Animation Runner Kuromi
(2001)
review by Big McLargehuge
The
director of Fruit Baskets and Jubai Chan the Ninja Girl brings
us a frenetic tale of the life of an anime production manager
with Animation Runner Kuromi. When Makiko Oguro, nicknamed
“Kuromi” takes her first job out of Tokyo Animation
Academy at renowned Studio Petit replacing Ohama a man with
a bleeding stomach ulcer (for very good reason as we learn)
who leaves the studio in an ambulance. Kuromi is thrust into
the overdue production for Time Journeys Episode 2, a program
with an airdate only one week away and virtually none of the
work done, she has to learn the hard, hard, hard way that
creating anime is a hell of a lot harder than she thought.
Anime
Runner Kuromi is an anime about creating anime, and for the
subject matter alone, is well worth a view. From the chain
smoking and amazingly aloof director Shino Matsu, to the clumsy
and over reactive voice talent Hosaku, to the studio boss
who is already scripting episode 6 while episode 2 still languishes
in production, to the vast majority of key frame animators
with a litany of personal and professional problems, Anime
Runner Kuromi takes some interesting stabs at established
genre personalities. Although the vast majority of casual
anime viewers will have no idea who the hell at who the jokes
are aimed, and that includes me.
What
makes Anime Runner Kuromi so amazingly fun is that it presents
the material in such a relentless manner that I couldn’t
help but get caught up in the whole manic mess. Of course
the central struggle in the title is whether Kuromi will adapt
to the incredible pressure of the business. Will she quit?
Will she stay on? Kuromi is a redemptive character so common
in so many anime titles, but to juxtapose her character type
to this sort of weirdly off the wall anime is brilliance.
She is innocent, headstrong, faced with insurmountable odds,
and only through disciplined leadership and careful planning
can she hope to deliver Time Journey’s Episode 2 on
time.
Animation
Runner Kuromi isn’t without its flaws. The tongue-in-cheek
nature of the title is evident and spiced with little “doodad
animals” who point things out to the audience. Generally
I find these amazingly annoying in other titles, here I was
happy for the little bit of kinetically delivered extra information.
Most of the character expressions range from stone somewhat
normal to Chibi (Super-deformed) in response to stress.
Also,
the animation of Anime Runner Kuromi is, well, about as good
as a Pokemon episode. Which, when considering the subject
matter, I guess seems a little strange. I mean, if I were
creating something to showcase just how stressful the occupation
was I’d at least try to make the animation a little
more lively. Many of Kuromi’s characters just twitch
a little here and there. Perhaps this is to suggest that Kuromi
was rushed in the same manner as the fictional title Time
Journeys, but I doubt it.
Central
Park Media releases Animation Runner Kuromi in September 2003
on DVD with the following extras: Alternate Angle Storyboard,
An Interview with US voice actress Lisa Ortiz, Directors Diary
about animation, trailers, Japanese and English Language tracks
and English subs.
None
of which I’ve seen as the screener was in VHS format.
Keep
in mind that Animation Runner Kuromi is all of 40 minutes
long, so it’s kind of pricey for a premium title. That
said, the subject matter is so unique and fun that I didn’t
really mind the short running time.