still looks decent but can’t compete with the clarity of the main showpiece. Both versions of the film also come on separate DVDs alongside the Blu-ray disc.
For the domestic cut you also have the choice of one of three different musical scores: Timothy Brock’s orchestral score, Stan Ambrose’s harp accompaniment, or Javier Pérez de Axpeitia’s piano arrangement. Backing this up is an incredible amount of special features which include a circa 40-minute discussion of the film with learned critic Tony Rayns; a German-language documentary that runs almost an hour dissecting nearly every facet of the film’s creation, entitled “The Language of Shadows”; a feature commentary by David Ehrenstein and Bill Krohn which proves very informed, insightful, and entertaining; a lengthy video comparison of the differences between the domestic and export cuts; and a 40-page booklet featuring various writings on the film (not included for review).
It all combines to form an excellent presentation and package for a film whose importance and ongoing relevance to cinema simply cannot be overstated and adds another gold star to the chart for Eureka!’s fantastic “Masters of Cinema” label.
• Restored 1080p transfer of the domestic German print with three optional scores: Timothy Brock orchestral score, Stan Ambrose harp score, and Javier Pérez de Axpeitia piano score
• Export version of the film
• DVD versions of both cuts of the film
• A discussion of the film with critic Tony Rayns
• Audio commentary by critics David Ehrenstein and Bill Krohn
• The Language of Shadows documentary
• 40-page booklet containing an essay by Peter Spooner, writing on the film by Eric Rohmer, and rare archival imagery
• Version comparison (Domestic and Export)
5 out of 5
5 out of 5
The post Faust: Masters of Cinema Edition (UK Blu-ray/DVD) Review appeared first on Dread Central.
This past Friday, September 12th, Universal Studios’ Halloween Horror Nights Hollywood Creative Director John Murdy gave Dread Central a preview of their then-under-construction “An American Werewolf in London” and “The Walking Dead: The End of the Line” fright mazes.
Read on for the details, exclusive video, and our photo gallery!
Arriving to a heavily under-construction Universal Studios on a sweltering Los Angeles afternoon (these heat waves seem to historically hit the week of the preview), we hopped in a van to the backlot with mastermind Murdy, where “The Walking Dead: The End of the Line” maze was in its final days of preparation for Halloween Horror Nights, which kicks off next Friday, September 19th.
In keeping with the narrative of Season 4 of the popular AMC series, this year’s “The Walking Dead” maze (the third year running for Universal’s HHN) recreates the prison in which the majority takes place and introduces as well the show’s principals’ search for the purported sanctuary of Terminus. Upon arrival we were greeted by the maze’s exterior, a rather convincing correctional facility façade, with a perimeter ringed with high chain-link fencing. Just inside sat a burned out military tank (repositioned from Fast & Furious 6), as well as the prop carcass of a fallen steed (echoing Season 1 of “The Walking Dead”).
Once inside the impressive and at times two-story attraction, we were greeted by a catwalk, myriad cell doors, rotted zombies, a morgue, a recreation of the show’s convenience store ‘Big Spot’ and much, much more. See our video clip of Murdy chatting about the maze below.
From there it was on to the “An American Werewolf in London” maze, erected just outside the park’s Jurassic Park attraction. Nailing it from the onset, the exterior of the attraction was decked out to resemble the pub ‘The Slaughtered Lamb’ from director John Landis’ classic 1981 film, as was the first room we entered, replete with a bar and requisite pentagram.
Determined, Murdy and crew are set to deliver within the attraction the iconic moments of the groundbreaking flick, which, in addition to the pub, include the film’s hospital room, the demon soldier slaughter, the porno theater (screening See You Next Wednesday, a nice attention to detail), the London tube (which features a clever scare not from the film, but in keeping with it) and most importantly, the famous Rick Baker-created werewolf transformation. See our clip of Murdy talking about that below.
While we don’t want to give much more away in terms of the narrative and scares (these attractions are best experienced without heavy spoilers), you can check out our photo gallery, and keep your eyes on Dread Central for our annual coverage of the Eyegore Awards and the grand opening of Halloween Horror Nights, which kicks off this coming Friday, September 19th.
More info on Halloween Horror Nights is available at Halloween Horror Nights.com. Updates from Creative Director John Murdy can be found on Twitter, as he reveals a running chronicle of exclusive information.
About Halloween Horror Nights Hollywood
Tickets are now on sale for “Halloween Horror Nights” at Universal Studios Hollywood as Southern California’s leading Halloween event becomes “More Dead Than Ever,” expanding to 22 select nights with more mazes than ever, from Friday, September 19, through Sunday, November 2, 2014.
Tickets to this year’s event are available for purchase at HalloweenHorrorNights.com, including a Front of Line ticket option that enables guests to enjoy priority access at each “Halloween Horror Nights” maze, Terror Tram and theme park attraction. Advance purchase is recommended as event nights will sell out.
“As the movie studio that invented the horror film genre, we hold ourselves to a very high standard in producing the best and most terrifying Halloween experience,” said John Murdy, Creative Director at Universal Studios Hollywood and Executive Producer of “Halloween Horror Nights.” “Our ongoing collaboration with today’s most influential filmmakers and musicians, and movie and television horror properties, contributes to the authenticity of ‘Halloween Horror Nights’ and delivers one of the scariest, most compelling experiences anywhere. This year will be ‘More Dead Than Ever’ with more event nights and even more mazes, and we can’t wait.”
“Halloween Horror Nights” 2014 will feature a slate of all-new haunted attractions including “The Walking Dead: The End of the Line,” inspired by Season 4 of AMC’s Golden Globe®-nominated and Emmy® Award-winning TV series. The bone-chilling maze will place guests at the heart of a harrowing journey to seek sanctuary at Terminus, an elusive destination that promises community for all. Mirroring the terror that befell the residents of the West Georgia Correctional Facility, now overrun by savage walkers, the experience will send guests fleeing from the fallen prison into unknown territory as they stage a desperate battle for survival against flesh-eating walkers and ruthless humans.
The engrossing television series will seep into other parts of Universal’s backlot with predatory walkers prowling the secluded wooded areas of the movie studio. “Terror Tram: Invaded by the Walking Dead” will take guests down the daunting path to Terminus, interspersed with landmarks and walkers from Season 4, including the “burned moonshine cabin,” “charred walkers” and “mud walkers.”
Filmmaker Robert Rodriguez’s cult film and El Rey network’s acclaimed supernatural TV series “From Dusk Till Dawn” will debut at this year’s event in a new maze designed to thrust guests into its deviant world where they will encounter sordid mythological creatures known as “Culebras,” serpent-like vampires who have tormented the Earth for centuries.
Celebrated Grammy® Award-winning musician SLASH, hailed as one of the 10 best electric guitar players of all time by Time magazine, is joining forces with Universal Studios Hollywood to compose the first-ever original score for the theme park’s hypnotizing new 3D maze, “Clowns 3D Music by SLASH.”
Other marquee mazes will include “Dracula Untold: Reign of Blood,” a terrifying new haunted attraction based on Universal Pictures’ upcoming epic action-adventure; “AVP: Alien vs. Predator,” bringing together the most deadly species spawned from two blockbuster films; “An American Werewolf in London,” inspired by Universal Pictures’ Academy Award®-winning film; and “Face Off: In the Flesh,” featuring gruesome characters from Syfy’s hit TV series.
A series of unnerving scare zones will also infiltrate “Halloween Horror Nights,” terrorizing guests as they navigate the darkness from one terrifying maze to another, beginning with “The Purge: Anarchy,” inspired by Universal Pictures’ disturbing blockbuster thriller. “The Walking Dead: Welcome to Terminus” will awaken swarms of predatory walkers in a gruesome scare zone situated adjacent to the new “The Walking Dead” maze.
Additional scare zones will include “Mask-a-Raid,” featuring hordes of bloodthirsty cannibals masquerading as French aristocrats; “Dark Christmas,” a Pagan-themed area where demonic creatures hunt disobedient children and drag them to hell; and “Skullz,” based on the Native American legend of Wendigo, a malevolent supernatural half-beast monster with an insatiable appetite for human flesh.
As a complement to the nighttime event, Universal’s most popular rides and attractions will also be open to guests, including “Transformers: The Ride-3D,” “Jurassic Park—In the Dark,” “The Simpsons Ride” and “Revenge of the Mummy—The Ride.”
“Halloween Horror Nights” dates are as follows: September 19, 20, 26, 27, October 3, 4, 5, 10, 11, 12, 16, 17, 18, 19, 23, 24, 25, 26, 30, 31, and November 1, 2, 2014.
The post Dread Central Tours Halloween Horror Nights Hollywood; Exclusive Video and Images! appeared first on Dread Central.
Indie filmmaker L. Gustavo Cooper is back with another tale of terror called The Devil Incarnate, and it’s getting set for an October 7, 2014, DVD release from RLJ / Image Entertainment. Read on for an exclusive clip.
Graci Carli and Rod Luzzi star.
The future looks bright for newlyweds Trevor and Holly, but their dreams are about to devolve into a nightmare of unspeakable terror.
On a random visit to a tarot reader, they encounter a mysterious old woman who tells them that Holly is pregnant. As the child grows within her, Holly begins to exhibit increasingly bizarre and violent behavior. Soon their joy is overshadowed by a mounting sense of dread that something sinister lurks within her womb. Desperate to save his wife and unborn child, Trevor searches for answers and discovers Holly may have fallen prey to an ancient curse spawned by an evil demon with an insatiable lust for blood.
Looking for something new to read during the upcoming Halloween season? Acclaimed author Kim Newman (Anno Dracula) has a stand-alone novel entitled An English Ghost Story heading our way in early October, and we have all the details right here.
Newman has won the Bram Stoker, International Horror Guild, British Fantasy, and British Science Fiction Awards and been nominated for the Hugo and World Fantasy Awards. Look for his latest, An English Ghost Story, on October 7th from Titan Books.
We’ll be back with an excerpt soon!
A dysfunctional British nuclear family seek a new life away from the big city in the sleepy Somerset countryside. At first their new home, The Hollow, seems to embrace them, creating a rare peace and harmony within the family. But when the house turns on them, it seems to know just how to hurt them the most—threatening to destroy them from the inside out.
The post Titan Books Releasing Kim Newman’s An English Ghost Story in October appeared first on Dread Central.
Warner Bros. Home Entertainment will be releasing Turner Clay’s Disaster L.A.: The Last Zombie Apocalypse Begins Here tomorrow, and right now we have an exclusive clip for you guys to digest. Only the flesh-hungry need apply!
Justin Ray and Jerod Meagher star; and Stephanie Estes, Ron Hanks, Michael Taber, Dennis Leech, Ali Williams, Morgan Jackson, and Kendall Mayhew are featured.
Disaster L.A. Release Details
Warner Bros. Home Entertainment (WBHE) has acquired Disaster L.A.: The Last Zombie Apocalypse Begins Here, independent filmmaker Turner Clay’s newest sci-fi zombie thriller, and has warned fans to brace themselves for a September 16 Direct-to-Video Blu-ray and DVD release, plus Digital Download — in time for Halloween viewing.
Clay wrote, directed, and produced (with John Will Clay) Disaster L.A.: The Last Zombie Apocalypse Begins Here, which tells the story of a group of friends desperately trying to escape the toxic smoke that is the deadly result of a meteor shower strike in the middle of Los Angeles. In its wake neither friends nor strangers are safe from each other. The only hope for survival is to try to reach the coast before it’s too late.
Zombies are currently entertaining the world more than ever, as evidenced by the recent successes of “The Walking Dead” TV series and last year’s film World War Z, starring Brad Pitt, which became the highest zombie grosser of all time with over $202 million domestically. Boxofficemojo.com, which has tracked zombie movies since 1982, estimates they’ve grossed more than a billion dollars at the domestic box office since then. That doesn’t include dozens of movies made before that.
While zombie movies have been around since the ‘70s (1972’s White Zombie is considered the first), many credit George A. Romero’s low-budget Night of the Living Dead (1968) — still listed at the top of all-time favorite zombie movies — as the model for all subsequent zombie films. A ‘90s zombie revival points to the creation of the first zombie video game,“Resident Evil, which was adapted to the big screen in 2002.
Other top-ranked favorites include Romero’s Dawn of the Dead (1978), Lucio Fulci’s Zombie (1979), Dan O’Bannon’s The Return of the Living Dead (1960), Peter Jackson’s Dead Alive (1992), Resident Evil (2002), Danny Boyle’s 28 Days Later (2002), Edgar Wright/Simon Pegg’s Shaun of the Dead (2004), Zack Snyder’s Dawn of the Dead (remake, 2004), and Ruben Fleischer’s Zombieland (2009).
Turner Clay is the first to say he owes a debt to those who preceded him: “As a kid I was blown away by Romero’s Dawn of the Dead. I realized what makes zombies so fascinating is to imagine what you’d do if they were real. Then I started to notice zombies doing just that: evolving into faster, more realistic creatures. Danny Boyle’s 28 Days Later is one of my all-time favorite zombie films because it was really scary. When I found out it was done with a small crew and a cheap digital camera, I was so inspired, I decided to buy my own camera and go all out for the zombie genre.”
Clay’s first effort was State of Emergency about a small town’s chemical facility that explodes, releasing deadly toxins that cause mutations in the town’s residents.
“Turner is an up-and-coming filmmaker so for WB, distributing this film was a logical move. In spite of our vast horror library, we only have only a few films in the zombie segment of the horror genre. This picture will complement our repertoire and continue to drive our physical and digital strength in the fourth quarter,” said Jeff Baker, WBHE’s Theatrical Catalog EVP and GM.
“I’m convinced the reason zombies are so powerful is that they capture an atheistic fear of the dead,” says Esquire’s Stephen Marche. “There seem to be two choices [to deal with them]: shoot them in the face or run away. It’s not much, but even that very slim measure of control provides enough pleasure to bring in millions of viewers every time they show up on screen.”
One final note that illustrates zombies’ current popularity: The government agencies of Homeland Security, Federal Emergency Management Agency (FEMA), and the Centers for Disease Control (CDC) have all recently issued zombie “alerts” as a lighthearted way of getting people to focus on preparedness for actual threats.
CDC Director Ali S. Khan noted, “There are all kinds of emergencies out there that we can prepare for. Take a zombie apocalypse, for example. That’s right; I said z-o-m-b-i-e a-p-o-c-a-l-y-p-s-e. You may laugh now, but when it happens, you’ll be happy you read this, and hey, maybe you’ll even learn a thing or two about how to prepare for a real emergency.”
The post Exclusive Clip: Disaster L.A.: The Last Zombie Apocalypse Begins Here appeared first on Dread Central.
It’s been close to a year since we last got an update on Ryan Lightbourn’s Sleepwalkers, but the first-time feature director is wrapping up post-production now, and a new trailer has come our way.
The film was written and directed by Lightbourn and stars Ansley Gordon, Amanda Phillips, Tommy Goodman, Ben Owen, and Ben Evans. Producers are Lightbourn, Aviva Christie, Tim Story, and Jesse Fox. It’s only a few short months away from completion and has been submitted to a number of film festivals.
The new trailer for Sleepwalkers, a vicious creature feature, was shot in the bayous and swamps of Florida, helping to create its dark tone. An official release date will follow shortly; in the meantime enjoy this sneak peek along with some new stills.
Sleepwalkers tells the story of five college students as they attempt to enjoy a festive spring break getaway, only to encounter a deadly, nocturnal presence. As horrific events unfold, the group joins forces with a local convenience store owner and a prison escapee. Nighttime approaches, and they must set aside their differences and use their wits to survive.
The post Another Trailer Emerges from the Swamp for Sleepwalkers appeared first on Dread Central.
Love movies about real hauntings? Then be aware – The Paranormal Diaries: Clophill (review) is hitting DVD at the end of the month, and we’re giving away a copy!
To enter for your chance to win, just send us an email at email@example.com including your FULL NAME AND MAILING ADDRESS. We’ll take care of the rest.
This contest will end on at 12:01 AM PT on September 27th.
The Paranormal Diaries: Clophill Release Details
Image Entertainment is releasing horror film The Paranormal Diaries: Clophill (based on true events) on DVD and digital download on September 70, 2014. Co-directed by Michael Bartlett and Kevin Gates, the film stars Gates, Bartlett, Craig Stovin, Criselda Cabitac, Mark Jeavons, and Rob Whitaker.
Six investigators head to one of the world’s most haunted places to uncover the source of supernatural sightings and phenomena. Known for centuries as a notorious magnet for grave robbers, body snatchers, Satanists, and cultists since the time of The Black Death, the ruined St. Mary’s Church at Clophill plays host to filmmaker Kevin Gates and his team of researchers. Obsessed with unraveling the secrets of this “unholy ground,” they venture into the murky darkness armed with cameras, curiosity, and a need to expose the truth. However, some secrets were meant to stay buried – permanently. Over the course of three chilling nights, it becomes clear that they have unleashed something ancient and evil that has long been hungry to escape into this world.
- Audio commentary with co-directors and cast
- “Tales from the Graveyard” deleted scenes-->VISIT THE EVILSHOP @ AMAZON!
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The post Win a Copy of The Paranormal Diaries: Clophill on DVD appeared first on Dread Central.
Directed by John Suits
The Scribbler is based on the graphic novel of the same name written by Dan Schaffer, who also developed the story for film. And The Scribbler definitely has the feel of a graphic novel coming alive on the screen. Filled with a menagerie of colorful, insane characters and some intriguing sci-fi gadgetry, The Scribbler is a comic come alive.
The story revolves around Suki, a young woman suffering from dissociative identity disorder. She’s crazy. Carrying around about a dozen personalities, Suki finds herself projecting them on a dog and an elevator, and the voices in her head are always giving her all kinds of nutty ideas. However, her doctor considers her almost cured so Suki is staying in a halfway house called Juniper Towers (a ka Jumper Towers), where patients of Dr. Sinclair go after a hospital stay and treatment to try to ease back into society. Unfortunately, that doesn’t ever really happen.
The brooding, mentally unstable Suki is played by Katie Cassidy who does a commendable job in the role. She brings out Suki’s dark side but also has fun with the lighter aspects of her personality that surface from time to time, especially when she’s with Hogan (Garret Dillahunt), the only male resident of Juniper Towers, who realizes he’s in a building with a bunch of women with daddy issues, and he does his best to make the rounds with all of them. Together, Suki and Hogan prove to be an entertaining combination.
Aside from the two leads, The Scribbler is filled with plenty of interesting fringe characters. Juniper Towers has a terrific atmosphere, and the residents are realistic but at the same time almost Wonderlandish. Gina Gershon plays sex addict Cleo; and Ashlynn Yennie plays Emily, who has an irrational fear of clothing (that’s right). But perhaps the coolest resident of Juniper Towers is (fittingly enough for the Wonderland feel) Alice, played by Michelle Trachtenberg. Channeling Sylvia Soska with her look, Trachtenberg is very cool as the dark and threatening Alice. She is the most dangerous resident of the tower, and Suki finds herself having to deal with Alice on several occasions. The atmosphere of the entire film is really fun. Shots inside the residence are always somewhat surreal, and when director John Suits takes the action outside, it has almost a Gotham City feel to some of the scenes.
So here we have our hero, Suki, living in Juniper Towers with Dr. Sinclair’s orders to use the Siamese Burn Therapy machine he’s created to help erase some of the extra personalities she’s carrying around. The only problem is, when you get down to the final few personas, how can you be sure you’re the true one and only that belongs there? You can’t.
The Scribber moves along at a very efficient pace and is fun to watch. The ending of the film, however, makes a bit of a transition from the horror/sci-fi story we’ve watched for the first hour and takes a turn that almost has a superhero feel. Once the mysterious secrets of Juniper Towers are revealed and we find out just what is going on with the Siamese Burn Therapy, things go south a bit in the end. Not to say that the movie doesn’t hold up completely, but once you peel away some of the great fringe characters who helped carry the film through the first hour, some of what is left is less than stellar. Good, but not great.
You can find a bit of everything in The Scribbler. Without a doubt it touches into horror and sci-fi, and even some decent comedic elements exist in it. The intensity of the majority of the film is kind of lost in the finale that feels forced. But when the guy who wrote the graphic novel is also writing the script, I suppose you’ve got to go with what he says.
The Scribbler is entertaining and has plenty of action to keep viewers interested. If you can handle an ending that feels like an afterthought, then you’ll dig this one.
7 out of 5
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A couple of weeks ago we were challenged by the cast and crew of Muck to take on the ALS #IceBucketChallenge with a bloody twist. Of course we did it, and believe me when I tell you the mere thought of it makes my nuts shrivel back up!
We then challenged Joe Lynch, Adam Green, and Brooke Lewis. Lewis is a feisty spitfire, and that’s just one of the reasons we love our Ms. Vampy! She got together with Staci Layne Wilson (who was filming) and The Purge: Anarchy‘s Jasper Cole to deliver the shiver-inducing goods to you, and we have the video proof right here!
Check out Brooke’s video and imagery below along with ours. Adam, Joe… we’re still waiting…
For more on ALS and what you can do to help (besides dousing yourselves with frigid liquid), visit the ALS Association website.
The post Brooke Lewis Accepts Dread Central’s Bloody ALS #IceBucketChallenge appeared first on Dread Central.
The 2014 Son of Monsterpalooza at the Marriott Hotel and Convention Center in Burbank, CA, is in the books; and right now we have a look at some of the sights for you monster-hungry fiends who couldn’t make it.
Boasting guests like Angus Scrimm, Reggie Bannister, Gunnar Hansen, Ed Neal and Terri McMinn as well as seminars, vendors, a costume contest and walk-through monster museum, Son of Monsterpalooza 2014, which ran September 12-14, was just as impressive as its predecessors.
The post Son of Monsterpalooza Image Gallery Crawls from the Grave appeared first on Dread Central.