Hot on the heels of the one-sheet premiere for director Carter Smith's follow-up to his 2008 release The Ruins, entitled Jamie Marks Is Dead, we now have the film's trailer courtesy of Gravitas Ventures, who will open it on VOD and in limited theaters August 29th.
The film stars Liv Tyler, Judy Greer, Noah Silver, Cameron Monaghan, Madisen Beaty, and Morgan Saylor.
Adam McCormick had just turned fifteen when the body was found in the woods. It is the beginning of an autumn that will change his life forever.
Jamie Marks was a boy a lot like Adam, a boy no one paid much attention to—a boy almost no one would truly miss. And for the first time, Adam feels he has a purpose. Now, more than ever, Jamie needs a friend. But the longer Adam holds on to Jamie’s ghost, the longer he keeps his friend tethered to a world where he no longer belongs... and the weaker Adam’s own ties to the living become.
Now, to find his way back, Adam must learn for himself what it truly means to be alive.
On tap right now is a slew of new eye candy for the latest comedic slasher flick to come our way, Jersey Shore Massacre. Some of the images are a bit spoilery, but something tells us you're not gonna care either way! Badaboom!
Paul Tarnopol directs. Danielle Dallacco, Angelica Boccella, Giovanni Roselli, Chris Lazzaro, Nicole Rutigliano, and Christina Scaglione star. Jenni Farley (Jwoww, "The Jersey Shore") executive produces.
When Teresa and the girls leave their suburban New Jersey salon for a weekend of sun and sin down the shore, they are blindsided by a bizarre twist of events that catapult them from the sands of Seaside Heights to a secluded house deep in the New Jersey Pine Barrens. Frightened by stories of the legendary Jersey Devil, the local population of Pineys, and a giant dim-witted neighbor, the girls eagerly return to Seaside Heights, where they hook-up with five fist-pumping delinquents who incessantly disrespect all with their reprehensible behavior.
As day turns to night, the group converges at a Seaside bar where they are soon ejected for inciting a dance-floor brawl. With nowhere else to go, the group retreats to the house in the Pine Barrens for a night of carnal delights. Blinded by their selfish pursuits, they remain unaware that their long outstanding debt to humanity is about to be settled - with their lives. One by one, the body count soars as retribution is exacted at the hands of a mentally-deranged killer with much more than just an axe to grind.
We told you back in April that Alexandre Aja's Horns (review) is getting an October 31st release in the UK, and now we have the first one-sheet to go along with the good news. Check it out courtesy of Empire.
Directed by Aja (High Tension, Mirrors, Piranha 3D, The Hills Have Eyes) from Keith Bunin’s script, Horns stars Daniel Radcliffe, Max Minghella, Juno Temple, Joe Anderson, Kelli Garner, and James Remar.
Horns, a supernatural thriller driven by fantasy, mystery, and romance, follows Ig Perrish (Radcliffe), the number one suspect for the violent rape and murder of his girlfriend, Merrin (Temple). Hungover from a night of hard drinking, Ig awakens one morning to find horns starting to grow from his own head and soon realizes their power drives people to confess their sins and give in to their most selfish and unspeakable impulses – an effective tool in his quest to discover the true circumstances of his late girlfriend’s tragedy and for exacting revenge on her killer.
This rock and roll infused dark fantasy explores why bad things happen to good people and what the loss of true love can do to a man. The widely acclaimed book was on the New York Times bestseller list for six weeks and has become an international bestseller as well.
Another flick playing at this year's Fantasia Film Festival is Michael and Peter Spierig's (Undead, Daybreakers) latest film, Predestination. Check out some new eye candy and more right here!
The Spierig brothers wrote the original screenplay, which chronicles the life of a temporal government agent sent on an intricate series of time-travel journeys designed to stop future killers.
The directing duo produce with Brisbane-based Patrick McDonald of Wolfhound Pictures and Tim McGahan of Blacklab Entertainment. The film stars Ethan Hawke, Sarah Snook, and Noah Taylor.
"Predestination is based on the classic Robert A. Heinlein short story 'All You Zombies.' No, it's not a zombie flick, but it's one of our favorite short stories and is unlike anything you've ever read before," said the Spierig brothers previously. "The short is on many sci-fi lists as one of the greatest short stories of all time and the mother of all time paradox tales. Heinlein is considered one of the great science fiction masters alongside Phillip K. Dick, Isaac Asimov, and Arthur C. Clarke."
Predestination chronicles the life of a Temporal Agent sent on an intricate series of time-travel journeys designed to ensure the continuation of his law enforcement career for all eternity. Now, on his final assignment, the Agent must recruit his younger self while pursuing the one criminal that has eluded him throughout time.
We're just a few hours away from the premiere of "Under the Dome" Episode 2.03, "Force Majeure," and to help you fill the time, CBS has released a pair of new videos: "Meet the Town Barber" and "Creating Chester's Mill."
The first vid introduces us to town barber Lyle Chumley, played by Dwight Yoakam, and in the second Location Manager Brooke Barnhill gives us an inside look at how she creates Chester's Mill by carefully selecting locations in and around Wilmington, NC.
"Under the Dome" stars Mike Vogel (Barbie), Colin Ford (Joe), Alexander Koch (Junior), Rachelle Lefevre (Julia), Dean Norris (Big Jim), and Mackenzie Lintz (Norrie). Season 2's newcomers include Brett Cullen, Sherry Stringfield, Eddie Cahill, Grace Victoria Cox, Dwight Yoakam, Karla Crome, and Dwayne Boyd.
Related Story: Visit our "Under the Dome" Archive
"Under the Dome" Episode 2.03 - "Force Majeure" (airs 7/14/14; 10-11 PM)
When tensions in Chester's Mill continue to rise as resources dwindle, Big Jim holds a census in order to forecast how long the town can continue to exist under the dire conditions. Meanwhile, a rainstorm brings much-needed water until it changes to acid rain, threatening the lives of everyone it touches. Also, Rebecca (Crome) and Lyle butt heads over the reasons for the dome's existence.
Playing as part of this year's Fantasia Film Festival is the new film from Julien Maury and Alexandre Bustillo (Livid, Inside), entitled Among the Living, or Aux Yeux Des Vivants for you purists out there; and right now we have the French poster and a pair of fresh stills.
Chloe Coulloud, Lannick Gautry, Francis Renaud, and Beatrice Dalle star in the flick, which has been described as a hybrid of Stand By Me and Stephen King's IT.
Youngsters Victor, Dan, and Tom skip school to wander around an abandoned movie set. They stumble upon an horrific vision: a woman in chains is dragged through the field by a man wearing a clown mask. The masked man catches a glimpse of the boys, who scramble to run away. But, before they can escape, they see something which has been hidden for years, something they were not meant to see.
Terrified of having been seen by the masked man, the boys try to alert the police. Unfortunately, their past record of unruly behavior discredits them, and the police do not follow up on their tipoff. That night someone breaks into their homes, seeking to eliminate them... One after another... They are going to meet Klarence...
It feels like we've been talking about Hélène Cattet and Bruno Forzani's (Amer) new film, The Strange Colour of Your Body's Tears, forever now. Thankfully U.S. audiences will finally get to see it for themselves as Strand Releasing announced today an August 29th release date!
The Giallo throwback stars Klaus Tange, Jean-Michel Vovk, Sylvia Camarda, and Sam Louwyck and centers on the surreal drama that follows a husband who plunges into a nightmare world while searching for his missing wife.
Look for more on The Strange Colour of Your Body's Tears (review) soon!
From directing duo Hélène Cattet and Bruno Forzani (Amer), comes this homage to the masters of classic Italian Giallo horror. Dan returns home to find his wife is missing. With no signs of struggle or break-in and with no help from the police, Dan's search for answers leads him down a psychosexual rabbit hole. THE STRANGE COLOR OF YOUR BODY'S TEARS is a bloody and taut fantasia of suspense that leaves the viewer entranced in this highly original erotic thriller.
Entertainment Weekly scored an early look at AMC's "The Walking Dead" in the form of Norman Reedus' character, Daryl Dixon, in a whole lot of trouble! Look for more goodies as the show makes its way to the San Diego Comic-Con.
Speaking of which... The cast and producers of AMC’s record-breaking hit series “The Walking Dead” will participate in a panel at this year’s Comic-Con in San Diego, CA, during which they will discuss what fans can expect in the highly anticipated fifth season, which debuts in October.
“The Walking Dead” panelists include: Andrew Lincoln, Norman Reedus, Steven Yeun, Lauren Cohan, Danai Gurira, Melissa McBride, Chad Coleman, Michael Cudlitz, executive producer and showrunner Scott Gimple, executive producer Gale Anne Hurd, executive producer Robert Kirkman, executive producer and special effects make-up supervisor Greg Nicotero, and executive producer David Alpert. The panel will be moderated by “Talking Dead” host Chris Hardwick.
The panel runs from from 12:20-1:20 pm on Friday, July 25, in Hall H, with an autograph session following from 1:50-2:50 pm in Booth #4237.
To stay up-to-the-minute on all things walker related, follow @WalkingDead_AMC on Twitter and visit "The Walking Dead" on Facebook. For more be sure to hit up the official "The Walking Dead" page on AMC.com.
Few times in my life have I ever come across something that genuinely startled me. The work of horror artist Melissa Patterson has done just that. Read on for a look at her creations that are so frighteningly real they have to be seen to be believed.
"I make them by buying a blank vinyl kit and painting it with GHSP, in water thin layers, and baking the doll parts in the oven between layers to set the paint," Patterson tells us of the creation process.
"I use different brushes and tools to make detailed efx like capillaries, veins, skin mottling, etc. I use glass eyes in them. Sometimes I paint the hair, and sometimes I micro root each individual strand. I also give them real lashes if it's age appropriate. It's a list of processes, really, but the look on people's face when I tell them I put babies in the oven is priceless!"
Patterson continues, "They always seem to take on a 'life' of their own. Each one I make is one of a kind, guaranteed. I usually charge $350.00 for a custom baby. I know that's a lot, but these guys aren't cheaply made in any way, and it takes 2 to 3 weeks to make each one. I don't do it for the money; I do it because it makes somebody happy and I like seeing what I can come up with next."
If you really want to freak someone out, she add, "I can also make ones that breathe and have a heartbeat!"
Check out Melissa's vampire baby, Vittoria, below. We've also included a quick look at her zombie clown (sorry, coulrophobics) prototype. For a closer look at Patterson's tamer, yet incredibly realistic work, you can visit her Pitter Patterson Nursery Facebook page and follow her on Twitter @joyoffourgirls.
Gregory Lamberson has unveiled the covers for his next two novels from Medallion Press, The Frenzy Wolves and Human Monsters. Both are the final chapters of their respective franchises, The Frenzy Cycle and The Jake Helman Files.
The Frenzy Wolves, which will be published in October, is the third book in author/filmmaker Lamberson's The Frenzy Cycle werewolf trilogy, in which a New York police captain navigates conflict among opposing factions of werewolves and werewolf hunters in the age of terrorism.
With the aid of his elite squad of super cops, NYPD Captain Tony Mace has defeated the werewolf slayers known as the Brotherhood of Torquemada. But now a new enemy has risen to persecute the peaceful Wolves, and Tony’s loyalty to Gabriel Domini, leader of the pack, places him at odds with his department.
Gabriel’s brother, Raphael, objects to Gabriel’s efforts to integrate the Wolves into human society and seeks to start a war against mankind. When Rodrigo Gomez, the Full Moon Killer, escapes from prison, his quest for vengeance draws Tony into a battle for supremacy among the Wolves which could lead to a far greater war for both species.
Human Monsters, due out in March 2015, is the sixth and last book in the award-winning occult detective series The Jake Helman Files, which began with Personal Demons back in 2009.
"It's bittersweet to finish each series," says Lamberson. "The Frenzy books are based on a screenplay I wrote in 1986 called The Greenwich Village Monster, and I created Jake Helman in a screenplay called The Forever Man that same year, so these characters have been with me a long time. I have more stories to tell about Jake, but for now this is the end of his literary adventures."
Lamberson, who is currently adapting his zombie novella Carnage Road into a screenplay for actor Craig Sheffer, is also developing The Jake Helman Files as a possible TV series with David Tripet, who worked on such films as Leprechaun, Wishmaster, and Return of the Living Dead III as a development executive.
"Now that I've written six novels, the template exists for an edgy cable TV series," Lamberson says. "These books have all the sex, violence, and supernatural characters to make a great serialized show."
No synopsis is available for Human Monsters yet, but we'll keep our eyes open for that along with more news on the possible TV show.
Wild Eye Releasing, a sponsor of the PollyGrind Film Festival since 2011, has launched a new distribution label, PollyGrind Presents, in conjunction with Chad Clinton Freeman's international showcase of films. The first title, Play Hooky, will be released later this year.
Full specs will be announced shortly, but Wild Eye and PollyGrind are packing the Play Hooky DVD with bonus features, including exclusive content such as a commentary and liner notes from Freeman as well as short films hand-picked from the festival.
Below we have a look at the film's artwork, trailer, and more info on the new label.
Wild Eye CEO Rob Hauschild called PollyGrind "a brilliant, head-on collision of arthouse and grindhouse movies," and added, "Wild Eye is dedicated to giving independents like Play Hooky a position in the mainstream through traditional distribution, and PollyGrind is ground zero for discovering true independent talent."
Winner of the Most Innovative Film award at PollyGrind in 2012, Play Hooky is the perfect film to christen the partnership with Wild Eye, says Freeman. "Play Hooky is the epitome of the pioneering spirit that inspired me to found PollyGrind. It's a great example of making something out of nothing, and I'm really excited to be helping to share this film with the world."
Five high school friends skip class in hopes of finding the perfect spot to party. They chose the wrong place. Against all warnings, they break into an abandoned mental hospital, notorious for reports of ghost sightings, satanic rituals, and demonic possessions. Now, armed only with a camera, they are trapped inside, haunted and hunted by something they cannot stop, reason with, or describe. The camera captures every last breath in the fight for their lives.
Forget Route 666. The Devil’s Mile is an even more evil stretch of road in this new horror thriller starring David Hayter and directed by Joseph O’Brien, with whom we recently had a chance to chat about the film.
Devil's Mile follows a trio of kidnappers who take an ill-advised detour (is there any other kind?) en route to deliver their hostages – a pair of teenage girls - to their mysterious employer. When one of the girls dies along the way, the trio’s slowly-boiling mistrust explodes into chaos.
But what they thought was their worst day ever is only beginning as they are engulfed by the hellish forces that haunt the road - a road they may never escape.
Dread Central: This is one of the few indie horror movies that really lives up to the promo material. I'm curious to know how much the story evolved from your initial idea to script to shooting and final edit. Did different aspects of the story come to the fore more as it progressed?
Joseph O'Brien: That's very nice of you to say; thank you. It's greatly appreciated. The basic spine of the story – a group of people become trapped on a road haunted by supernatural forces – was always there. Originally the characters were just regular folks on a road trip, but that felt mundane and done to death. I'd seen it before. You'd seen it before. And I was writing a moment where one of characters opens the trunk and thought, 'What if there were two girls tied up inside?' And it clicked. This isn't a horror movie; it's a crime thriller that evolves into a horror movie! They're two of my favorite genres, and the idea of combining them really appealed to me. It energized the story and opened up a lot of narrative possibilities. Once I started exploring the idea of a hybrid genre, it became very important to make sure that I didn't just swap one for another. The crime thriller had to inform the horror movie and the horror movie had to transform the crime thriller. Tonally they had to feel like a single story, not two stories bashed together.
The movie did change and develop in the making of it, all of it positively I think, but it was more in terms of the feel of the movie than the content. I had originally envisioned Devil’s Mile as more of a straight-up exploitation film, a bit more hyperbolic. It changed a bit once we were cast. The dramatic scenes played straighter and more intensely than I had expected – all credit due to the actors for taking the material as seriously as they did. But it also a got a bit funnier and a lot stranger.
I think the biggest tonal shift came when I dropped two scenes – partly for scheduling reasons, but also because the film was coming together and I realized they weren't essential. They were arguably the two most overtly stock “horror” scenes in the script, in the sense that they were there to be scary for their own sake, but they didn't push the story forward, and while I don't miss them narratively, it definitely tilted the balance. And then of course Chris Alexander created this fantastic, evocative score that unified all the elements into a single entity.
DC: When did David Hayter come on board? It's almost as though this part was written with him in mind.
DOB: We first talked to David while the script was being finalized. I had been a fan of his work for many years, and we had been recently introduced by a mutual friend. David had started out as an actor, but that career was kind of sidelined when he became a writer of Hollywood blockbusters, the poor guy. By complete coincidence, he was also childhood friends with my producing partner, Mark Opausky, and when we were thinking about actors who could play Toby, I suggested David. I knew he still had the acting bug, and I thought his intensity and personality could really lend something to the part – and I was right. Mark sent him the script and he responded very strongly to the character of Toby. He arrived on set with a very clear idea of what he wanted to do with the character, and he very much made Toby his own. On the page Toby was a slightly more thuggish character, and David brought a charm and humor and nuance to him that I really liked. It created an interesting contrast to his more violent moments and made them even more shocking, I think.
DC: How'd the rest of your cast come together? The female leads are particularly good, and they all mesh so well.
DOB: Maria Del Mar and I worked together on a miniseries I had written a number of years ago, and I had always wanted to do another project with her. When we were in the early stages of putting the movie together, she had mentioned – on Facebook of all places – that she was looking for something different to do. So I messaged her about Devil’s Mile – not really expecting her to respond – and to my surprise and delight she asked to see the script. She read it and committed a full year before we rolled cameras on the movie, for which I am eternally in her debt.
Casey Hudecki, what a discovery she turned out to be. I knew her a little bit through a group of actors and writers and creative people that we both hung out with. She was brimming with potential – a terrific stage actor, fight director, and stuntperson – but she had never been in a movie before. We screen tested her with Maria – they had immediate chemistry – and she just lit up the screen. After that we didn't even consider anyone else. It was Casey all the way. And Casey being Casey, she exceeded our very high expectations at every turn. She was there every day of the shoot, not just acting but also choreographing the fights and getting yanked through the air on a jerk harness. She kicks ass.
Samantha Wan and Amanda Joy Lim came to us through the audition process. Casting Suki and Kanako was the scariest and most challenging part of putting the movie together. They're smaller parts but they're pivotal to the story and they have unique very specific requirements; we looked at a lot of people and couldn't quite nail it down. Then Sam and Amy walked through the door, and it was like the characters had come to life in front of me. The first day makeup effects designer Allan Cooke came to set and saw them in costume, he walked over to me and said, 'They look exactly the way I pictured them when I read the script!'
Frank Moore and Craig Porritt, who play Mr. Arkadi and The Caretaker, respectively, also auditioned. In contrast to Amy and Sam, they were very different from the characters as I had envisioned them, but their interpretations were so much stronger and nuanced than what I had in mind, I literally couldn't see the characters the same way again.
DC: When it comes to adding CGI to the supernatural aspects of the film, would you describe how you decided how much to use, and how much is practical?
DOB: I'm an 80s guy; I love prosthetics and special makeup effects. I've got my well-worn copy of Grande Illusions signed by Tom Savini on my bookshelf. And I knew when we were making this that I wanted to have a real, physical monster. The Kanako demon is a full-body prosthetic, sculpted and built by Allan Cooke and worn by Shara Kim, that we photographed live on set. But I also needed her to have an unreal, unsettling quality, so I treated that footage with digital effects to take it out of the strictly physical realm and into something more ghost-like. So it's more of a computer-enhanced image than a computer-generated one. On balance I would say it's actually about 95% practical – what you see on screen in mostly real.
I love visual effects, both practical and digital, and every technique has its virtues and its drawbacks. But audiences – and particularly genre audiences – are so savvy about these things that they sometimes experience and appreciate the technique over the dramatic effect that technique is trying to convey. I know because I do it myself. So I definitely wanted to disguise the technique and do something unexpected, and like the story, I chose to deploy a hybrid approach that would blur the lines a bit. It's scarier that way, too, because you don't quite know precisely what you're seeing happen.
DC: Since you'd only directed one short (according to that pillar of accuracy, IMDb.com) before this feature, can you talk a little bit about some of the unexpected things that came up making a full-length film?
DOB: Well, I've worked in various capacities – credited and uncredited – in feature films for close to twenty years. I've been a production assistant and I've been a development executive and I've had jobs at all points in between, which turned out to be ideal preparation for directing because even if I haven't specifically done someone's job, I'm familiar enough with it to be able to effectively communicate with the person who is doing it. Just being able to do that gives you a much greater awareness of the set and a more granular control of delegation to the crew.
The one thing I still haven't figured out how to control is the weather. We shot on a tight budget and a tight schedule, and we got rained out of a location before we could finish a key scene in the movie – the moment where we first reveal the demon, which happened to be the only scene I had actually storyboarded. And when we got back together to pick it up – months later, in a completely different location – we got rained out again. The scene was fucking cursed, but there was no way we could do without it, and this was absolutely our last chance to get it. We wound up shooting this critical night exterior inside a parking garage with an eight-foot ceiling, which meant all my storyboards went out the window and I had to rethink the entire scene on the spot. It was a nightmare. It took every scrap of learning I had had up to that point, an incredibly dedicated crew, and a couple of very resourceful and clever producers to pull it together and make that scene happen.
DC: Who are some of your favorite independent horror filmmakers, and which movies of your peers inspire you the most?
DOB: The two biggest influences on Devil’s Mile were my two favorite directors, Mario Bava and John Carpenter. They're both thought of as horror filmmakers, but they actually have quite diverse filmographies. I definitely had Bava's Rabid Dogs (a.k.a. Kidnapped) in mind when I was writing the early scenes when everyone's in the car, and his use of vivid color to convey the supernatural in Kill Baby Kill and Black Sabbath consciously informed the palette of the night scenes. A lot of my love of Carpenter's Prince of Darkness bled through here, consciously and unconsciously. And PoD is itself Carpenter's tribute to one of my favorite writers, Quatermass creator Nigel Kneale (who is essentially the godfather of genre-smashing). When I was writing the script, my imaginary version of the cast was Jamie Lee Curtis, Adrienne Barbeau, and Kurt Russell, all circa 1981.
In terms of people making movies currently, I really dug Nicholas McCarthy's The Pact and Mike Flanagan's Absentia. Both of those guys took tiny budgets and made strong, character-driven, genuinely frightening movies that both satisfied the expectations of the genre while at the same time delivering something fresh – I haven't yet seen their respective followups, Home/At The Devil's Door and Oculus yet, but I'm really looking forward to them. And I loved the way Simon Barrett and Adam Wingard made You're Next funny without being self-congratulatory or self-referential, in a way that it enhanced the scares instead of undermining them, and that's really, really hard to get right. When I see guys that young and that talented knocking it out of the park like that, I don't if I'm so much 'inspired' as I am 'terrified that I'm late to the party,' but it certainly motivates me.
DC: What is your favorite "road horror" movie?
DOB: It's a great little subgenre, with some interesting films to show for it... one that speaks to me, obviously. John Dahl's Joy Ride is a personal favorite and quite underrated. Ditto Richard Franklin's Road Games. And The Hitcher, the original, is a genuinely nightmarish thriller with a mean streak a mile wide. But for me it all goes back to seeing Duel on TV as a kid (and many, many time subsequently). A script by Richard Matheson at the peak of his powers, directed by Steven Spielberg at his hungriest moment – an unbeatable combination. There's an elegant simplicity to that movie that I don't think has ever been matched. Just Dennis Weaver on an endless stretch of highway being chased by a giant truck, stripped-down, terrifying, and pure. Doesn't get better.
Look for the indie thriller Devil's Mile on August 12th on both DVD and VOD outlets!
Joining David Hayter and Casey Hudecki on this terrifying journey are Maria Del Mar ("24", Terminal City, Jekyll + Hyde) and Frank Moore (best known to genre fans for his lead role in David Cronenberg’s Rabid, opposite the late Marilyn Chambers) as crime lord Mr. Arkadi, whose machinations set the sinister events of Devil’s Mile in motion.
A gang of psychotic convicts take a dangerous and ill-advised detour after brutally kidnapping two young girls. As the captors speed away, events quickly turn out to be much more dangerous and gruesome than they had planned for. While driving down a long and dark stretch of deserted highway, the car becomes surrounded by mysterious sinister spirits, forcing the captors and young girls to work together in hopes of surviving the deadly evil force.
Remember the name Jack Icefloe Jackson. He's listed as the author of the new book Romance for Men: Pandora's Box, and he's one helluva character. Icefloe is a sex machine from the backwoods of Alaska and as unique as they come. One quick peek into Romance for Men will prove it!
Okay, we've got to be honest here: Romance for Men: Pandora's Box may not necessarily have been penned by the lead character, Icefloe. In actuality, and in a deliciously fun twist, Emmy-nominated writer Dean Lorey has to be given some credit for the book.
Lorey is best known as the writer of Friday the 13th Part 9: Jason Goes to Hell (he's also written for "Arrested Development" and came up with some other cult classics like Major Payne). And Lorey has hit a major home run with his new book.
Romance for Men: Pandora's Box has been hugely praised by horror icons like Kane Hodder, Tyler Mane, and Sean S. Cunningham as well as mainstream superstars like Sarah Michelle Gellar, Robin Williams, and Denis Leary. It's outgoing, outrageous, and outright insane. Take a look at the official Jack Icefloe Jackson website to get an idea of what this off-the-wall book is all about.
And if you're like the ladies and just can't get enough Icefloe, 'like' Jack Icefloe Jackson on Facebook, follow Icefloe Jackson on Twitter (@icefloejackson) and check out Icefloe Jackson on Instagram.
You can also get a peek at the first few pages of Romance for Men: Pandora's Box on Amazon.com.
Having its world premiere at this year's Fantasia Film Festival is Canadian director Matt O'Mahoney's Bloody Knuckles, a horror comedy from Junkfood Pictures in association with Fusion Films and Domogeneous; and the film's official poster and first still have arrived.
Written and directed by O'Mahoney (credited as Matt O), Bloody Knuckles stars Adam Boys, Kasey Ryne Mazak, Gabrielle Giraud, Ken Tsui, Dwayne Bryshun, Steve Thackray, Tim Lok, Jason Asuncion, Kent Leung, Robin Jung. and Krista Magnusson.
Look for more soon, and in the meantime keep your eyes on the Bloody Knuckles Facebook page.
An underground comic artist mocks the wrong mobster and loses his drawing hand in retribution. The artist may be silenced, but the severed appendage returns, to continue drawing comics on its own - and commit some seriously bloody acts of vengeance! A splatter horror comedy about freedom of expression that’s as touching as it is profane.
Chile is an interesting place. I've never been there and know very little about it, but they have an actual branch of their version of the FAA that investigates UFO reports. That's pretty damn interesting.
The CEFAA (Committee for the Studies of Anomalous Aerial Phenomena) even has a website where photos under investigation can be viewed. Their latest report, as mentioned in Leslie Kean's HuffPost blog, concerns a series of photos taken in April 2013 at a mining facility in the Andes.
Scientists and engineers working at the mine observed what can only be described as a good, old fashioned flying saucer. The object was said to be hovering over the site, making absolutely no sound. The witnesses said it made several maneuvers that demonstrated it wasn't simply floating in the wind. The lack of noise ruled out a drone.
Both of the photos show the object, but in different locations and in a different orientation. Sunlight is clearly reflecting off the metallic object, although one analyst states that the light is too bright and at an incorrect angle to be sunlight and could be energy being emitted from the disc.
The CEFAA analysis ruled out most explanations, and thus the report states that it is indeed an unidentified flying object.
Do these clear photos from educated, scientific witnesses show something unearthly? An experimental craft? Time travelers? Let us know what you think below!
Douglas Clegg's new novella Dinner with the Cannibal Sisters is nearly finished at the printer and will be released this summer by Cemetery Dance. We have a look at the cover art and a few of the stunning interior drawings by Caniglia.
Visit Cemetery Dance's online store to pre-order your copy. At this time the exact publication date hasn't been revealed, but expect to see Dinner with the Cannibal Sisters sometime during the summer of 2014.
You're invited to dinner in this dark gem about a notorious family — and a feast like no other.
In October 1890 authorities discovered two teenaged girls at Bog Farm surrounded by a scene of unimaginable carnage. A legend grew of their cannibalistic night of terror, but young Lucy and Sally were never put to trial and no one has ever before gotten close enough to interview them.
Twenty years later an inexperienced reporter travels to their New Hampshire farm, determined to shed light upon the events of that night.
Lizzie Borden, Dr. Crippen, the Windrow Sisters — murderers whose mystique has lasted more than a century. But of them all, the tale of the Windrow girls is unrivaled in its legend of depravity and innocence corrupted.
Award-winning F/X artists, monster-related artwork displayed and sold, killer celebrity guests. These things and more will all be found at the 2014 Son of Monsterpalooza at the Marriott Hotel and Convention Center in Burbank, CA, running September 12-14.
Boasting guests like Angus Scrimm, Reggie Bannister, Gunnar Hansen, Ed Neal and Terri McMinn as well as seminars, vendors, a costume contest and walk-through monster museum, Son of Monsterpalooza 2014 promises to be just as impressive as its predecessors.
From the Press Release
Award-winning FX artists, monster-related artwork displayed and sold, special presentations, a walk-through monster museum, and so much more will be available at Son of Monsterpalooza 2014 in the Marriott Hotel and Convention Center in Burbank, September 12-14.
Special guests from horror and sci-fi films include: Angus Scrimm (Phantasm I-V, John Dies at the End), A. Michael Baldwin (Phantasm I, III, IV, V), Reggie Bannister (Phantasm I-V), Gunnar Hansen (The Texas Chain Saw Massacre), Ed Neal (The Texas Chain Saw Massacre), Terri McMinn (The Texas Chain Saw Massacre), Caroline Munro (The Golden Voyage of Sinbad, Maniac, The Abominable Dr. Phibes), Patty Mullen (Frankenhooker, Penthouse Pet), Ken Satsuma (Godzilla suit actor, Godzilla vs. Gigan, Godzilla vs. Biollante, Godzilla vs. Mothra), Tsutomu Kitagawa (Godzilla suit actor, Godzilla 2000, Rebirth of Godzilla, Godzilla vs. Mechagodzilla), Lori Cardille (Day of the Dead), Joe Pilato (Day of the Dead) and Gary Klar (Day of the Dead).
Additional guests include Mike Hill (renowned portrait sculptor), Casey Love (The Thing, creature designer, sculptor and painter), Ahahito Akido (F/X artist and sculptor), Steve Wang (Predator, creature designer/sculptor/painter), Tim Gore (Hellboy, F/X artist and painter), the Chiodo Brothers (Killer Clowns from Outer Space, Critters)... and LOTS more to come!
Dubbed the "Sumnado of Sharknado," a recap video of the social media phenom known as Sharknado has arrived to make sure you know everything you need to before the storm hits the city that never sleeps in Sharknado 2: The Second One.
In Sharknado 2: The Second One, a freak weather system turns its deadly fury on New York City, unleashing a "sharknado" on the population and its most cherished, iconic sites – and only Fin and April (Ian Ziering and Tara Reid, returning from the original) can save the Big Apple.
Kelly Osbourne, Judd Hirsch, Andy Dick, Judah Friedlander, Vivica A. Fox, and Mark McGrath also appear in the Syfy Original Movie, which promises cameos by the likes of Perez Hilton, rapper Biz Markie, Salt-N-Pepa's Pepa (aka Sandra Denton), Robert Klein, and professional wrestler/Olympic gold medalist Kurt Angle.
Anthony C. Ferrante returns to direct a screenplay by Thunder Levin, who also wrote Sharknado.
Sharknado 2 premieres on Wednesday, July 30th, at 9 PM PT/ET, just a little more than one year after the original Sharknado aired.
Tristan Risk, who wowed audiences in the role of Beatress in American Mary last year, will be bringing her fabulous talents to the set of director Ryan M. Andrews' newest project, Save Yourself, which begins filming soon.
Little Miss Risk can also be seen in the new short film Call Girl, the upcoming Fetish Factory and Fembot, as well as many other entertainingly twisted underground projects, leading to what is sure to be a huge and exciting year for her. Currently, she joins Jessica Cameron amongst a fully Canadian cast in Andrews' Save Yourself.
Andrews is completely stoked to be working with Risk. "The Soskas’ film American Mary was arguably the biggest indie film of last year, and Tristan Risk’s character, Beatress, was a stand-out performance," Andrews said. "The character was so unique and interesting. Risk played it perfectly, and to have a talent like her bringing her edge and attitude to Save Yourself is truly exciting."
And the respect is mutual as Risk is very excited to join such a talented cast and crew. On joining Save Yourself, Risk said, "I’m so thrilled to be doing this since it’s got some great traditional horror elements with girls road tripping and running afoul of some folks of a deviant nature but also because of its other qualities. I think this will surprise quite a few people and continue a proud tradition with Canadian genre."
From the Press Release
Director Ryan M. Andrews is excited to attach American Mary star Tristan Risk to a powerhouse ensemble cast of Canadian talent in Save Yourself. Risk joins the previously announced cast of Jessica Cameron (Truth or Dare), Ry Barrett (The Demolisher), Tianna Nori (Clean Break), and Sydney Kondruss (The Drownsman).
And the talent does not stop there. Andrews, along with executive producers Pino Halili and Allen Ormerod, did a grueling casting session to hand pick for each role, including Caleigh LeGrand (Late Night Double Feature), Bea Santos (Antisocial), and a special appearance from veteran star Bobbie Phillips, whose credits include Wes Craven’s Carnival of Souls, Showgirls, Evil Breed, "The X-Files." and many more.
Phillips says, “I’m thrilled to be joining the cast of Save Yourself and looking forward to working with the delightfully twisted Ryan Andrews, Jessica Cameron, and the rest of the bloody talented crew.”
Returning to Andrews’ side to shoot the film is Michael Jari Davidson (Berkshire County, The Last Halloween, SICK). "Mr. Davidson shares the same love and passion that I have for this genre. His skills are beyond reproach, and his style compliments me perfectly," Andrews says about his cinematographer.
Predator. The ultimate killing machine. He went up against two men who went on to become United States governors in his first film, and he just kept kicking ass from there. But how would he fare in medieval times? The short film Predator: Dark Ages will ask that question.
Featuring a premise that will pit the intergalactic headhunter against the Knights Templar, Predator: Dark Ages promises to be a fan film extraordinaire. The director will be award-winning filmmaker James Bushe.
Actors currently attached to the project are Adrian Bouchet (Clash of the Titans, Alien vs. Predator), Jon Campling (Harry Potter and the Deathly Hallows, Part 2), Ben Loyd-Holmes ("Da Vinci's Demons"), Zara Phythian (He Who Dares), and Amed Hashimi (47 Ronin).
Check out the teaser trailer below, and to help this project become a reality, visit the Predator: Dark Ages Kickstarter page, "like" Predator: Dark Ages on Facebook and follow Predator: Dark Ages on Twitter (@Predator_DA).
Predator: Dark Ages Synopsis
Our story begins in a dark prison cell with a mysterious man chained to the wall, tired and hungry. He is the only living survivor from an attack on a group of soldiers. The only living witness to the atrocities a demon of the night performed in front of his very eyes.
Entrusted by the church to hunt down the beast that slaughtered their brothers in arms, a group of battle-worn Templar Knights must use this only witness to find and kill the demon that plagues the English countryside. To lead this group is a knight who no longer believes in God or country and has given up on humanity. But will this one last battle help him regain his lust for life and save his fellow brothers as well as himself?
The soldiers are only too aware of the devastation that was brought to their lost comrades and so must turn to others to assist in their quest. A group of battle-hardened, money-driven mercenaries are called upon to join the hunt. Having to not only drag with them a suspicious sole survivor who is an eyewitness but also a pack of untrustworthy mercenaries, a difficult path full of twists and turns lies ahead for the Templar Knights, more so than they first believed.