A bad movie is like pizza; it’s good, even when it’s bad. There’s something about a cheesy movie that makes me feel all warm and tingly inside. As every good horror fan knows, you’ve got to take the good with the bad and might as well embrace it.
Here are 5 of my personal favorite cheese-fests. Pass the marinara.
5. Frankenhooker, 1990
The VHS collecting set will most likely be familiar with this gem, due in part to the infamous talking cover box that asked, “Wanna date?” This aptly titled movie tells the story of a would-be medical student and his adorable fiancee. After a lawnmower-related tragedy, adorable fiancee is killed. The makeshift Doctor Frankenstein decides to revive his decapitated love via the body parts of crack-addict hookers. This one is truly a love story for the ages and my most recent Amazon purchase. You’ll “wanna date” with Frankenhooker.
4. Cannibal Women in the Avocado Jungle of Death, 1989
I was on a staycation a few weeks ago and treated myself to this beautiful cinematic disaster. Featured in an episode of “Elvira’s Movie Macabre,” this movie includes performances by Shannon Tweed, Bill Maher (before he hit the big time and the “Real Time”), and Adrienne Barbeau. Cannibal Women tells the story of a feminist professor hired by the U.S. Government to confront the jungle-dwelling evil Piranha Women, in order to persuade them to move their man-hating and eating empire to a Malibu estate. All of this to protect the nation’s avocado supply, which apparently comes from this jungle.
Now we know why guac is extra.
3. Spookies, 1986
This is one of those movies you’ve probably heard of but never had the pleasure of watching. An 80’s video store masterpiece, Spookies is another example of the “teenagers get lost and wander into a mysterious house” formula we’ve seen a thousand times. I discovered this movie by accident one day in college (when I should have been studying) while browsing the endless void that is YouTube. After doing a search for the film, I remembered seeing the poster in a collage at my local childhood cinema. I pressed “Play” and never looked back. This one is full of Jim Henson puppet shop rejects, special effects that look like Silly Putty that was left in a hot car, and totally worth a watch.
2. Blood Surf, 2000
The most recent entry on this list might be the worst. With a whopping 3.3 rating on IMDB, Blood Surf is sure to quench your appetite for cheese. I discovered this crocodile-filled atrocity in the early-2000s, while channel surfing past midnight, which is really where all good stories begin. The best thing about this movie, besides the title, is the plot (bet you didn’t think I’d say that). Said plot involves surfers chumming water in order to surf through the sharks. If there’s anything you should be doing, it’s chumming water to attract sharks. Instead of the intended guests arriving at the chum-party, a gigantic crocodile shows up. While this movie is borderline unwatchable, Blood Surf holds a special place in my heart. I recently revisited this movie a few months ago on what I call “Shitty Movie Friday.” 1/10 would not do again.
1. The Willies, 1990
This anthology gross-out fest is a campfire story filled with slime, bugs, and guts galore. I included this movie mainly for its obscurity and phenomenal cheese. Starring a post-Goonies Sean Astin, The Willies is the movie that includes the infamous scene where an old woman puts her dog in the microwave. I know you’ve heard of it. This movie also has the greatest tagline of all time: “You’ll Laugh, You’ll Cry, You’ll Puke, You’ll Die!” And that you will.
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We’re just hours away from tonight’s Episode 2.06 of “The Strain,” entitled “Identity,” and if you’ve wondered about the identify of the man who plays Dr. Ephraim “Eph” Goodweather on the show, it’s Corey Stoll from “House of Cards” and Ant-Man, who finally looks like himself now that he’s ditched the distracting wig previously worn by the character.
But he had a lot more to talk about than that old news when he took part in a roundtable interview a few days ago. We have the highlights for you here, including Eph’s motivations and dark side, how he’s taking the fight to the next level, if he’ll continue hitting the bottle, and lots more so read on to prep for the mayhem to come.
Q: In the opener of this season, Eph told Fet [Kevin Durand] that he is not a very good vampire killer so he’s going to go back to what he knows. And now that he’s on to something, what’s driving him at this point? Is it really vengeance against the Master and all of the vampires, or is it just to try to redeem himself in the eyes of the CDC and Zach and the people that sort of put him out to pasture because they thought he wasn’t valid in what he was trying to tell them?
Corey Stoll: I think it’s really both. I think obviously it’s personal now that Kelly has turned and is actively trying to turn Zach, but I think just his personality is such, too, that he’s won at everything pretty much in his life, up till now. Now he’s in a situation where he’s lost more in the last week than he has in his entire life… he’s always been a very Alpha guy and very Type A. He’s been knocked down numerous pegs and is admitting such, but he still can’t let go on either front so it’s personal, but it’s also professional.
Q: Most of your roles in the past have been very much more reality-based than this scenario on “The Strain.” How has it been as an actor for you to operate in this world, especially one created by Guillermo del Toro where anything can happen? It must be very interesting.
Corey Stoll: Yeah, it’s an interesting challenge… [exec producer] Carlton [Cuse] and I at the beginning of Season 2 felt the need to sort of adjust a little bit because so much of what the show is about is about the tone and the look and the style and the feel of it, which is unique. There are other vampire shows and other vampire movies out there, but Guillermo brings something unique, and so [we’re] trying to find that right balance… I think it’s a pretty good challenge with this show where the stakes are incredibly high but it’s not the same world that we live in, and there’s also a real, sort of a wicked sense of humor that runs throughout the whole thing. I think in this season there’s a lot of conversations between Carlton and myself about how to have me participate in that sense of humor because I think the danger is often to sort of fall into melodrama. It’s sort of about being in that same world where these stakes are incredibly high, but you have to sort of keep one part of your tongue in your cheek a little bit.
Q: In last week’s episode, when you threw your former boss off a train…
Corey Stoll: By accident…
Q: So you’re saying Eph didn’t choose to kill him?
Corey Stoll: No, he didn’t; he didn’t. It was really a move to not get hit, and before what he knew what was happening, he had killed him. Now it was in his best interest probably to kill him, but this is—it’s still obviously a very big deal; it’s his first human kill. No, he did not intend to kill him.
Q: But now that he crossed that line, will this open up a door to a darker Eph, a guy that’s willing to do more and cross the line a little bit more easily?
Corey Stoll: Yeah, I think you can say that. The first time he killed anybody intentionally, he was being attacked, and that was sort of purely defensive. As the first season went on, he became more inured to killing to the point where he doesn’t really sort of flinch killing people who are completely turned. Then he crossed the line, again, at the beginning of this season experimenting on freshly turned people, and then this is another one, and then sort of the ratchet that sort of keeps pushing him past these lines that he never thought he would cross. But yeah, definitely from that point on to the rest of the season, he is in a different place morally.
Q: In the last episode we saw the vampire children going into full action now. Can you tell us how much of a factor they’ll be in the remaining episodes?
Corey Stoll: Well, the Feelers are the formidable part of the Strigoi Army. They’re fast, they can crawl on walls, and they play an important part of the Master’s arsenal going forward the rest of the season.
Q: And what about Eph’s alcoholism? We’ve seen it gradually increase. Can we expect to see that affecting how he handles the situation?
Corey Stoll: Yeah, definitely. He does not sober up the rest of the season. He was never the best fighter in the world; but, no, he’s a little easier and a little bit more handicapped.
Q: There’s a lot of really great and gross makeup and special effects in the show. Can you talk about working with them? Has anything ever really grossed you out?
Corey Stoll: This season there were a few things; in the beginning, in the first season, there was like a bashed-in head… a couple bashed-in heads and the autopsy. In this season there seems to be a little bit of, at least from my feelings, this is my exposure to it, a little bit of a break from that. But in terms of my exposure to the makeup… it’s an amazing thing to see on a daily basis. You come in at 6:00 a.m. in the morning on a Monday, and the makeup people have been there for hours already churning out this army of vampires who all have their own unique… level of transformation and different degrees of turning into vampires. It’s really an incredible level of artistry and industry. It’s really a bit of a conveyor belt, but every vampire is sort of a bespoke job.
Q: In the first season Eph was involved with the actual hand-to-hand fighting against the Strigoi; now he seems to be much more removed. Do you expect him to fight as the season progresses, and also do you miss doing the fight scenes at all?
Corey Stoll: In terms of in total between the two seasons, it’s about the same. In the first bunch of episodes [this season] Eph is taking a much more… he’s using biochemistry to fight the Strigoi… I had [a fight scene] with Barnes… I think a lot of it was actually cut, but it was one of the more involved fights that I’ve had in either season. Definitely moving forward there’s more fighting.
Q: When you’re working on something like this, something with that Guillermo del Toro creepiness, is there a horror film or story or a horror icon that really stuck with you in your youth that resurfaces when you’re on set with these things?
Corey Stoll: I don’t know if there’s something that resurfaces; it’s hard to explain, but… there’s a moment when you first get on set where you see the lighting and the makeup and everything, and there is a moment of, ‘Wow, that’s really cool!’ And then by the fourth setup and the twentieth take, you know, it just becomes work. You’re playing make-believe so you’re getting yourself into a state of terror, [but] the stuff isn’t really scary on its own pretty much after your first time doing it.
“The Strain” Episode 2.06 – “Identity” (airs 8/16/15)
Eph (Corey Stoll) concocts a plan to make and distribute a bioweapon. Gus (Miguel Gomez) realizes Angel (Joaquín Cosio) can be an unlikely ally, and Kelly (Natalie Brown) comes after Nora (Mia Maestro) and Zach (Max Charles).
The post The Strain’s Corey Stoll Talks Eph’s Dark Drive, Avoiding Melodrama, the Feelers, and More! appeared first on Dread Central.
The New Testament’s Book of Revelation speaks of a Beast bearing the number 666… but even God himself couldn’t have conceived of such a monster as “Hannibal.” And that’s why we’re going to miss him to death when his run on NBC wraps up in just a few more weeks. Up next week we have Episode 3.12, “The Number of the Beast Is 666…,” and if you’re all caught up (or looking for a few spoilers), read on for a look at a baker’s dozen of new stills from the ep.
“Hannibal” Episode 3.12 – “The Number of the Beast Is 666…” (8/22/15; 10-11 PM)
A RISKY PLAN TO LURE THE RED DRAGON PUTS EVERYONE AT RISK – Will Graham (Hugh Dancy) and the FBI enlist the expertise of Dr. Fredrick Chilton (guest star Raul Esparza) in the hopes of luring Francis Dolarhyde (guest star Richard Armitage) into an ambush, using Freddie Lounds (guest star Lara Jean Chorostecki) as their mouthpiece.
As Will’s empathy for Dolarhyde begins to affect his fragile psyche, Bedelia Du Maurier (Gillian Anderson) warns that the killer Will should be most concerned about at the moment is himself.
Meanwhile, Dolarhyde senses that the FBI is closing in and launches a horrifying endgame. Rutina Wesley and Nina Arianda guest star; Mads Mikkelsen and Laurence Fishburne also star.
The post Be Lured by these Stills from Hannibal Episode 3.12 – The Number of the Beast Is 666… appeared first on Dread Central.
As a shameless Japanese cinema nerd, I’m deliriously excited about director Shinji Higuchi’s live-action epic Attack on Titan. Although to movie hit theaters in Japan not too long ago, those of us who reside in the States won’t have to wait forever to catch the flick on the big screen. The snazzy folks at FUNimation Entertainment are bringing both parts to the US beginning next month.
The first installment of Attack on Titan should hit a theater in your neck of the woods on September 30. And instead of making everyone wait an unnecessarily long time for the conclusion, part two will arrive on October 20. The boys and girls at FUNimation are just cool like that.
For those who are late to the party, here’s a synopsis.
The sudden arrival of the Titans–mysterious, gigantic humanoid creatures who devour human beings one after the other–brings mankind to the brink of extinction. Fast-forward more than 100 years later. What remains of the human population now live in relative peace behind massive walls that were erected to defend themselves against the Titans. Yet, once again, that peace is shattered when a Titan measuring over 50 meters tall smashes through the wall, allowing a horde of other Titans to enter. The protagonist, Eren, had been resigned to a life confined behind these walls. Nothing I do would make a difference, he thought. But when he joins the “Outer Wall Restoration Team” set up to fight against the Titans, he is reunited with Mikasa, a childhood friend and someone he had long rued not being able to save. The new recruits embark on a mission to obtain explosives, which had become rare and precious, before getting past the waves of Titans to plug the gaping hole in the wall, with humanity’s survival on the line. Will there be a future for Eren and Mikasa and for mankind itself?
To top everything off, FUNimation has released a nifty trailer for the US release of Attack on Titan parts one and two. You can find that mind-blowing clip positioned down below.
The post Attack on Titan Begins Its Trek Across the US This September appeared first on Dread Central.
On August 25th Anchor Bay Entertainment is releasing The Walking Dead: The Complete Fifth Season on Blu-ray + Digital HD and DVD (the Limited Edition Blu-ray set designed by McFarlane Toys shambles in on December 1st), and after providing us with several sneak peeks of the bonus features, they’ve now unveiled a new trailer. Check it out as you wrestle with the decision of which version to get.
“The Walking Dead” Season 6 returns to AMC on Sunday, October 11th, at 9/8c, but first the spin-off, “Fear the Walking Dead,” debuts on August 23rd.
The Walking Dead: The Complete Fifth Season Release Details:
In what has become a highly anticipated annual tradition for “Walking Dead” fans the world over, Anchor Bay Entertainment will be releasing THE WALKING DEAD: THE COMPLETE FIFTH SEASON Blu-ray + Digital HD Limited Edition set on December 1st. The other editions will be released on August 25th.
THE WALKING DEAD: THE COMPLETE FIFTH SEASON cast includes Andrew Lincoln, Norman Reedus, Steven Yeun, Lauren Cohan, Danai Gurira, Chandler Riggs, Melissa McBride, Chad L. Coleman, Sonequa Martin-Green, Lawrence Gilliard, Jr., Michael Cudlitz, Emily Kinney, Alanna Masterson, Christian Serratos, Josh McDermitt, Seth Gilliam, and Andrew J. West.
- Audio commentaries featuring Showrunner/Executive Producer/Writer Scott M. Gimple; Executive Producer Gale Anne Hurd; Executive Producer Tom Luse; Executive Producer/Special Effects Make-Up Supervisor/Director Greg Nicotero; Director Julius Ramsay; Actors Lauren Cohan, Chad L. Coleman, Michael Cudlitz, Sonequa Martin-Green, Danai Gurira, Alana Masterson, Melissa McBride, Josh McDermitt, Norman Reedus, Christian Serratos, and Steven Yuen
- Deleted Scenes
- Inside “The Walking Dead”
- The Making of “The Walking Dead”
- The Making of Alexandria
- Beth’s Journey
- Bob’s Journey
- Noah’s Journey
- Tyreese’s Journey
- A Day in the Life of Michael Cudlitz
- A Day in the Life of Josh McDermitt
- Rotters in the Flesh
The post Anchor Bay Unveils a Trailer for The Walking Dead Season 5 DVD Set appeared first on Dread Central.
When an ancient force is threatening humanity, I want Eric Roberts on my side. The guy can handle just about anything, from serial killers to dinosaurs. He also has plenty of experience battling otherworldly forces, so when the Cthulhu hits the fans, I need him in my corner.
Writer Jerry Janda and director Jeremiah Kipp will put Roberts, Nana Gouvea, Tom Sizemore, and a slew of other savvy actors up against otherworldly evil in the upcoming sci-fi/horror flick Black Wake. The story was reportedly inspired by the work of H.P. Lovecraft, which is why it immediately piqued my interest. Throw ancient gods into anything and I’ll take a look. No, seriously — anything.
Before we get to the trailer, let’s study the Black Wake synopsis.
Specialists gather in a top-secret facility to investigate a series of mysterious deaths on beaches along the Atlantic Ocean. When one scientist examines video evidence to uncover a possible parasitic explanation for the fatalities, she slowly learns that the actual threat may be more dangerous — and far older — than anyone ever imagined. Can she convince her colleagues of the true danger before an ancient force rises from the sea to bring madness and death to all of humanity?
Since the film is still in production, it’s unclear when the finished product will become available for mass consumption. To keep us busy until then, we have a teaser trailer to chew on.
The post Black Wake Pits Eric Roberts and Nana Gouvea Against Ancient Forces appeared first on Dread Central.
Kane Hodder and Bill Moseley’s Old 37 is set to terrorize home video later this year. However, if you live in or around New York City and you prefer to see the flick on the big screen, you’re in luck. The aforementioned genre flick is set to invade several theaters in the Big Apple next month.
Here’s the extremely cool part: A portion of the proceeds from the September 11th screening of Old 37 will benefit the New York Police and Fire Widows’ and Children’s Benefit Fund. Yet another very good reason to catch the flick during its limited theatrical run next month.
The gracious folks at Glen Cove Theaters are hosting Old 37 throughout September. Screening times are listed below. As always, these dates and times are subject to change without notice.
Saturday September 12th
7:20pm (Q&A after screening)
9:50pm (Q&A after screening)
Sunday September 13th
Monday September 14th
Tuesday September 15th
Wednesday September 16th
Thursday September 17th
If you’re interested in scoring tickets to any of the Old 37 screenings, swing by this website. Otherwise, you can catch the flick when it hits DVD on October 6.
The post Old 37 Terrorizes New York City Screens This September appeared first on Dread Central.
Some fantastic news has come out of the UK, as Nottingham’s Mayhem Film Festival announced that film historian Jonathan Rigby and a crew of actors will be performing a live stage reading of the unproduced Hammer screenplay The Unquenchable Thirst of Dracula as part of the fest!
Written by legendary Hammer writer and producer Anthony Hinds back in the late ’60s, and intended as another vehicle for Christopher Lee, The Unquenchable Thirst of Dracula unfortunately never made it in front of the camera.
At Mayhem, Rigby – author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: The Authorised Screen History – will act as narrator for the reading, backed up by a troupe of actors as they bring the characters to life on the stage.
The Unquenchable Thirst of Dracula sees the titular Count flee to India, where he continues to spread his evil influence.
Mayhem co-director Chris Cooke says, “This is a completely unique event for Mayhem and a great pleasure to work with horror expert and film historian Jonathan Rigby. He’s also a talented actor and will be perfect as our narrator, taking a live audience by the hand and leading them into Gothic darkness. Hammer Films have never felt more important to the history of British cinema, so this is a great opportunity for an audience to imagine a piece of classic cinema that sees Count Dracula resurrected before their eyes.”
Mayhem Film Festival takes place from October 15-18 at the Broadway cinema, Nottingham, UK. Early Bird passes for the festival are now available at the discounted price of £55. You can get more information, and book your passes, at the Broadway Cinema website.
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Late horror legends Peter Cushing and Christopher Lee came together to face the supernatural power of the titular relic in Amicus Productions’ 1965 classic The Skull. Now, a mere 50 years later, Eureka! Entertainment have revealed that the film will hit UK shelves on October 26 in a Blu-ray/DVD combo pack sporting a brand new 1080p restoration.
Adapted from a short story by Robert Bloch (Psycho) and with a score by avant-garde composer Elisabeth Lutyens, The Skull stars Peter Cushing, Christopher Lee, and Patrick Wymark and is directed by Paranoiac‘s Freddie Francis.
Special Features on this new release include:
- Exclusively restored 1080p presentation of the film on Blu-ray
- Optional English subtitles for the deaf and hard of hearing
- New video interview with film scholar Jonathan Rigby
- New video interview with critic and author Kim Newman
- Reversible sleeve featuring original and new artwork
- Limited Edition collector’s booklet
Peter Cushing stars as Dr. Christopher Maitland, a writer and collector of occult items (with a preference for those with a somewhat macabre history), who is offered the chance to purchase a highly expensive and unusual item – the skull of the Marquis de Sade.
Warned against obtaining the item by a fellow collector (Christopher Lee in a rare non-villainous
role), the skull’s influence draws Maitland in. Madness and death soon follow…
Move over, 9 and 3/4 at London Kings Cross Station. There’s about to be another British attraction based on a popular fantasy series. A huge one. Like, really, really huge. If they can raise £1,850,000,000 (about $2.8 billion). And get the necessary planning permission. And sort out about a million other things that would prevent it from ever happening.
They’re trying to raise the money on Indiegogo to build a life-size (yes, life-size) replica of Minas Tirith, the capital of Gondor in Tolkien’s Lord of the Rings. The city was beautifully realised in Peter Jackson’s Return of the King, but apparently just seeing it on the screen wasn’t enough.
Here at Dread Central we love crowdfunding as it truly gives a voice to independent creators, but this… I really don’t know if I should congratulate them on being as ambitious as possible or chastise them for doing the kind of nonsense that could bring about the end of crowdfunding.
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If you missed out on last weekend’s ScareLA event, there was a whole lot of fun to be had. As a means to give you a taste of the spooky shenanigans, our buddies over at Nerd Reactor have posted the following video of some of your favorite ghouls and creatures shaking their collective asses to Galantis’ “Peanut Butter Jelly.”
Check it out!
Keep a close eye on the official ScareLA website to find out what they’ll have cooking at next year’s event! Be there!
For the last several days we’ve been dishing out exclusive “Kill of the Day” images from Unfriended for you guys to dig on. Now that the flick is AVAILABLE, we have ’em all in one neat little place.
See if you missed any below!
Unfriended Release Details:
For a group of teenage friends, a devastating fate lurks on the other side of a computer screen in Unfriended, the first in a new generation of found-footage thrillers coming to Blu-ray, DVD, and On Demand August 11, 2015, from Universal Pictures Home Entertainment (it became available on Digital HD July 28th). Unfriended is a startlingly contemporary nail-biter from two modern masters of mayhem, executive producer Jason Blum (The Purge, Ouija, Sinister) and producer Timur Bekmambetov (Abraham Lincoln: Vampire Hunter, Wanted).
What starts as a seemingly innocent online prank produces a sequence of events that spirals out of control. During a routine group video chat, high school friends are terrorized by an unseen figure. The anonymous intruder implicates each of them in the death of an acquaintance, revealing damning secrets and transforming trusted allies into wary adversaries. Forced into a sordid “game,” the teens try to figure out who is behind the mysterious threat, but all signs point to a power from beyond the grave.
Playing out in real time almost entirely on a computer screen, Unfriended features a rising young cast that includes Shelley Hennig (Ouija, “Teen Wolf”), Moses Storm (“The 4 to 9ers: The Day Crew,” “About a Boy”), and Renee Olstead (“The Secret Life of the American Teenager,” “Still Standing”).
Directed by Fouad Mikati
Available on VOD, Amazon Instant, iTunes, and more August 14, 2015
I just watched a film where for the better part of the entire presentation itself, the only question that could be asked was, “What the hell is going on here?” The movie in question is Return To Sender from director Fouad Mikati, and after having this delivered to my table, I’d unequivocally like to return it to the sender, simply in hopes of a better explanation for this film’s inane thought processes.
From the film’s opening, we’re introduced to a character that’s about as likable as a case of flaming hemorrhoids: Rosamund Pike stars as Miranda, a colder than ice nurse whose general demeanor ranges from “freezer burn” to “tepid” at best. Her friends are oddly at ease with her acerbic disposition, and after a violent home invasion and rape by a man (Fernandez) whom she mistakenly allows in, thinking he’s the blind date she’s been waiting on, her attitude takes a rather bizarre turn, from straight-up icy to even-keeled, and even a little bit passive towards the situation. What happens next is truly one of the stranger game-plans I’ve witnessed in cinematic history.
Miranda begins a letter-writing deluge to her rapist, now that he’s been convicted and sits in jail, and while dozens of her letters go unanswered – returned to sender, that is – she decides to up the game and try visiting him behind bars. Now what was in those letters, we’ll never know – is it a ploy for revenge? Maybe a hope of regaining some sense of herself after such a heinous attack? While not out if the ordinary, it just didn’t seem to fit here. Added to which is the well-traveled Nick Nolte as Miranda’s father, who is still mourning the loss of his wife and now spends his days puttering around (stumbling, actually) with his dog – yet ANOTHER lost cause of a role from an actor who used to hit heavily when he tackled a character, and now it just seems as if he’s there to fill a roster spot when “miserable, grizzled old guy” becomes available. Even Fernandez looked lost as a guy who was supposed to be this detestable sexual predator, adding to the mystery that was this presentation as a whole.
A multitude of scenes looked to be chopped off before simple resolutions could be offered, and while we manage to grab some kind of a resolution towards the film’s conclusion, even after all was said and done, you’ll still be scratching your head wondering what the hell you just checked out. Mikati’s second directorial assignment was regrettably an example in futility, with one question heaping on top of the other, inevitably creating a landslide of missed opportunities, and I just couldn’t recommend this movie to anyone, not even if this was up against a Saturday Lifetime network film, where this will probably end up anyways – SKIP IT.
Way back in 1940 the great Bela Lugosi starred in Jean Yarbrough’s The Devil Bat, which told the story of a mad scientist who develops an aftershave lotion that causes his gigantic bats to kill anyone who wears it. Yes. That movie happened with that plot. Now in 2016 we’re getting a sequel.
Written and directed by Ted Moehring, Revenge of the Devil Bat stars Gary Kent, John Link, Dick Dyszel, George Stover, Conrad Brooks, Shoshanna Ruth, Cedric Crouch, and Dave Ferrier.
The flick, which is being shot in black and white and is currently in production, is looking to up the ante on the blood and gore. Judging from the recently released teaser trailer, it has its heart in the right, albeit goofy, place.
If you’re a fan of both Crypt TV and the Shriekfest Horror Film Festival, prepare to have your tender minds completely blown. The aforementioned horror-friendly organizations are joining forces, with Crypt TV screening the winning short films on their platform. How cool is that?
As you may have guessed, Crypt TV CEO Jack Davis is understandably excited about the upcoming collaboration with the film festival. He expressed his undying enthusiasm in the official press release, saying, “Shriekfest is a long-time staple for the independent horror community, and we are honored to be a part of their program. We love working with the horror film community because it is one of the most supportive networks of creators and fans in filmmaking!”
Shriekfest Festival Director Denise Gossett is also pumped about the Crypt TV/Shriekfest partnership, saying, “I am very excited about teaming up with Crypt TV! Shriekfest has always been huge supporters of indie filmmakers, and Crypt TV is only going to add to this philosophy!”
File this one under “What in the blue hell is wrong with people?” Time Magazine is reporting that a North Carolina woman was attacked with an ax by someone dressed like a clown in her home.
The victim told the police in Hickory, N.C., that a person wearing a clown mask and a multicolored wig had come by her residence at 4:30 a.m. Friday morning and began to swing his ax at her.
The victim was able to take the mask off the attacker and discover that it was an acquaintance of hers, who then fled the scene. She was not injured in the incident.
Hickory Police Department spokesperson Chrystal Dieter told Time that there was an “outstanding warrant” against the suspect. “Any law enforcement officer who comes in contact with the suspect in question will have full ability to arrest him,” Dieter said.
That’s it, kids! We’ve officially reached the point in which train wrecks are pulling over to watch us.
Following the arrival of a petition to boycott the release of director Eli Roth’s The Green Inferno, the filmmaker has decided to pay tribute to the fans who have stuck by him over the years. If everything goes according to Roth’s plan, the aforementioned tribute will kick off later this month.
Eli Roth’s Green Inferno Fan Appreciation Tour will launch on August 23 at Wizard World in Chicago. If you’re unable to attention this convention, Roth plans to bring his tour to a number of cities across the county. The filmmaker also took a moment to post a video on Facebook about the event.
The press release offers plenty of details about the tour.
Aimed at acknowledging and thanking Roth’s loyal fans who have supported The Green Inferno in its journey to the big screen, the tour will include stops in San Francisco on September 14, Los Angeles on September 15, Miami on September 17, and New York on September 21, with additional cities still to be named. The tour will also feature a companion online experience, The Green Inferno Room, which brings fans around the country behind the scenes to get an insider’s look at Eli as he travels from city to city to meet his fans, including a live feed of select events.
Roth said: “I am so excited to hit the road and spend time with the fans whose undying support really helped bring The Green Inferno to theaters nationwide. We plan to pull out all the stops and give them the ultimate Green Inferno experience, with special surprises in every city.”
Eli Roth’s The Green Inferno hits theaters on September 25.
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In news that’s gonna either make you smile or have you unjustly rolling your eyes and prejudging from the get-go (this is the Interwebs after all), word has just broken via Deadline that The CW is heading to Crystal Lake.
The network’s president Mark Pedowitz today confirmed that The CW is developing “Friday the 13th,” a drama series based on the long-running feature franchise. The series adaptation will be written by Steve Mitchell and Craig Van Sickle, creators of the 1996 NBC series “The Pretender,” through CBS TV Studios.
“They are new in development,” Pedowitz said. The “Friday the 13th” series project originated last year when Emmett/Furla/Oasis Films and Crystal Lake Entertainment sealed a deal to produce a new hourlong dramatic series based upon the characters and settings of the franchise with Sean S. Cunningham, who helmed the 1980 original, executive producing along with EFO Films principals Randall Emmett and George Furla plus Mark Canton, among others.
Bill Basso (Terminator) and Jordu Schell (Avatar) were tapped at the time to script a storyline that re-imagines Jason in multiple time periods. Cunningham recently hinted at interest from The CW, which has now taken in the property. Mitchell and Van Sickle executive produce with Cunningham, Emmett, Furla, and Canton.
Details on the remake are sketchy, but the idea had been to do a contemporary series focusing on the eclectic characters of Crystal Lake who are forced to confront the return of the killer, as new secrets about his wacky family are revealed. The masked Jason is being re-imagined with a stronger feel of grounded reality. Since the franchise was launched with 1980’s Friday the 13th, there have been 13 movies, most recently the Friday the 13th remake in 2009 directed by Marcus Nispel.
I’m probably one of the few people on the entire planet who genuinely enjoys the Mummy flicks starring Brendan Fraser. Although they’re more Indiana Jones-esque in nature, there were just enough genre elements for some to classify these flicks as horror. Feel free to disagree.
In case you haven’t heard, Universal is planning a reboot of The Mummy, which they hope to incorporate into a shared universe with other classic cinematic monsters. And if you’re worried that the new Mummy movies are just another cheesy horror/adventure hybrid, director Alex Kurtzman promises that his reboot is very much a horror flick. Fingers crossed!
During a chat with Collider at the Television Critics Association Press Tour, Kurtzman laid out what he hopes to achieve with his version of The Mummy.
Kurtzman recently explained to the website, “The monster universe is coming together very, very quickly; we’re very excited. There will be announcements soon. We have actually started doing a lot of design work, we’re getting scripts in, everything is feeling really really good, so I don’t want to curse it by saying too much to you, but it’s going well.
If you’re looking forward to Kurtzman’s Mummy reboot, you still have a while to wait. Although it was originally scheduled for June of 2016, IGN reports that the film now has a tentative release date of March 2017. Here’s hoping that extra time will result in a fantastic movie.
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Here at Dread Central, I aim to be a bit of jester. Not a clown, but someone who in the classical playwright sense uses humor to allude to some kind of deeper truth. Making light of the darker bits of our world lends a sarcastic wit that makes it easier to process the macabre, blending horror and humor in a way that makes both seem less a stranger to the other. It is a carefully constructed tactic, both making me seem more likeable and clever than I am. Without it, I’m just left with my opinions.
Yet, there are some things that there is just no joking about. I often shy away from real news, preferring my published opinions to carry little more weight than a simple thumbs-up or down over the incredibly inconsequential quality of media. I’d prefer not to have my opinions plastered all over Tumblr or the Twitterverse, as the ever increasing political correctness of the internet has led to a divisive “camp” mentality, with factions declaring war on others and assigning qualitative titles like “racist” or “misogynist” with little recourse for the accused. Nevertheless, when times like this come, where jokes just won’t do, it is only these hard felt opinions I have left to offer.
If you read my review or the Slender Man movie Always Watching: A Marble Hornets Story, you probably noticed a little piece where I wryly commented on “what is a slenderman” and “why is he asking 12-year-olds to stab each other?”” It is in my nature to make fun of horrific acts of absurd violence: making light of it makes me feel better. I don’t pretend to understand why shit like this happens, but if I can spin it into a joke then the world just seems a little less terrible. There are some things that, but for the darkest bits in us with no faith in humanity and a fatalistic sense of the world, we just cannot comprehend.
The terrible things I can comprehend, I find no humor in. I’ve never been one to earnestly poke fun at the disabled, despite growing up on the internet. Apart from the occasional slippage of the word “fag” as reflex in a particularly heated game, I find nothing funny about needling at someone’s sexual/gender identity. I never found the comedy in “shock humor” GIFs of 9/11 or some grotesque body harm. I’m by no means a saint, and will laugh at people falling down or birds being accidentally obliterated by a baseball.
I don’t know if I’ve mentioned this before, but my formal training is a dual Major in Legal Studies and English. I attended the University of California, Berkeley from 2008-2013, with the initial intention of becoming a lawyer. There is no real undergraduate Law degree, so the school concocted a Legal Studies department to serve as a makeshift Pre-Law and Legal Theory class. Two and a half years into my tenure as a student, I had all but completed the Legal Studies Major, and realized with pressing horror that the idea of a life lived pursuing a legal profession was bleak and depressing. Having an allowed two and a half more years to complete another Major, I turned to the fanciful world of English. Stories made sense to me, had a narrative I could understand, symbolism I could analyze, and most importantly some kind of moral or point.
Law, on the other hand, for all the proposed rules and regulations, felt as subject to whim and chance as the most puckish of faeries. Yesterday’s decision that Morgan Geyser and Anissa Weier, better known as the “Slender Man Stabbers,” would be tried as adults is the exact kind of depressing legal development that made me quit the pursuit. Now each 13, the accused were both only 12 at the time of the crime. Regardless of what side you fall on in the debate between lenient sentencing and “tough-on-crime” policy, it is shocking to see people so young being treated as adults.
Especially when at the time of the crime, it is unlikely anyone had ever treated them like adults before. The purpose of a separate juvenile justice system is to have a differentiation between those who are too young to fully comprehend the consequences of their actions and those who can. It is the same reason why mental state is considered during criminal prosecution, and why an insanity defense exists. While there is no fully excusing these horrific acts, mitigating state of mind must be taken into account for the execution of real justice.
There are two sides to the issue, but it baffles me how two youths who stabbed a friend 19 times and were walking into the woods to go “join Slender Man in his mansion” could be considered of developed enough mind to stand trial as though they were fully grown. This is excluding the potential defense of insanity, which is still on the table. Regardless of the potential mental health issues, the maturity of the girls is a factor all its own, and should be the basis of the decision between juvenile and adult courts.
As far as that decision is concerned, the reasoning stems from two arguments. The first is that the nature of the crime was vicious and premeditated. Judge Bohren’s decision is based on the reasoning that “This was an effort to kill someone, not a mistake by hitting someone too hard.” The heinous nature of the crime is undebatable, with months of planning. It is reasonable in certain cases to treat a minor as an adult when they are close enough to the legal age of adulthood and also reflect a developed enough mental state to understand such a crime. I would agree that at face value, the mental faculty to plan and carry out the crime in question does reflect a state of mind that would warrant some leeway in the age one would be tried as an adult.
However, we cannot look at this in a vacuum, disconnecting the nature of the crime from the intention and delusions of the individual. We must ask the question, “Did their underdeveloped decision making capabilities due to age factor into the commission of this crime?” I cannot see a world in which that is not the case. I remember what I thought when I was 12, and while not criminal, I had some serious misconceptions as to how shit worked in the world. One cannot live through adolescence, witness the rates of self harm and destructive behavior, and assume that these individuals are capable of considering the gravity of their actions.
The second argument for an adult trial is the functional care of these dangerous individuals. As juveniles, the maximum sentence would be 5 years. They would be out of the system at 18, with no guarantee of psychiatric care. As adults, they could be in the system for 45 years, and receive not only care for their sake, but for the protection of society as a whole. This is an argument that I am slightly more sympathetic to. Given the appalling treatment of our country’s mentally impaired, it is a very real possibility that at least one of these girls would end up homeless, untreated, and dangerous. A function of the legal system is retributive, but the greater protection of society and the prevention of future crime should always be the main goal.
There is something fundamentally distasteful about locking a child up for more than half of his or her life because of fear. I do believe there are certain crimes that deserve a removal of the individual from society. I won’t say if the solution is life in prison or death; this isn’t an article about that debate. When someone proves they are capable of destroying another’s life in sound mind and without just cause, that individual has in my eye lost their right to autonomy. However, I will default to my previous statement, asking if someone at the age of 12 is capable of doing anything with a sound mind. The deprivation of over half of someone’s free life when there is a reasonable alternative system specifically designed for those who, by consequence of age, cannot make rationally developed decisions is unjust.
When dealing with such a nonsensical crime, the question of insanity always comes up. It is an often misunderstood legal concept, as by common definition anyone that is capable of such horrific violence is “insane.” The legal defense is different, and requires the individual to be unaware of the wrongness or nature of their actions at the time of their commission. It is based on a concept called “mens rea,” meaning the mental state of a person during a criminal action. It is used in conjunction with “actus reus,” or the actual action of the crime. As a basic example, shooting someone is criminal, but if my mental state is such that it was unintentional or that I was defending a loved one, then the punishment is either lighter or the action deemed justified.
So, while the two are clearly delusional, did they know what they were doing was wrong? It is a difficult question. According to the court competency evaluations, Geyser believes in the real world existence of Slender Man and Harry Potter, refusing to take medication as it would make her unable to talk to her “friends.” Diagnosed with early onset schizophrenia, the condition is devastating.
Experts testified that Weier had a delusional disorder, but that she was remorseful. The terrible and damning truth of the legal system is that such remorse serves more to show a knowledge of wrongdoing than gain leniency. It is sad to think that the one who shows more remorse and wants to get better would be judged more harshly than the one who does not, but keep in mind the purpose of an insanity defense. It is not to let people off, but to properly address humanely those who have no concept of why they are being punished.
I cannot say whether or not the two deserve to be treated as legally insane. I have not met them, read the reports, nor heard the testimony of experts. As outsiders, we often come to conclusions without the full facts of the case, touting opinions that we cannot reasonably backup with soundbites and half-baked assumptions. This is not me saying the two deserve institutionalization over incarceration. This is me expressing horror that a system designed to account for the mental state of an accused person would so grievously fail to do so.
Here at Dread Central, we cover horror. I will admit, if this didn’t have “Slender Man” in the title, we would pass it up like any other bombing, shooting, stabbing, or atrocity that happens every day. This is an entertainment site, and there is nothing entertaining about the harsh violence and wanton brutality of the real world. We prefer our action heroes and villains, ghosts and demons to war crimes and gang violence. I could have made this piece a little bit of fluff about how a case I referenced in a review had a shocking development and rake in all the clicks.
I didn’t because I believe we need a reminder every once in a while of what real horror is. For the victim, the horror continues in a lifetime of pain, both physical and emotional. For Morgan Geyser and Anissa Weier, they face the horror of losing the next 45 years of their lives. I am not saying that the punishment does not fit the crime, but that the accused do not fit the system. It is horrifying to think of a system so callous as to consider a 12-year-old entirely fit to stand as an adult. In a world where random violence is so prevalent, what truly terrifies me is that the system that I trust to protect and carry out the law would be so uncaring. That blind eye is scarier than any monster looking through my window.
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