[TV] “Nathan For You” Helps Haunted Realtor With An Exorcism!

bloody disgusting - Wed, 07/02/2014 - 10:08

I’m going to jump at any reason to write about Comedy Central’s “Nathan For You”, easily the funniest show on television.

For those of you unacquainted, the gimmick is that comedian Nathan Fielder uses his “business degree” to help local mom and pop shops with their promotions. If you’ve never seen the show, I highly recommend hunting down last season’s episode in which he helps a gas station offer a rebate.

Anyhow, last night was the Season 2 premiere, which saw Nathan helping a Los Angeles-based realtor by turning her into the first ever Haunted Realtor, in which she sells houses “guaranteed free of spirits and demons.” Shit gets crazy when he he hires an exorcist to rid a house of an incubus, which rapes women to death. Six minutes of the segment is available online below. You’re about to get hooked.

In a house Nathan hopes to advertise as ghost-free, a psychic discovers an evil presence.

Categories: Horror News

White Sea Release Mysterious, Creepy Video For “Prague”

bloody disgusting - Wed, 07/02/2014 - 10:00

I’m not sure if this video falls under the “horror” category or not but I spent enough time thinking about it that I wanted to get your opinion. It has a serious David Lynch dream-like vibe, with slow, sensual shots mixed with strange visuals. So, below is “Prague”, the newest video from White Sea (Morgan Kibby of French electronic group M83).

The track comes White Sea’s debut album In Cold Blood, which you can snag on iTunes.

Categories: Horror News

The Gasp Menagerie: Teenagers Hospitalized for Possession!

Dread Central - Wed, 07/02/2014 - 10:00

This story comes out of Mexico, and it's a doozy. There's a moment at the beginning of The Conjuring that made me sure I'd love the movie because it nails Ed Warren exactly. When the co-eds say they invited the spirit to live in the doll, Annabelle, Ed says (in the film), "You did WHAT?!?"

That, my friends, is Ed Warren, And that is my exact response to this story.

Alexandra Huerta is a 16-year-old orphan living with family in remote Tepotzlan, Mexico.

After voicing a desire to speak to and know her dead parents, who died when she was a baby, her guardians suggested she use a ouija board combined with a drug called Brugmansia. Brugsmansia, also called Angel's Trumpet, is used in shamanistic black magic rituals common in the rural areas surrounding Tepotzlan.

Alexandra, her brother, and her cousin brewed the traditional tea from the flowers of the plant, ingested it, and began using the ouija board.

You did WHAT?!?

Within minutes, they were all overcome. Speaking in voices not their own, they proceeded to attempt to harm themselves, even using kitchen utensils. The paramedics were called when attempts to rouse the teens from their horrific behavior failed. One paramedic took a two-minute video you can watch below... and be warned it is not for the faint of heart.

Writhing and saying that she's going to die, Alexandra is behaving, well, possessed.

The teens reported symptoms including horrific visions, numbness, and muscle spasms. They came out of the apparent effects of the possession while in the hospital. Their current condition isn't known, as family won't allow them to speak to outsiders. However, they say they fear they are still possessed.

According to the story, a local priest refused to perform an exorcism because they didn't attend his church, then stated a special priest from the city is required for exorcisms.

Is this a case of unsuspecting teenagers sent into madness by a natural drug concocted from the Angel's Trumpet flowers? Was their behavior just the effect of a strong hallucinogenic drug, or is there something more sinister at work? Did their attempt to reach the dead while dropping their mental and spiritual defenses lead to a flood of what can only be called the demonic?

Man, Ed, we miss you. You and Lorraine are needed in Mexico.

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Categories: Horror News

Starz Developing Neil Gaiman's American Gods with Hannibal's Bryan Fuller

Dread Central - Wed, 07/02/2014 - 09:30

Back in November of 2012, it looked like an adaptation of Neil Gaiman's American Gods was heading to HBO, but things have changed a bit with the potential series now in the works at Starz with "Hannibal" creator Bryan Fuller co-writing the pilot.

From the Press Release:
Starz has announced a script to series development of FremantleMedia North America’s (FMNA) adaptation of Neil Gaiman’s acclaimed urban fantasy novel American Gods.

The pilot script will be penned by Bryan Fuller (“Hannibal,” “Pushing Daisies,” “Heroes”) and Michael Green (“The River,” “Kings,” “Heroes”), who will also showrun the series. They will executive produce along with Gaiman. FremantleMedia North America will produce the series.

Starz Managing Director Carmi Zlotnik said, "American Gods is a project that deserves to be made. With our partners at FremantleMedia and with Bryan, Michael, and Neil, we believe we can create a series that honors the book and does right by the fans and viewers."

Commented Gaiman, "When you create something like American Gods, which attracts fans and obsessives and people who tattoo quotes from it on themselves or each other and who all, tattooed or not, just care about it deeply, it's really important to pick your team carefully: You don't want to let the fans down or the people who care and have been casting it online since the dawn of recorded history. What I love most about the team who I trust to take it out to the world is that they are the same kind of fanatics that American Gods has attracted since the start. I haven't actually checked Bryan Fuller or Michael Green for quote tattoos, but I would not be surprised if they have them. The people at Fremantle are the kinds of people who have copies of American Gods in the bottom of their backpacks after going around the world and who press them on their friends. And the team at Starz have been quite certain that they wanted to give Shadow, Wednesday, and Laura a home since they first heard that the book was out there. I can't wait to see what they do to bring the story to the widest possible audience able to cope with it."

Thom Beers, CEO, FremantleMedia North America said, "Neil Gaiman’s American Gods is pure genius, and we couldn’t be more thrilled to bring this classic to life on screen. Craig Cegielski and Stefanie Berk have put together a dream team with Fuller and Green joining Gaiman on this amazing journey. Coupled with Starz’s shared passion for this project, we’re confident this combination will raise the bar for drama.”

Commented Fuller, "Neil Gaiman has created the holiest of holy toy boxes with American Gods and filled it with all manner of magical thing, born of new gods and old. Michael Green and I are thrilled to crack this toy box wide open and unleash the fantastical titans of heaven and earth and Neil's vividly prolific imagination."

The 2001 novel has been translated into over 30 languages and earned numerous accolades including Hugo, Nebula, and Bram Stoker Awards for Best Novel. The plot posits a war brewing between old and new gods: The traditional gods of biblical and mythological roots from around the world are steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity, and drugs. Its protagonist, Shadow Moon, is an ex-con who becomes bodyguard and traveling partner to Mr. Wednesday, a con man but in reality one of the older gods, on a cross-country mission to gather his forces in preparation to battle the new deities.

FremantleMedia North America’s Thom Beers, Craig Cegielski, and Stefanie Berk will executive produce the series along with Bryan Fuller, Michael Green, and Neil Gaiman. Vice President of Original Programming Ken Segna will be the Starz executive in charge of "American Gods." Starz will retain all network pay TV and SVOD rights to the project. FremantleMedia will distribute the series worldwide.

"American Gods" is part of the rich scripted slate that has been growing at FremantleMedia North America since CEO Thom Beers appointed Craig Cegielski as Executive Vice President, Scripted Programming, and Stefanie Berk, Senior Vice President, Scripted Programming in June 2013. The company is currently in production on the cable scripted series "The Returned."

Book Synopsis:
Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident.

Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible.

He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever be the same...

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Categories: Horror News

[BD Review] ‘Deliver Us From Evil’ is Striking But Uneven

bloody disgusting - Wed, 07/02/2014 - 08:00

I’ve been thinking about this review for the past two weeks, so I guess you could say that it’s been haunting me. But, with the film’s release merely hours away at the time of this writing, I have to finally put pen to paper. Let’s see how it goes.

With Deliver Us From Evil writer/director Scott Derrickson (sharing a screenplay credit with Paul Harris Boardman) has delivered a hugely ambitious horror film that (largely successfully) sets out to balance supernatural horror with a gritty widescreen police procedural. It’s a film that works in many ways, but I emerged from my screening split down the middle. I had been looking forward to this movie for over a year since visiting the set, and what I wanted it to be kept butting up against what it actually is. As a fan of the imagery and tone of Sinister (Derrickson’s prior film), I was looking forward to a bigger budget extrapolation of that exact aesthetic. And that’s not what Deliver Us From Evil is.

But is Deliver Us From Evil good on its own terms? Mostly. From a technical standpoint, it is certainly better constructed than most horror movies. It also follows through on its thematic intent with a clarity that’s lacking in most genre films. But it still kept me at arm’s length. It’s hard to chalk this up to any one element though some of the film’s expository dialogue lands poorly and there’s a music cue at the end that robs a climactic scene of some of its mysticism. There’s also a great Indiana Jones character beat that’s paid off and then set up, which kind of made me gnash my teeth at the missed opportunity. But, ultimately, at 118 minutes, there’s simply too much stuff that works “well enough” intermingling with the stuff that actually works really well. It’s this oscillation between compelling and competent that lends Deliver a somewhat lurching quality that I couldn’t quite embrace.

The good news is that the stuff that’s compelling is truly effective. An opening raid on Iraq (a nice hat tip to The Exorcist that also manages to achieve its own significance) is excitingly staged and provides a more epic sense of scope than you’d expect. And, as with Sinister, there’s no shortage of haunting and effective imagery. Almost any scene with Sean Harris (playing a discharged veteran who didn’t quite emerge from Iraq the way he went in) pops with admirable menace. There’s a decency and compassion in the handling of Eric Bana’s arc (playing a fictionalized version of Sergeant Ralph Sarchie) that I really admired. And the buddy cop element works almost exactly as you’d expect in a Jerry Bruckheimer production, which is to say brisk and fun.

As I said earlier, I left Deliver Us From Evil split down the middle to the extent that I wanted to see it again to truly find out which side of the fence I fell on. While I haven’t been able to make that happen, two weeks have passed and I’m not mad at it the way I normally am with films that betray the audience or take them for granted. Deliver Us From Evil isn’t lazy. Its aim is true. And it has enough good, nasty stuff bubbling up inside of it to recommend to the vast majority of horror fans. I have a nagging suspicion most of you guys will embrace it and wonder what the hell my problem is.

Categories: Horror News

I Hope You Weren’t Excited for That ‘Doom 4′ Reveal

bloody disgusting - Wed, 07/02/2014 - 01:16

In news that’s likely to cause a bit of frustration for eager Doom fans, Bethesda has announced that the Doom 4 reveal they teased us with last month will be exclusive to QuakeCon attendees. This means unless you’ve booked a trip to Dallas, TX on July 17, you’ll have to wait with the rest of us to see what id Software has been working on for all these years.

Or I suppose we could all just wait for the inevitable leak onto the Internet, likely courtesy of a shaky mobile phone. That works too.

“This an exclusive thing we are doing for attendees as part of our annual QuakeCon Welcome presentation,” Bethesda explained in a post on the Bethblog. “We’ll have plenty more to show everyone at a later date, but we didn’t want another QuakeCon to go by without doing something special for the amazing QC community and id supporters that have been with us for more than 20 years.”

That’s it, folks. I suggest you smother any pent-up excitement you may have had for seeing something from the next Doom later this month, because Bethesda won’t be sharing it with us after all. How does this make you feel?

Take Our Poll

And here’s the game’s E3 debut, if you missed it or simply want to watch it again (I wouldn’t blame you if it’s the latter).

Categories: Horror News

[Interview] Scott Derrickson On ‘Deliver Us From Evil’!

bloody disgusting - Tue, 07/01/2014 - 21:15

Writer/director Scott Derrickson (The Exorcism of Emily Rose, Sinister) sees his new, ambitious horror film Deliver Us From Evil hit theaters tomorrow, July 2nd. The film stars Eric Bana, Joel McHale, Olivia Munn, Edgar Ramirez and Sean Harris.

By the time I saw Deliver Us From Evil it had been almost a year since I visited the set of the film. And… without getting into a review (still working on that one), I was mixed. There’s a whole lot to like about the film and I think Derrickson takes some interesting risks, but it didn’t click for me 100% right away. I say this not to steer you away from the movie (I think most of you guys will really like it), but to give you some context for the following interview, because it starts out with a conversation I wasn’t expecting to have.

Derrickson had heard that I was mixed on the film, and he brought it up. I don’t think he jumped on the phone expecting to have this conversation either, it just kind of came about organically. What follows is easily one of the most frank interviews I’ve ever conducted, and therefore one of my favorites. In the interest of full disclosure I should note that Derrickson and I are on friendly terms. We don’t hang out socially, but we occasionally discuss books and movies via email and this conversation actually felt a little bit like an extension of that.

Check it out below. There are some slight spoilers.

I’m having kind of a Scott Derrickson week actually. I just watched Devil’s Knot on Netflix.

How was that?

I liked it.

So you liked Devil’s Knot and not Deliver Us From Evil?

What do you mean?

I had heard that you’re not a big fan of Deliver Us From Evil.

There’s a lot about it that I like. And I certainly respect it because I know what your intentions were with it. There are just some elements that didn’t work for me.

Believe me, I don’t mean to put you on the spot. I am plenty comfortable with this conversation. This is what we do. Those of us who talk online about movies, this is what we do.

My issues, and this is still a movie I support, are with some exposition and tonal stuff. The Doors thing at the end threw me a bit, even though you were building to it in the rest of the film.

Are you talking about in the exorcism?

Yes.

I almost pulled that out. It’s in there for a very short amount of time. So far everyone seems to like all the Doors stuff but, for whatever it’s worth, that’s something that the test screenings proved people genuinely liked. So I left it in. But I also had mixed feelings about it.

I do like the “People Are Strange” moment in the hallway quite a bit.

That’s my favorite use of it. That’s the one I was the most protective of. That and the end credits.

It’s the kind of movie that’s super ambitious and I may need to see it again before I can soak it all in.

I think the thing I would say about it, and this is a good jumping off point for the discussion – and this is where I’ll disagree with you – is that it definitely achieves what I was going for. You might not like the target, but I hit the target I was aiming for. When I got into the process of working on this and working on the script with Bruckheimer and coming back to it after several years of being away from it, what became interesting to me was taking a little bit of the kitchen sink mentality. Maybe this is a movie where I can not only cross genres between a police procedural and a horror film, which is the obvious part, but also imbue it with some real action, like the knife fighting. And some real humor. And a 4 minute dialogue conversation about God in a bar between a priest and a cop.

Which I quite liked.

That was the goal. And to do it all in a sort of glossy Bruckheimer date movie kind of way. It’s certainly intended to be a much louder, faster and thrilling kind of horror film than something like Sinister, which is a much more quiet, artful introspective movie.

Absolutely. And before we go further I should note that some of the contrast between my opinions on Devil’s Knot and Deliver is due to expectation. Devil’s Knot is a quiet movie I caught up with on Netflix, whereas Deliver Us From Evil is something I’ve been thinking about since I visited the set a year ago.

Isn’t that the way it is? If only all movies were seen within a certain context.

I didn’t expect for the conversation to start out like this.

I’m sorry, I didn’t mean to catch you off guard. I got emailed a thing this morning that had different reactions and I read through them. Because we’re friends and have a history, it doesn’t bother me at all.

Oh so you read the brief thing I sent to Sony after the screening. That had some good stuff in it too.

Yeah.

One of the things I liked was the imagery. Like Sinister, there’s some really striking stuff. Like that shot of Sean at the zoo, and keeping him almost a silent presence through the rest of the film.

A lot of that was designed after Sean had come over from the UK. Casting Sean Harris was probably the best bit of casting I’ve ever done because I cast him without reading him and I cast him off of Harry Brown. And I just knew the guy could do it. And boy does he just deliver in the exorcism scene. The look of him was really just based off of meeting him and seeing up close the angularity of his face and the intensity of who he is. And conceptually, with the character, one of the reasons I was interested in doing the movie is that I was fascinated with the idea of having a character where it’s not the typical possession movie where you have the girl in the bedroom. Where weird paranormal things happen and she gets freakier and twistier. It wasn’t that. It was this man who is calculated and dangerous and lethal. And so, starting with the face paint in Iraq, Sean and I talked about the idea that he was still painting it. That the paint was almost blending with his face.

I had written in the script for him to have body paint when he’s shirtless. And Sean was like, “what if he’s cut himself up?” And I said, “what if he’s carved all of the runes into his body?” And little did we know that was going to be 245 prosthetics. But we just went and did it.

The Bruckheimer element really sticks out to me. I was curious to see how his influence would play beyond protecting you from the studio, but I could feel a stylistic presence as well. To me a lot of the car stuff, a lot of the transitions and a lot of the energy in the first act feel like a Bruckheimer film.

Everything you said, and I’m not just being flattering, is incredibly incisive. Because the things that you name are exactly the things that he really focussed on in the making of and the editing of the movie. The car scenes, the transitions. The speed of the first act, the speed with which you get into the story – that was all incredibly important to him. His quality control is focused on the director of photography, the costume designer, the art director… he was so deeply committed to vetting those people and getting the best ones possible for the budget. The movie’s only like $18million below the line. It feels bigger than it is. But he approached it like he does all of his movies. And I wanted it that way. Because it has all of the horror and suspense and action, I wanted it to have kind of a glossy feel to play off the gritty qualities of the Bronx. That was something we talked about specifically and we definitely achieved it.

I haven’t read “Beware The Night” yet, but I have to imagine the specifics of this film are not present in Sarchie’s book. The Iraq stuff and this particular demon.

It’s all a fictional narrative used to tie together certain mood pieces from his book.

Was that added in your pass on the script?

You know it was actually David Ayer who came up with the Iraq stuff. David Ayer did the first rewrite after my draft in 2003 or 2004. Then there were three writers and a dozen or so drafts over the next 7 or 8 years. Then I came back and read all of those drafts and the Iraq opening was one of the few things that I kept. I thought it was an interesting way to justify the origin of this demonic presence.

It’s a nice tie to The Exorcist in a lot of ways.

Totally. Some people, Jerry included, were a little nervous that it was too direct. People will get it. And Iraq means something different now. This isn’t an excavation, this is an invaded country.

There’s so much going on in the exorcism scene, how did you construct it?

It was very difficult because we were in such a tight space and there were all of these beats we had to get through. We had to control the escalation and pacing of it. The idea was always to make it kind of a boxing arena where these three thoroughbred actors could unleash and do what they do best. I think the big surprise of it was Sean Harris. From the night that we shot the stigmata scene all the way through to him speaking all of those Spanish lines, the guy literally went into a trance. He went into a weird trance state and he was not himself. He was retching between takes and he very was sleep deprived. It was scary. What he was playing was scary, even though he was dying the lines it was really weird. When they were taking off his prosthetics he was speaking in tongues and freaking out the makeup guys. I had them take him home and he fell asleep and, the next morning, he didn’t remember shooting the scene.

Categories: Horror News

[Fantasia '14] Love ‘Summer of Blood’ to Death

bloody disgusting - Tue, 07/01/2014 - 20:35

The 18th annual Fantasia International Film Festival is gearing up to take Montreal by storm with three weeks of inspiration and excitement starting July 17 until August 5, 2014. The full 2014 lineup of programming and special events will be revealed shortly, but in the meantime, here’s some new imagery to whet your appetite.

Here’s one new look at Summer of Blood, the hilarious hipster horror film that Patrick Cooper raved about out of Tribeca.

Directed and written by Onur Tukel, “Misanthropic and immature Eric faces a premature mid-life crisis after his girlfriend leaves him. With no career and even less charisma in bed, it seems like this loveable loser is beyond hope, until one fateful summer night when a vampire bites him in a Brooklyn alleyway. The next day, Eric finds his confidence invigorated and his stomach in excruciating pain that can only be cured by one thing…blood.

Onur Tukel also stars in this dark comedy about love, lust, and humanity.

For the full list of Fantasia titles announced thus far, click here and here.

Categories: Horror News

Exclusive Video Interviews - Deliver Us From Evil: Eric Bana, Olivia Munn, and More!

Dread Central - Tue, 07/01/2014 - 19:44

We are getting closer to the release of Scott Derrickson's new chiller Deliver Us from Evil, and to help usher the film in, we have several video interviews for you guys to digest as our own Staci Layne Wilson sits down with the principals!

Joel McHale, Sean Harris, Edgar Ramirez, and Olivia Munn star alongside Eric Bana. The film is a paranormal thriller produced by Jerry Bruckheimer Films. Scott Derrickson directs a script he and Paul Boardman (The Exorcism of Emily Rose) wrote.

Look for Deliver Us from Evil in theaters on July 2, 2014.

Synopsis
New York police officer Ralph Sarchie (Bana), struggling with his own personal issues, begins investigating a series of disturbing and inexplicable crimes. He joins forces with an unconventional priest (Ramirez), schooled in the rituals of exorcism, to combat the frightening and demonic possessions that are terrorizing their city. Based upon the book, which details Sarchie’s bone-chilling real-life cases.

For more info "like" Deliver Us from Evil on Facebook.













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Categories: Horror News

Tom Berenger Finds Terror on the Highway in Amber Alert

Dread Central - Tue, 07/01/2014 - 19:19

Not to be confused with the god-awful found footage film with almost the same name, on tap right now we have the artwork and trailer for Amber Alert: Terror on the Highway, which is headed our way courtesy of Nasser Entertainment.

George Mendeluk directs. Tom Berenger, Torri Higginson, and Britt McKillip star.

Synopsis
Larsan is a man on the edge, making a dead rush for Mexico and kidnapping two young girls along the way. He is hotly pursued by Police Chief Martha Geiger, herself a mother of two. Using the Amber Alert system, Geiger constructs a psychological trap that will brutally punish the man who came in to mess with her town.

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Categories: Horror News

Yep, That’s a Lyre Made From a Human Skull

bloody disgusting - Tue, 07/01/2014 - 18:03

Because the world is and forever will be a source of creations that are both wonderfully bizarre and thoroughly ghastly, we can always look forward to things like this, a lyre crafted from a human skull, antelope horn, skin, gut, and hair. Whoever donated their headpiece — whether or not they were willing — has been forever immortalized in something that is officially, in my humble opinion, the very definition of metal.

If you’d like to see this creepy 19th century musical instrument, you’ll have to wait for the Metropolitan Museum of Art to take it out of storage. I’d go on, but I think I just found the perfect birthday gift for Jonny B…

Categories: Horror News

This ‘Scarecrow’ Cosplay is Mind-Blowingly Good

bloody disgusting - Tue, 07/01/2014 - 17:12

It’s been awhile since I last covered amazing cosplay, but I stumbled upon this fantastic Scarecrow cosplay and I had to share it with all of you. This rendition of one of the Dark Knight’s greatest villains is the work of Ben, a 24 year-old cosplayer in Germany who clearly loves the Scarecrow as much as I do.

Scarecrow was, in my opinion, one of the best things about Batman: Arkham Asylum, and because Rocksteady knows exactly what we want, he’ll be making a glorious — and very likely terrifying — return in Batman: Arkham Knight, which releases next year.

For more of Ben’s work, check out his gallery.

Categories: Horror News

Telltale’s ‘The Walking Dead’ Coming to PS4, Xbox One in October

bloody disgusting - Tue, 07/01/2014 - 16:41

If you’ve been waiting for Telltale’s The Walking Dead: The Game to finally arrive on current-gen consoles before you decide to give in and play this amazing series, season one and two of the episodic series will arrive on the PS4 and Xbox One on October 14 for $29.99. The price is a little surprising, I was expecting it to be a bit cheaper since both seasons are already available at a lower cost elsewhere. Even still, I think The Walking Dead is more than worth its price tag.

The release date Telltale picked is also a little confusing to me. October is currently the busiest month of the year, as it will see the release of Super Smash Bros. (Oct 3), Alien: Isolation (Oct 7), Dragon Age: Inquisition (Oct 7), Borderlands: The Pre-Sequel (Oct 14), Battlefield Hardline (Oct 21), The Evil Within (Oct 21), Evolve (Oct 21), Assassin’s Creed Unity (Oct 28), and Sunset Overdrive (Oct 28), among others.

I’m sure it will perform fine, but geez.

Categories: Horror News

IFC Gets ‘Damned’ This July; Trailer Poster Premiere!

bloody disgusting - Tue, 07/01/2014 - 16:32

From Hellraiser: Revelations, Return to House on Haunted Hill and Mirrors 2‘s director Victor Garcia comes The Damned (formerly Gallows Hill), which was acquired back in February by IFC for release later this year. Here’s the U.S. poster with news that it will arrive on VOD platforms July 25 and in select theaters August 29.

Rich D’Ovidio, whose credits include The Call and Thir13en Ghosts, wrote the screenplay “about a widower who takes his children on a trip to their mother’s Colombian hometown. En route, the family are involved in an accident and take refuge in a secluded inn, where they free a girl locked in a basement and set in motion a terrifying sequence of events.

Categories: Horror News

WIN “The Twilight Zone”: Essential Episodes!

bloody disgusting - Tue, 07/01/2014 - 16:31

Image Entertainment’s “The Twilight Zone: Essential Episodes (55th Anniversary Collection)”, the ultimate must-have collection for any “Twilight Zone” fan, is now available at retailers everywhere.

Bloody Disgusting has (2) copies of this DVD for some lucky readers to enter to win. TO ENTER: Put “Twilight Zone” in the subject line and then send your FULL NAME and ADDRESS to submit@bloody-disgusting.com. Winners chosen at random. U.S. only. No PO boxes.

This very special collection features some of the most memorable episodes from Rod Serling’s legendary series exploring the fantastic and the frightening. Unforgettable episodes include “Time Enough at Last,” “The Monsters Are Due on Maple Street,” “To Serve Man,” “Nightmare at 20,000 Feet” and more! Prepare to travel to another dimension of sight and sound once again with these essential episodes:

• Walking Distance
• Time Enough at Last
• The Hitch-Hiker
• The Monsters are Due on Maple Street
• A Stop at Willoughby
• The After Hours
• The Howling Man
• The Eye of the Beholder
• Nick of Time
• The Invaders
• The Obsolete Man
• It’s a Good Life
• The Midnight Sun
• To Serve Man
• Nightmare at 20,000 Feet
• Living Doll
• The Masks

Categories: Horror News

[Fantasia '14] The ‘Zombeavers’ Are Attacking Montreal!

bloody disgusting - Tue, 07/01/2014 - 16:31

The 18th annual Fantasia International Film Festival is gearing up to take Montreal by storm with three weeks of inspiration and excitement starting July 17 until August 5, 2014. The full 2014 lineup of programming and special events will be revealed shortly, but in the meantime, here’s some new imagery to whet your appetite.

The Zombeavers are attacking another festival, and we now have two new looks at Jordan Rubin’s comedy that follows a rampage of killer beavers hunting college students.

Starring Cortney Palm, Lexi Atkins, Rachel Melvin, Hutch Dano and Jake Weary, “Zombeavers is an action-packed horror/comedy in which a group of college kids staying at a riverside cabin are menaced by a swarm of deadly zombie beavers. A weekend of sex and debauchery soon turns gruesome as the beavers close in on the kids. Riding the line between scary, sexy and funny, the kids are soon fighting for their lives in a desperate attempt to fend off the hoard of beavers that attack them in and around their cabin.

For the full list of Fantasia titles announced thus far, click here and here.

Categories: Horror News

‘Amber Alert: Terror on the High Way’ Finds Trailer, Release Details

bloody disgusting - Tue, 07/01/2014 - 16:21

He will stop at nothing…

Nasser Entertainment sent over the trailer for the indie Amber Alert: Terror on the High Way.

From George Mendeluk, “Larsan is a man on the edge, making a dead rush for Mexico and kidnapping two young girls along the way. He is hotly pursued by police chief Martha Geiger, herself a mother of two. Using the Amber Alert system, Geiger constructs a psychological trap that will brutally punish the man who came in to mess with her town.

Tom Berenger, Torri Higginson, Britt McKillip star.

Categories: Horror News

[TV] Creepy First “Extant” Clip Seduces Halle Berry

bloody disgusting - Tue, 07/01/2014 - 16:15

CBS released another a new spot and first ever clip for their sci-fi thriller “Extant,” premiering July 9.

In the clip, Molly’s (Berry) ex-lover (an alien?) appears on the ship to impregnate(?) her.

‘Extant’ is a mystery thriller about a female astronaut, Molly Woods (Berry), trying to reconnect with her family when she returns after a year in outer space. Her experiences lead to events that ultimately will change the course of human history.

Categories: Horror News

E3 Demo Footage Shows Off What Makes ‘H1Z1′ Unique

bloody disgusting - Tue, 07/01/2014 - 16:09

When Sony showed off their upcoming zombie survival game H1Z1 in April, it looked a lot like the similarly themed DayZ. It’s impossible not to draw the comparison, seeing as both games drop players in a zombie infested world where they’re forced to survive against the harsh conditions of the world that surrounds them, as well as other players who may have been infected with the seemingly incurable condition I refer to as bandit mentality.

In this new video, H1Z1 designer Jimmy Whisenhunt goes into a bit more detail on the features and systems that set this game apart from its competitors.

For starters, there’s a feature called the Discovery System, which shows you what you can craft with items scavenged from the environment. The more items you discover, the more things you can create to improve your chances of survival. A bunch of things can be crafted, from tools and weapons to animal traps and shelter. There’s also something called emergent AI, which adds an element of unpredictability to the game. See all that and more in the video below.

Categories: Horror News

[TV] Go Behind-the-Scenes of “The Walking Dead’s” Fifth Season!

bloody disgusting - Tue, 07/01/2014 - 16:08

Andrew Lincoln and the cast and crew of AMC’s “The Walking Dead” welcome you back to the set of Season 5!

Also from set is this featurette “Props, Kills and Explosions”. In it, the cast and crew recount their favorite walker kills, deadly props, and exhausting moments in the Georgia heat while filming “The Walking Dead.”

“The Walking Dead” returns this October to AMC.

Categories: Horror News