Scream Addicts Podcast #4 – Four-Color Frights: Walking Dead, Wytches, and the Wide World of Horror Comics
With this week gasping its last breath, the Scream Addicts have kicked back, invited a couple of fiends over, and decided to chat at length about a favorite pastime – reading horror comics.
Comic book gurus Seth Dixon and Lucas Harbolt sit down with your horror hosts to chat about their first exposure to comic book horrors, their experiences as comic shop clerks, and what scarybooks you absolutely must seek out at your nearest paper peddler. If it has panels, staples, and bloodshed – there’s a good chance it’ll get mentioned in this episode.
So get ready to welcome the weekend with the bloodiest, nerdiest possible talk you’re likely to find outside a comic shop under siege by a horde of flesh-eating zombies. Enjoy our newest episode – Four-Color Frights: Walking Dead, Wytches, and the Wide World of Horror Comics.
CLICK HERE for the podcast.
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There’s nothing we love more than a stacked release schedule, and as the summer comes to a close and Halloween season approaches, the horror releases are set to come our way hot and heavy. This weekend is particularly loaded, with four new titles now available for streaming!
First up is director Mickey Keating’s Pod (review), which comes recommended by our own Matt Boiselle. The film, arriving today via Vertical Entertainment, stars Lauren Ashley Carter, Dean Cates, Larry Fessenden, Brian Morvant, and John Weselcouch.
After receiving a troubling voicemail, estranged siblings Ed and Lyla travel to their isolated family lake house in Maine to hold an intervention on their increasingly paranoid, war veteran brother, Martin. But the situation rapidly spirals out of control when they discover the house completely ransacked and learn that Martin has constructed an elaborate and horrifying conspiracy theory surrounding a sinister entity that he believes he has trapped in the basement.
Up next is the Jason Eisener-produced Turbo Kid, a bloody blast of 80s awesome that we’ve been hotly anticipating for quite some time here on Dread. Directed by Anouk Whissell, François Simard, and Yoann-Karl Whissell, this one stars Laurence Leboeuf, Michael Ironside, and Munro Chambers.
In a post-apocalyptic future a young solitary scavenger obsessed with comic books must face his fears and become a reluctant hero when he meets a mysterious girl.
Danish filmmaker Jonas Alexander Arnby makes his feature debut with When Animals Dream (review), hitting Stateside theaters and VOD outlets today. The film is being described as Let the Right One In meets Carrie, and stars Sonia Suhl, Lars Mikkelsen, Sonja Richter, and Jakob Oftebro.
Marie is a beautiful and lonely 16-year-old who lives in an isolated village on a small island off the west coast of Denmark. Marie’s mother is seriously ill, suffering from an unknown disease – on medication, mentally absent, and tied to a wheelchair. Marie’s father, Thor, runs the small grocery store and tries to make life as normal as possible for the small family. On the surface, everything seems fine – and yet, Marie can’t help feeling that Thor is hiding something about her mother’s illness.
And finally, Craig Zobel’s Z for Zachariah is also available for instant streaming this weekend, in addition to hitting limited theaters. The post-apocalyptic thriller’s cast is pretty damn impressive, featuring Margot Robbie, Chris Pine, and Chiwetel Ejiofor.
In a post-apocalyptic world, a young woman who believes she is the last human on Earth meets a dying scientist searching for survivors. Their relationship becomes tenuous when another survivor appears. As the two men compete for the woman’s affection, their primal urges begin to reveal their true nature.
The post Today on VOD: Pod, Turbo Kid, When Animals Dream and Z for Zachariah appeared first on Dread Central.
The horror anthology Volumes of Blood (review) is gaining lots of buzz and right now we have a gory exclusive clip to get you guys all sticky!
P.J. Starks, HorrorHound and Scream Factory artist Nathan Thomas Milliner, Jakob Bilinski, Lee Vervoort, and horror author John Kenneth Muir direct. Jim O’Rear (Days of the Dead), pinup model Vixxxen Lucy Lynn, Roni Jonah (The Zombie Movie), Jason Crowe (Easter Casket), and many more star. Lynn Lowry (The Crazies and The Cat People) is executive producing.
Five tales of dread are interwoven when a sociology student gathers several of his friends at the local library on Halloween night to help him create a new urban legend with deadly consequences.
Lily is in for a late night of researching and needs something to keep her going. It isn’t until she’s approached by a mysterious stranger that her luck may change… for the worse. A typical night of work for a librarian becomes a classic ghost story with a modern twist.
Sometimes you can’t keep a bad book down; Sidney is allowed to stay after hours to study for a test. It’s not until she suddenly awakens in the darkened library that she realizes the horrifying truth of what lurks among the stacks of books after midnight. She better pray she doesn’t become the prey.
Paige faces regrets that she’d do anything to take back. When an ancient and arcane spell book literally falls into her lap, she decides to make a grave decision. Be careful what you wish for; it might just kill you.
The post Volumes of Blood – Exclusive Clip Pencils in the Gruesome! appeared first on Dread Central.
We caught up with director Christopher Landon last year, right around the time his horror hit Paranormal Activity: The Marked Ones was out in theaters. Rather than basking in the box-office afterglow, Landon was hard at work on the set of Scout’s Guide to the Zombie Apocalypse.
Intense night shoots, working with child actors, dealing with elaborate makeups, overseeing stunts involving fire, cars, and cats, blood soaked strippers, plus zombie hordes, hadn’t flagged Landon’s enthusiasm one bit, even deep into the shoot – here’s what he had to say about all those things, and more.
Dread Central: How much fun can you have with horror style when you’ve got to take into consideration the comedy too?
Christopher Landon: It’s pretty stylized but in a way that it’s funny. We keep saying that we’re actually making an 80s movie. I describe it as a gory R-rated version of The Goonies.
DC: Did your young cast even know what The Goonies is?
CL: It was required viewing when we started out, and there were a few other things that I wanted them to watch. I think it just has that kind of old school quality to it, only we have those zombie strippers and stretched out old zombie dicks and all sorts of [crazy stuff].
DC: How did you come on board to direct this?
CL: I read the script and I automatically fell in love with the characters. What I loved about the movie so much was that even though it’s this big type of zombie epic, ultimately it’s really about friendship. It’s about these three guys who over the course of one night found out why their friendship means so much to them. Every movie that I write or work on, the characters always come first and if there isn’t some sort of relatable emotional story to connect with I’m not interested. I think good horror and good comedy works when you have characters that you care about, and so that’s what hooked me. Then for me it was just about the gore, because the older version of the script was really fun but they were trying to go PG-13 and it never going to happen. I’m a big horror fan and when I see a zombie movie I want to gore, I want to see guts and all that stuff because it’s fun. That was a big part of the challenge rewriting the script for me, it was just really like concentrating on aging it up that way, of sort of ramping up the set pieces because the other thing that I wanted to do when I read the script was, I wanted to make it an action movie. Now it’s a full-blown action movie; there is this wall to wall set piece, and they’re really fun.
DC: Should the genre fiends be looking for any type of Easter eggs as homages to other zombie movies?
CL: You know, it’s funny: I have one really fun Easter egg in the movie because John Carpenter is one of my heroes and there is a John Carpenter Easter egg in the movie. We talked about cameos and we talked about how do we invite a ton of different people to be in the movie, but a part of me was like, ‘No.’ I just wanted it to be its own thing because as much as I love a good cameo, it still takes you out of the movie no matter what; you stop and you go ‘Oh, there’s so and so’ and then you go back into the movie and I didn’t want that to happen.
DC: Can you talk about your decision to go primarily practical with the effects verses CG?
CL: It was again going back to the spirit of what we wanted; we wanted to do this old school, and for me that is practical. I just think practical effects are better, still, and I have so much respect for the digital world and how much they can do, but I feel like there’s just something really cool about going that direction. There’s stuff that people will see in this movie and I’m not going to be specific about it because I don’t want to spill anything, but there is stuff that people are going to see and go ‘Wow.’ It will clearly be a practical effect, but it’s on purpose. We want people to go to that Gremlins place and go to that old school vibe and so that was a big part of it for us; it was making sure that we had that. Our DP Brandon Trost was amazing. When he and I were working together and brain storming together, we kept talking about all this stuff and so literally the lenses that we’re shooting the movie on right now is awesome old effects lenses that they shot Poltergeist on.
DC: What’s your balance in the film between the horror and the comedy?
CL: The obvious one, because I just mentioned it, is I think Gremlins. Gremlins is kind of a cool reference because it had some fun with the scares but I think it is much more of a comedy. I think this movie is more of a comedy, but we have a lot of good scares and they come from the Paranormal Activity world; I’m still a big fan of still delivering some really good jump scares, stuff to really get people, and the great thing about humour is that it disarms people and so there’s some stuff in here that’s really unexpected in scares, but they just go hand in hand with the comedy.
DC: We know that you have zombies that are sticking to their former professions…
CL: Exactly. The strippers.
DC: …but do you have hero zombies; like, one zombie that is pursuing your leads throughout the film?
CL: We have one zombie who is actually the scout leader, David Koechner. He can’t get a break, but he keeps pursuing our characters over and over again. It’s kind of funny because it seems as if, yes, he’s out to eat them but I also have this weird thing in my head where he’s drawn to them because of his connection to these guys and so that’s how he keeps finding his way to them. He’s awesome in the movie. I can’t wait for people to see him.
DC: What is your approach to the zombies?
CL: There’s a couple things that I think we did differently in this movie. I think first and foremost is that we actually gave our zombies personalities. I wanted them to have ties to their former selves and not just be mindless wandering. We have those when it’s like horrid situations where obviously they’re being pursued by a lot of zombies, it goes to that which is traditional and it should be. But they have these one on one encounter with zombies that are completely original and funny; one of them is the stripper, and there’s the homeless zombie. They interact with the zombies in a way that is not typical and that’s one thing, and then we have zombie animals which is really funny.
DC: We’ve heard about the cats.
CL: Yeah, we have zombie cats. There’s a neighbour who lives next door to Carter, her name is Miss Fielder, played by Cloris Leachman, and Cloris ends up being attacked by the cats; they turn her into a zombie and then there is a whole zombie attack scene.
DC: Where do you shine in this film? Would people look at this and say there is Chris’s strength?
CL: Again, I think the strength for me is even if you go back and look at the Paranormal Activity (movies) especially the last one, I like humour, I love to bring comedy into my world. I just think that they go well together, and so I think that we really deliver. I feel like I’m bringing the humour but also I’m just proud of making a movie that feels like something that I watched when I was a kid. I’ve missed these movies; I feel like they’re not being made anymore and I think everything is either $5 million and small or its gigantic tentpole, and we’ve lost the spirit. I’m really grateful that Paramount wants to go back and to take this chance and to make a movie that I think that audiences really want to see but they are just not getting. I think we’re going to have a great time on this; it is really funny and scary.
DC: How was Tye Sheridan cast as Ben? And your other scouts?
CL: I saw Mud when I was on the plane, and really didn’t know much about the movie [but] I saw this kid, and so as soon as I got the script it was, like, ‘That’s person that I want to work with, and I was really nervous about casting him; not nervous about him, but more worried about him not wanting to do it because he does have these awesome indies with the finest directors on planet earth, and so I was like ‘Shoot, he’s never going to do this’. So he read it and he called me right away and said he loved the script and it was crazy and fun. I’m really grateful because he’s awesome and it’s so different, nobody has seen him like this, he’s so funny but he also brings an emotional depth that I know that Ben needed to have to anchor the movie. Then Logan Miller’s awesome; he’s just like a professional comedian, everything he does is funny but he does it with honesty. It’s not too over the top he just hits the right note, and Carter is such a tricky character because he’s a bit of an asshole but you don’t want to be too much of an asshole, you want to still like him and so he brings a certain kind of heart to it that’s critical. Then Joseph Morgan; he’s self-taped. He lives in Chicago, he’s never done anything and our casting directors said ‘Hey, you should check this kid out,’ and I watched him. I looked at the casting directors and I was like ‘This is the guy for sure’ and so we set up a screen test for him, and I was really nervous because he was going to be working with these other guys who were seasoned; they have done tons of movies and have been working their whole lives. We did the screen test with him and he just killed it. I showed it to the studio and they flipped out over him, so it was a no brainer for him and their chemistry is great. They’re best friends and I think that it really shows that they’re genuinely close off camera, which has been nice. I was nervous at first because you’re wondering, ‘What if they hate each other?’ but you’ll never know with people so, we started organising these little day trips and things for them to do together, and they just clicked and that was perfect.
DC: What are you thinking about for the score?
CL: I want something that’s kind of big and that does throw back to that old school style, because I think it will work. We have some scenes in the movie that requires 80s vibe to it, but yeah: big and loud.
DC: What’s the key to surviving all night shoots?
CL: It was just like urgency, on crack. It’s hard, it’s the transitioning in the beginning and it’s funny because we all became zombies, which is fitting. Then you start to get used to it and then you drink a lot of coffee, you don’t sleep a lot. I think we all operated on four hours per night, and it is what it is but the whole cast [is] so dedicated and I couldn’t be luckier in that right.
DC: How has it been to direct the zombie hordes?
CL: We have a zombie choreographer; Mark is awesome and he has been the one to really wrangle. It’s big because you’re working with extras, some are good and some have never done it before, and so it’s an education. I’ve got no worry. He had to teach me how to do a zombie walk so that I could get into it, and I had to go and get the contact lenses and put them in my eyes. I wanted to feel what everybody else was going to experience before they did it so that I could at least speak from a place of knowledge. I’m surprised that they weren’t terrible to wear, you just can’t see anything but it’s been funny working with them. They’re great, it’s amazing that these people would come out and spend all night with us and run around and fall down and do all kinds of crazy stuff and do it because they love being zombies. It’s kind of crazy to me. I’m a big fan of getting my hands dirty and when I get to smash things I try to smash them myself first and its fun. There’s a lot of blood in the movie, but its funny blood so it’s okay. I’m squeamish when it comes to the real stuff. I have horror movies that I’ve watched, and had to close my eyes because it’s too much for me.
DC: On that note, how hard an R are you hoping for?
CL: There’s so many tits and there’s so much blood and stuff in this movie, that there’s no chance that we are not a hard R. There’s a couple things in here that might get us in a little bit of trouble, but it’s good stuff.
Directed by Christopher Landon (Paranormal Activity: The Marked Ones), the film stars Tye Sheridan (X-Men: Apocalypse), Patrick Schwarzenegger, Logan Miller (The Stanford Prison Experiment), Joey Morgan, Sarah Dumont (Don John), Halston Sage (Neighbors), one of our all time favorites – Cloris Leachman (Young Frankenstein), and David Koechner (Anchorman).
Look for it in theatres on October 30, 2015.
Three Scouts and lifelong friends join forces with one bad-ass cocktail waitress to become the world’s most unlikely team of heroes. When their peaceful town is ravaged by a zombie invasion, they’ll fight for the badge of a lifetime and put their scouting skills to the test to save mankind from the undead.
The post Scout’s Guide to the Zombie Apocalypse – Exclusive Set Visit Interview: Christopher Landon appeared first on Dread Central.
Directed by Jeremy Wooding
While some new blood definitely needs to be shed in order to spruce up the tired old werewolf format of horror, why not stick em in the Old West? Funny thing is, it works pretty damn nicely! Beware the Blood Moon.
Director Jeremy Wooding takes the hairy savage lycanthrope and drops it smack in the middle of a western, complete with bank robberies, stagecoach rides, shootouts, and MAYBE even an occasional lady of the night (but only if you’re lucky). The movie blasts out of the gate with a brazen heist at a local bank by the Norton brothers, Jeb and Hank (Raffaello Degruttola, Corey Johnson) – they’re short-fused and now on the run from the law, and with only one dependable man for the job (Fox), he decides against his better judgement to enlist the help of an Indian woman known as Black Deer (Eleanor Matsuura), whose biggest problem is not knowing when to put the booze bottle down. This is going to be an interesting pursuit, for sure. Her assistance in the chase is dropping some knowledge about the “skinwalkers” who were kicked out of their tribe for practicing such black arts, and when the moon turns red, they come out to hunt.
Enter Calhoun (Dooley), a steely-eyed, bad-ass cowboy with a quick draw and even quicker wit – he and a full stagecoach of travelers are taken hostage by the Nortons and held up at a deserted saloon, and it’s not too long (actually it is) before we get some werewolf violence, front and center. The film is fun as much as it is goofy and staged, but the idea of a rampaging beast tearing through a western town is interesting to behold, aside from the hokey dialogue and LONG stretches of it, by the way. When the final third of the movie gets rolling, it’s completely off of its wagon wheels, and that’s when the fun really begins.
Gore? Not too much to speak of, but when there is some bloodshed, it’s admirable in both presentation and production – bodies are ripped in half, and throats are slashed with some decent arterial sprays. Now, the werewolf on the other hand… I’m not going to leap so far as to say the look was cheesy, but I think the notion of NOT showing the full costume for more than a few seconds at a time was a wise one indeed.
Dooley is fun to watch as the tough-guy cowboy with a sharp tongue, and the work of Degruttola and Johnson as the bank-robbing Nortons is equally entertaining, even if it looked at times as if they were reading out of the rootin-tootin cowboy handbook for a more effective old west image. Nonetheless, I could recommend this for those who want a nice twist on their wolf-watching, and regardless of the lack of style and substance with Blood Moon, it’s a howling good time. Jeez, that was bad – my apologies.
With a title like I Can’t Escape: Darkness, do I really need to bother explaining what the game’s about? Well, I’ll do it anyway for you reading pleasure. You’re trapped in a spooky dungeon. There are things in the dungeon that want to kill you. You need to escape.
Perhaps the developer Fancy Fish Games can explain it better in their official description:
“I Can’t Escape: Darkness is a quicksand trap for the senses – the more you listen and look for clues, the deeper you fall into a damp, living dungeon. Plunge into the depths and scrape together whatever tools you can find, then try to escape one of the most diabolical puzzles of all time!”
A follow-up to I Can’t Escape, the game will be released on Steam on September 17, 2015 for $12. Watch the creepy as hell trailer below:
When a recent “Creepy’s Take” bemoaned “Hannibal’s” cancellation, a few readers took us to task, along with our peers on the other horror sites, for not doing enough to push people in the show’s direction. Perhaps, but I put the blame on NBC for not doing more to promote it and for not working with sites like ours to a greater extent so that we’d have info to “push” out in the first place.
But pointing fingers is… well, pointless. After Saturday night’s episode, it will all be Chianti under the bridge anyway.
So, what should replace “Hannibal” in your DVR’s rotation? We’ve compiled a Top 10 list of our current favorites – some new, some that will require a bit of catch-up – plus our best guesses of what’s coming down the pike that you should keep your eyes on.
Honorable mentions that just missed the cut include “Penny Dreadful” and “Sleepy Hollow,” two shows that have had rough patches but are primed for a comeback; “Westworld” and “American Horror Story: Hotel,” a pair that we just can’t predict with any real confidence; and no-brainer cross-genre phenoms “The X-Files” and “The Walking Dead” that surely need no help from us.
Of course this list isn’t one size fits all; some things will appeal more to women than men, the younger crowd versus those of a more advanced age like myself. But they all share a similar level of quality, and you should find at least a handful that are worth carving out two or three hours each week to keep up with.
We’ll kick things off with two oldies but goodies that both get a bit of a bum rap among people who haven’t watched them…
“Supernatural” (Season 11 begins October 7, 2015, on The CW)
I can’t tell you how many times I’ve heard “Supernatural” described as “that dumb CW show with the pretty-boy brothers.” It certainly wouldn’t have lasted as long as it has if there wasn’t a lot more depth to it than that! It’s comparable to “Buffy” in that it treats its audience with respect and knows how to retain a loyal fanbase. While I would have been perfectly content to see the series end after Season 5 as originally conceived by its creator and first showrunner, Eric Kripke, I’m not averse to spending a few more years with the Winchesters as long as current head honcho Jeremy Carver can continue tweaking the formula enough to keep it feeling fresh. (Pro tip: If you do decide to give this one a shot from the beginning, watch the DVDs/Blu-rays rather than on Netflix so you can enjoy the soundtrack as it was meant to be.)
“Grimm” (Season 5 begins October 30, 2015, on NBC)
I’m not sure why the horror crowd hasn’t been more supportive of “Grimm” – it has an extremely likable cast (comprised of actual adults no less!), a trendy Portland locale, and some kickin’ monsters (aka Wesen). Granted, the transformation scenes are loaded with CGI and the gore factor is light (it is a network show, after all), but the characters and storylines are interesting and relate to those classic fairy tales and legends we all grew up on. Season 1 was a bit rocky, but over the past few years “Grimm” has more than hit its stride, and after the way Season 4 ended, our enthusiasm for it has been ramped up even higher.
With TV being the new vehicle for remakes of popular horror films, our next group fall in the category of shows that have made the transition from the big to small screen…
“From Dusk Till Dawn: The Series” (Season 2 is under way now on El Rey Network)
When word first came that Robert Rodriguez would be re-imagining his universally beloved From Dusk Till Dawn as a series, fans weren’t sure what to expect. What we got was a helluva lot of fun so as we embark on Season 2, which promises more of the same and then some, we can’t help but wonder why we’ve heard so little from our readers about the show. Maybe El Rey Network isn’t available where you live? In any event, this is one that’s worth seeking out.
“Bates Motel” (Season 4 will air in 2016 on A&E)
“Bates Motel” has been met with a mixed response from the horror community (our own MattFini recently took a swipe at it while boohooing the recently announced “Friday the 13th” series on The CW), but for this writer, it’s been a winner from the start. A dream cast with incredible chemistry paired with imaginative, offbeat writing that’s both spooky and icky (the Norman/Norma relationship has certainly made us squirm more than once) has resulted in my second favorite show on this list. I can only echo Jinx, who wrote at the end of Season 3: “I, for one, cannot wait [for next season]. Hats off to A&E and the creative forces behind “Bates Motel” for making one of the best damned shows on television!”
“Ash vs. Evil Dead” (Season 1 begins October 31, 2015, on Starz)
We’re going to make our first prediction now and say you better mark your calendars to remind you to call your cable TV provider on October 30th to turn on Starz so you can watch the premiere of “Ash vs. Evil Dead” on Halloween night. The Comic-Con trailer blew our minds, and everything revealed since then has just gotten us even more excited.
The intimacy and immediacy of the television medium are a perfect match for depicting disasters, especially when they lead to the post-apocalyptic setting found in so many of our contemporary hits…
“The Strain” (Season 2 is under way now on FX)
If you’ve been part of the crowd who feel vampires have lost their bite lately, you should already be well aware of how great “The Strain” is at portraying them as the monsters we’ve always known they can be. The acting is all over the place, but despite that, the characters are developed just well enough to get you rooting for them as the story progresses. Flashbacks are used minimally but effectively. If you can soldier through Season 1 and get caught up to where they are now, the payoff is well worth it.
“iZombie” (Season 2 begins October 6, 2015, on The CW)
Another show people seem to have preconceived notions about is “iZombie.” I found it to be a true bright spot among the latest influx of genre-themed programming to hit the airwaves (and have happily heard from more than a few of our readers who agree with me). Rose McIver isn’t quite up to Tatiana Maslany’s level (if you don’t get the reference, stop reading right now, watch a few episodes of “Orphan Black,” and then come back); but her ability to “become” different people each week is pretty awesome. And David Anders is a blast as her nemesis, Blaine. Actually, everyone on the show shines; and the writing is sharp, snappy (in a good way), and smart. Wow – that’s a lot of alliteration so let me add one more “s”: See it!
“Fear the Walking Dead” (Season 1 is under way now on AMC)
Sticking to the zombie theme, “Fear the Walking Dead,” gives us the other end of the spectrum in terms of gritty realism. It just kicked off this past weekend, and with only six episodes in its freshman season, how can you not at least give it a shot? It’s rare we get the chance to watch society break down from Day 1 of the apocalypse. Plus, if you do like it, you’re already guaranteed more since Season 2 has already been confirmed.
Putting our wizard’s cap back on for a moment, we bring you our final prediction…
“Damien” (Season 1 will air in 2016 on A&E)
Glen Mazzara… Bradley James… Barbara Hershey… A&E. We really didn’t need to know much more about “Damien” than those four things to be excited about this direct sequel to The Omen, but after seeing the show’s marketing campaign at this summer’s San Diego Comic-Con, we really fell in love with it. It could turn out to be a disappointment, but for the time being we’re staying cautiously optimistic and urge you to do the same. “It’s all for you, Damien!”
And now we end with our favorite currently airing horror TV show…
“Salem” (Season 3 will air in 2016 on WGN America)
What more can we do to convince you to watch “Salem”? Week in and week out when it’s on the air, we sing its praises. Talk about a show that pushes boundaries! It’s dark, it’s daring, and its production values are through the roof. The cast and guest star roster are second to none (both Lucy Lawless and Stephen Lang have given Emmy-worthy performances), and now that they’ve given Shane West’s character a haircut, even he blends into the times a lot better. You may not be a fan of period pieces, but if you’re a fan of horror, “Salem” should be in the same #1 spot on your DVR as it is on ours.
Agree with our picks? Think we’re off our rockers? Chime in with your favorite current horror TV shows in the comments section below!
The post Top 10 Horror TV Shows You Need to Have on Your DVR appeared first on Dread Central.
Edited by Andy Cox
Published by TTA Press
Issue 47 of Black Static hits the asphalt with James Van Pelt’s opening story, On the Road with the American Dead, wherein travelling salesman Jeremy Lowe finds his usual relaxing cross-country drives interrupted by the random appearance of ghosts in his car.
Some talk to him, revealing snippets of their past lives – regrets, successes and lasting grudges – while others remain silent… but they all come and go with equal abruptness. Initially shocked by this peculiar new routine, Jeremy soon learns to cope with it before one particular visitor refuses to be ignored – insisting on teaching Jeremy the importance of remembrance, and the stories of lives that need to be told.
At its core, On the Road with the American Dead is a simple tale, awash with sentimentality but assuredly not maudlin with it. A few nice touches of humour pep things up as Jeremy tries his best to blank out his unwelcome passengers and, ultimately, the central message is a worthy observation of the human condition.
Kate Jonez follows up with All the Day You’ll Have Good Luck. Here, teen Jessup is a girl apart from the normal world. She refers to herself as a shadow, an opinion formed from her role in her family’s ongoing trade – thievery and con-artistry.
As a group, Jessup, her mother and two younger sisters travel the US, occasionally settling town in small towns for a bit. In well-practiced form, the others create a distraction in crowds whilst Jessup, the pickpocket, moves silently amongst the marks, relieving them of wallets, purses and loose cash.
In this particular instance they’re in the backwater town of Frederick, Oklahoma, kicking off a job at the carnival. Things don’t go exactly to plan, however, and Jessup soon finds herself wandering the site accompanied by the local sheriff’s wayward son, Calvin. As events take a seemingly inevitable path given the setting and character types, Jonez brings us instead toward an ending that feels allegorical, perhaps mythical… but just a bit too perplexing to work.
The puzzling (and somewhat unbelievable, given the circumstances at the background of the story) ending notwithstanding, however, All the Day You’ll Have Good Luck is a wonderfully written tale with a dazzling sense of place about it. Jonez brings the sights and sounds of the carnival alive, and even the most minor of characters are ably brought to life through a perfect economy of words.
As mentioned, the path of Jessup’s evening feels predetermined as soon as she engages with Calvin, an element which Jonez uses to keep the reader firmly on track towards the inevitable train wreck – but the attempted rug-pull just doesn’t work as well as it should.
Next up is John Connolly’s Prohibition-era nightmare, Razorshins. Following a number of inconsistencies and missing product, bootlegger Tendell Tucker finds himself and his crew accompanied on their latest run by brutish enforcer Mordecai Blum. Reporting to gangster kingpin King Solomon, Blum is all business and all fury – a quiet, yet powerful and wholly unpredictable force of the criminal underworld.
When heavy snow sets in, Tendell opts to spend the night at the home of local moonshiner Earl Wallace, hoping to stash the cars and booze away from the potential eyes of the authorities while waiting out the snowfall. A violent disagreement over whether to leave an alcoholic offering for the mythical beast Razorshins sees events take a dark turn – and darker still when the penalty for failing to heed tradition raises its malevolent head.
Simply put, Razorshins is a stonking piece of work, holding just about everything it takes to keep yours truly wholly satisfied when it comes to fiction. Perfect pacing, a powerful sense of foreboding and the-worst-is-going-to-happen-but-when-is-that-going-to-be unpredictability pull you through every line until the bloody, monstrous climax. A thoroughly brilliant read.
The issue’s traction takes a slow with the next story, Bonnie Jo Stufflebeam’s The Devil’s Hands, wherein a young woman named Cocoa lies awake at night, listening to the laboured breathing of the monstrous creature that lives in her bathroom at night. Rather than an outright monster piece, however, Stufflebeam’s story concerns itself with Cocoa’s own laboured existence.
Fractured from society, she’s an occasional prostitute of sorts for her roommate — slacker “artist” Vincent – and thoroughly unhappy with her lot. Taking drugs before family dinner and having to step away due to subsequently tripping balls isn’t quite as telling her mother’s nonchalant, semi-defeatist response to the situation – but by the end, the path to personal redemption becomes most definitely open to her.
The problem with The Devil’s Hands is that, whilst it’s an appreciably realist look at the frustrations of a life stuck spinning wheels in mud, it’s rarely unsettling and ultimately lacking in a sense of threat. The prose is perfectly toned in the same manner as Cocoa’s disheartened floatation through daily existence, but it’s difficult to find personal concern for her even as the final confrontation with the monster unfolds toward an ending which, admittedly, is nicely tuned to a reluctant sense of hope.
Ray Cluley takes things down a much more assuredly dark path with his grim character study When the Devil’s Driving. Teenager Lucy is a goth-like social outcast who spends her days lurking at the shore of Devil’s Basin – a fetid local pool nestled away in the woods – where she smokes cigarettes, offers silent worship to Satan and imagines all of the brutal killings she could enact on her preppy schoolmates.
One day, her lounging and fantasising is interrupted by the arrival of a younger schoolgirl, who takes an inquisitive liking to Lucy’s sarcastic, rebellious nature. Awful things await for the pair of them, however, and Lucy soon finds herself on a rapid ride into hell – literal or allegorical, you decide.
Cluley’s formidable skill at drawing well-rounded, but profoundly damaged characters is out in force in When the Devil’s Driving, painting a thoroughly disturbing and deeply shocking story of a lost cause run riot – someone so far removed from, and philosophically starved by, the norms of society that the most supreme kind of personal destruction feels more like a finish line than something to be afraid of.
Or perhaps, Cluley offers, it’s a starting line. Because when the Devil’s at the wheel, who knows where you’re off to next.
Finally, this issue’s fiction rounds off with Eric J. Guignard’s superbly realised post-apocalyptic yarn A Case Study in Natural Selection and How it Applies to Love. In a future scorched Earth, humanity is on a downturn. Settlements work to survive in camps surrounded by desert and desolation, carrying on with normal life in the hope that soon either the planet, or the efforts of human science, will find a resolution.
There’s another big issue, though. One that isn’t easily investigated…
Spontaneous Human Combustion… colloquially referred to as “fireballing”.
Without rhyme or reason, people pop, spark and burst into flame – immolated in moments due to some unknown combination of factors.
Amidst all of this lies schoolboy Kenny, who lives with his scientist father in the relatively civil settlement of Stockton. Navigating the general situation of humanity, Kenny also struggles with his place in a love triangle – hoping against hope to gain the affections of his crush, Liz… but she’s into their more physically capable friend, Ogre.
Guignard paints Kenny as a smart, reasonable kid, so while he laments the situation, he isn’t crass enough to do anything untoward about it. It makes for a pleasant read, following the cognisance of an intelligent youngster who more than understands the state of affairs around him. Whilst not pinned down by needless negativity, he also isn’t bound by foolish optimism – and all of this plays out within an excellent drawn world and central scenario that would easily lend itself well to fiction of a broader scope.
Meanwhile, Stephen Volk plays further with his knowledge of Alfred Hitchcock in his column (which he also ably demonstrated in the excellent novella Leytonstone) and Lynda E. Rucker continues her everlasting quest to dissect just what it is that makes horror so appealing to the human psyche.
On top of that, there’s an extended Q&A with author Ray Cluley and Black Static‘s usual quality lot of book, TV and film reviews. All in all, yet another excellent issue that is easily worth dedicating some shelf space to.
“Hannibal” may be ending, but Mads Mikkelsen’s career is certainly on the upswing. In addition to Star Wars: Rogue One, he could also possibly be appearing in the Marvel Cinematic Universe film Doctor Strange.
According to Variety, no offers are out to Mikkelsen just yet, but one is expected to happen shortly. No word on whom he’ll play, but presumably it will be a villain who menaces the Sorcerer Supreme.
Doctor Strange will be directed by Scott Derrickson and will also star Benedict Cumberbatch, Tilda Swinton, and Chiwetelu Ejiofor. Look for it on on November 4, 2016.
I’m not going to lie: I was ready to make fun of The Sand as soon as I read the description. Killer sand? Really? Throw in Jamie Kennedy and you have a surefire recipe for ridicule. Much to my surprise, I’m kind of looking forward to The Sand, which should arrive in time for Halloween.
The official synopsis reads, “After a raging all-night party, a group of hungover twenty-somethings awakens to a beating sun and a carnivorous beach that devours anything with a heartbeat.”
See? It shouldn’t look good, but it does. The film isn’t striving for originality, but it looks like a ton of fun. I suppose we’ll find out when The Sand hits DVD on October 13. At some point between now and then, check out the trailer below. Feel free to disagree with my amusement.
A bad movie is like pizza; it’s good, even when it’s bad. There’s something about a cheesy movie that makes me feel all warm and tingly inside. As every good horror fan knows, you’ve got to take the good with the bad and might as well embrace it.
Here are 5 of my personal favorite cheese-fests. Pass the marinara.
5. Frankenhooker, 1990
The VHS collecting set will most likely be familiar with this gem, due in part to the infamous talking cover box that asked, “Wanna date?” This aptly titled movie tells the story of a would-be medical student and his adorable fiancee. After a lawnmower-related tragedy, adorable fiancee is killed. The makeshift Doctor Frankenstein decides to revive his decapitated love via the body parts of crack-addict hookers. This one is truly a love story for the ages and my most recent Amazon purchase. You’ll “wanna date” with Frankenhooker.
4. Cannibal Women in the Avocado Jungle of Death, 1989
I was on a staycation a few weeks ago and treated myself to this beautiful cinematic disaster. Featured in an episode of “Elvira’s Movie Macabre,” this movie includes performances by Shannon Tweed, Bill Maher (before he hit the big time and the “Real Time”), and Adrienne Barbeau. Cannibal Women tells the story of a feminist professor hired by the U.S. Government to confront the jungle-dwelling evil Piranha Women, in order to persuade them to move their man-hating and eating empire to a Malibu estate. All of this to protect the nation’s avocado supply, which apparently comes from this jungle.
Now we know why guac is extra.
3. Spookies, 1986
This is one of those movies you’ve probably heard of but never had the pleasure of watching. An 80’s video store masterpiece, Spookies is another example of the “teenagers get lost and wander into a mysterious house” formula we’ve seen a thousand times. I discovered this movie by accident one day in college (when I should have been studying) while browsing the endless void that is YouTube. After doing a search for the film, I remembered seeing the poster in a collage at my local childhood cinema. I pressed “Play” and never looked back. This one is full of Jim Henson puppet shop rejects, special effects that look like Silly Putty that was left in a hot car, and totally worth a watch.
2. Blood Surf, 2000
The most recent entry on this list might be the worst. With a whopping 3.3 rating on IMDB, Blood Surf is sure to quench your appetite for cheese. I discovered this crocodile-filled atrocity in the early-2000s, while channel surfing past midnight, which is really where all good stories begin. The best thing about this movie, besides the title, is the plot (bet you didn’t think I’d say that). Said plot involves surfers chumming water in order to surf through the sharks. If there’s anything you should be doing, it’s chumming water to attract sharks. Instead of the intended guests arriving at the chum-party, a gigantic crocodile shows up. While this movie is borderline unwatchable, Blood Surf holds a special place in my heart. I recently revisited this movie a few months ago on what I call “Shitty Movie Friday.” 1/10 would not do again.
1. The Willies, 1990
This anthology gross-out fest is a campfire story filled with slime, bugs, and guts galore. I included this movie mainly for its obscurity and phenomenal cheese. Starring a post-Goonies Sean Astin, The Willies is the movie that includes the infamous scene where an old woman puts her dog in the microwave. I know you’ve heard of it. This movie also has the greatest tagline of all time: “You’ll Laugh, You’ll Cry, You’ll Puke, You’ll Die!” And that you will.
The post 5 of the Best Worst Horror Movies You’ve Never Seen appeared first on Dread Central.
We’re just hours away from tonight’s Episode 2.06 of “The Strain,” entitled “Identity,” and if you’ve wondered about the identify of the man who plays Dr. Ephraim “Eph” Goodweather on the show, it’s Corey Stoll from “House of Cards” and Ant-Man, who finally looks like himself now that he’s ditched the distracting wig previously worn by the character.
But he had a lot more to talk about than that old news when he took part in a roundtable interview a few days ago. We have the highlights for you here, including Eph’s motivations and dark side, how he’s taking the fight to the next level, if he’ll continue hitting the bottle, and lots more so read on to prep for the mayhem to come.
Q: In the opener of this season, Eph told Fet [Kevin Durand] that he is not a very good vampire killer so he’s going to go back to what he knows. And now that he’s on to something, what’s driving him at this point? Is it really vengeance against the Master and all of the vampires, or is it just to try to redeem himself in the eyes of the CDC and Zach and the people that sort of put him out to pasture because they thought he wasn’t valid in what he was trying to tell them?
Corey Stoll: I think it’s really both. I think obviously it’s personal now that Kelly has turned and is actively trying to turn Zach, but I think just his personality is such, too, that he’s won at everything pretty much in his life, up till now. Now he’s in a situation where he’s lost more in the last week than he has in his entire life… he’s always been a very Alpha guy and very Type A. He’s been knocked down numerous pegs and is admitting such, but he still can’t let go on either front so it’s personal, but it’s also professional.
Q: Most of your roles in the past have been very much more reality-based than this scenario on “The Strain.” How has it been as an actor for you to operate in this world, especially one created by Guillermo del Toro where anything can happen? It must be very interesting.
Corey Stoll: Yeah, it’s an interesting challenge… [exec producer] Carlton [Cuse] and I at the beginning of Season 2 felt the need to sort of adjust a little bit because so much of what the show is about is about the tone and the look and the style and the feel of it, which is unique. There are other vampire shows and other vampire movies out there, but Guillermo brings something unique, and so [we’re] trying to find that right balance… I think it’s a pretty good challenge with this show where the stakes are incredibly high but it’s not the same world that we live in, and there’s also a real, sort of a wicked sense of humor that runs throughout the whole thing. I think in this season there’s a lot of conversations between Carlton and myself about how to have me participate in that sense of humor because I think the danger is often to sort of fall into melodrama. It’s sort of about being in that same world where these stakes are incredibly high, but you have to sort of keep one part of your tongue in your cheek a little bit.
Q: In last week’s episode, when you threw your former boss off a train…
Corey Stoll: By accident…
Q: So you’re saying Eph didn’t choose to kill him?
Corey Stoll: No, he didn’t; he didn’t. It was really a move to not get hit, and before what he knew what was happening, he had killed him. Now it was in his best interest probably to kill him, but this is—it’s still obviously a very big deal; it’s his first human kill. No, he did not intend to kill him.
Q: But now that he crossed that line, will this open up a door to a darker Eph, a guy that’s willing to do more and cross the line a little bit more easily?
Corey Stoll: Yeah, I think you can say that. The first time he killed anybody intentionally, he was being attacked, and that was sort of purely defensive. As the first season went on, he became more inured to killing to the point where he doesn’t really sort of flinch killing people who are completely turned. Then he crossed the line, again, at the beginning of this season experimenting on freshly turned people, and then this is another one, and then sort of the ratchet that sort of keeps pushing him past these lines that he never thought he would cross. But yeah, definitely from that point on to the rest of the season, he is in a different place morally.
Q: In the last episode we saw the vampire children going into full action now. Can you tell us how much of a factor they’ll be in the remaining episodes?
Corey Stoll: Well, the Feelers are the formidable part of the Strigoi Army. They’re fast, they can crawl on walls, and they play an important part of the Master’s arsenal going forward the rest of the season.
Q: And what about Eph’s alcoholism? We’ve seen it gradually increase. Can we expect to see that affecting how he handles the situation?
Corey Stoll: Yeah, definitely. He does not sober up the rest of the season. He was never the best fighter in the world; but, no, he’s a little easier and a little bit more handicapped.
Q: There’s a lot of really great and gross makeup and special effects in the show. Can you talk about working with them? Has anything ever really grossed you out?
Corey Stoll: This season there were a few things; in the beginning, in the first season, there was like a bashed-in head… a couple bashed-in heads and the autopsy. In this season there seems to be a little bit of, at least from my feelings, this is my exposure to it, a little bit of a break from that. But in terms of my exposure to the makeup… it’s an amazing thing to see on a daily basis. You come in at 6:00 a.m. in the morning on a Monday, and the makeup people have been there for hours already churning out this army of vampires who all have their own unique… level of transformation and different degrees of turning into vampires. It’s really an incredible level of artistry and industry. It’s really a bit of a conveyor belt, but every vampire is sort of a bespoke job.
Q: In the first season Eph was involved with the actual hand-to-hand fighting against the Strigoi; now he seems to be much more removed. Do you expect him to fight as the season progresses, and also do you miss doing the fight scenes at all?
Corey Stoll: In terms of in total between the two seasons, it’s about the same. In the first bunch of episodes [this season] Eph is taking a much more… he’s using biochemistry to fight the Strigoi… I had [a fight scene] with Barnes… I think a lot of it was actually cut, but it was one of the more involved fights that I’ve had in either season. Definitely moving forward there’s more fighting.
Q: When you’re working on something like this, something with that Guillermo del Toro creepiness, is there a horror film or story or a horror icon that really stuck with you in your youth that resurfaces when you’re on set with these things?
Corey Stoll: I don’t know if there’s something that resurfaces; it’s hard to explain, but… there’s a moment when you first get on set where you see the lighting and the makeup and everything, and there is a moment of, ‘Wow, that’s really cool!’ And then by the fourth setup and the twentieth take, you know, it just becomes work. You’re playing make-believe so you’re getting yourself into a state of terror, [but] the stuff isn’t really scary on its own pretty much after your first time doing it.
“The Strain” Episode 2.06 – “Identity” (airs 8/16/15)
Eph (Corey Stoll) concocts a plan to make and distribute a bioweapon. Gus (Miguel Gomez) realizes Angel (Joaquín Cosio) can be an unlikely ally, and Kelly (Natalie Brown) comes after Nora (Mia Maestro) and Zach (Max Charles).
The post The Strain’s Corey Stoll Talks Eph’s Dark Drive, Avoiding Melodrama, the Feelers, and More! appeared first on Dread Central.
The New Testament’s Book of Revelation speaks of a Beast bearing the number 666… but even God himself couldn’t have conceived of such a monster as “Hannibal.” And that’s why we’re going to miss him to death when his run on NBC wraps up in just a few more weeks. Up next week we have Episode 3.12, “The Number of the Beast Is 666…,” and if you’re all caught up (or looking for a few spoilers), read on for a look at a baker’s dozen of new stills from the ep.
“Hannibal” Episode 3.12 – “The Number of the Beast Is 666…” (8/22/15; 10-11 PM)
A RISKY PLAN TO LURE THE RED DRAGON PUTS EVERYONE AT RISK – Will Graham (Hugh Dancy) and the FBI enlist the expertise of Dr. Fredrick Chilton (guest star Raul Esparza) in the hopes of luring Francis Dolarhyde (guest star Richard Armitage) into an ambush, using Freddie Lounds (guest star Lara Jean Chorostecki) as their mouthpiece.
As Will’s empathy for Dolarhyde begins to affect his fragile psyche, Bedelia Du Maurier (Gillian Anderson) warns that the killer Will should be most concerned about at the moment is himself.
Meanwhile, Dolarhyde senses that the FBI is closing in and launches a horrifying endgame. Rutina Wesley and Nina Arianda guest star; Mads Mikkelsen and Laurence Fishburne also star.
The post Be Lured by these Stills from Hannibal Episode 3.12 – The Number of the Beast Is 666… appeared first on Dread Central.
As a shameless Japanese cinema nerd, I’m deliriously excited about director Shinji Higuchi’s live-action epic Attack on Titan. Although to movie hit theaters in Japan not too long ago, those of us who reside in the States won’t have to wait forever to catch the flick on the big screen. The snazzy folks at FUNimation Entertainment are bringing both parts to the US beginning next month.
The first installment of Attack on Titan should hit a theater in your neck of the woods on September 30. And instead of making everyone wait an unnecessarily long time for the conclusion, part two will arrive on October 20. The boys and girls at FUNimation are just cool like that.
For those who are late to the party, here’s a synopsis.
The sudden arrival of the Titans–mysterious, gigantic humanoid creatures who devour human beings one after the other–brings mankind to the brink of extinction. Fast-forward more than 100 years later. What remains of the human population now live in relative peace behind massive walls that were erected to defend themselves against the Titans. Yet, once again, that peace is shattered when a Titan measuring over 50 meters tall smashes through the wall, allowing a horde of other Titans to enter. The protagonist, Eren, had been resigned to a life confined behind these walls. Nothing I do would make a difference, he thought. But when he joins the “Outer Wall Restoration Team” set up to fight against the Titans, he is reunited with Mikasa, a childhood friend and someone he had long rued not being able to save. The new recruits embark on a mission to obtain explosives, which had become rare and precious, before getting past the waves of Titans to plug the gaping hole in the wall, with humanity’s survival on the line. Will there be a future for Eren and Mikasa and for mankind itself?
To top everything off, FUNimation has released a nifty trailer for the US release of Attack on Titan parts one and two. You can find that mind-blowing clip positioned down below.
The post Attack on Titan Begins Its Trek Across the US This September appeared first on Dread Central.
On August 25th Anchor Bay Entertainment is releasing The Walking Dead: The Complete Fifth Season on Blu-ray + Digital HD and DVD (the Limited Edition Blu-ray set designed by McFarlane Toys shambles in on December 1st), and after providing us with several sneak peeks of the bonus features, they’ve now unveiled a new trailer. Check it out as you wrestle with the decision of which version to get.
“The Walking Dead” Season 6 returns to AMC on Sunday, October 11th, at 9/8c, but first the spin-off, “Fear the Walking Dead,” debuts on August 23rd.
The Walking Dead: The Complete Fifth Season Release Details:
In what has become a highly anticipated annual tradition for “Walking Dead” fans the world over, Anchor Bay Entertainment will be releasing THE WALKING DEAD: THE COMPLETE FIFTH SEASON Blu-ray + Digital HD Limited Edition set on December 1st. The other editions will be released on August 25th.
THE WALKING DEAD: THE COMPLETE FIFTH SEASON cast includes Andrew Lincoln, Norman Reedus, Steven Yeun, Lauren Cohan, Danai Gurira, Chandler Riggs, Melissa McBride, Chad L. Coleman, Sonequa Martin-Green, Lawrence Gilliard, Jr., Michael Cudlitz, Emily Kinney, Alanna Masterson, Christian Serratos, Josh McDermitt, Seth Gilliam, and Andrew J. West.
- Audio commentaries featuring Showrunner/Executive Producer/Writer Scott M. Gimple; Executive Producer Gale Anne Hurd; Executive Producer Tom Luse; Executive Producer/Special Effects Make-Up Supervisor/Director Greg Nicotero; Director Julius Ramsay; Actors Lauren Cohan, Chad L. Coleman, Michael Cudlitz, Sonequa Martin-Green, Danai Gurira, Alana Masterson, Melissa McBride, Josh McDermitt, Norman Reedus, Christian Serratos, and Steven Yuen
- Deleted Scenes
- Inside “The Walking Dead”
- The Making of “The Walking Dead”
- The Making of Alexandria
- Beth’s Journey
- Bob’s Journey
- Noah’s Journey
- Tyreese’s Journey
- A Day in the Life of Michael Cudlitz
- A Day in the Life of Josh McDermitt
- Rotters in the Flesh
The post Anchor Bay Unveils a Trailer for The Walking Dead Season 5 DVD Set appeared first on Dread Central.
When an ancient force is threatening humanity, I want Eric Roberts on my side. The guy can handle just about anything, from serial killers to dinosaurs. He also has plenty of experience battling otherworldly forces, so when the Cthulhu hits the fans, I need him in my corner.
Writer Jerry Janda and director Jeremiah Kipp will put Roberts, Nana Gouvea, Tom Sizemore, and a slew of other savvy actors up against otherworldly evil in the upcoming sci-fi/horror flick Black Wake. The story was reportedly inspired by the work of H.P. Lovecraft, which is why it immediately piqued my interest. Throw ancient gods into anything and I’ll take a look. No, seriously — anything.
Before we get to the trailer, let’s study the Black Wake synopsis.
Specialists gather in a top-secret facility to investigate a series of mysterious deaths on beaches along the Atlantic Ocean. When one scientist examines video evidence to uncover a possible parasitic explanation for the fatalities, she slowly learns that the actual threat may be more dangerous — and far older — than anyone ever imagined. Can she convince her colleagues of the true danger before an ancient force rises from the sea to bring madness and death to all of humanity?
Since the film is still in production, it’s unclear when the finished product will become available for mass consumption. To keep us busy until then, we have a teaser trailer to chew on.
The post Black Wake Pits Eric Roberts and Nana Gouvea Against Ancient Forces appeared first on Dread Central.
Kane Hodder and Bill Moseley’s Old 37 is set to terrorize home video later this year. However, if you live in or around New York City and you prefer to see the flick on the big screen, you’re in luck. The aforementioned genre flick is set to invade several theaters in the Big Apple next month.
Here’s the extremely cool part: A portion of the proceeds from the September 11th screening of Old 37 will benefit the New York Police and Fire Widows’ and Children’s Benefit Fund. Yet another very good reason to catch the flick during its limited theatrical run next month.
The gracious folks at Glen Cove Theaters are hosting Old 37 throughout September. Screening times are listed below. As always, these dates and times are subject to change without notice.
Saturday September 12th
7:20pm (Q&A after screening)
9:50pm (Q&A after screening)
Sunday September 13th
Monday September 14th
Tuesday September 15th
Wednesday September 16th
Thursday September 17th
If you’re interested in scoring tickets to any of the Old 37 screenings, swing by this website. Otherwise, you can catch the flick when it hits DVD on October 6.
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Some fantastic news has come out of the UK, as Nottingham’s Mayhem Film Festival announced that film historian Jonathan Rigby and a crew of actors will be performing a live stage reading of the unproduced Hammer screenplay The Unquenchable Thirst of Dracula as part of the fest!
Written by legendary Hammer writer and producer Anthony Hinds back in the late ’60s, and intended as another vehicle for Christopher Lee, The Unquenchable Thirst of Dracula unfortunately never made it in front of the camera.
At Mayhem, Rigby – author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: The Authorised Screen History – will act as narrator for the reading, backed up by a troupe of actors as they bring the characters to life on the stage.
The Unquenchable Thirst of Dracula sees the titular Count flee to India, where he continues to spread his evil influence.
Mayhem co-director Chris Cooke says, “This is a completely unique event for Mayhem and a great pleasure to work with horror expert and film historian Jonathan Rigby. He’s also a talented actor and will be perfect as our narrator, taking a live audience by the hand and leading them into Gothic darkness. Hammer Films have never felt more important to the history of British cinema, so this is a great opportunity for an audience to imagine a piece of classic cinema that sees Count Dracula resurrected before their eyes.”
Mayhem Film Festival takes place from October 15-18 at the Broadway cinema, Nottingham, UK. Early Bird passes for the festival are now available at the discounted price of £55. You can get more information, and book your passes, at the Broadway Cinema website.
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Late horror legends Peter Cushing and Christopher Lee came together to face the supernatural power of the titular relic in Amicus Productions’ 1965 classic The Skull. Now, a mere 50 years later, Eureka! Entertainment have revealed that the film will hit UK shelves on October 26 in a Blu-ray/DVD combo pack sporting a brand new 1080p restoration.
Adapted from a short story by Robert Bloch (Psycho) and with a score by avant-garde composer Elisabeth Lutyens, The Skull stars Peter Cushing, Christopher Lee, and Patrick Wymark and is directed by Paranoiac‘s Freddie Francis.
Special Features on this new release include:
- Exclusively restored 1080p presentation of the film on Blu-ray
- Optional English subtitles for the deaf and hard of hearing
- New video interview with film scholar Jonathan Rigby
- New video interview with critic and author Kim Newman
- Reversible sleeve featuring original and new artwork
- Limited Edition collector’s booklet
Peter Cushing stars as Dr. Christopher Maitland, a writer and collector of occult items (with a preference for those with a somewhat macabre history), who is offered the chance to purchase a highly expensive and unusual item – the skull of the Marquis de Sade.
Warned against obtaining the item by a fellow collector (Christopher Lee in a rare non-villainous
role), the skull’s influence draws Maitland in. Madness and death soon follow…
Move over, 9 and 3/4 at London Kings Cross Station. There’s about to be another British attraction based on a popular fantasy series. A huge one. Like, really, really huge. If they can raise £1,850,000,000 (about $2.8 billion). And get the necessary planning permission. And sort out about a million other things that would prevent it from ever happening.
They’re trying to raise the money on Indiegogo to build a life-size (yes, life-size) replica of Minas Tirith, the capital of Gondor in Tolkien’s Lord of the Rings. The city was beautifully realised in Peter Jackson’s Return of the King, but apparently just seeing it on the screen wasn’t enough.
Here at Dread Central we love crowdfunding as it truly gives a voice to independent creators, but this… I really don’t know if I should congratulate them on being as ambitious as possible or chastise them for doing the kind of nonsense that could bring about the end of crowdfunding.
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