Happiness of the Katakuris (aka; Katakuri-ke No Kofuku) (Chimera/American Cinematheque Region 1 DVD) (2003) review by Don't Feed the Dead
Takashi Miike films will always have an underlying theme pertinent
to the flow of society, poignant, regardless of the global location it’s
viewed in. In some movies, such as Ichi the Killer, the meaning is a bit difficult
to decipher. Others, like the Happiness of the Katakuris, smack you in the
face like a wet fish. Happiness drives home the point that family, above all
else, is the most important unit in societal function. Furthermore, Happiness
endorses the notion that abandoning one’s family will only result in
despair, as evidenced by specific character situations in the movie. But don’t
let the importance of these issues weigh down the enjoyment of the movie.
The Happiness of the Katakuris is an infectious black comedy, which continuously
entertains, no matter the message conveyed.
In true Miike style, all logic and comfort are thrown out the window within
the first 30 minutes, as we are introduced to the Katakuris, a three generation
family running a bed and breakfast at the base of a dormant volcano, through
a series of cynical claymations depicting the regurgitation of life and death.
Introductions to each character in the family are made with a detailed description
of each person’s past, as well as why they ended up at the bed and breakfast.
Much like the make up of a sitcom, the Katakuris are composed of the crazy
grandfather, the stoic mother, enthusiastic father, down on their luck mother
and daughter, and con artist son. The interaction of the family spells out
dysfunctional with a capital “D”, the children blaming each other
for their respective failures in life while the parents struggle to keep the
unit together. Happiness is an easier movie to stomach than previous Miike
movies, comedy is used to alter the delivery of death in the movie as a sequence
of guests meet their untimely ends in very precarious ways. The first guest
carves a crude knife out of the room keychain and plants it right in his own
jugular. The second set of guests, a sumo size guy and his petite girlfriend
meet their demise when the larger has a heart attack while blowing his load.
His chick gets smothered under his girth and suffocates.
I really enjoyed Miike’s comical take on tragedy, utilizing the family
in song and dance as a device for dealing with unfortunate situations. It
was like watching the Sound of Music on acid, where all conventional forms
of dealing with the somber circumstance of life are whisked away in the form
of melodic transgression. Quite possibly the most entertaining sequence in
the movie was when the down on her luck Terue performed a Sonny & Cher
duet with her “love at first sight” beau, Richard Sawada. A well
choreographed scene, the two seemed as though they were Vegas performers,
pulling off moves that had me hysterical laughing and amazed at the same time.
The other scene that sticks in my mind was when the Katakuris discover that
their first guest committed suicide in his room. The song and dance when they
stumble upon the body was reminiscent of a horrible grade school performance,
entertaining, yet at the same time bringing back the annoying chants of “users
are losers!” and “There’s no hope in dope!”
For a low budget venture, Happiness sports an impressive array of special
effects, capped by the one of the end scenes, where the dead arise to join
in a piece celebrating the success of a family unit. Goiters, blood spurts,
facial decomposition and good ol’ zombie gore were very nicely rendered.
By the end credits, I was pretty much sold that Miike is indeed one of the
greatest directors of all time. Utilizing unconventional methods and often
uncomfortable situations, he is able to convey vital and positive messages
through his films. It’s the juxtaposition of shock value Vs. moral value
that turn some people off from his films, however, in this author’s
opinion, sometimes a little trauma is worth it when you find that the lesson
learned is greater than the offense taken.
Unfortunately, it was quite disappointing to find that while the movie was
solid in every aspect of entertainment, plot and acting, the disc itself was
sorely lacking the ammunition to give this flick a solid 5 skull rating. A
dismal trailer option was all that was offered, an unfortunate bearing for
a stellar movie. This surprises me because the majority of the Miike DVDs
that I’ve seen are loaded with special features, a just due to the viewer
that desires to continue exploring this mastermind’s masterpieces.
With all luck, Happiness will ride the wave of Miike’s success onto
a praiseworthy American distributor’s disc with the special features
it deserves. I think Media Blasters should be notified that we, the viewers,
want to see some blooper reels, choreography sessions and definitely the auditions
of this incredible cast. And why am I the only asshole that gets stuck with
a Region 1 issue of Visitor Q with no fucking subtitles?! It just goes to
show you kids, sometimes praise doesn’t pay.
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Director
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Takashi Miike |
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Cast
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Kenji Sawada Keiko Matsuzaka Shinji Takeda Naomi Nishida |
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Gore
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Skin-o-Meter
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Movie
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Extras
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Bottom
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