Halloween VI:
The Curse of Michael Myers
(1990)
review by Head Cheeze
Hear that sucking sound? That's the
sound Halloween V: The Revenge of
Michael Myers makes when you hold
it up to your ear. This is a prime
example of the tempermental state
of the horror movie franchise. One
episode can be as brilliant as the
next is dumbfoundingly bad, and it
all has to do with the people you
hand the reins to. In this case, the
new horseman is Dominique Othenin-Girard,
whose impressive resume' includes
the classic Omen IV, Private Lessons
III, and, his visual tour de'force
Night Angel. Can you see the sarcasm
oozing out of your monitor yet?
What we have here is the apparent
failure to communicate. When one is
left to follow up the very impressive
Halloween IV, there is bound to be
a little trepidation as to whether
or not you can build upon an established
chapter of a story, and hopefully
improve upon it. Girard, however,
decided it would be easier to simply
throw it away and make doo-doo on
our collective faces. This is Halloween
as it should have never been, or ever
be again.
After Michael Myers' tumble down a
well at the close of H-4, he apparently
floated down river to be discovered
by a blind hermit (in an obvious attempt
at class, we get a Frankenstein homage).
The Hermit apparently didn't mind
Mike crashing at his pad long term,
because one year later, Myer's awakens,
offs the Hermit, and begins his quest
for Jamie (Harris) anew! Jamie is
now in a children's hospital, traumatized
by the events of H-4 to the point
of losing the ability of speech (or
perhaps her agent advised her not
to say any lines). Loomis (Pleasence)
is, of course, back, and he is keeping
a watchful eye over the girl, for
he knows that it is only a matter
of time before Myer's returns to try
and kill her. He's right, but this
time Michael has a plan! This time
will be different! This time Michael
will kill people in a whole NEW mask!
Yes, this is the WORST MASK EVER Halloween.
This is the eyes the size of saucers,
airbrushed cheek bones, Flock of Seagulls
haircut Myers, and he is as scary
as an infant with a rubber mallet.
How, or why Myers' mask changes is
never explained, and is most likely
an art department thing, but come
on folks, a little consistency goes
a long way! (and while we are at it
would it be too much to ask that Loomis'
burns stay on the same cheek from
scene to scene?)
Actually the mask is the least of
this film's problems. There are an
abundance of atrocities afoot here.
H-5 has the distinction of having
the least sympathetic victims in the
series. After 5 minutes of Danielle
Harris' "mute" routine you'll
be cheering for her demise as well!
As a matter of fact, the only person
we even remotely want to survive is
Rachel (Gottwald) who dies in the
first ten minutes! Not only do we
get the most cardboard of characterizations
(Tough Guy Car Dude, Goofball Farmboy,
Eighties Strumpet) we also get "broad
comedy" in the guise of two "stupid"
cops. We know they are "stupid"
because in every scene they appear
in we hear a little musical number
that sounds like circus music, replete
with cascading pennywhistles, horns
and zings! Add this music to the Rockin'
variation of the Halloween theme (Bon
Jovi style!) and you are left with
a pile of cowshit that could blow
the ozone layer wide open.
Anchor Bay's Region one release features
a fine transfer and sound mix, and
offers only a extras, including a
short interview segment with Harris,
Gottwald (Cornell), and the producers
that features a couple of deleted
scenes, a "special" introduction
by the actresses, the films trailer,
and some rudimentary crap that tries
to sweeten an undigestable deal. This
movie comes in both a tin (although
a garbage can would be more appropriate)
and keep case, and costs money, which
it doesn't deserve, so ignore
it and it may just go away.
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Director
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Dominique
Othenin-Girard
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Cast
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Donald Pleasence Danielle Harris Wendy Kaplan Ellie Gottwald (aka Ellie Cornell) |
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Gore
Gauge
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Skin-o-Meter
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Movie
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Extras
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Bottom
Line
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