Ghoulies/Ghoulies 2 (MGM Region One Double Feature DVD) (1985/1987) review by Don't Feed the Dead
While
I don't have as much love for the Ghoulies as I do for the Gremlins, I still
get a kick out of the miserable grunts and groans put forth by the simplistic
puppets born from the toilet. The Ghoulies was a movie that was sort of shunned
from American cinema when it was released, due to its coming after Gremlins
in the theaters. Everybody has love for the Gremlins( except for Head Cheeze),
and naturally the public responded with cries of "ripoff" when the
Ghoulies followed suit on the silver screen. However, what people fail to
notice about Ghoulies is that the idea was developed a few years prior to
Gremlins, yet the movie was released at a later date because it didn't have
the child appeal that Gremlins had.
Ghoulies is set in the mid 80's when it was filmed - bad hair, neon clothing
and breakdancing are rampant throughout the movie. We see a satanic ritual
being held in the beginning of the movie, where a baby is to be sacrificed
to give the druid leader a new soul. The baby is spared by its mother, who
suffers an undesirable death at the hands of the Ghoulies. Prior to delving
any further into the storyline, I would like to point out that there are four
major ghoulies: The green water dwelling ghoulie, the cat-like ghoulie, the
rat-like ghoulie, and the ghoulie thug.
Cut to
20 years later, and we see a man inherit the same house that the ritual took
place in from his recently deceased father. He's surveying the grounds with
his raggedy looking chick, when they stumble upon a tombstone with a pentagram
on it. Before the duo can discover who the grave belongs to, the caretaker
arrives in his pink garb and scares them away. The two then move to the interior
of the house and begin to explore. After searching the house for a while,
they decide to just settle in and enjoy their new residence. So what do people
do when they inherit a decrepit mansion with satanic ties? They throw a party!
Whilst we are treated to a delightful breakdancing session by the token pothead,
we begin to see the lead character Peter take interest in this book that he
found during his house exploration. Peter thinks that the party should move
to the basement where they hold a ritual to summon demons. Well, nothing occurs
during the ritual, but after everyone vacates the basement, the Ghoulies begin
to appear. Peter eventually discovers his new found pets and delves deeper
into the satanic rituals that he reads about in his new book, craving the
power an knowledge that his father, the same dude we saw in the opening ritual,
once held.
Although the concept of Ghoulies is a bit odd, it does have its charming characteristics.
For one, it was a bit of a pioneer in cinema puppetry for the horror genre,
and although rudimentary, does not give in to the dreaded claymation effect.
The Ghoulies themselves also have an adorable air about them, and if given
the chance to be domesticated, would probably make excellent pets. They are
brought to life with a great deal of personality, which is more evident in
the sequel.
The second installment of Ghoulies follows in linear fashion, with the demons previously being expelled from the house. They now return in a burlap sack at the opening, where a holy man is attempting to dispose of them while fleeing from klan members wearing red. The holy man finds solice in a closed gas station, where there is an ominous vat of toxic chemicals siiting open in the middle of the garage floor. He dumps the sack into the vat, but falls prey to the toxins himself when Bat Ghoulie flies by and knocks him in. Coincidentally, moments later a truck for the sideshow attraction "Satan's Den" rolls in seeking a mechanic's assistance. The Ghoulies seize the opportunity to hitchhike and grab a ride in the back of the truck to the carnival stop. Now, Satan's Den is an endangered sideshow that has made very little money over the past few months, but all of that is about to change when the Ghoulies unleash their fury in the Den.
Ghoulies
II is more enjoyable than its predecessor in that the characters are more
defined, and the ghoulies have more of a personable feel. Known more for its
trademark "Ghoulie in the toilet bit", part II was a bit more popular
than the first. Not to take anything away from the rest of the substance,
in fact the movie itself is quite funny with plenty of cheap-o gags and 80's
lingo to keep the story rollin along. The FX get an upgrade from the first
installment, offering a plethora of gore in a haunted house setting. The puppetry
is still unrefined, but amusing none the less. Oh, and did I happen to mention
the circus midget? Anyone that has seen movies with little people will take
notice of Phil Fondacaro as Sir Nigel Penneyweight, the annoyingly British
dwarf. Interesting how people with differences will stand out in our mind,
but we can't draw a memory of our previous day's activities. Or is that because
I'm a burnout?
Not much by way of extras, both movies receive the original theatrical trailer,
but nothing more. In either case, I believe this double feature is worth the
monetary sacrifice and the time spent watching the two flicks. I had a great
time watching the little bastards wreak havoc in the sequel and almost busted
a nut with the breakdancing sequence in the first film.
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| Director
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| Luca
Bercovici/Albert Band |
| Cast |
Peter Liapis Lisa Pelikan Michael Des Barres Jack Nance Damon Martin Royal Dano Phil Fondacaro Kerry Remsen |
Ghoulies |
| Gore
Gauge |
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| Skin-o-Meter |
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| Movie |
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Ghoulies
2 |
| Gore
Gauge |
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| Skin-o-Meter |
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| Movie |
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| Extras |
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| Bottom
Line |
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