AMC has now released the promo and images for next week’s “The Walking Dead,” Episode 4.03, “Isolation.”
Airing October 27, “A group leaves the prison to search for supplies; the remaining members of the group deal with recent losses.“.
In addition, we have a few behind-the-scenes looks at tonight’s episode, “Infected,” as well as the most talked about scene.
What are your thoughts after two episodes, is it living up to your expectations?
In tonight's episode, the story continues after the two revelations from last week's episode involving Phineas and rat sushi, separately. Episode 4.02, "Infected," was written by Angela Kang and directed by Guy Ferland.
SPOILER ALERT: Do not read any further if you haven’t watched the episode yet. This is a recap with specific details from this episode. Continue only if you have already watched it.
This episode started like how it ended last week. The walkers at the fence were being teased and fed a live rat by a mysterious person with a flashlight hiding their identity.
It's still nighttime, and Tyreese and Karen tried to have an intimate moment together but they were both still distracted by Zach's death the day before. These people were no longer acquaintances, Tyreese thought out loud, as they might be the only people left. Karen was very understanding even when Tyreese started to sing. They shared a kiss before she went off to bed.
Alone in the communal bathroom with only a flashlight, Karen was startled by a noise and started to investigate. Not finding anything, she chalked it up to her imagination and calmly walked out of the bathroom. In the dark, a figure that we all knew was the fallen Patrick rose up hissing.
Karen made it back to her cell and went to bed while walker Patrick followed her from the bathroom. Passing by Karen's cell, walker Patrick stumbled into another cell and started feasting on its sleeping inhabitant, biting into his throat and preventing him from screaming out loud.
Title sequence plays.
When we came back, walker Patrick was having a field day rummaging through his victim's guts.
Somewhere else in the prison, Rick was tending to Judith when the 6am alarm rang to wake Carl. Beth came to take Judith.
Walker Patrick was done with his feast and strolled out of the cell when his victim turned, got up and followed.
Outside, Glenn kept watch at the tower with Maggie sleeping next to him. They shared a light moment with a Polaroid camera as they were ready to change shift. Glenn volunteered to bring back breakfast. Rick and Carl walked Michonne out to the gate and then they tended to their farm duties. When Carl wanted to join the walker trimming crew, Rick had other farming plans for Carl instead. Carl even tried to ask for his gun back but before Rick could change the subject, the boom rang out.
Rick ordered Carl up the tower with Maggie and ran towards the prison. The other fighters rushed out following their plan. Michonne turned and raced back on her horse. Carl tried to open the gate for her on his own but Michonne got stuck in the holding area. She had to fight off two wandering walkers on her own before Maggie could help open the gate. Carl dispatched one walker while Michonne got the other one, but not before hurting herself. Helping Michonne inside, Maggie noticed the walkers were congregating at the fence.
Inside, there was chaos during evacuation and walker fighting. Daryl even saved a little boy while taking out a walker with his crossbow. When a man was bitten on his arm, Carol ushered him into a cell and started to amputate his arm but found another bite on his neck.
When we came back from commercial, the group surveyed their losses and began to clean out the dead a second time.
The bit man knew he was done for and Carol sat with him waiting for him to turn.
Examining the walker they found who happened to lock himself inside a cell due to sleepwalking, a medical guy suggested it was a flu strain that kill the sleepwalker. Everyone there has been exposed.
The little girls came to say goodbye to their father, the bit man. When Carol needed to finish him off, the elder sister wanted to do it but couldn't. So Carol had to finish with the girls in the room with her.
Michonne, Maggie and Carl got caught up by Rick, who directed them elsewhere to prevent further exposure.
The council (Carol, Daryl, Sasha, Glenn and Hershell) discussed their next steps, when they heard Karen coughing. They had to separate Karen and others who exhibited symptoms.
The girls were still in shock over losing their father when Carol came up to them. Their father told her to take care of the girls, and instead of consoling them, Carol told the elder sister she was weak. Whoa, from mousy battered wife to survivalist, Carol sure had evolved. The younger sister calmly came to her sister's defense too.
Burying the dead, Daryl thank Rick for fighting the walkers even though Rick had stepped away. When they needed him, he was always there. Their bonding got interrupted when a gaggle of walkers started pushing at one section of the fence and they all rushed over to trim to herd.
When tending to the injured Michonne, Beth also schooled Michonne on being a part of the family, especially when Michonne thought that Maggie and Carl shouldn't have come out for her. Beth even asked if Michonne had any children and Michonne's reaction to Judith's cries may be a precursor to us learning more about Michonne soon.
Back at the herd trimming at the fence, Sasha found the dead rats that were fed to the walkers, right before the fence started to topple.
Damn commercial break!
When we came back, the herd was still pushing at the fence. The group had to try another method.
Inside, Carol asked Carl if he told Rick about her teaching the children about knives. When Carl asked if she told their parents, Carol didn't want to take the risk that they won't understand. Carol specifically asked Carl to not tell Rick.
The next bit with Michonne and baby Judith is both touching and revealing. Holding the baby, Michonne wept.
Outside, Daryl and Rick led the herd away from the fence by feeding them the sick pigs that Rick had been farming all this time, while the others started fixing the damaged fence. Rick had to sacrifice his farming fantasy life in light of what's happening. This allegory is so not subtle! Don't you agree?
Carol continued to school the two girls on life and walkers. They had to learn the difference between humans dying and walkers dying.
Breaking down the pig pen, Carl confessed to Rick about Carol's education and Carl urged Rick to let her continue. Rick agreed and handed Carl the gun he asked for earlier. Rick also holstered his own gun. Burning his pig-blood soaked shirt, the allegory was completed as he looked back at the walker herd at the fence.
Visiting Karen with some flowers, Tyreese found her cell empty with bloodstains leading outside. Opening the door, Tyreese came upon two burnt bodies next to gasoline cans. We see Karen's bracelet on one of the bodies.
Despite that one obvious storytelling cue, this episode portrayed a sense of dread (ha!) well and moved the story forward. Thoughts, comments, feedback? Tell us in the comments section below.
Our 13 Days of Horror continues with a playthrough of the free horror game 1916 – Der Unbekannte Krieg. If you’re unfamiliar with it, all you really need to know is it has cyborg, man-eating Velociraptors. I have no idea what’s going on here, but I like it. Watch me try and play it — I don’t last long — after the jump!
If you’d rather play the game yourself, you can get it here.
Previously on The 13 Days of Horror…
Day 1: John Carpenter Would Approve Of This Free Halloween Game
Sitges 2013 Award Winners Include Borgman, Big Bad Wolves, Escape from Tomorrow, The Colony, 100 Bloody Acres, and Many More
The 2013 Sitges International Fantastic Film Fest wrapped up this weekend with an awards ceremony, and the winners list is overflowing with horror films you should be keeping on your radar.
From the Press Release:
Borgman, by Alex van Warmerdam, was the winning film at the 46th Sitges International Fantastic Film Festival of Catalonia, which awarded prizes to many diverse productions. The award for best direction went to Navot Papushado and Aharon Keshales for the film Big Bad Wolves and for best cinematography to Larry Smith for Only God Forgives. The award for best actress went to Juno Temple for Magic Magic and for best actor to Andy Lau for Blind Detective. The award for best screenplay went to James Ward Byrkit for Coherence and for distinguished special effects to Afflicted, by Cliff Prowse and Derek Lee.
In addition, Only Lovers Left Alive by Jim Jarmusch received the special jury award, and Jodorowsky’s Dune, by Frank Pavich, a special mention. Moreover, the audience gave its award to the non fiction film Jodorowsky’s Dune by Frank Pavich, and the critics gave theirs to The Congress, by Ari Folman, and, as best new director, to Shane Carruth for Upstream Color.
Specifically, the jury of the In Competition Official Fantàstic Selection at the 46th Sitges – International Fantastic Film of Catalonia–comprised of Fede Álvarez, Aina Clotet, Christian Hallman, Marcelo Panozzo and Miguel Ángel Vivas– has decided on the following awards:
For best in competition fantastic feature film: Borgman, by Alex van Warmerdam
For best director (sponsored by Gas Natural Fenosa): Navot Papushado and Aharon Keshales for Big Bad Wolves
For best actress (sponsored by Autolica – Mercedes Benz): Juno Temple, for Magic Magic
For best actor: Andy Lau, for Blind Detective
For best screenplay: James Ward Byrkit, for Coherence
For best special effects: Afflicted, by Cliff Prowse and Derek Lee
For best cinematography: Larry Smith for Only God Forgives
Special jury award: Only Lovers Left Alive, by Jim Jarmusch
Special jury mention: Jodorowsky’s Dune, by Frank Pavich
Special music score mention: Hain Frank Lifman, for Big Bad Wolves
For best in competition short film from the In Competition Official Fantàstic Selection (sponsored by Fotogramas): The Landing, by Josh Tanner
The Official Fantàstic Selection’s Grand El Periódico de Catalunya – Audience Award at the 46th Sitges – International Fantastic Film of Catalonia, chosen via the audience’s vote, goes to:
Jodorowsky’s Dune, by Frank Pavich
The Critic’s jury at the 46th Sitges – International Fantastic Film of Catalonia –comprised of Marta Armengou, Alejandro G. Calvo and Gerard Alonso Cassadó– has decided on the following awards:
José Luis Guarner Award: The Congress, by Ari Folman
Citizen Kane Award for best new director: Upstream Color, by Shane Carruth
The jury of the Noves Visions Category at the 46th Sitges – International Fantastic Film of Catalonia –comprised of Javier Chillon, Alfons Gorina and Stephanie Zacharek– has decided on the following awards:
Noves Visions Award: Halley, by Sebastián Hofmann
No Ficció (Non Fiction) Award: Millius, by Zat Knutson and Joey Figueroa
Petit Format (Small Format) Award: Zoo, by Nikolas Pleskof
Special Jury Award: Gente en Sitios, by Juan Cavestany
The jury of the Noves Visions Emergents - Experimenta Category at the 46th Sitges – International Fantastic Film of Catalonia–comprised of Denise Castro, Víctor Esquirol and Sergi Vizcaíno– has decided on the following awards:
Noves Visions Experimenta Award: Capa caída, by Santiago Alvarado
Noves Visions Emergents Award: Escape from Tomorrow, by Randy Moore
The jury of the Focus Àsia – Anima’t Category at the 46th Sitges – International Fantastic Film of Catalonia–comprised of Xavier Catafal, Menene Grass and Cels Piñol– has decided on the following awards:
For best feature film in the Focus Àsia Category: New World, by Park Hoon-Jung
Special Mention in the Focus Àsia Category: Ugly, by Anurag Kashyap
For best animated feature film: The Fake, by Yeon Sang-Ho
Special mention in the Focus Àsia Category: Anime Mirai, by Kazuhide Tomonaga, Toshihisa Kalya, Shinpel Mlyashita and Hiroshi Kawamata
For best animated short film: Peau de chien, by Nicholas Jacket
The Méliès d’Argent jury at the 46th Sitges – International Fantastic Film of Catalonia –comprised of Fouad Challa, Miquel Fañanàs and Álvaro Iglesias– has decided on the following awards:
For best feature film in the In Competition Official Fantàstic European Selection (Méliès d’Argent): Enemy, by Denise Villeneuve
For best short film in the In Competition Official Fantàstic European Selection Méliès d’Argent): The Body, by Paul Davis
For best feature film in the In Competition Official Fantàstic Panorama Selection: The Colony, by Jeff Renfroe
Special Mention goes to a feature film from the In Competition Official Fantàstic Panorama Selection: Frankenstein’s Army, by Richard Raaphorst
The jury of the Brigadoon Category at the 46th Sitges – International Fantastic Film of Catalonia –comprised of Joan Lafulla, Sam and Susana Soldado– has decided to give the Brigadoon - Paul Naschy Award:
For best Brigadoon short film: El último onvre bibo, by Daniel Aguirre and Luna Martín
The Carnet Jove jury at the 46th Sitges – International Fantastic Film of Catalonia –comprised of Carles Carvajal (president), Vanessa Leiva, Victor Parkas and Marc Tortosa– has decided on the following awards:
Carnet Jove Jury Award for best In Competition Official Fantàstic Selection feature film at Sitges 46: Coherence, by James Ward Byrkit
Best feature film in the Midnight X-Treme Category: 100 Bloody Acres, by Colin Cairnes and Carmeron Cairnes
The jury of the Phonetastic Mobile Sitges Film Festival at the 46th Sitges – International Fantastic Film of Catalonia –comprised of Glòria Fernández, Mike Hostench and Diego López– has decided on the following awards:
Phonetastic Award for best short film shot entirely with a cell phone: The Other Side, by Conrad Mess
Phonetastic Special Mention for best short film shot entirely with a cell phone: Ecos, by Carlos J. Marín
Phonetastic Special Mention for best short film shot entirely with a cell phone: La boca del león, by Alfonso García López
The SGAE Nova Autoria jury at the 46th Sitges – International Fantastic Film of Catalonia –comprise of Lluís Arcarazo, Àlex Martínez Casanova and Mireia Ros– has decided on the following awards:
Best direction: Tànit Fernández and Isaac Rodríguez, for Espés, presented by the Pompeu Fabra University
Best screenplay: Eugenio Canevari, for Gorila baila, presented by Bande à Parte
Ex aequo best screenplay: Tànit Fernández, for Espés, presented by the Pompeu Fabra University
Best original music: Álvaro Lafuente, composer of the soundtrack for the short film Dinosaurio, presented by ESCAC
The headline pretty much says it all, doesn't it? Wanna know more? Of course you do! How could you not? Sit back, relax, and get the skinny on the biggest news of the whole damned week!
While at the Wizard World Nashville Comic Con, star Bruce told the audience, "The last one was twenty-two years ago. I just haven’t been racing to do it. Sam Raimi is just a little bit busy making the biggest movies in Hollywood. I used to be busy. Now I’m not. That’s why I’m here." He then joked, “Ash would have to stop occasionally from chasing some deadite to catch his breath. Maybe we could do that, I guess. That would be exciting. Fight in a walker. That would be all right. Hit them with my cane. Fake them out, have a fake heart attack, distract a zombie. I like it.”
So will Army of Darkness 2 happen? According to The Chin, who was addressing an eager fan in the crowd. “All right, sir, the answer is yes.”
So far "Supernatural" seems to be thriving in its new Tuesday night time slot, and a clip from this week's Episode 9.03, "I'm No Angel," popped up online today to remind us of the fact that Dean has never been a morning person.
"Supernatural" Episode 9.03 - "I'm No Angel" (airs 10/22/13, 9-10pm)
CASTIEL IS HUNTED BY THE ANGELS — Ezekiel tells Dean (Jensen Ackles) a group of angels is hunting Castiel (Misha Collins). Dean and Sam (Jared Padalecki) race to find their friend before the angels do.
Meanwhile, a homeless Castiel is trying to make his way through the city and comes across some unexpected surprises.
Kevin Hooks directed the episode written by Brad Buckner and Eugenie Ross-Leming.
Horror master Dario Argento (Suspiria, Deep Red) took the high-tech approach to Argento’s Dracula (formerly Dracula 3D), which he filmed in new 3D technology. I recently hopped on the phone with Argento to discuss the film, particularly his use of the 3D format. We also touch upon the that rich vibrant red he uses for his blood and what it’s like to work with his daughter, Asia Argento.
“Horror master Dario Argento returns with a bloody, luridly creepy 3D version of the classic vampire tale, drenched in gore and sex. An unsuspecting Englishman arrives in Transylvania, lured by a job with a local nobleman. But the undead Count Dracula’s real target is the man’s innocent young wife. Featuring the iconic Rutger Hauer as vampire hunter Van Helsing and the inimitable Asia Argento (the director’s own daughter) as a local all-too-eager to fall under the Count’s sway.” Thomas Kretschmann, Marta Gastini, Rutger Hauer, Asia Argento, Miguel Angel Silvestre, and Miriam Giovanelli all star.
Head below to check it out! Argento’s Dracula is now available both in select theaters and on cable and digital VOD. Just a note: we had a bad phone connection and Argento’s English isn’t perfect (though he was still a pleasure to speak with). I’ve transcribed this to the best of my ability.
When you decided to adapt Dracula did you see it as a unique opportunity to imprint your voice on it?
Yes, I had the idea to do an adaptation but I couldn’t find a good way to do it. But I liked the character and found him interesting. Then I saw the new technology for 3D which was very good, a new way to put the story onscreen. I thought it was a good way to put Dracula on the screen again.
How was it working in that format? It changes the way you frame your shots, correct?
Yes. It’s different. It’s a challenge. It’s important to do that. For the first time in my life I saw the difference from character to character. It has such great possibilities.
How did you come about casting Thomas Kretschmann as Dracula?
I’ve known him for a long time and when I knew the project was good, I called him. He was very enthusiastic. He’s European and close to the character. We have a good relationship, we are very good friends.
The blood in this film is that signature Argento red…
Red is important. The color of blood. Like Deep Red. It’s very important. It’s a moment of the films. Red and then black. I saw a DCP of Suspiria because for this film I wanted the color to be very strong.
What’s it like working with your daughter Asia? Do you find that it’s easier or more difficult than working with other actors?
I worked with her on five films. It’s a very good number. I work with her very well. She knows my deep love of film. My love of cinema. It’s good to work with her. This time I had her prepare for the character of Lucy, a very strong character. It’s a very important role.
Justin Aclin’s “S.H.O.O.T. First” #1 is an Angels vs. Demons vs. Atheists tale that articulates the author’s ideologies, which — for clarity’s sake — seem to be congruent with Star Trek creator, Gene Roddenberry’s, particular brand of secular humanism. This is demonstrated through his incorporation of viewpoints that are specific to the right of mankind to develop freely, the importance of utilizing science as a means for explaining the universe, as well as the risks of using religion as a tool of manipulation.
WRITTEN BY: Justin Aclin
ART BY: Nicolás Daniel Selma
PUBLISHER: Dark Horse Comics
RELEASE: October 16, 2013
Aclin presents an intriguing approach to atheism in comic books, in that the four-part miniseries follows a Secular Humanist Occult Obliteration Taskforce (S.H.O.O.T.), which defends humanity from the religiously mythologized supernatural creatures it doesn’t believe in. The weapons S.H.O.O.T. uses to kill these monsters are fuelled by psychic energy derived from their doubt and anger. On its surface it seems a bit bizarre considering the universe the team functions in, but the distinction lies in their stance on the nature of these creatures. While possessing a disbelief in ‘God’, they seem to accept that angels, demons, and other supernatural forces exist, but as ‘Outside Actors’ (dimension hoppers) that gain power from feeding off the devout and faithful. The problem is these Outside Actors are aware of the continued advancements in science, and are gearing up to stage a global apocalypse, a là end times, in order to ensure mankind’s belief in organized religion.
This book will not only focus on S.H.O.O.T.’s ongoing battle with these creatures, but on the emotional ups and downs of characters living life without faith. The first issue offers a very basic introduction to a fantastically diverse cast of monster fighters, led by an African American woman named Mrs. Brookstone, and a newly recruited Afghani man, who calls himself Infidel. The latter ironically finds himself in a state of disillusionment while praying in a mosque. In the process of rejecting God by way of alluding to multiple ‘Cynicism Catalysts’ and some other trauma tropes, things take a turn for the violent. Aclin, along with artist Nicolás Daniel Selma, draw upon Islamic mythology to produce their interpretation of evil, fiery jinn (genies), wreaking havoc in the mosque and feasting on believers. Infidel is caught in the conflict when S.H.O.O.T. arrives, and the narrative takes off from there.
Selma’s artwork for the series fits the story well. His creativity shines through his take on various supernatural creatures and certain characters. Most interesting of whom is Lord Byron, an aging British punk with a rainbow died mohawk, and Kenshin, the Japanese tech guru on the team. His monsters are exceptionally large and menacing, and are brought to life through Marlac’s scorching oranges and yellows. His detailed and clean line work in his illustration of the Vatican near the end of the issue is also worth mentioning.
While ‘The End of the World as We Know It’ trope is probably one of the most common aspects of Speculative Fiction, a full cast of ethnically diverse atheists is not. In fact, Aclin’s “S.H.O.O.T. First” might be the first of its kind. The first installment ends on an unexpected cliffhanger, but not before dropping a major plot twist on the readers to ensure their continued interest in Part 2.
Reviewed by – ShadowJayd
Somehow this great video slipped under our radar until now. However, now is the perfect time to be showing this anyways, so…lucky us! YouTube user JakeWoody has mashed up scenes from Disney/Pixar’s Toy Story with the opening credits music and stylistic themes of The Walking Dead.
It’s beautifully executed and works unbelievably well, so get on down to check it out!
Last month Evil Dead remake director Fede Alvarez told us that original trilogy director Sam Raimi was now focussed on making Army Of Darkness 2. Now it seems as though Bruce Campbell is confirming both his involvement and the fact that the movie will happen.
He told the crowd at Wizard World Nashville Comic Con, ““The last one was twenty-two years ago. I just haven’t been racing to do it. Sam Raimi is just a little bit busy making the biggest movies in Hollywood. I used to be busy. Now I’m not. That’s why I’m here. He then joked, “Ash would have to stop occasionally from chasing some deadite to catch his breath. Maybe we could do that, I guess. That would be exciting. Fight in a walker. That would be alright. Hit them with my cane. Fake them out, have a fake heart attack, distract a zombie. I like it.”
But the whole thing isn’t a lark. He ended up on a more serious note and apparently came clean, “Alright sir, the answer is yes.”
I’ll be the first one in line.
It’s October and it’s not only time for us to revisit the horror movies that we know and love but it’s also time for us to introduce our beloved genre to the children around us. One of the places that might be a good place to start is with Goosebumps, the ridiculously popular series from R.L. Stine, be it the books or the TV series. And if you go the latter route, then this video is perfect for you!
YouTube user Metalrr5 has taken the TV theme song (originally composed by Jack Lenz) and given it a serious metal edge, complete with a Ghostface mask. Check it out down below!
The horror classic, The 7th Guest, arrived on Steam last week. Released in 1993, this game had a huge impact on the games industry, thanks to its mature content and use of pre-rendered 3D graphics — two things that weren’t very common at the time — and it even helped push sales of CD-ROMs. Basically, what I’m saying is it was crazy influential and if you haven’t played it already, you now have one less reason not to get it.
If you’re interested in experiencing a bit of video game history, you can now grab The 7th Guest on Steam for $9.99. They also have a bundle, which also includes its sequel, The 11th Hour, for $5 more ($14.99).
Between Outlast, Doorways and Amnesia: A Machine for Pigs, September was a pretty great month to be a horror fan. I was worried October wouldn’t be able to stack up against it, but between How to Survive (Oct 23), Nazi Zombie Army 2 (Oct 31), Slender: The Arrival’s arrival on Steam and No More Room in Hell, this month may actually be better than the last.
No More Room in Hell supports up to eight players, multiple game modes and a few dozen weapons, and it’s completely free. If you’d like to learn more about it, you can follow the game on Steam Greenlight, but before you do that, I recommend checking out the new trailer I have waiting for you after the break.
Finnish symphonic metal band Nightwish has released a live performance video of “Storytime”, which comes from their last album Imaginaerum. Originally recorded with Anette Olzon, the live video features new vocalist Floor Jensen (Revamp) and the performance is taken from the band’s upcoming live DVD Showtime, Storytime, which comes out December 10th. The performance was recorded at the band’s 2013 show at the Wacken Open Air festival. Head on down to check it out!
Pre-order Showtime, Storytime on Amazon.
Welcome back to our fourth annual 13 Days of Horror series, where we celebrate all things scary because it’s October and that’s what the cool kids do. Every year I do something different, so this year won’t be like the previous three. For the next two weeks, I’ll be playing horror games — a new game every day. If thirteen days of me freaking out sounds fun, you’re going to love this.
If you’d rather play the game yourself, you can get it here.
I’ll admit that prior to this new trailer, I was having a little trouble getting excited for Eko Software’s upcoming zombie arcade game How to Survive. After watching this and seeing how deep the customization and survival systems are, it looks pretty great. State of Decay may have some competition, but we won’t know for sure until this hits Steam, PSN and XBLA on October 23rd. Trailer after the jump!
Rebellion’s follow-up to their cooperative zombie and monster shoot ‘em up will arrive this Halloween, exclusively on PC. If you didn’t play the first game, it’s actually quite a bit of fun, assuming you have some friends to play it with. The first time you get to watch a well-placed shot enter a zombie’s cranium in slow motion is particularly satisfying. I’m looking forward to more of that when Nazi Zombie Army 2 launches on Steam and Rebellion’s GameStore.
After the break I have a brand new trailer for you to enjoy. It shows off some of the game’s creepy new environments. They’re pretty now, but come Halloween, I’ll be painting their walls with the grey squishy brainstuffs of a thousand unsuspecting zombies.
You know a soon-to-be-married couple is going to do well when they share similar passions and interests AND they’re willing to show off that connection in an engagement photo shoot. Cute engaged couple Josh and Van had an engagement photo session scheduled with photographer Brandon Gray, who decided to spice up the shoot by setting the location at the worst possible campground known to horror fans: Camp Crystal Lake.
Now, as if you couldn’t guess it, things started off well and nice and then quickly devolved into a full on slaughter fest. Check out the beautiful, deceased couple below!
See the full gallery of images on Facebook!
Premium network EPIX gets special with the effects when it presents “All Hallows’ Evil” Halloween marathon, October 30-31. The evening features 9 demonic-plagued films, including the World Premiere of the EPIX Original Documentary “Nightmare Factory” at 8pm on October 30.
“Nightmare Factory”, is a 90-minute documentary about the acclaimed Oscar-winning Hollywood special effects house KNB, responsible for creating “The Walking Dead” zombies and the makeup effects for close to 1000 feature films!!
“Nightmare Factory”, directed by Donna Davies (Zombiemania), is the story of how one Pittsburgh boy’s fascination with monsters drove him to the very top of the Hollywood food chain. In 1989, Greg Nicotero, much to his parents’ chagrin, quit medical school and headed for Hollywood to pursue a dream of making monsters. Together with gore masters Howard Berger and Robert Kurtzman, Nicotero went on to create KNB EFX Group, one of the most prolific makeup effects studios in the world. After twenty years as the “go to guy” for the world’s most successful horror/sci-fi films, Greg Nicotero is the first one directors like Quentin Tarantino and Robert Rodriguez call.
WANT TO WIN A POSTER SIGNED BY BOTH GREG NICOTERO AND HOWARD BERGER?! We have (10) for you guys to enter to win. Here’s how: Put NIGHTMARE FACTORY in the subject line and then send your FULL NAME and ADDRESS to email@example.com. Winners chosen at random. No PO Boxes. U.S. only.
Those appearing in “Nightmare Factory” include George A. Romero, John Carpenter, John Landis, Tom Savini, Frank Darabont, Quentin Tarantino, Robert Rodriguez and “The Walking Dead’s” Norman Reedus and Laurie Holden.
Farah Al-Hakkak (ShadowJayd) and Lonnie Nadler (Lonmonster) are back to showcase more first-rate horror artwork from the finest artists the comics industry has to offer. This week, the Visions of Horror spotlight will be shining on Ghastly Award winner Riley Rossmo, and his critically acclaimed work on Kurtis J. Wiebe’s “Green Wake”. Specifically, Bloody-Disgusting will look at his wicked cover art for issue #2, as well as a particularly powerful page from issue #5. So, without further ado, kindly hit the jump to check his pieces out.
In 2006, Canadian artist Riley Rossmo broke into the comic book industry through AIT/Planet Lar, thanks to his collaborative work with Alex Grecian on “Seven Sons”. Together, they went on to create an ongoing series called “Proof”, which was published by Image Comics the following year. His subsequent — and notable — work with the aforementioned publishing company quickly helped him establish a name for himself, and even garnered Hollywood attention from Disney and Universal Studios. The latter is set to bring Rossmo and A.J. Lieberman’s “Cowboy Ninja Viking” series to life in a film adaptation directed by World War Z’s Marc Forster. How rad is that?
In 2011, Rossmo and Kurtis J. Wiebe’s psychological horror series “Green Wake” was released. Though the book flew under the radar, it received high critical praise, and the book — along with its creative team — received a number of well-deserved nominations and awards for their exceptional work. Wiebe was named Outstanding Comic Book Writer by the Joe Shuster Awards, and “Green Wake” won a 2011 Ghastly Award for ‘Best New Series’ alongside Rossmo, who was named ‘Best Artist’.
For those unfamiliar with the series, it’s a remarkable murder mystery story of loss and horror, set in the forgotten town of Green Wake. The residents deal with confusing memory lapses and can never leave; and it’s rife with insanely messed up — though incredibly significant — imagery involving grisly murders and gross monsters that just drip through Rossmo’s pencils and colours. Fitting the dark tone of the series perfectly, his surreal artwork is moody, gritty, dramatically evocative and strikingly atmospheric. His manically unique style is so distinguishably his that Rossmo’s confidence in his art shines through his frenetically loose presentation on paper. His jagged, unclean lines, while chaotic in nature, are purposefully illustrated and fit exceptionally well with Wiebe’s world.
The splash page from issue #5 (below) is one of the most memorable from the series, revealing all of the traumatic events of protagonist Morley Mack’s past in just two pages. “Green Wake” is one of those books that feels so intimate yet so vast at the same time, and this piece is testament to the amount of work, care, and creativity put into the series by both Rossmo and Wiebe.
The page depicts Morley’s dark history with his lover, from wedding to death, in a stunning arrangement. Rossmo guides the reader’s eye across an array of images, evoking feelings of dread, sorrow, and pleasure simultaneously. He seamlessly brings all these elements together with his signature sketchy line work and vibrant colors, making for one of the most memorable splash pages of the series. It’s a shame the book was cut short, as we only got a glimpse of the expansive nightmarish world that was Green Wake.
Rossmo donated this fantastic Batwoman & Swamp Thing piece to the Fourth Annual San Diego Comic-Con Autograph Card CBLDF/TFAW Auction. It’s not related to “Green Wake”, but we love it. So look at it.
Next up from Riley Rossmo is his book “Drumhellar”. The first issue drops in November 6th, 2013.
If you want Bloody Disgusting to cover one of your favourite horror artists, or a fantastic piece of horror-related comic book art, head down to the comment section, or hit up Farah or Lonnie on Twitter.