Batman
Region 2 Warner Bros. DVD
(1989)
review by Billion$Baby
Travel
back in my time machine. The year is 1989 and there I am,
a tall skinny kid with a Metallica t-shirt and an acne covered
face en-route to the cinema. A Batman movie, this is gonna
rock!! Let's jump forward just two and a half hours in time.
Said skinny kid leaves cinema, a what the fuck was that?,
give me my sodding money back look plastered all over his
spotty face. I then spent the next 12 months staring in disbelief
at the other kids at school who described this Tim Burton
effort as a great film. After 14 years in exile, I recently
bought this feature on DVD to re-appraise it hoping that perhaps
it had improved with time.
Oh
dear. You know, I look back at Richard Donner's Superman film
and apart from the dodgy blatantly model sized flooding sequence
at the end, it holds up pretty well, in fact, it hasn't aged,
it's a timeless
film. This Tim Burton feature came in well beneath my expectations
in '89 and I think it's even less impressive in the current
day. We shouldn't be comparing this $35 million Warner Brothers
Batman adaption to the old crappy 60's television series starring
West, I'll say that for a start. I'll also say that I don't
find this Burton film to be very dark in mood at all despite
what I have often heard from others.
I
wasn't too impressed with the casting of Michael Keaton as
Bruce Wayne/Batman. Aside from the fact that he doesn't even
resemble or remind me of the character, I find it very hard
to believe that he could even manage to punch his way through
a polystyrene wall. Alfred doesn't look like Alfred, but that's
okay 'cause Commissioner Gordon also doesn't look anything
like Gordon, and The Joker's physical build is all wrong,
Oh and Harvey "Two-Face" Dent, a white character,
is played by Lando from Empire Strikes Back. None of the cast
in this film resemble their comic book equivalents. With comics
being a visual medium, that's pretty shocking and I think
that it's also lazy. I have been told that WB offered Bill
"Dr. Venkman" Murray the Bruce Wayne role before
Michael Keaton which speaks for itself really.
Jack
Nicholson, who's in Kubrick's The Shining mode, has to carry
this whole film much like James Woods did in John Carpenter's
Vampires. Try imagining the film without Nicholson and I'm
sure that you'd admit just how unbearable it would be. Tedious
for want of a better word. It got so much better on Burton's
sequel both in terms of the camera work where we see some
pretty nifty movements and shots, and in terms of the film
pace. I'd prefer to watch Pee-Wee or Planet Of The Apes rather
than this 1989 Burton feature. I consider this to be the most
studio controlled and quite frankly boring of Burton's films
released to date. Quite how DC comics most exciting character
became something quite as lacklustre, limp and non-thought
provoking as this big budgeted film, I honestly don't know.
There's no point Burton trying to produce a dark looking film
noir when it's full of mincy characters who are less threatening
than a three week old banana.
We
see a glimpse of Batman four minutes in. See that obviously
hand-drawn cartoon blob on the lower right of the screen.
Er...yes, that's Batman! So Matted-on-man then decides to
make a real humanoid appearance. Batman kicks out at a completely
laughable non-threatening hoodlum (er...like all of them in
this film actually, bar the pre-Joker villain played by Nicholson)
who somehow goes flying backwards through a wooden door and
then Bats performs some rather feeble looking acts to capture
yet another laughable criminal.
NB.
Tim Burton, please don't ever bother trying to make a martial
arts picture. All I can say about thisscene is that the Batman
suit looks good.
Right,
that's enough Batman for now. That two minute burst is all
you're gonna get for a while. Meet Knox the wisecracking journalist,
he's here to try to make the film a bit more interesting.
Trust me, you'll be really glad he's here. Also meet Kim Basinger,
she's the Hollywood love interest. You see that was the problem
with Batman, just not even romance or love plots. WB have
fixed that fault for us. Will Michael Keaton and Kim Basinger
get it on and stay together? Yes, bat meets girl, bat gets
girl, girl loses bat, bat gets girl back, the classic love
story. So we first meet the hopelessly bumbling Bruce Wayne
at one of his socialite parties with poor old Alfred the butler
rescuing pens and empty wine glasses when Bruce starts dropping
then in peculiar places after taking just one look at Kim
Basinger. I liked seeing the foreign armour costumes that
Kim and Knox discover in a room at the mansion though.
Right
back to the tongue-in-cheek Dick Tracy action. Jack Nicholson
and his gang have been ratted out by his crime boss over a
girl. WB are feeling gracious enough to offer some more Batman
glimpses here, very kind of them, thanx. "That's it stand
there Michael, pull and yank your bat gizmos. Excellent. Cut!"
So after some distinctly unimpressive pulling, yanking and
standing snippets of Bats in action, we then have a good scene
(shock horror) where Batman meets the Joker and fails to save
him from falling into a vat of toxic waste. Right that two
minute burst was your lot, back to the love story.
Kim
and Bruce have a date. Cue comedy dinner scene, a horrendous
and embarassing "And there was young Master Bruce leading
his grey pony..." anecdote from Alfred the butler, and
then over to the post-dinner bonding scene between Kim and
Bruce. ZZZZzzzzzzz.....No, wait!! Good scene alert!!! The
backstreet plast
ic surgeon and The Joker's reaction after he sees his face.
I really like this scene!! This is the best scene in the film
and I love the way that it was shot. A bit more romance is
shown just after this to compensate for part of the film becoming
highly enjoyable. That trends occurs rather a lot in this
film.
From
this point onwards, Jack Nicholson's performance becomes pretty
embarassing more often than not. I'll say this for his performance
though, at least it makes the film more interesting. Oh god,
it's Kim again, investigating her new boyfriend Bruce Wayne.
Af
ter that, it's back to the Dick Tracy approach with occassional
big wisecracks from Jack Nicholson who's hamming it up far
more than he ever did in Kubrick's The Shining, interfused
with more Kim and Bruce romance antics or if you're really,
really, really lucky, they might even show a glimpse or two
of Batman.
I
have to give special mention to one horrible scene in particular.
That's when Jack Nicholson and his mincer criminal gang are
all dancing around for ages to the crappest song ever recorded
(by Prince) which is being played on a portable stereo at
the bad museum set. This is the second most embassing scene
ever filmed in motion picture history. Only Reign Of Fire
managed to top it fairly recently. Quite how this 1989 film
can be considered to be different to the old cheesy television
series after a scene like this, I really don't know. I thought
that the Joker was mad but intelligent but here it just comes
across that he's actually a complete tit with the shittest
taste in music that you could imagine. His other favourite
records are probably Val Doonican, 5-Star, New Kids On The
Block and Vanilla Ice.
BTW
Prince was signed to WB who of course also financed this film.
See how that works? Make that money. My sincere condolances
to any poor bastard out there that bought Prince's soundtrack.(ed
note:I bought it for a dime at a yard sale! It STILL wasn't
worth it!)
Halfway
through this two hour long film and you've only seen four
minutes of Batman. And when you see Bruce Wayne, he's got
this stupid love story happening with Kim Basinger in almost
all of the scenes. Right, good scene alert!! WB are prepared
to show us 10
whole minutes of Batman and some shots of his batmobile. There
is one catch though, it's Kim Basinger and Batman together.
"Hollywood wants romance in our Batman film. Now, action!"
And who said that Kim's character wasn't needed after all?
Well, me actually.
There's
VERY FEW moments in this film without Kim Basinger present
from this point onwards. There are occassional good snippets
interfused with the usual rubbish, ie, The Joker attempting
to dance on his carnival float to another shitter than shit
track by Prince. I guess that the music store staff must piss
themselves laughing whenever The Joker goes shopping for his
cd's. Once again, all of The Joker's supposed criminal gang
look about as menacing as a bunch of grapes. Look at this
scene and then tell me that this film feels "dark"
and any different to that crappy television series from the
60's. Seeing the Bat-Plane and hearing The Joker complaining
about Batman stealing his balloons are the only things that
keep it bearable.
Well,
we get a pretty cool finale. I suppose. It almost makes up
for all of the rubbish, the amount of time spent with Kim
Basinger and the criminally short amount of time where we
actually see Batman. Once again though, the fighting seen
here looks very camp and hardly convincing. I thought that
Batman should have been much formidable in his fights than
the performance rendered here but I do like what happens to
The Joker at the end.
I
will never understand why such a poor Hollywoodised comic
book adaption as this one here should be regarded so highly.
It's not just Burton that's at fault, the script was piss
poor to begin with and Batman certainly didn't need to become
a love story. Nowhere near enough Bats for my liking and when
he does appear, I'm rarely impressed with his limp antics.
As
for this disc, well it's a nothing special print with nothing
special 5.1 sound in one of those naff cardboard cases that
WB like to use. And you get a very short amount of production
notes - Great, thanks
a lot WB. I actually enjoy Batman Returns but then it's about
700% more interesting. As well as featuring a lot more of
Batman together with Catwoman, it's less commercial and much
more fast paced. It's not a crap love story either.
I
wish that New Line or Sony would make a Batman film instead
of Warner Brothers. They've had four attempts and they've
still not managed to provide anything that did the character
real justice.