Meet Rattbag in Shadow of Mordor's New Trailer

Dread Central - Mon, 09/01/2014 - 18:09

Suspended in the air, the rat rages. It’s time for some torture. This was the introduction to Middle-earth: Shadow of Mordor’s new trailer, Meet Rattbag. Rattbag is a member of Sauron’s orc army and, as the trailer reveals, its chief backstabber.

Based on the trailer, it appears that Rattbag was saved from execution by the game’s hero, Talion, and is now bound to assist him in his quest to destroy Sauron. With Talion’s help he goes from “an orc that snivels and whines to a mighty war chief.”

The trailer details Rattbag’s ascent through the orc ranks and that he is Talion’s liaison in the front lines of Sauron’s army. Rattbag will help conspire with Talion to bring his enemies down, aside from providing some well-timed comic relief. Rattbag has been featured in the game’s previous trailers, but now the developers reveal that Ratbag will play an integral part in the story. He is also the game’s only pre-written enemy,\ with all of Talion’s other foes to be randomly generated in each game.

Middle-earth: Shadow of Mordor will be released on September 30th for PS4, Xbox One, PS3, Xbox 360, and PC.

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Stroke your precious in the comments section below.

Categories: Horror News

The UK to Experience a Grave Halloween in the Aokigahara Suicide Forest

Dread Central - Mon, 09/01/2014 - 17:52

Just the thought of Japan's Aokigahara forest, or the Suicide Forest, sends a chill down our spines. Director Steven R. Monroe knows this all too well and word has come that his latest film which takes place there, Grave Halloween, is hitting the UK.

Kaleidoscope Home Entertainment has announced the UK release of Grave Halloween, available digitally and on DVD October 27, 2014.

Synopsis
Deep in stark woodland at the base of Mount Fuji, restless whispers echo as the light fades on a mid-winter afternoon. Here, amongst a maze of roots, a lone figure takes her life, binding her body to the branches and her spirit to the undergrowth. Years later as the crows scatter, Miko and her college friends head into Suicide Forest. Miko yearns to abide a Halloween ritual steeped in demonic tradition which will release her mother’s trapped soul. Filming their journey amongst the shadows, strange things start to happen; angry murmurs and sightings of ghosts warn there are those who do not want them there.

In the Sea of Trees an ocean of lost souls rises up, closing heavy boughs around Miko and her friends. Suddenly, the path to life is barricaded by the dead who have nothing to lose…

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
End it all in the comments section below!


Categories: Horror News

Lars Von Trier to Open The House That Jack Built on TV

Dread Central - Mon, 09/01/2014 - 17:39

The director whom we lovingly refer to as Captain Sunshine here at Dread Central, Lars Von Trier, is bringing his special brand of horror and misery to the small screen with a new series entitled "The House That Jack Built." Interested? Read on!

Screen Daily reports that the series will be the first to be directed by the controversial auteur behind Antichrist and Melancholia since his acclaimed Danish TV production, "The Kingdom," 20 years ago.

The news was revealed by Zentropa-producer Louise Vesth during the press conference for Von Trier’s Nymphomaniac Volume 2 - Director’s Cut at the Venice Film Festival. Von Trier’s regular producer Peter Aalbæk Jensen described it as “a TV series without precedent” adding that "The House That Jack Built" would be “a TV series as you have never seen it before and never will again. You better hold your breath.

Von Trier will start working on the script this autumn with shooting currently set for 2016. The series will be produced by Louise Vesth for the Zentropa Group with executive producer Peter Aalbæk Jensen. The project is being developed for Danish public broadcaster DR with head of drama Piv Bernth, the producer behind Scandi crime drama "The Killing."

TrustNordisk will handle international sales.

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Be happy in the comments section below!

Categories: Horror News

New Trailer Emerges From the Hellmouth

Dread Central - Mon, 09/01/2014 - 17:29

If you're a fan of the stellar flick Pontypool, you'd better listen up! The minds of the lunatics behind it have conceived another terror tale called Hellmouth, which we told you about in 2013. Well guess what? We FINALLY have a trailer for you guys to chew on! Dig it courtesy of Twitch Film.

Directed by John Geddes (Exit Humanity), the film stars Stephen McHattie (Pontypool, The Watchmen) as Charlie Baker, a dying gravekeeper who’s forced to take one final job. It features an eclectic cast including female lead Siobhan Murphy, Julian Richings, Boyd Banks (Exit Humanity), Mark Gibson, and some iconic cameos including Bruce McDonald (Pontypool).

An ode to classic horror and fantasy, Hellmouth is a VFX spectacle that chronicles Charlie Baker's dark descent through Gothic landscapes, demonic worlds, and medieval realms as he journeys to discover the secret behind a mysterious cemetery.

"I wanted to create a story-driven film with fantasy and horror combined. Something that was directly inspired by the era of Hitchcock and even Ed Wood," said Geddes last year. "Working with a writer like Tony Burgess [Pontypool] was a pleasure as we both love the simplicity in many of the old classic films of the 50′s and 60′s, and even earlier in films like Nosferatu and Faust. We worked really hard to make Hellmouth something fresh."

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Open wide in the comments section below!

Categories: Horror News

Siccin Unleashes Turkish Horror

Dread Central - Mon, 09/01/2014 - 17:19

Turkey has long been releasing rip-offs of popular American movies, and now that they have a new original horror flick coming out entitled Siccîn: Büyü Haramdır, we can only hope The Asylum returns the favor, if only out of spite. Read on for the first details of this foreign spookfest!

In Turkish theaters on September 26th, Siccîn: Büyü Haramdır stars Pınar Çağlar Gençtürk, Koray Şahinbaş, Ebru Kaymakçı, Merve Ateş, Güneş Galava, Toygun Ateş, Aydan Çakır, and Asuman Kostak. It is directed by Turkish fear film sensation Alper Mestçi.

Below you'll find the trailer, which is unfortunately subtitle-free. Still. It looks pretty friggin' spooky!

This is normally the part of the story in which we'd tell you what this one is about, but every synopsis we translated via the web came back a ridiculously garbled mess. From what we've gleaned from the gibberish we've read, Siccîn: Büyü Haramdır is somewhat of a tragic love triangle with one of the principal characters either casting or getting someone to cast a spell on one of the women in said triangle, thereby infesting her with demons. SOLD!

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Get infested in the comments section below!

Categories: Horror News

New Tamara Book Gets a Trailer

Dread Central - Mon, 09/01/2014 - 16:48

We told you back during the madness of the San Diego Comic-Con about Final Destination writer Jeffrey Reddick releasing a book based upon his 2005 movie Tamara, which starred the now everywhere Jenna Dewan. Today we have a trailer to share with you cats!

Reddick is revisiting this titular character along with author JD Matthews for a special novelization. "The book is based off the original R-rated draft of Tamara that I sold to Lionsgate," Reddick tells us.

He adds, "This is my first book, and I’m really excited about the project. Writing is my passion, and I’m thrilled to team up with someone as talented as JD. Tamara has a cult following, and I wanted to show fans the uncut version of the story. I also wanted to give people who’ve never seen the movie a chance to read the story of Tamara Riley."

If you missed the film, Tamara tells the story of an unattractive and unpopular young girl who’s constantly bullied by classmates. Her only source of relief is dabbling in some old witchcraft books left to her by her mother. After being killed in a horrible prank, Tamara comes back from the grave as a sexy vixen who knows the dark secrets of all of her tormentors. She uses these secrets to get revenge against the kids responsible for her death. And she uses her new powers of seduction to go after the one thing she’s always wanted… Billy Natolly, her married English teacher.

Look for more on the book soon, and in the interim check out the official Tamara Facebook page.

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Get revenge in the comments section below!

Categories: Horror News

2014 Reaper Awards Nominees Announced; Fan Vote Now Open!

Dread Central - Mon, 09/01/2014 - 16:43

Labor Day is considered the end of summer, which means fall, our favorite season, is just around the corner. And it's also time to cast your votes for the sixth annual Reaper Awards, running now through October 17th. Winners will be announced just prior to Halloween on October 27th.

From the Press Release:
The Reaper Awards, honoring the best horror and thriller titles of the past year on DVD and Blu-ray Disc, are presented by Home Media Magazine and DreadCentral.com. Eligible titles were released between August 1, 2013, and July 31, 2014.

Results of the consumer vote will be combined with the selections of a judging panel of horror experts and home entertainment reviewers. The panel of judges will also select a Title of the Year.

Note that titles were submitted by participating studios, and if you believe a title is missing from the list, it may be due to the studio not submitting it for consideration. There is space on the ballot for write-in votes, including a spot to write in your choice for the best Horror/Thriller title of the past year (released between August 1, 2013 to July 31, 2014).

The full list of nominees is below. For the electronic ballot, visit ReaperAwards.com.

Choice Theatrical Cut
Carrie (Fox)
Insidious Chapter 2 (Sony Pictures)
Devil's Due (Fox)
Star Trek Into Darkness (Paramount)
Paranormal Activity: The Marked Ones (Paramount)
World War Z (Paramount)
The Purge (Universal)
You're Next (Lionsgate)

Best Limited Release/Direct-to-Video Title
Joy Ride 3: Roadkill (Fox)
Scavenger Killers (Cinedigm)
Dead Before Dawn (Cinedigm)
Europa Report (Magnolia)
Crystal Lake Memories: History of Friday the 13th (CAV)
The Last Days on Mars (Magnolia)
Absence (Cinedigm)
Fright Night 2 (Fox)
Afflicted (Sony Pictures)
Ghost Team One (Paramount)
Big Bad Wolves (Magnolia)
The Haunting of Helena (Cinedigm)
Static 3D (Cinedigm)
Curse of Chucky (Universal)
Mr. Jones (Anchor Bay)
Alyce Kills (Cinedigm)

Best Title From the Vault (Re-release or Catalog Title)
Predator 3D Edition (Fox)
Halloween 35th Anniversary Edition (Anchor Bay)
Day of the Dead Collector's Edition (Shout! Factory)
Night of the Demons Collector's Edition (Shout! Factory)
Sleepaway Camp Collector's Edition (Shout! Factory)
The Evil Dead Steelbook Edition (Anchor Bay)
Prince of Darkness Collector's Edition (Shout! Factory)

Best Collection
The Vincent Price Collection (Shout! Factory)
True Blood: Season 6 (HBO)
The Walking Dead: Season 3 (Anchor Bay)

Best Indie or Foreign Disc
Absence (Cinedigm)
Europa Report (Magnolia)
Return to Nuke Em High Vol. 1 (Anchor Bay)
Big Bad Wolves (Magnolia)
V/H/S/2 (Magnolia)
Static 3D (Cinedigm)
You're Next (Lionsgate)
In Fear (Anchor Bay)
Stage Fright (Magnolia)
The Last Days on Mars (Magnolia)

Best Extras
Prince of Darkness Collector's Edition (Shout! Factory)
The Walking Dead: Season 3 (Anchor Bay)
Day of the Dead Collector's Edition (Shout! Factory)
The Vincent Price Collection (Shout! Factory)
World War Z (Paramount)
True Blood: Season 6 (HBO)
Bad Milo (Magnolia)
Stage Fright (Magnolia)

Best Box Art (click here to see images of the Best Box Art nominees)
House of Dust (Anchor Bay)
Europa Report (Magnolia)
True Blood: Season 6 (HBO)
Return to Nuke Em High Vol. 1 (Anchor Bay)
Sleepaway Camp Collector's Edition (Shout! Factory)
Night of the Demons Collector's Edition (Shout! Factory)
In Fear (Anchor Bay)
Devil's Due (Fox)
Paranormal Activity: The Marked Ones (Paramount)
V/H/S/2 (Magnolia)

Best Packaging (click here to see images of the Best Packaging nominees)
The Walking Dead: Season 3 Zombie Head Tank (Anchor Bay)
Predator 3D Limited Edition Predator Head (Fox)
V/H/S/2 — Blu-ray/VHS combo pack (Magnolia)

Best Big Bad
The Governor — "The Walking Dead Season 3" (Anchor Bay)
Hammer Girl — "The Raid 2" (Sony Pictures)
Gerri — "Fright Night 2" (Fox)
Lee Harvey Herzkauf — "Return to Nuke Em High Vol. 1" (Anchor Bay)
The Zombies — "World War Z" (Paramount)
Milo — "Bad Milo" (Magnolia)

Best Scream Queen/King
Guy Getting Penis Bitten Off — "Bad Milo" (Magnolia)
Rachel (Sara Paxton) — "Static 3D" (Cinedigm)
Carrie White (Chloë Grace Moretz) — "Carrie" (Fox)
Lucy (Alice Englert) — "In Fear" (Anchor Bay)
Chrissy Goldberg (Asta Paredes) — "Return to Nuke Em High Vol. 1" (Anchor Bay)
Lydia Martin (Holland Roden) — "Teen Wolf Season 3 Vol. 2" (Fox)

Best Kill
Time Index 1:21:50 to 1:23:05 — Jewel, tied to the top of a big rig, is torn in half by an overpass — "Joy Ride 3: Roadkill" (Fox)
Time Index 0:05:30 to 0:06:05 — Minnie Driver Stabbed — "Stage Fright" (Magnolia)
Time Index 1:30:50 to 1:36:35 — Hammer Girl rips through a bunch of guys on a subway — "The Raid 2" (Sony Pictures)
Time Index 0:34:20 to 0:35:50 — Disemboweled Zombie Cyclist eaten by other Zombies — "V/H/S/2" (Magnolia)
Time Index 0:40:30 to 0:42:30 — Stage Director eats a light bulb — "Stage Fright" (Magnolia)

Best Line of Dialogue
“I’m gonna need you to keep that coat clean for me, so please take it off and then rip her arm off." - Eric — True Blood Season 6 (HBO)
“Wow — How’s your ass?” – Highsmith — "Bad Milo" (Magnolia)
“If you think you can sit here [while we] raise your litter of alien babies, you’ve got another thing coming." - Arlene — True Blood Season 6 (HBO)
“Well, you're halfway to the hospital now, Jewel.” – Rusty Nail — "Joy Ride 3" (Fox)

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Tell us your picks in the comments section below.

Categories: Horror News

Stunning Fan Art for The Texas Chain Saw Massacre Game on the NES

Dread Central - Mon, 09/01/2014 - 16:42

In a perfect world we'd have seen all of our favorite horror movie villains star in their own games. In a SUPER-perfect world said games would actually have been good, too. Still, we can dream of taking control over our favorite maniac, and that's exactly what artist Blake Armstrong has done.

Below you'll see his version of what the artwork for a Nintendo Entertainment System game based on Tobe Hooper's The Texas Chain Saw Massacre would have looked liked.

Of course he made the common mistake of getting the title wrong as "chainsaw" is actually two words in the original's title, but hey, the artwork is bitchin' enough for us to overlook it!

Oh, the possibilities. Click here for more of Blake Armstrong's artwork.

It should be noted that their actually was a game based on The Texas Chain Saw Massacre for the Atari 2600 home entertainment system in 1983 from Wizard Video Games, who put out several adult-themed games back then, including one based on Halloween.

In Wizard's game you are Leatherface and it's your job to hunt down and eviscerate a group of hapless tourists who are "trespassing" on your property. You're given three tanks of gasoline to power your chainsaw. You're always burning a little gas, but when you rev up the saw, you'll really go through it. Save gasoline for killing your victims or cutting away at the brush that occasionally blocks your progress. While you are chasing your victims, you must avoid various obstacles that will slow you down such as fences, cow skulls, and wheelchairs. For every victim you kill, you receive 1,000 points. Extra gas tanks are awarded for every 5,000 points. The game ends when you run out of gas.

By the way... they got the title of the movie wrong, too.

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Massacre others in the comments section below!

Categories: Horror News

That ‘Haunted House’ Reboot Looks Sufficiently Eerie

bloody disgusting - Mon, 09/01/2014 - 16:20

A few weeks ago, Atari announced their plans to reimagine Haunted House and Alone in the Dark, two classic horror series that first released in 1982 and 1992, respectively. From what little we’ve seen of it so far, Alone in the Dark: Illumination already looks somewhat promising. It’s also a series that I’m very familiar with, so I have an idea of what kind of experience it will offer, even though co-op seems to be the primary focus this time around.

Haunted House is another story entirely. The original game released six years before I was born and despite my love for horror games both new and old, I never got around to playing it. All I know about the game is it was one of the first survival horror games. That’s impressive.

I have no idea what to expect from Haunted House: Cryptic Graves, but this trailer does a decent job of not really helping me understand it any better. It looks eerie though, and I like eerie.

Haunted House: Cryptic Graves hits PC this fall.

Categories: Horror News

Labor Day Weekend Box Office Report: As Above/So Below Somewhere in the Middle

Dread Central - Mon, 09/01/2014 - 16:04

Those Guardians of the Galaxy continued to rule the box office this Labor Day weekend. So where did that leave the horror offering As Above/So Below and the 30th anniversary re-release of arguably the most influential horror comedy of a generation?

As Above/So Below managed to continue two trends at once. First, the Paris-set Universal/Legendary horror film marks the latest found footage movie promoted in such a way as to hope you didn't know that going in. Just how on the outs is the found footage genre that Hollywood marketers are now going out of their way to downplay the format?

As Above/So Below also continues the trend of wide release horror movies in 2014 not exactly lighting the box office on fire. Falling near the middle of the pack at #5 with an estimated $10.3 million for the Labor Day weekend, according to Box Office Mojo, that's just slightly more than previous Labor Day weekend horror releases Apollo 18 ($8.4 million) and Shark Night ($8.3 million). Oof!

Always fickle horror-goers gave the film a C- Cinemascore so this one might as well be buried in the Catacombs in which the film is set.

The 30th anniversary re-release of the comedy classic Ghostbusters finished outside the top ten in 15th place with $2.2 million. That's a bit above what Raiders of the Lost Ark's re-release did ($1.67 million), though not quite as impressive given Ghostbusters was released on over 700 screens and Raiders returned on less than 300. I'd still call that number notable given how widely available Ghostbusters is on every conceivable video format and VOD service.

Hey, maybe that bodes well for that upcoming 10th anniversary re-release of Saw. Most remarkable: I typed that last sentence with a straight face.

Aside from the upcoming fantasy thriller Innocence, the Fatal Attraction-esque No Good Deeds, and the young adult adaptation The Maze Runner, the genre takes the month of September off before returning the first week of October with the Conjuring spin-off Annabelle.

As Above/So Below director John Erick Dowdle (Quarantine, Devil) wrote the script with his brother, Drew. The film stars Ben Feldman, Perdita Weeks, and Edwin Hodge.

Read Staci Layne Wilson's positive As Above/So Below review.

Read Uncle Creepy's negative As Above/So Below review.

VISIT THE EVILSHOP @ AMAZON!
Got news? Click here to submit it!
Subscribe to the Dread Central YouTube Channel!
Go below in the comments section below!

Categories: Horror News

THE BOY FROM SPACE (1980)

nothingbutthenight - Mon, 09/01/2014 - 14:36
The Boy from Space was a science fiction drama serial made in 1971, originally directed and shot on film by the enticingly named ex-BBC Radiophonic Workshop musician Maddalena Fagandini, and specifically intended to be watched by children between the ages of seven and nine upwards. Unlike most fondly remembered children’s series that have eventually found their way onto DVD in subsequent Black Gloveshttp://www.blogger.com/profile/01771303462033735870noreply@blogger.com1
Categories: Horror News

BD Playlist: Mr. Disgusting Vol. 4

bloody disgusting - Mon, 09/01/2014 - 14:00

I have to admit that when Brad “Mr. Disgusting” Miska told me his current playlist, I got a huge grin on my face. It’s not Korn or Skrillex that did it for me but rather it was…you know what? I’m not going to ruin the surprise for you. It’s too good for me to spoil it!

So, head on below and see what Brad’s been blasting these days!

Korn – Follow The Leader

Categories: Horror News

“Bram Stoker’s Dracula” the Next Digitized Pinball Machine!

bloody disgusting - Mon, 09/01/2014 - 13:39

Pinball Arcade, the company behind tons of incredible digitized pinball machines from “Monster Bash” to “Creature from the Black Lagoon,” “Twilight Zone,” “Elvira and the Party Monsters,” “Scared Stiff” and “Haunted House,” has announced a new horror title for this coming Halloween.

With a date to be announced, get ready for a digitized version of the classic pinball “Bram Stoker’s Dracula,” based on the 1992 epic film by Francis Ford Coppola.

“Dracula” will be the next table released, and is a game you can really sink your teeth into.

Here’s what Wiki says about it:

Bram Stoker’s Dracula is a 1993 pinball machine released by Williams. It was based in the 1992 film of the same name. The game was characterized by its unusual blood-red DMD display (most other games at the time used orange for their color) as well as a “Multi-Multi-Ball” mode, where up to three different multiball variations could be active at the same time, with each successive active mode providing a jackpot multiplier of up to 3x. It also featured a unique variation on the usual multiball mode known as “Mist Multiball,” where a magnet would drag a pinball across the playfield and the player would be required to knock it loose from the magnet’s grasp to start the mode.

Here’s the announcement:

(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/all.js#xfbml=1"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk'));

Post by The Pinball Arcade.
Categories: Horror News

‘Trick ‘r Treat’ Gets ‘Halloween’-themed Poster!

bloody disgusting - Mon, 09/01/2014 - 12:53

It’s the night Sam came to town.

“samRAW08″ has created an awesome crossover poster that mixes two holidays greats: John Carpenters Halloween and Michael Dougherty’s Trick ‘r Treat.

If you like the mash that puts Trick‘s “Sam” on the Halloween poster, you can pick up a physical copy here.

Categories: Horror News

[TV Review] “The Strain” Episode 1.08, ‘Creatures of The Night’

bloody disgusting - Mon, 09/01/2014 - 12:25

“Creatures of the Night” condensed The Strain into short horror film this week, and for the most part it works. However like most short narratives characters were forced into over expository info dumps that constantly reestablished the rules of the world. Mind you, it was a whole hell of a lot of fun, it just gets constantly sidetracked when we’re eight weeks in and still reminding the audience how the vampires work.

This is the closest version to the show that everyone’s wanted for weeks now. The parallel storylines finally converge and give us the clearest sense of foreword progression since the season started. It’s taken a while to get here, but Vasily Fet is finally with the group, as we know it.

Things pick up exactly where we left off last week. The group is in disarray on the subway platform as Eichorst has just escaped. Here the first exposition transgression takes place as Setrakian restates that silver can hurt them, but bullets don’t kill them. Jim is left in disbelief so what else is new.

From here our group heads to a facility that houses UV lights. They intend to use them to battle the vampires, but when they arrive they come face to face with a looter, Vasily Fet. It’s clear from the beginning that Vasily isn’t interested in having a team. He fights vermin alone, but as the episode moves along he and Abraham move closer together and we see the beginning of one of the series best friendships.

Things are rather tense as the group heads to a nearby gas station to get supplies before hiding out. The cinematography of the episode implies certain claustrophobia whenever we’re inside and before the vampires even show up you can feel them closing in on you.

With one fell swoop everything falls into chaos and we find every one of our characters holed up inside a gas station in a situation very close to The Mist. Although there is no religious zealots to be found here, there is inside tension as Jim get’s scratched. More on that later.

For the most part the exposition transgressions come from Abrham and Vasily’s budding friendship. Vasily is tenacious and good at killing vermin, so naturally Setrakian must explain how it’s done. Except he has to tell him outright, it would have been easier on Chuck Hogan’s script if the implication was there rather than the outright explanation. I think Vasily is smart enough to observe how it’s done, but I digress. It straddled the line between okay and groan worthy, but it can’t happen again. We’ve been in this world for eight weeks now, we don’t need a rehash of the rules.

Jim’s scratch leads to Jim’s demise and I wish I could be sadder about the whole ordeal but I’m not. I’m actually quite happy with the way things went. I loved the scene of false hope in removing the one worm from his face, but of course there were going to be a shit load more. We’ve seen this before. And while I think the strongest choice for Jim’s character would have been an act of sacrifice, I enjoyed how Vasily didn’t give a fuck and wasted him on the spot. He did what needed to be done.

The horror of the shambling vampires surrounding the building won’t soon be removed from my mind. This week there were more formidable then they have ever been and the threat of the fallen city has been established. The credit card systems are down, and the phonelines are seemingly dead. This week was chaos, and frankly exactly the type of thing I was looking for since the show began. This was like The Walking Dead at the beginning of the outbreak, and capturing that insanity is so compelling. Let’s hope next week continues the trend.

 

Stray Thoughts:

-       Okay, with the credit card systems down, what the fuck was the deal with magically being able to pay for the gas outside. PLOTHOLES, Jesus Christ that’s the easiest one to spot.

-       Showing that hacker girl weeks ago, only to never touch on her until this very moment was weak. I had to really try and remember who she was.

-       The world is so big that this week was so excellent and refreshing to only dwell on one constant setting. Although I’m craving more Quinlan.

 

What did you think of “Creatures of the Night” ?

Categories: Horror News

[Review] ‘As Above, So Below’ Is the Scariest Movie In Years!

bloody disgusting - Mon, 09/01/2014 - 12:18

*Some spoilers do follow.

This weekend a movie came out that nobody’s talking about. It’s also one of the scariest movies in years.

As Above, So Below, from the filmmakers behind The Poughkeepsie Tapes, Quarantine and Devil, was surprisingly neglected by the film community, probably because it looked to be “just another found-footage” horror film in a sea of over-saturation. Shit, I love the Dowdle brothers and even I nearly waited for the VOD release (shame on me!). Thankfully, my cousin was in town and dragged me out to see what will go down in history as an underrated, forgotten cult classic.

As Above, So Below’s plot is simple, yet extraordinarily rich in mythology (so much so that it leads to to dozens of OMFG payoffs). Opening in a series of events that felt like a hat-tip to the “Safe Haven” segment of V/H/S/2, Scarlett (Perdita Weeks) discovers a “lead” to her father’s lifelong hunt for a priceless gem. She recruits an old friend/lover who decipher clues that lead them on a journey into the infamous Catacombs deep under Paris. The film has a sort of Last Crusade vibe to it, until they finally enter the actual Catacombs. Once down there, what begins as cliche horror quickly turns into a carnival ride of terror. The best way to describe the movie is to liken it to a Halloween haunt maze – what’s scary is being trapped in small space, heading in one direction, and not knowing what’s hiding around each and every corner. The biggest difference is that, while a maze is a “safe place,” these Catacombs are a physical manifestation of HELL. Unlike many of its ilk, As Above, So Below actually crosses over into the unknown and takes viewers literally into Hell. When the horror elevates, the scares start coming in troves, making it impossible to breathe. (I can’t even to begin to tell you how fucked things get without spoiling it.)  The Dowdle brothers have no fear, and are completely unapologetic in their escapades. What proceeds is an onslaught of demonic imagery and terror that some may find laughable, while others (including myself) will consider horrific.

One of the only real problems with the film is the finale, which took the safe way out instead of going to a dark place. I do applaud, though, the fact that the filmmakers chose not to end with the atypical “camera hits the ground and they all die.” It works on the same level of falling off a cliff only to land on a ledge. Man, that was close…

As Above, So Below is a found-footage movie that shows that the subgenre can still work when it’s not abused. It’s astoundingly authentic, which could be the main reason why it’s  one of the scariest movies in years. And even though it has its flaws, I champion the terrifying As Above with the highest praise possible.

As above, so. fucking. scary.

Categories: Horror News

Somebody Created An Electronic Track Using Sounds From The ‘Silent Hills’ P.T. Demo

bloody disgusting - Mon, 09/01/2014 - 12:15

Now that it’s been revealed that P.T. was a sneaky way of announcing Silent Hills, people have been desperately wanting to hear more about a very specific aspect of the game: the music. Considering how important the music has been to the series, it’s very understandable why there is so much concern surrounding this.

However, that’s not stopping some people from taking the sounds and dialogue of P.T. and creating their own soundscape.

Vegas Soundscape took sounds from the playable teaser and used them as embellishments in a dubstep/electronic track. It’s not a bad track, although it does get a bit repetitive when it comes to the beat.

Give it a listen and let me know what you think!

Categories: Horror News

New ‘Alone in the Dark: Illumination’ Details, Concept Art

bloody disgusting - Mon, 09/01/2014 - 12:00

Over PAX this weekend, Atari tore the sheet off of two of their upcoming games — both reimaginings of classic video game franchises — including Alone in the Dark: Illumination. The teaser trailer (below) didn’t offer much in terms of how the game will look or play, but we do know the game will feature a cooperative multiplayer mode complete with four unique classes that players can choose from. Get familiar with each of them in the gallery below.

I haven’t decided which class interests me the most, but I’m leaning toward the Priest. There’s just something about a priest who banishes evil with dual pistols that appeals to me. Below you’ll find the debut trailer, and you can use the snazzy new concept art under that to get an idea of the bad places that need cleansing.

Alone in the Dark: Illumination arrives on PC this fall.

Categories: Horror News

[DVD Review] ‘Anna’ Brings Strong Acting, But Also a Weak Script

bloody disgusting - Mon, 09/01/2014 - 11:56

In 2011, fresh from helming Orphan and Unknown (and far away from the stink that was the House Of Wax remake), Jaume Collet-Serra teamed up with his friend Juan Solá to create Ombra Films, a studio dedicated to bringing Spanish talent to Hollywood. Their first catch was Anna (aka Mindscape for European audiences), the debut feature of Jorge Dorado. The film made it’s debut at the 46th Sitges Film Festival, enjoyed success in it’s native Spain and Europe, and made it’s North American debut at the Dallas International Film Festival on April 5, 2014. Now the film has finally made it’s way to DVD. So, with all that exposition out of the way, what’s up with Anna?

John Washington (Mark Strong) is a “memory detective”. Essentially, he’s been gifted with the ability to peer into people’s memories. After a recent bad trip that involved his own personal memories leaking into someone else’s recollections, Washington is back at it, albeit a little on the shaky side. He’s been assigned a simple case: Determine whether Anna Greene (Taissa Farmiga), a disturbed sixteen-year-old on a hunger strike, is suffering from some sort of past trauma, or whether she’s actually a manipulative sociopath. Unfortunately for Washington, Anna holds a lot more than what he (or anyone) suspects.

Okay, time to get the elephant out of the room: Yes, the film echoes a lot of stuff from Christopher Nolan’s Inception. But really, that’s unfair to Anna and it’s first-time director. Put that out of your head. Now, like Inception (dammit), we’ve got an interesting premise that hasn’t really been used before. Seriously, there’s a real sense of cat-and-mouse going on here with Washington and Anna, which is only helped out by their respective actors’ performances. It’s reminiscent of Lecter/Starling exchanges. I give Strong credit for breaking out of his usual bad guy role. He brings an intensity to the character, while also showcasing Washington’s vulnerabilities that he struggles to keep in check. Farmiga is also excellent, managing to handle many of Anne’s straddling between her perceived innocence and the more sinister. While both actors do have their share of suspect lines (Farmiga doesn’t do so well with exposition), there’s still a good amount of talent involved.

Visually, cinematographer Oscar Faura crafts some really nice shots. He’s helped out by the locales used, lots of playing with shadow, and some good use of post effects for the flashback sequences. The camera often focuses on close-ups of objects, particularly the metronome that Anna insists on running while John delves into her memories. I’m not entirely sure why that was, however. Nevertheless, this is still quite impressive, even if some of the symbolism beats you over the head.

This heavy-handedness with the symbolism is unfortunately only part of the bigger problem of Anna: The script. As mentioned, some of the lines Farmiga and Strong have to deal with aren’t quite believable. Also, Strong’s character has a few nagging holes (such as the underdeveloped romance plotline with Judith (Indira Varma). Making matters worse is the fact that the script is excessively talky in the ADR department, holding your hand and spewing exposition, reminding you where we are in the story. It gets old very fast. To top things off, while the film is an agreeable slow-burn, the last 15 minutes suddenly decide to crank it, squeeze in a twist and end with a lacklustre resolution (if you can call it that). While first-time director Jorge Dorado fares alright in his first picture, it isn’t complex enough to really stand out.

So despite some slick visuals and strong acting by Strong and Farmiga, the script really pulls Anne down. Had the excessive exposition been pared down and the latter half of the film been fleshed out, this would’ve made for a good thriller. It still has components that make it a casual thriller, but don’t expect it to even be close to what Christopher Nolan was able to pull off.

Video/Audio:

Presented in 2.35:1 anamorphic widescreen, the film looks quite good. There’s a fine layer of film grain throughout that is unobtrusive or distracting. Flashbacks are presented with a higher colour saturation and higher film grain than the rest of the film, but it’s all consistent. Detail is quite good, with very little edge enhancement (if any). Overall, a great job by cinematographer Oscar Faura.

Sound-wise, the film sports a Dolby Digital 5.1 Surround track and a Dolby Digital 2.0 Stereo track. While you’re not going to get the rumblings of Inception (sorry), what’s here is adequate for the picture. Dialogue is clear and free of distortion, and the film makes fairly good use of directional sounds.

Extras:
Aside from the digital copy of the film and the film’s trailer, you get NATHING.

Categories: Horror News

[FrightFest '14] ‘White Settlers’ Is a Tense and Relevant Thriller

bloody disgusting - Mon, 09/01/2014 - 11:53

Simeon Halligan’s White Settlers has been dubbed the “Scottish Referendum Horror Film.” If you don’t know, Scotland is voting later in September whether they should be an independent country, separate from the United Kingdom. I have only a cursory understanding of the debate, but I do know that underlying the argument is the tension between the two countries that has existed for centuries.

It’s unclear whether Halligan (an Englishman who broke out with Splintered in 2010) intentionally made his film based around this political debate (although I think the ending makes it very clear), but regardless, White Settlers can be enjoyed strictly as a home invasion thriller with heaps of anxiety-inducing moments and a top-notch lead actress.

Couple Sarah (Pollyanna McIntosh) and Ed (Lee Williams) uproot their lives from the bustle of England to a secluded house in Scotland. The centuries old house sits on a nice plot of land, secluded from civilization. The real estate agent explains that the land was once the site of a brutal battle between the English and the Scots. When Ed asks who won, the agent replies, “It depends on who you ask.” It’s an ominous message, to say the least.

The rest of the film takes place over their first day and night in the house. The setting itself puts the audience on edge.The electric isn’t working, so they get around by daylight, then flashlight. The ancient, rustic setting and brief history of its previous owner gives the first half of White Settlers a supernatural, haunted house vibe that severely sucked me in. There’s a few red herrings, but once the invasion jumps off, Halligan delivers a relentless barrage of thrills.

Many of the set pieces are brief and predictable to a degree, but what makes them work is the performances. McIntosh, who’s probably best known as the titular lead in Lucky McKee’s The Woman, is a phenomenal, natural actress who carries White Settlers on her lithe back. Her relationship with Ed has a lot of dimensions – without actually explaining their background with drab exposition, the looks, inside jokes, and arguments they share give an effective feel of shared history.

When the attacks begin, McIntosh keeps the adrenaline pumped up with a wholly believable performance. A lot of actresses run and scream, huff and puff, sure, but a lot of times the breaks they get in between takes shines through. McIntosh’s potent performance makes you believe Sarah is truly running for her life. It’s awesome to watch.

She carries us through the twists and turns of the film’s final act, which builds up nicely to a great curveball closing. The invasion on the actual house is a really tense bit, but once they leave it for the forested surroundings, it falters a bit and loses its strong claustrophobic atmosphere. Thankfully, McIntosh is there to give us a piggyback ride straight down the line.

White Settlers couldn’t have been planned more timely. Released against the political debates of independence raging in Scotland, it’s a relevant film. But it also stands on its own as a fierce, atmospheric thriller.

Categories: Horror News