Thanks to the lovely people at StudioCanal, we’ve nabbed a copy of director Lasse Hallström’s latest thriller, The Hypnotist, on DVD to give away to one lucky UK-based reader. Don’t worry – you don’t need to get on our couch to win it. Just read on!
The Hypnotist stars Mikael Persbrandt (The Hobbit), Lena Olin (The Reader, Chocolat), and Tobias Zilliacus (Beyond Enemy Lines) and is based on the best-selling novel by Scandinavian author Lars Kepler.
In the middle of a dark December night, psychiatrist Erik Maria Bark (Persbrandt) is woken by a telephone call from a hospital in Stockholm. Detective Inspector Joona Linna (Zilliacus) asks for his immediate help in treating an unconscious patient suffering from acute trauma. He hopes that Erik will be able to communicate with the young boy through hypnosis, enabling the police to question him. They intend to find out who so brutally murdered his parents and younger sister in order to track down and save his mysteriously missing older sister before it is too late.
To be in with a chance of winning, simply send an email to firstname.lastname@example.org including YOUR FULL NAME AND POSTAL ADDRESS. Then sit back… close your eyes… relax… and listen to my voice… We’ll take care of the rest.
If the above link doesn’t work for you, email us manually at email@example.com with the subject line “The Hypnotist UK DVD.” Don’t forget to include your FULL NAME and POSTAL ADDRESS.
Please note that this competition is open only to residents of the United Kingdom.
Japanese instrumental rock band Mono have released a stream of “Recoil, Ignite (Part II)” from one of their upcoming albums Rays Of Darkness, which you can stream below. The album, along with its counterpart The Last Dawn, will be released October 18th via Temporary Residence.
The description of both albums reads:
The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the twin albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO’s music than they are here. Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band’s reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO’s blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.
You can pre-order Rays Of Darkness here.
THR reports that Mitchell Altieri and Phil Flores, the horror duo known as The Butcher Brothers (The Violent Kind, pictured, The Hamiltons, April Fool’s Day), have cast their upcoming film The Beginners Guide to Snuff, setting Joey Kern (Cabin Fever, “Workaholics”), Luke Edwards (The Wizard), Bree Williamson (“True Detective”) and Brad Greenquist (Water for Elephants) to star.
“The story centers on two actor brothers (Kern and Edwards) who are trying to make it in Hollywood, and decide to make a pretend snuff film to get ahead. In hopes of making it more realistic, they kidnap an actress (Williamson) so they can capture her terror on film. But they soon discover they have messed with the wrong woman. Greenquist will play the head of security at a theme park who has a dark edge to his work.“
Cory Knauf, Adam Weis and Mitchell Altieri wrote the script for The Beginners Guide to Snuff.
Principal photography will begin this month in Los Angeles.
Los Angeles residents get ready for the gathering of a lifetime. No, not the Gathering of the Juggalos (barf), but a Halloween reunion to die for!
Eighteen actors and creative artists, spanning the entire 35 year history of the iconic Halloween film franchise, will descend upon Burbank’s famed gothic retailer Dark Delicacies (3512 W. Magnolia Blvd., Burbank) to sign copies of Anchor Bay Entertainment and Scream Factory’s massive 15-disc Halloween Complete Collection Blu-ray set.
Come see a once-in-a-lifetime gathering of on-screen and behind-the-scenes graduates from the “Michael Myers Film School of Survival!”
The event takes place Tuesday, September 23rd, 2014, 7:30pm.
Here’s the full guest list:
PJ Soles, Halloween (“Lynda Vanderklok”)
Raymond O’Connor, Halloween 4 (“Security Guard”)
Tom Morga, Halloween 4
Erik Preston, Halloween 4 (“Young Michael Myers”)
Kathleen Kinmont. Halloween 4, (“Kelly Meeker”)
Matthew Walker, Halloween 5 (“Spitz”)
Frankie Como, Halloween 5 (“Deputy Nick Ross”)
Daniel Farrands, Halloween 6, Writer
JC Brandy, Halloween 6, (“Jamie”)
Jeffrey Landman, Halloween 6, (“Billy Hill”)
Daisy McCrackin, Halloween Resurrection
Brad Hardin, Halloween 6 and Halloween H20, Special FX Make-up
Adam Hann-Byrd, Halloween H20 (“Charles Deveraux”)
Chris Durand, Halloween H20, (“Michael Myers”)
Donna Keegan Avery, Halloween H20, Stunt Double JLC
Gary Glayton, Halloween Resurrection (“Young Michael”)
Caroline Williams, Rob Zombie’s Halloween 2
Alan Howarth – Composer for 5 Halloween films
Sean Clark – Documentary
In stores September 23, you’ll find full details on this massive box set – of which I’m currently binge watching – by clicking here.
Now this? This is pretty cool! If you see a Thursday night showing of Tusk (there are 8pm and 10pm showings in most playdate theaters), you’ll get your name added to the credits of the film when it comes out on DVD.
How, you ask? All you have to do is take a picture of your tickets stub and post it to Twitter or Instagram with the hashtags #WalrusYes and #TGITusk.
Tusk (review), written and directed by Kevin Smith, stars Justin Long, Haley Joel Osment, Genesis Rodriguez, and Michael Parks. Long plays a journalist who finds the story of a lifetime in Mr. Howe (Parks), a worldwide adventurer with amazing tales and a curious penchant for walruses.
Producers are Sam Englebardt, William D. Johnson, and David Greathouse for Demarest and Shannon McIntosh for Smith’s SModcast Pictures banner. Jennifer Schwalbach and XYZ’s Nate Bolotin are executive producers.
Look for the flick in theatres on September 19, 2014.
The post See Tusk Thursday and Get Your Name in the Credits appeared first on Dread Central.
Paramount has vacated Christopher Landon’s (Paranormal Activity: The Marked Ones) Scouts vs. Zombies from its March 13, 2015, release date, a date which is now occupied by Paranormal Activity: The Ghost Dimension. So, when will you be able to take in Landon’s little sliver of undead goodness?
Look for the flick in theatres a bit earlier than expected on February 20, 2015.
Sarah Dumont, Halston Sage, Lukas Gage, Patrick Schwarzenegger, Tye Sheridan, Logan Miller, Joseph Morgan, and David Koechner star. Andy Fickman, Todd Garner, Bryan Brucks, and Betsy Sullenger are producing.
Scouts vs. Zombies follows a group of Boy Scouts who try to fend off a zombie attack in their small town.
We’ve been sitting patiently waiting to find out exactly when we’ll be seeing the sixth film in the Paranormal Activity franchise, and today Paramount gave the film a date and even a new title! Read on for details.
Look for Paranormal Activity: The Ghost Dimension in theatres on March 13, 2015. This confirms a story which originally appeared on Bloody Disgusting stating that the flick was going to be here a lot sooner than its previously announced 2016 release.
Greg Plotkin is directing from a screenplay by Jason Pagan and Andrew Stark. No word on just who will be returning or which storyline they’ll be working with, but it’s a good bet it will be all-encompassing. Expect surprises.
The post Paranormal Activity: The Ghost Dimension Dated for March 2015 appeared first on Dread Central.
FX artist turned director Victor Garcia’s new film The Damned (formerly Gallows Hill) features well-worn horror conventions and relatively generic thrills. Thankfully, it offers them up in a nice, atmospheric package devoid of many of the obnoxious filmmaking and editing techniques so many horror movies rely on nowadays. It gets off to a fairly slow start and barrages the audience with familial bickering that serves as backstory. Once it picks up though, The Damned offers up some decent thrills and surprises in a thickly eerie setting.
Peter Facinelli (Hollow Man II) plays David Reynolds, a man who travels to Colombia to retrieve his daughter Jill (Nathalia Ramos) from college. She refuses to go along with her dad because she despises his new fiancé Lauren (Sophia Myles). Ever since the death of her mother, Jill has been aggressively rebellious towards he dad, choosing instead to live with her aunt Gina (Carolina Guerra), a reporter in Colombia. Jill’s been getting romantic with her aunt’s cameraman, Ramón. Like I said, there’s a lot of family stuff going on in the first half.
Before the movie can turn into August: Osage County, the whole gang finds themselves stranded in a torrential downpour deep in the rainforest. They make their way to a secluded hotel, which is home to a sketchy old man (Gustavo Angarita) who warns them not to roam around the place. They of course do and find a little girl locked in the basement. When they attempt to free her, the old man turns violent.
This is where Garcia and screenwriter Richard D’Ovidio (Exit Wounds) start getting to the good stuff. Genre fans see where the story is going, but that doesn’t make the chills any less effective. Some of the jump scare moments and overtly gory stuff do fail to hit the mark. Where The Damned really excels is in its haunted house atmosphere and supernatural mythos. The evil being in the film, the “bruja,” has a really great story and Garcia really embellishes her story and role as a manipulative bitch.
There are a few moments during the excitement that threaten to drag the story down. These mainly involve the familial tensions that were set up early on. It’s handled in a pretty skillful way though, as the supernatural force uses it against Peter and Jill. By the end, Peter’s motivations become a bit muddled up, like Garcia and D’Ovidio weren’t sure how to wrap things up. Overall though, The Damned is a conventional horror film that manages to defy expectations enough times to make it a worthwhile watch.
Dirk Manning has worked almost exclusively with horror comics throughout his career, and to say he loves the genre would be an understatement. He is, after all, from Hell, Michigan according to his Twitter profile. This week Manning (alongside artist Seth Damoose) brings back his post-Rapture desperado for another bout with otherworldly monsters in Tales of Mr. Rhee: Karmageddon #1. The first issue is a lot of setup with promises made for what’s to come in later issues. Of course, there’s some fun and violence along the way to help launch a new chapter for Mr. Rhee.
WRITTEN BY: Dirk Manning
ART BY: Seth Damoose
PUBLISHER: Devils Due Entertainment
RELEASE: September 17, 2014
Reviewed By: Lonnie Nadler
One thing that remains from the first volume of Mr. Rhee is the eponymous character’s cagey past, and daily struggles with former ghosts. Such matters kick off the issue, but even with those glimpses into a dark past, this is a story anyone can understand without prior knowledge. In medias-Armageddon-res, Rhee has just killed a bunch of demons and some innocent bystanders along the way. An overzealous Christian man uses his last breath to ask that Rhee protect his surviving children and get them to safety. Rhee agrees and they hit the road, hell-bent on getting to his “teacher’s” place before the demons come completely to surface.
There is a lot of back and forth dialogue this issue between Rhee and Abby, the eldest daughter, which mostly functions to set up her religious background and her concern for her siblings. As a result the latter half of the issue lacks action, but it comes with the guarantee that the next issue will see Mr. Rhee, and the children he’s sworn to protect, in the heart of apocalyptic chaos.
One thing you always get from Manning, regardless of the project, is a distinct feeling of love for his work. The issue bleeds with passion for the genre, and there’s no substitute for that. It is evident how much he adores this black-magic drifter and the crazy world that surrounds him.
Damoose’s art is hit and miss throughout the issue. While his style is distinctive, it comes with a digital look that I’ve never been too keen on for horror comics. The exaggerated features make light of the subject matter at specific moments that call for dramatic tension. A lot of my issue comes down to coloring. The last volume of Tales of Mr. Rhee was done in monochrome, which perfectly matched the mood of the story. The vibrant colors on display here often fail to connect with the apocalyptic setting. Combined with the lack of action, it feels that Damoose wasn’t able to spread his wings. I hope that will change for issue #2.
Despite the slow start, I am rather excited for this series to get rolling with some Lovecraftian goodness that is promised at the end of this issue. And anyone that knows Manning knows Great Cthulhu is never far off.
The CW Unveils The Vampire Diaries Season 6 Key Art and First Clip from Episode 6.01 – I’ll Remember
Ready for the first clip from “The Vampire Diaries” Episode 6.01, “I’ll Remember”? Then you’ve come to the right places as we have that for you right here along with the new Season 6 key art that The CW just released.
“The Vampire Diaries” Ep. 6.01 – “I’ll Remember” (10/2/14)
After spending the past four months coping with the loss of Damon (Ian Somerhalder) in an unconventional and potentially dangerous way, Elena (Nina Dobrev) has returned to Whitmore College for the start of sophomore year.
Unable to move on, Caroline (Candice Accola) is desperate to find a way to reverse the anti-magic spell the Travelers have put over Mystic Falls and grows frustrated when her calls to Stefan (Paul Wesley) go unanswered.
Tyler (Michael Trevino), who is human once again, has a run-in at a football tailgate that tests his ability to control his anger, while Matt (Zach Roerig) worries that Jeremy (Steven R. McQueen) is dealing with the loss of Bonnie (Kat Graham) in a self-destructive way.
Alaric (Matt Davis), who is struggling to adjust to his new life as a vampire, finds himself in an awkward situation when he meets Jo (guest star Jodi Lyn O’Keefe), a beautiful doctor at the university hospital.
Lastly, while everyone believes Stefan is off tracking a lead to get Damon and Bonnie back, Elena is shocked when she learns the truth of what he has really been up to. Jeffrey Hunt directed the episode written by Caroline Dries.
The post The CW Unveils The Vampire Diaries Season 6 Key Art and First Clip from Episode 6.01 – I’ll Remember appeared first on Dread Central.
Were you as bummed as I was that you only got to see Godzilla in Legendary’s Godzilla for just over 11 minutes?!? Well now, thanks to Sideshow Collectibles, you could take the big guy home in grand fashion!
Below you’ll get a look at their 24″ Godzilla Maquette, which is nothing short of stunning. The figure stands ominously upon a highly detailed base featuring destroyed rubble.The only thing? The price tag is as always high, but you get what you pay for, ya know!
This bad boy will run you $799.99, but thankfully you can pay in installments. Go ahead. Drool. It’s okay. We’re right there with ya.
The dead are back for life this October.
Lionsgate just send us another two new images from Jessabelle, their new haunter from Saw VI director Kevin Greutert.
In the film that opens in theaters and on various VOD platforms November 7, “Returning to her childhood home in Louisiana to recuperate from a horrific car accident, Jessabelle (Sarah Snook) comes face to face with a long-tormented spirit that has been seeking her return — and has no intention of letting her escape.”
Sarah Snook, Mark Webber, Joelle Carter, Ana De La Reguera and Amber Stevens star.
We told you Paramount Pictures had fast-tracked the next Paranormal Activity, and it has been confirmed this Wednesday afternoon.
Now titled Paranormal Activity: The Ghost Dimension, the sixth film in the franchise will release on March 13, 2015, filling in a slot left vacant by Paramount’s horror comedy Scouts Vs. Zombies. Right now, Greg Plotkin is working at lightning speed from a screenplay by Jason Pagan and Andrew Stark.
In regards to Scouts Vs. Zombies, directed by directed by Paranormal Activity: The Marked Ones‘ Christopher Landon, it has moved February 20, 2014.
Tye Sheridan (Dark Places), Logan Miller (Night Moves), and newcomer Joey Morgan are three scouts who, on the eve of their last camp out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak. Rounding out the cast is Sarah Dumont (Don Jon) as Denise, David Koechner (Anchorman, Cheap Thrills) as Scout Leader Rogers, Cloris Leachman (The Last Picture Show) as Ms. Fielder, Halston Sage (Neighbors) as Kendall, and Patrick Schwarzenegger (Stuck In Love) as Jeff.
Playing as part of this year’s Fantastic Fest in Austin, Texas, is The Stranger, a new film produced by Eli Roth and Nicolás López (Aftershock). Directed by Guillermo Amoedo, the flick star Luis Gnecco, Lorenza Izzo, Ariel Levy, and Aaron Burns.
Check out the first look below courtesy of Latino Review.
Guillermo Amoedo shows a deft ability to turn a bloodthirsty monster movie on its head into a slow-burn, character-driven film. THE STRANGER takes its time, building the tension through occasional flashbacks and having the audience sympathize with Peter, who grew up not knowing his father. Peter, like the audience, is kept largely in the dark about his father’s motives or even what he is… because he’s certainly not human. What is apparent is the chaos his dad’s return has on the small town, especially a member of the police force and his violence-prone son.
THE STRANGER is ultimately about family, the legacy we pass on to our children and the lengths we go to protect and ensure their survival, no matter how dark and deadly they might become.
The post Trailer and Poster for Eli Roth-Produced The Stranger appeared first on Dread Central.
Christos Gage and Nicholas Brendon assemble a hilariously scripted issue of “Buffy the Vampire Slayer: Season 10”, that’s thoroughly engaging and authentically crafted; with great interior artwork from Rebekah Isaacs to boot.
WRITTEN BY: Christos Gage, Nicholas Brendon
ART BY: Rebekah Isaacs
PUBLISHER: Dark Horse Comics
RELEASE: September 17, 2014
Reviewed By: ShadowJayd
After exorcizing a haunted apartment building at the behest of a desperate landlady in exchange for cheap rent, the gang begins settling into their new digs, whilst slowly, but surely, making progress with the VAMPYR book. It’s a responsibility that mustn’t be taken lightly, as any proposed addition to the book could potentially yield disastrous results for their world, and many power-hungry beings would love to get their hands on it. With that in mind, Willow starts to secure their apartments with protective spells, and suggests that new roommates, Xander and Spike, take care of the book until her shared apartment with Buffy and Dawn is locked down. What follows is a fabulous lesson in comedic storytelling and pop culture references from Gage and Brendon, as the boys bicker and bond over tempting fate in the name of love.
It’s really a treat to see such spot-on representations of Whedon’s characters brought to life through Gage and Brendon’s ability to effectively capture their subjects’ voices; although Spike is not without his awkward colloquial faults at times. The light tone, and back-and-forth between characters feels familiar; like home. And that’s not an easy feat to achieve when writing for a hugely popular franchise. Though to expect anything less from these two writers would be silly given the success of their previous collaborative work. The quick wit of both authors feed off each other to the inclusion of more amusing moments between Xander and Spike, of which there is no shortage in this issue. Seriously, there’s enough Spander fan-service for your spank bank to last until the next apocalypse, and it is magnificent.
We were unquestionably critical of Karl Moline and Cliff Richards’ artistic contributions last month, and while it isn’t particularly fair, it’s hard not to compare and contrast all the artwork the series has produced thus far. It’s very easy to pick favourites considering how seamlessly some artists manage to glide into our affections; while others sometimes put us off. And although it’s only a matter of personal taste and potential bias speaking, “I Wish” Part Two is a massive step-up from the last installment thanks to Rebekah Isaacs triumphant return on pencils. From panel to panel, her interior pages are consistently top shelf, and her knack for nailing Buffyverse character likeness is unparalleled. Dan Jackson is along for the ride to add his special touch of colour to her illustrations, effectively enhancing her artwork, and bringing out the best of her creativity; especially where those supernatural Sirens are concerned.
Overall, “Buffy the Vampire Slayer: Season 10” #7 is a hilariously scripted and wonderfully drawn issue. It concludes with a significant nod to James Marsters’ “Spike: Into The Light”, which will ultimately reignite debates about canonical timelines and exasperate Spuffy shippers. The fandom will no doubt be buzzing with speculation, in anticipation for next month’s release.
ShadowJayd, known everywhere else as Farah Jayden Hakkak, began writing for Bloody-Disgusting in July 2012. You can find her on Twitter, or praising legendary comic book artists in her art column, Visions of Horror.
“Sirens” from George Perez with BOOM! Studios, certainly plays to their strengths. The colors are vivid, the character designs appealing, the protagonists mostly complex, strong, and female. However, it also jumps all over the known universe through time and mythology, completely unpredictably. If that sounds like a fun romp, I’m sorry, because while I find the concept delightful, in practice it’s a little confusing and off-putting. Any first issue of a serialized narrative has a lot to contend with, and chief among those is the challenge of introducing a fully fleshed out universe concisely so that the story can move on. In Sirens, this aspect of the storytelling feels rushed, jumbled, and hard to follow.
WRITTEN BY: George Perez
ART BY: George Perez
PUBLISHER: BOOM! Studios
RELEASE: September 17, 2014
Reviewed By: Katy Rex
Using a technique common in team comics, the issue starts with each team member in a different time/space, and follows some small slice of her life as she begins to encounter the/a Big Bad. And in many cases, this setup requires the audience to be patient and trust that it will make sense—and it is then the job of the story to reassure the audience that their trust is well-placed. In “Sirens,” every time something starts to make sense, the reality seems to shift just a little, so your assumptions are wrong and any understanding you had is gone. This doesn’t keep the reader on their toes, or introduce a charming lack of predictability, or create an aura of uncertainty in a way that is fun and eerie. It’s just confusing and convoluted.
The narrative starts by following an adventuring woman who is seeking (and who discovers) a dragon, with whom she can communicate. Then they’re in space, and then they’re in the old west, but the characters are different? Like I said, hard to follow.
I’m inclined to give this story more than one issue to make up my mind. I want it to be good. I love stories that are populated, largely, by strong and interesting female characters. I love the fusion of sci-fi and fantasy, I love the things-are-more-than-what-they-seem vibe. It’s a really pretty book with a really interesting premise. I’m hoping, with very little reason to hope, that this is just suffering from first-issue-itis, that next issue they’ll solve all the jumping around because the characters will be together, that next issue there will be enough of the universe established that the constantly establishing reality won’t be quite so jarring.
There’s a pretty good chance that issue #2 of “Sirens” could make issue #1 less confusing, less convoluted, less confounding. The problems I see with this issue aren’t unresolvable. But unless it starts taking those steps, this is not a comic I would recommend. If you’re thinking of picking it up, wait. Issue #2 comes out November 19th, and hopefully that’s when it starts to get good.
—Katy Rex writes comics analysis at endoftheuniversecomics.com, comicsbulletin.com, and bloody-disgusting.com. She also writes scholarly articles for various academic journals. She really likes butt jokes, dinosaurs, and killing psychos and midgets in Borderlands 2. She has a great sense of humor if you’re not an asshole. Twitter: @eotucomics Tumblr: katy-rex.tumblr.com Instagram: @katy_rex Email: firstname.lastname@example.org
Steve Orlando is having a banner year. His first creator owned series “Undertow” just recently wrapped and is releasing it’s first trade today. He’s recently put together some of his earlier stories for a new iPad app called Farrago Comics, one about Russian Pop Culture sex gods, and another offering a culinary spin on The Cronicles of Narnia. Apart from that, Orlando is about to have a story featured in Vertigo’s new ambitious quarterly anthology “CMYK: Yellow.”
And we’ve got an exclusive first look for you here today. So catch this candid chat with one of the best dudes in comics. We talk a lot about inspiration and the sorts of stories Orlando always finds himself telling.
Bloody-Disgusting: How did you get approached to do Vertigo CMYK Anthology, and what was it like being part of yellow?
Steve Orlando: This isn’t the first time I did an anthology. My mystery in space book was comprised of four pitches, and they picked the strangest one. It was about centaurs going through puberty doing hallucinogenic drugs. They would engage in a gladiatorial battle where their human self would battle their horse self. This was to decide what type of person they are.
When CMYK came around, which is the most intimidating anthology they’ve ever done. The concept is super vague. Which is liberating, intimidating and ominous at the same time. You’re out to sea on how yellow inspires you. You can do anything. So my story involves cow urine. It’s based on a folktale that involves force feeding cows mango seeds they’d eventually be malnourished until they die. But before then they would pee this glorious mango pee and you would take that and dry it off and make yellow.
I thought that was super disgusting and totally strange. I sent the email, and they approved it. I guess that’s my career now, and what they expect from me. They were very excited about doing something even stranger and potentially more revolting than my horse people story. The crazy thing was that I spent more time on these eight pages than anything else I’ve ever written. We found an amazing artist with an incredible sense of style, and it’s really exciting.
Bloody-Disgusting: Are you planning on working with Vertigo any further?
SO: I would definitely like to. Vertigo is the Pixar of comics. You’re always working the whole team. They bounce things off of one another and there is all this talk of evil sorcerer editors in comics but working with Will and Greg is a dream. They keep your story driven, and without them I’d just fly off the handle. The door is always open, and nothing is ever too strange to talk about.
Bloody-Disgusting: Tell me about your recent partnership with a new iPad app Farrago Comics? People need to know more about Russian Pop Culture Sex Gods?
SO: The app will be making the transition to android, and iPhones. The two books on there are things I’m really proud of. The first Octobriana I wrote in 2008. I was fledging kid going to conventions. I was urged to write about Russia. I was writing my thesis on this man that was right out of Grant Morrison’s playbook. It was this character created by an underground society called the people’s progressive pornography. During the Soviet period it was illegal to show any female nudity, in any way but maternal. You couldn’t show a breast unless it had a suckling child. It was super restrictive. And so these people were making porn as a form of social outreach. They used this women character Octobriana to inspire people, and made material to pass around to educate and liberate using her likeness.
Turned out that the man who “created” her was completely full of shit. He stole this character from a Czech artist; he lifted and totally plagiarized this guy. But at the time the cat was out of the bag and the character became what he wanted anyway. He appears everywhere, his creation was more powerful than him.
My version of all this, is this post modern type of God, trekking across this weird version of Russia. She was exploring in a pulpy way the weird folklore of Russia. I connected her to other Russian folklore. She has an ongoing love affair with Anubis. Central and almost all horror literature is the connection of sex and death. Her perfect lover was an ancient God who was seen as an outsider as well. She’s an outsider because she’s a god made by pagan. She’s trying to find her place and earn her place during the book.
At the start of the book you have this man made God of sex trekking across Russia for a final showdown with in many ways her exact opposite. With incredible art by Chaz Truog, he was the best artist for the story. God love him, I even made him make a Grant Morrison sigil for the book, and he did it.
Farrago is the best format for the story because it’s free, and the ideals of Octobriana are all about sharing and receiving for free. Having it out there so people can consume it without giving anything back is the perfect ideological way I wanted to share this story.
Bloody-Disgusting: Tell me a little bit about “Kevin and the Kitchen Witch” on Farrago?
SO: It was the first thing I financed on my own and something that I did so I’d have something my parents and little cousins could read. In many ways it’s one of my favorite things I’ve ever done. It’s an all ages book, it’s hard for me to removing swearing and breasts from my scripts that I did it.
This doll my mother used to leave in our kitchen to give her good luck and help prevent her from making mistakes inspires the story. It’s got really cool art by Heather Brekham and Olivia Pelays. It’s always a pleasure for me to sit down and read this. It’s basically Chronicles of Narnia in a kitchen. It’s about this little boy, Kevin who sneaks into his father’s kitchen the night before a restaurant is to open. He’s sucked into this fantasy world within the kitchen. The different parts of the professional kitchen become the geography of this world. So the actual part of the map and the landscape is based on where similar items would be located in the kitchen.
He’s got to locate the Kitchen Witch who’s the guardian of this world and the protector of their kitchen. He’s in this race against time, because someone has hired these gremlins to sabotage the restaurant opening.
It has crazy fantasy visuals and honest anime energy. It’s just fun. It’s really bright and will pop on the iPad. This is so unlike anything I’ve ever done before.
Bloody-Disgusting: What can you tell me about the new content in “Undertow Volume One: The Boatman’s Call?”
SO: The “Undertow” collection has a ton of new content. Well over an issue’s worth of new stuff. Much like the variants covers. There are new pinups from artist’s we’ve tracked down. There are also new stories. There is a story about the social relationships and social justice from Lela Del Duca from “Shutter” and drawn by Toni Grigori it explores polyamory in Atlantis.
My reach out for “Undertow” backup stories was much like the reach out for CMYK. I just wanted to see stories in my world, where everything is fair game. We used this strange weird people to talk about things that are going on with us.
Then we have a story from Blair Butler who’s working with a mutual friend TJ Kirsch for a really fun adventure on land, an early explorer who maybe didn’t make it back. We have a two page story with Kingu’s past from Yaroslav who did our stinger scene at the end of the series.
A lot of the backing material is great because it’s not super narrative driven. It’s beautiful touches or elaborations on themes from the miniseries. They are not things that I directed, but just things that people wanted to explore.
Having people write in a world I created was really weird, but it was the most surreal experience about this. When you create comics you sit in your house, you don’t really see other people who make them. The fact that real people have read the book and have opinions about it is still really strange.
Bloody-Disgusting: What’s next for “Undertow?”
SO: There is a plan. But there is nothing to announce yet. Artyom and I have sat down to discuss where we want to go. We’ll definitely have more coming out, but we might take a break, or we might get right into it. But, we’ll definitely be back. It’s all about keeping it fresh, and keeping it interesting.
At this point the conversation devolves into a talk about Bucky o’ Hare action figures, and the Toxic Crusaders cartoon. Seriously a fucking Troma character known for killing a man by shoving his head into a milkshake machine became a environmental hero. Here, what the hell, check it out. This is for you, Steve.
It was announced out of left field that both Eli Roth (Hostel, Cabin fever, The Green Inferno) and Nicolás López (Aftershock) produced a new indie horror that’s set to premiere this Friday at the Fantastic Fest film festival in Austin, Texas.
Our friends at Latino-Review have the first trailer, image, poster and details for Guillermo Amoedo’s The Stranger, which stars Luis Gnecco, Lorenza Izzo, Ariel Levy, and Aaron Burns.
Amoedo shows a deft ability to turn a bloodthirsty monster movie on its head, into a slow-burn, character-driven film. THE STRANGER takes its time, building the tension through occasional flashbacks and having the audience sympathize with Peter, who grew up not knowing his father. Peter, like the audience, is kept largely in the dark about his father’s motives or even what he is… because he’s certainly not human. What is apparent is the chaos his dad’s return has on the small town, especially a member of the police force and his violence-prone son.
THE STRANGER is ultimately about family, the legacy we pass on to our children and the lengths we go to protect and ensure their survival, no matter how dark and deadly they might become. (James Shapiro)
Tusk (read our review) is not for everyone. Kevin Smith’s newest flick is, first and foremost, meant for Kevin Smith fans. If you didn’t like Clerks or Mallrats, Tusk is not for you. (Don’t worry; no one liked Dogma.) I love Kevin Smith, and I love bizarre flicks, so I had a blast with Tusk.
In Tusk, Justin Long plays Wallace, a mean-spirited podcaster who travels to Canada to interview the unwitting star of a viral video. He gets there and discovers the kid is dead, so he has no story. While taking a depressed piss in a bar, he discovers an unusually verbose advert from a man looking for a lodger. The lodger will pay no rent, but must run errands for the enfeebled man, who promises many wonderful tales from his life. Wallace decides to pay this man, Howard Howe (played by Michael Parks), a visit. If you have spent any time on the internet in the last year, you know what is coming. Howe wants to recreate a special relationship he once had with a walrus, so he drugs Wallace and sews him into his homemade walrus suit, made out of the skin of murdered humans.
“I was always kind of worried the hardcore genre crowd would be like, ‘This isn’t a horror movie!’” explains writer/director Kevin Smith. “They did that on Red State, and they were right. I called it a horror movie because to me, that was horrifying. I can’t technically call Tusk a horror movie, although it plays like a scary movie. To me, it’s a monster movie.” He admits that, technically, he would consider it “body horror” like The Human Centipede, which was something of an inspiration for this movie, despite the fact that Smith has never seen it. “My wife is like, ‘Never in this house, motherfucker.’
“The notion of [The Human Centipede] rocked my fucking world. I was like, you can do that now?? Tom Six was brave enough to make something so fucked up that, even in one sentence, I feel like I’ve seen it. That was inspiration,” Smith admits. He also names Frankenstein and Dr. Moreau as inspiration, but concedes that “American Werewolf in London is probably where I stole from the most. That was the movie that, when I was nine years old, was utterly horrifying. The dream sequence where the SS wolves come in and cut their fucking throats, but then, in the very next scene, they make you laugh. For Tusk, I wanted to honor that model and show [the audience] something fucking weird, then make them laugh like they are in a completely different film.”
Appearing in a film about a man whose greatest wish is to turn another human into a walrus seems like a risky career move to me. It wasn’t an easy decision for the cast. “My agents definitely didn’t want me to do it,” confides Justin Long, something which Smith found “really charming.” “I was intrigued by the prospect of getting to do those scenes with Michael, and by the challenge of that completed transformation,” continues Long. “I needed to challenge myself. It was scary – it wasn’t like a no-brainer, but I knew I was going to do it because I was a big fan of Kevin’s. It was because of my fear [of the role] that I had to do it.” Haley Joel Osment, who plays Teddy, Wallace’s podcasting partner, was less fearful of his role. “Part of me felt kind of safe because I’m not in the walrus costume. We gave Justin a lot of grief: we get to run around with guns and Johnny Depp, he gets tortured a lot.” Unsurprisingly, Smith didn’t face a lot of resistance on his end. “Everyone in my world was like, ‘Oh, he’s showing an interest in movies again. Ssh, let him do it.’”
Tusk opens in theaters September 19th.
Tell me if you’ve heard this one before: Ernest Hemingway, a guy named Jude and a bull dog walk into a cave…I don’t think anyone can ever claim to have thought of what goes down in “The Life After” #3 except for the brilliant creators behind it. This is downright unbridled imagination at its best.
WRITTEN BY: Joshua Hale Fialkov
ART and COLORING BY: Gabo
PUBLISHER: Oni Press, Inc.
RELEASE: 17 September 2014
Reviewed by: Your Friendly Neighborhood Brady
“The complete history of creation in three pages!” promised by Writer Joshua Hale Fialkov at the end of last issue is not what anyone would expect. There’s still grandeur to the birth of everything. There are also some humbling human revelations as to how pillars of our society came about. The reality of how reality works is brought to the forefront here and it’s not as grandiose as other creation stories have made it out to be. I think that’s what makes this story work so well. Fialkov has somehow merged two worlds together: the mundane running of a company and the reality of how the afterlife operates. It’s fascinating reading to say the least.
The art’s none too shabby either for a book about suicides and purgatory and angels and demons. Artist Gabo has enough creative designs going so far that readers can be diverted from the real powerful moments when they happen in the story. Angels are not as comforting as you’d think. Heaven and Hell aren’t as majestic or as scary as some imagine. All that and the infinite number buried to suffer for eternity. There is some heavy stuff going on here and its gripping visuals help propel things ever forward.
It’s only been three issues so far of The Life After and I know there’s so much more to see. Fialkov and Gabo seem to be on track to give us just enough to intrigue readers for what is happening and what is come. All of this plus monthly doses of Hemingway for good measure! I know Fialkov has dabbled in mainstream work for both Marvel and DC. I’m curious how he’s done working for such big publishers. I will definitely start hunting his other stuff down now that I know what he’s capable of unrestricted.