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Updated: 10 hours 46 min ago

The Universal Monsters Will Rule Once More!

Wed, 07/16/2014 - 16:42

Even though we clamor for original horror, Hollywood being in full-on franchise mode could work to our advantage.

If you go all the way back to 1931 you’d see the birth of the franchise, where Frankenstein, Dracula and Dr. Jekyll and Mr. Hyde spawned many of sequels. In years following, Universal Pictures also unleashed The Wolf Man, The Creature Of The Black Lagoon, The Invisible Man and even The Mummy. They have become known as the “Universal Monsters.”

Even though the studio has already dabbled in remakes – from The Wolfman to The Mummy – word has it they’re determined to revive them all, again, in a way similar to how DC and Marvel have been creating massive superhero blockbusters.

Says Deadline, Universal is now dedicating renewed resources and an unprecedented, far-reaching commitment to revitalize its monster heritage.

The studio is in early stages of developing a substantial new production endeavor that will expand and unify a network of classic characters and stories. The architects of that narrative will be Alex Kurtzman and Chris Morgan.

Kurtzman recently broke with partner Roberto Orci, but his big-scale projects have included Transformers, Star Trek and The Amazing Spider-Man. Morgan is the writer behind five installments of The Fast And The Furious, which has been Universal’s most reliably lucrative franchise. It’s not set in stone yet if either will write, but they will soon be going around town enlisting talent to bring new cinematic life to these enduring characters from lore, literature and Universal’s own library.

While Universal has selectively tapped its Movie Monster library for The Mummy, Van Helsing, The Wolfman, and the upcoming Dracula Untold, this will be the first time that the studio has formalized an approach to these classic characters in a cohesive, connected way rather than as a series of stand-alone projects by disparate filmmaking teams.

They’ve begun the meetings to put together an interconnected slate of Monster films, and the first will be a reboot of The Mummy, which will be released April 22, 2016. Part of their duty will be to work closely with production, marketing, promotions and consumer product to support the revival. They will also reevaluate projects which have preexisting attachments, and bring it under one cohesive strategy.

With The Mummy being the first on the slate, which Universal Monster do you want to see revived next? And how could all of these monsters be united – in a new Van Helsing? This is beyond exciting news!

Categories: Horror News

Escape the Summer Heat With This Freaky (and Free) Horror Game

Wed, 07/16/2014 - 16:15

It’s mid-July, and that means people like me — the ones who burn easily under the intense rays of the summer sun — have been forced to seek out shelter, lest we see our pale skin get charred by the big ball of fire that sits in the sky. Between that and the excessive heat, I’m of the opinion that summer can go right ahead and make room for my favorite month, autumn.

There’s still a bit of a wait left for that season, so until then, I recommend you stay indoors and watch this playthrough of Flash Frozen — a free indie survival horror game created by the senior 3D game design class at the University of Wisconsin-Stout.

If you’d like to play Flash Frozen yourself, you can download it for free here.

Categories: Horror News

Review: “Dark Engine” #1

Wed, 07/16/2014 - 15:02

“Dark Engine” is hauntingly alluring. It’s brutal and poetic, and will keep you on your toes for the entire read. It’s unlike anything else being publishing in comics right now, and it’s dark presence beckons you to be part of it. This is a stellar first issue that offers nothing but mystery and I couldn’t be more invested.

WRITTEN BY: Ryan Burton

ART BY: John Thomas Bivens

PUBLISHER: Image Comics

PRICE: $3.50

RELEASE: July 16, 2014

 

“Dark Engine” begins with a beautifully communicated bit of voiceover. It’s a darkly poetic description of the world you’re entering and gently introduces the character of Sym before Bivens rips a fucking hole through the page.

Sym is an unstoppable force. She rips through any sort of challenge and makes short work of it, before economically harvesting the bodies of slain beasts to create tools of destruction. She’s been sent back in time to save a plagued world, but the people who sent her back fear the engine that powers her will ultimately fail.

Ryan Burton makes an incredible debut to his world that doesn’t skimp on the necessary details but doesn’t feed enough exposition to bore. Instead he leaves the characters and world to speak for themselves, and we get the idea that the world of “Dark Engine” is much larger than this singular issue could ever show us. Which is exactly what you want in a debut.

John Bivens has a dayjob as a butcher, and when you look at these pages you’ll see a seamless blend of his two worlds. He makes evisceration an art, by masterfully bisecting any sort of insane creature he’s introduced to the page in a flurry of calculated gore. His coloring is superb and every page feels cooly alien but wonderfully communicated. You get a complete feel for this strange world and a tease of the creatures that inhabit it.

What guides Sym is somewhat mysterious. We’re left to assume it’s the titular “Dark Engine.” But it’s unclear what gives her such a strong conviction as she pushes forward. Yet, even without speaking a single word we understand her. She’s Kratos without the melodramatic hatred of the Gods to bog down her dialogue. She’s conviction personified.

Then you have the final pages of this issue. It’s a mindfuck of epic proportions that will likely have your jaw on the floor. But, you’ll quickly understand why Image picked this up straight to ongoing series. There is an incredible amount of depth here in the story and we’ve only scratched the surface.

“Dark Engine” is hauntingly beautiful and unique. It beckons you in with poetic dialogue and captivates you with visceral force. Get it on your pull list immediately.

Categories: Horror News

First Look at Ultron in “Avengers: Age of Ultron!”

Wed, 07/16/2014 - 14:19

Briefly, today we’re offered the first look at Ultron as he appears in the forthcoming Avengers: Age of Ultron from the cover of the newest Entertainment Weekly. No other news was shared, but expect a whole lot more to pour in as SDCC starts next week. I would imagine we’ll get our first plot details a brief teaser.

 

 

Image still isn’t in high res, but damn, I’ve got to say he looks pretty fantastic. And judging by the many robotic Ultrony looking guys in the background we’re not just getting one of him. Can you say Tony Stark created robot army?

More as it develops…

Categories: Horror News

Review: “Translucid” #4

Wed, 07/16/2014 - 14:11

“Translucid” #4 tones it down this week in a slower, more existential issue, letting us get more intimate with Cornelius/Navigator and how he deals with the loss of life under very different circumstances. At this point, its been pretty well established that Cornelius and The Navigator are one and the same. Cornelius’s story chronicles his journey to become the super hero, The Navigator, while Navigator’s seems to chronicle his fall from grace into darkness.

 

WRITTEN BY: Claudio Sanchez & Chondra Echert
ART BY: Daniel Bayliss
PUBLISHER: BOOM! Studios
PRICE: $3.99
RELEASE: July 16, 2014

Reviewed By Torbin Chimners

Cornelius continues to deal with his troubles in a vivid fantasy dream world apart from reality, gaining closure in the way only a child can. With the way his home life is progressing further into decay, how can you blame him? The loss of his brother, who was his abusive fathers favorite son, has brought a tremendous amount of blame down on poor Cornelius. His father hated him before and now he’s twisted the tragic loss into another reason to belittle and neglect his remaining son. Cornelius’s meek mother, unable to cope with Drake’s passing is also taking her grief out on him. Things are looking grim; this is the kind of foundation that can build a hero, super or not.

In contrast to having a life taken away, The Navigator is dealing with the fact that he took an innocent life. It my have been a mistake, an accident, but that does not lessen the action. All life should be sacred to a super hero; if it’s not, then they’re no hero. Navigator speaks aloud to himself, trying to work his way through what has occurred and if he even deserves or wants to be a hero anymore. It’s another awesome example of the originality of this book. You rarely, if ever, see someone like Batman or Spider-Man sit down and try to talk themselves through a terrible mistake. They swing around a city all majestic and broody with an inner monologue that only we see.

The Cornelius/Navigator dominated issue of Translucid this month took its time and it really paid off in spades. The Navigator section of this issue was the definite highlight, his existential crisis and incredibly human response to failure were expertly handled. Super heroes all too often feel like enormous figures, almost godlike, but in most cases they are still just people, human beings like you and me. The Navigator is an incredibly flawed and sympathetic character who I can’t help but be astonished by. I can’t wait to see what next months penultimate issue holds.

 

Torbin Chimners AKA Torin Chambers is a rad dude from the nineties who does film stuff or something. Thomas the Tank Engine is his favorite transformer. Find him on Twitter@Vulgar_Rhombus 

Categories: Horror News

Review: “The Squidder” #1

Wed, 07/16/2014 - 14:02

An action-packed sci-fi thriller, ” The Squidder” #1 takes readers on a surreal journey into the alien apocalypse. The experimental artwork will keep readers glued to the impressive pages.  If it’s butt-kicking action you crave “The Squidder” series will definitely fix that appetite of yours.

 

WRITTEN BY: Ben Templesmith

ART BY: Ben Templesmith

PUBLISHER: IDW Publishing

PRICE: $3.99

RELEASE: July 16, 2013

Reviewed By Jorge Solis

An innocent little girl is brought to the religious tent. The parents say nothing while an old, hagged woman places her sickly hands on their daughter’s forehead. This innocent child is frightened by the moving suckers on the elderly woman’s palm. Today is a special occasion because a sacrifice has been brought to the alien gods. Death is only the beginning as the Squids have invaded earth and have wiped out humanity.

In the opening pages, writer/artist Ben Templesmith takes readers to a vivid and weird  futuristic setting. There are aspects of the western genre in the colorful imagery as Earth has become a nuclear wasteland. Because there is no more technology, notice how the light source always comes from torches. In just a few pages, Templesmith tells readers exactly what kind of hostile environment these characters are living in.

I really liked the character design of The Squidder. This lone anti-hero has a huge gun in one hand and a sword tied to his back. The sharp blade is also chained to his worn-out belt. I don’t know why the lone alien slayer would need chains, but all I can say is that it looks very stylish. The trench coat is drawn out long as if the loner is wearing a cape.   

Templesmith keeps the readers inside the Squidder’s mindset through his bleak first-person narration. When you see the man’s face, notice how the side is scarred by self-inflicted battle wounds; as if he himself had stitched his wounds. Because there are no doctors and hospitals anymore, the exiled solider cannot rely on anyone else to help him.

The first installment has done a great job introducing the setting and main protagonist. I was surprised to see how much action Templesmith could fit into one panel. In a jaw-dropping scene, the Squidder approaches his target, while being shot at point-blank. In an extreme close-up, you will see someone’s eyes gouged out.

“The Squidder” #1 is an action-packed romp that never slows down. I definitely want to see happens next issue.    

Categories: Horror News

New ‘Horns’ Poster Embraces Its Inner Demon

Wed, 07/16/2014 - 13:58

To go along with the teaser trailer and news that an official October 31 release is locked and loaded (through RADiUS-TWC), here’s yet another comic-styled one-sheet for Horns, which marks star Daniel Radcliffe as the Devil.

In the aftermath of his girlfriend’s mysterious death, a young man awakens to strange horns sprouting from his temples.

Directed by Alexandre Aja (High Tension, Mirrors, Piranha 3D, The Hills Have Eyes) from Keith Bunin’s script, Horns stars Daniel Radcliffe, Max Minghella, Juno Temple, Joe Anderson, Kelli Garner and James Remar.

Bloody Disgusting’s Mike Pereira was a huge fan – read his review here – calling it “an audacious, wonderfully twisted romantic horror fantasy.”

Categories: Horror News

‘Into the Storm’ Clip Bursts Into Flames!

Wed, 07/16/2014 - 13:51

New Line Cinema used their Warner Bros. Instagram account to share the first ever clip from Into the Storm, helmed by Final Destination 5‘s by Steven Quale.

The footage rips through a town as a tornado becomes engulfed in flames. Some of the footage is part of the film’s trailer.

In theaters August 8, “In the span of a single day, the town of Silverton is ravaged by an unprecedented onslaught of tornadoes. The entire town is at the mercy of the erratic and deadly cyclones, even as storm trackers predict the worst is yet to come. Most people seek shelter, while others run towards the vortex, testing how far a storm chaser will go for that once-in-a-lifetime shot. Told through the eyes and lenses of professional storm chasers, thrill-seeking amateurs, and courageous townspeople, Into the Storm throws you directly into the eye of the storm to experience Mother Nature at her most extreme.

Richard Armitage, Sarah Wayne Callies, Matt Walsh, Alycia Debnam-Carey, Arlen Escarpeta, Max Deacon, Nathan Kress, Jeremy Sumpter, Kyle Davis, Jon Reep, and Scott Lawrence all star.

Categories: Horror News

‘Ouija’ Board Planchette Reveals Vengeful Spirits! (Trailer)

Wed, 07/16/2014 - 13:41

Even though it has been playing in theaters for weeks, Universal Pictures has just now said “yes” to putting the trailer for Ouija online, along with some images and the one-sheet.

In theaters October 24, the movie looks sort of like Final Destination, only they’re being haunted by what appears to be an angry old lady.

The pic stars “Bates Motel” and The Quiet Ones‘ Olivia Cooke, with Douglas Smith and Bianca Santos.

In Ouija, a group of friends must confront their most terrifying fears when they awaken the dark powers of an ancient spirit board.” 

Stiles White directs the supernatural thriller that is produced by Platinum Dunes partners Michael Bay, Andrew Form and Brad Fuller (The Purge, The Texas Chainsaw Massacre, Friday the 13th) alongside Blumhouse Productions’ Jason Blum (Paranormal Activity, Insidious series, The Purge), Bennett Schneir (Battleship) and Hasbro. 

Categories: Horror News

Review: ‘Buffy the Vampire Slayer: Spike—Into The Light’ HC

Wed, 07/16/2014 - 13:41

James Marsters has forged an impressively diverse career, ambitiously roving between stage, television, film, and music, and now he returns to Dark Horse Comics with another fantastic piece of fiction to add to the Buffyverse. Pick up “Buffy the Vampire Slayer: Spike—Into The Light” today at your local comic book shop, and hit the jump to read our review.

 

WRITTEN BY: James Marsters
ART BY: Derlis Santacruz
PUBLISHER: Dark Horse Comics
PRICE: $14.99
RELEASE: July 16, 2014

Reviewed By: ShadowJayd

James Marsters’ “Spike—Into The Light” is set in Greenville, California, near the beginning of season 7 of Buffy the Vampire Slayer. It’s structured as an intimate exploration of Spike’s journey as a newly-souled vampire, learning to survive in a world where his inclination to sin has all but been overthrown by his arduous–though firm—effort to be good. Marsters takes the narrative in a direction that feels more personal and familiar, as he easily slips back into the iconic role he helped to define, and the results are admirable. His tangibly strong connection to the character allows him to provide deeper characterization and a distinctive level of poignancy and dark humour that significantly adds to the effectiveness of Spike’s tale of redemption and strife; ultimately leading the character out of the darkness and into the light.

The typical formula for a Buffyverse arc commonly consists of a prominently featured “Monster of the Week Moment” subplot. And while there is the expected demonic obstacle in Spike’s way, including many action-packed panels of engaging violence, Marsters creatively opts for the Big Bad storyline to take a backseat to souled-Spike’s narrative of self-discovery and post-acquired soul survival. Along for the ride is romantic love interest, Dylan, whom Marsters has said is modeled after his gorgeous wife, actress/singer-songwriter, Jasmine Marsters.

The artistic team behind this issue work in beautiful tandem to successfully convey Marsters’ story and vision, with an impressive grasp of tone, form, and technique. With tons of great detail, Derlis Santacruz allows the scope of the writer’s narrative to be told with his pencils, and demonstrates his ability to effectively illustrate character likeness to a degree on par with Whedonverse comics gem, Rebekah Isaacs. His artwork is lifted to extraordinary levels by colorist Dan Jackson’s large palette of gritty dark hues, which emphasizes the chaotic and somber-mood of Marsters’ one-shot perfectly. Jackson’s solid rendering work is terrifically complimented by Andy Owens’ bold inks.

Goodies: Following the end of Marsters’ “Spike—Into The Light” is a four-page art spread—presented by Dark Horse Comics editor-in-chief, Scott Allie—which features an exclusive look at cover artist, Steve Morris, and penciller Dan Jackson’s rough sketches and tryout pages for the Whedonverse.

James Marsters’ “Buffy the Vampire Slayer: Spike—Into The Light” is a fan-must-have for your Buffy comics collection.

 

 

ShadowJayd, known everywhere else as Farah Jayden Hakkak, has been a staff writer for Bloody-Disgusting since July 2012. You can find her on Twitter, or passed out by the dirt road behind Wendy’s.

 

Categories: Horror News

Review: “The X-Files Year Zero” #1

Wed, 07/16/2014 - 13:32

While hunting a shape-shifting black leopard, Agents Mulder and Scully are assisted by a tip from the mysterious “Mr. Zero”.  Mulder notes some striking similarities to the first on record X-File which happens to involve animals attacks, a disgraced FBI agent teaming up with a disrespected female agent, and an enigmatic “Mr. Xero” in 1946.  Thus begins the cross-generational five issue miniseries “X-Files: Year Zero”.  Fans rejoice.

 

WRITTEN BY: Karl Kessel
ART BY: Greg Scott and Vic Malhotra
PUBLISHER: IDW
PRICE: $3.99
RELEASE: July 16, 2014

Reviewed By Epic Switzer

Two disclosures:  First of all while I love The X-Files tv series I haven’t been reading the season 10 continuation and secondly I tend to stay away from licensed comics. To me they tend to feel both inauthentic and inconsequential (unless they are canonical like the current drool-worthy Serenity series) so I was biased against this book before I started it.  Having said that I did actually enjoy reading it.  Connecting the two time lines is an interesting convention and there is enough mystery in both to create something that feels both fresh and true to the original series.  This is going to be an obvious case of a “If you are a fan, you’ll like it” review but the good news is there is really nothing to dislike about it.  This book is pretty strong from beginning to end.

Despite my personal feelings of licensed comics being a cash in, as a fan I can’t help but feel nostalgia seeing Mulder and Scully investigating cat people together.  Their interplay is true enough, and it is pretty funny to hear them use and discuss modern technology like google and texting, appropriate as the show was always known to have the first fan base to embrace the internet and social media.  I would have loved to see Mulder texting on his infamous giant cellphone, but I digress.

The 1946 team are meant to be parallels of Mulder and Scully but socially appropriate to the time period.  I think this is a really interesting idea and in fact I would really love to see a mid-century X-Files show, so major points for a clever concept.  In the first issue the present day team is used to bookend the 1946 narrative but I hope in future issues there is some flipping back and forth.  I think it will help the pacing a lot, as I felt this book kind of dragged in the middle.

There is nothing wrong with this book, but there also isn’t really anything special.  Creating in an established universe can be difficult as well as rewarding for the creators, but personally like with all licensed comics I found myself not really excited to keep reading.  If you a hungry for more X-Files this series won’t betray you. Otherwise you’re better off reading something new.

Epic Switzer AKA Eric is an aspiring filmmaker and screenplay writer living in Los Angeles.  His work tends to focus on the lighter side of entropy, dystopic futures, and man’s innate struggle with his own mortality.  He can be found on twitter @epicswitzer or reached via email at ericswitzerfilm@gmail.com

Categories: Horror News

5 Skull Review: “Rat Queens” #7

Wed, 07/16/2014 - 12:54

Last issue it was revealed that a grieving Gerrig is the latest threat to Palisade when he blinded Bernadette and kidnapped Sawyer and now, with the help of Dee’s estranged husband Kiah, we now know what he plans to do and how.  In this issue Lola gets some serious ass-kicking spotlight and a great deal of Dee’s history is discussed, as well as the most epic cliffhanger to date.  As expected, “Rat Queens” #7 doesn’t miss a beat.

 

WRITTEN BY: Kurtis J. Wiebe
ART BY: Roc Upchurch
PUBLISHER: Image
PRICE: #3.50
RELEASE: July 16, 2014

Reviewed By Epic Switzer

This issue delivers everything you love about “Rat Queens” and then some.  The characters are as true to themselves, the action is brisk and exciting, the dialogue is tight, everything about it is just perfect.  Before I go into detail, if you are reading “Rat Queens”, continue enjoying.  If you are not, what the fuck?  This is the most fun you’ll have reading a comic book all month, so get on it stupid.

There are no throwaway characters in this book, and Kiah is no exception.  Functioning primarily in a expository capacity, Wiebe still masterfully gives him life and depth.  Likewise, Gerrig is a worthy adversary and easily the most dangerous threat the Rat Queens have faced.  The pacing of this series is remarkable in that the stakes continue to raise without sacrificing the charm, relationships, or character building.  This is one of the most digestible and well crafted books on shelves.

There are no throwaway characters in this book, and Kiah is no exception.  Functioning primarily in a expository capacity, Wiebe still masterfully gives him life and depth.  Likewise, Gerrig is a worthy adversary and easily the most dangerous threat the Rat Queens have faced.  The pacing of this series is remarkable in that the stakes continue to raise without sacrificing the charm, relationships, or character building.  This is both one of the most digestible and well crafted books on shelves.

Half of the charm and class of this book is due to artist Roc Upchurch.  By way of comparison, there is a lot of Francis Manipul and even some Gabriel Rodriguez in the style and panelling, which incidentally are two of my favorite artists.  Upchurch can put a peppermint candy-person and a curb stomp in the same book and make both look appropriate and delightful.  I’m really digging the ceremonial death mask Garrig is wearing and the Cthulhu monster. I can’t wait to see more of both.

It’s sometimes hard to talk about a book that is consistently perfect.  I’ll continue to discuss the elements I was really drawn to each month, but for this book in particular I think it would be really cool to get some discussion going.  Leave a comment at the bottom about whatever you’d like and then come back next month to keep the conversation going.  I could write 500 words every month about how great it is, but this book really deserves some dialogue.  I look forward to hearing what you think.

Epic Switzer AKA Eric is an aspiring filmmaker and screenplay writer living in Los Angeles.  His work tends to focus on the lighter side of entropy, dystopic futures, and man’s innate struggle with his own mortality.  He can be found on twitter @epicswitzer or reached via email at ericswitzerfilm@gmail.com

Categories: Horror News

Review: “The Wicked + The Divine” #2

Wed, 07/16/2014 - 12:39

Laura is on the hunt for Ananke, the mysterious and unknown god-of-gods who sires each new incarnation and who Luci believes can help, in exchange Luci has promised to make Laura a god.  She gets some help from an unlikely expert and is tasked with contacting the underground god known as “The Morrigan”.  That’s what happens in “The Wicked + The Divine” #2, but that isn’t at all what its about.  If you are looking for something especially high concept this book will delightfully perplex you.

 

WRITTEN BY: Kieron Gillen
ART BY: Jamie McKelvie and Matt Wilson
PUBLISHER: Image

PRICE: $3.50
RELEASE: July 16, 2014

Reviewed By Epic Switzer

First I want to start off by saying that I am not qualified to critique this series.  This book consistently goes way over my head and I perpetually feel that I am missing the big picture, not catching on to the themes, and totally ignoring the cultural significance and substance.  I am not ashamed to admit this because after years of studying the work of Alan Moore and Grant Morrison I believe that british writers are smarter than us, more studied than us, and tailor their work for a high minded audience.  Simply put, I’m too dumb for “The Wicked + The Divine”.

That is not to say I don’t enjoy reading it, quite the contrary.  What is on the surface is profoundly engaging, and wrapping my mind around the established mythology of popstar gods and how humans respond to their existence is really something novel.  I’m just saying that this series has a great deal of depth that I haven’t quite been able to discern or articulate yet, but my ignorance only further intrigues me.  The more I feel I am missing something the more I am consumed by this book.  I think about each issue for a long time after reading it and, for me, that has a great deal of value.  This isn’t a book you read absently, its a book that rewards attentive reading and critical thinking.  There isn’t enough of these kinds of series being produced right now, so I welcome the confusion.

What I can speak to with authority is the wonderful art and interesting layouts in this book.  In an issue containing mostly conversations between two people, the character work is really fantastic.  They are expressive, natural looking, and use body language authentically.  It makes a big difference when the characters are as physically interesting as they are psychologically.  As removed as a feel from these people I don’t yet understand, they are as vulnerable and relatable on the page as you’d like them to be.

I think it is really important to read outside your comfort zone.  I don’t really “get” this book, yet, and that’s ok.  In fact its a really good thing because it will motivate me to examine, re-read, think harder, and possibly even research.  We should all try to read things over our heads from time to time and not dismiss them for being frustrating.  Getting to know writers through their work is one of the best things about reading, and it is clear that Gillen writes from a very personal place.  I think that’s really cool, and I’ll continue reading “The Wicked + The Divine” every month and revelling in how much smarter it is than me.

Categories: Horror News

‘Batman: The Animated Series’ Getting A Limited Edition Vinyl Release Through Mondo!

Wed, 07/16/2014 - 12:30

Update: A video that interviews Justin Ishmael (of Mondo) and reveals the five covers can be seen below.

News has come out that Danny Elfman‘s contributions for the Batman: The Animated Series score will be coming to limited edition 7″ vinyl via Mondo! There will be five different variants, each featuring different artwork from different artists. The formats will be hitting next week’s Comic-Con. No word on if a future public release is planned.

Comics Alliance revealed the artwork for Matt Taylor’s Harley Quinn piece, which you can see in full below.

Categories: Horror News

Review: “The Devilers” #1

Wed, 07/16/2014 - 12:28

Amidst a demonic attack upon the Vatican, an unorthodox priest is folded into a group of inter-continental demon hunters and asked to the front line of the war against hell itself.  This mini-series explodes out of the gate with occult awesomeness and doesn’t slow down, at times to the detriment of its own story telling.  Ultimately,  “Devilers #1”  fills the need for the kind of book you didn’t realize your stack was missing.

WRITTEN BY: Joshua Hale Fialkov
ART BY: Matt Triano
PUBLISHER: Dynamite
PRICE: $2.99
RELEASE: July 16, 2014

Reviewed By: Epic Switzer

Father Malcolm O’Rourke, is a hard-drinking, double-talking, wise ass mother fucker.  He is a convention of the genre as much as fire and brimstone, but that isn’t to say he’s necessarily a flat character.  There is enough hinted at about his past as he is rushed into battle to lead me to wonder if this Father Mal may be a new take on the hard edge demon fighter, which is something I’m very much looking forward to discovering.

Speaking of rushed in, my big problem with this book is how quickly characters and conflicts are established.  Its something I pick up on most commonly with mini-series’, and though it isn’t an especially complex premise, our team of multi-faith, “Super Best Friends”-ish demonologists are introduced and thrust into battle in less than 6 pages.  It is certainly too soon to tell, but I hope this book doesn’t forsake characters and relationships for spectacle.

As a spectacle, however, “The Devilers” depicts the most twisted fucked up demons Fialkov and Triano could imagine.  New 52 “Animal Man” seems to be a reference for the grotesque creatures here but there is also an interesting focus on animal-demon hybrid creatures.  There is an especially haunting hippo-tarantula hybrid (don’t try to picture it), a frog with human hands flipping the bird, and even a friendly (second South Park reference) ManBearPig.  I’m really digging the imaginative hellspawn.

This book has got all the ingredients for a delicious Satan Gumbo, I’m just not yet sure if the ratios are right for it to earn a spot in my stack.  It certainly is unique enough to stand out as one of those books I didn’t know I needed, but I also found myself doubling back on more than one occasion for dialogue that didn’t quite make sense or flow and when it was over I wish it had taken a little more time to build up to the big battle.  It’s really too soon to tell where things are going, but I certainly can’t wait to find out.

Epic Switzer AKA Eric is an aspiring filmmaker and screenplay writer living in Los Angeles.  His work tends to focus on the lighter side of entropy, dystopic futures, and man’s innate struggle with his own mortality.  He can be found on twitter @epicswitzer or reached via email at ericswitzerfilm@gmail.com

 

Categories: Horror News

Review: “Clive Barker’s Next Testament” #11

Wed, 07/16/2014 - 12:11

An action-packed installment, “Next Testament” #11  lets loose its dark imagination and never holds back. This is an adrenaline shot to the system. With its mix of shocking scares and twisted black humor, the “Next Testament” series never disappoints.

 

WRITTEN BY: Clive Barker and Mark Miller

ART BY: Haemi Jang

PUBLISHER: Boom! Studios

PRICE: $3.99

RELEASE: July 16, 2013

Reviewed By: Jorge Solis

The final battle between good and evil takes place inside the Roman Colosseum, where gladiators once fought to the death. While the all-powerful Wick changes the world to fit his image, Tristan and fiancée, Elspeth, have finally reached their destination in Providence. After searching through an endless library, the lovebirds find the right  text and speak the cursed words to awaken the Devil and the Holy Ghost. Is the Devil fighting to save humanity enough to stop Wick?

You can tell Clive Barker and co-writer, Mark Miller, are having a lot of fun in this penultimate issue. This is their chance to throw away logic and character development, and just let the action speak for itself. When hearing Barker’s commentary about the making of his movies, “Hellraiser” and “Lord of Illusions,” there is always talk about constraints with the budget. But not this time, because there no limitations to what you can do in the comic book realm. This is what two creative writers can do when they let their imagination run wild.

This story is about the Devil, the good guy, trying to save the day from the bad guy, Wick. The dialogue is sparse but that’s why each line is so memorable. Tristan and Elspeth aren’t in the forefront, but that’s a good thing. This is really 22 pages of thrilling nonstop action and you just want more.   

Artist Haemi Jang  depicts Wick, the Devil and the Holy Ghost as three giants in a no-holds-barred boxing match. The three behemoths start their battle in the middle of the Roman Colosseum. Jang illustrates the massive destruction as each supreme being uses their powers against each other. In the climatic pages, Jang antes up the action by taking the fight to outer-space.

Because there is very little dialogue, Jang focuses more physical poses and character design with the Devil’s horns and two sharp fangs in his mouth does volumes for tension. A lot of attention is put into their facial expressions after each giant gets hit in the face. The last page is definitely a jaw-dropping shocker. 

If you love action, you’re going to love “Next Testament” #11. I cannot wait for the exciting conclusion.

Categories: Horror News

[Interview] Jason Blum On ‘The Purge: Anarchy’, ‘Paranormal Activity 5′, ‘In a Valley of Violence’ and a Possible ‘Purge’ Prequel!

Wed, 07/16/2014 - 12:00

I last spoke with Jason Blum back in March at SXSW (interview here) but the guy is so busy with so many projects I never feel like we have enough time during our interviews.  Case in point, the interview below. I was just getting warmed up when our time ended, but I think you’ll enjoy it anyway.  While the focal point of  the piece is very much The Purge: Anarchy (which happens to be a fun sequel and gives audiences what they really want out of the concept), we talked about a number of his upcoming films including In a Valley of Violence and the impending Creep franchise.

Check it out below. The Purge: Anarchy comes out this Friday, July 18th.

This feels like the biggest Blumhouse movie yet. 

It’s like Transformers for us!

What’s it like pulling a movie of this size off for you? It’s looks huge but you’re known for lower budgets. 

By Hollywood standards it’s incredibly cheap, but by Blumhouse standards it was a tentpole. But I think as our model has developed I’m a little bit less sociopathic with budgets on our sequels.  With new movies where we are experimenting and trying new things, we keep them low. But if it’s a sequel to something that worked, they can go a bit higher. Especially something like The Purge where people really wanted to see what was happening outside. There’s no way to show that for 15 cents. You have to spend a little bit of money to get that kind of scope. We went bigger on Insidious Chapter 2 as well.

The politics of the film are interesting. I feel like it wears them on its sleeve. A lot of movies hide more behind their allegory, but these have a bold point of view. 

I couldn’t live with myself if I didn’t do that. You have to have some kind of point of view. You have to give the audience something to talk about and react either against or for. You would be surprised though, at the responses. In a lot of ways people bring their own politics to it. I just heard people think this is what happens if Democrats control the White House, for instance. But the point of the movie is to start a dialogue. And my goal first and foremost is to make an entertaining movie that people want to see.

You’ve also got Ti West’s In a Valley of Violence coming up. Which is in Santa Fe shooting on actual film. 

It’s coming together great. I’m going back to Santa Fe tomorrow to visit them, I’ve been there a couple of times. And it is true, much to my dismay and deep, intense protest he won the war shooting on film. It’ll be the only movie I hope we ever shoot on film. I think shooting a film today is almost like shooting on Black and White. The labs are closing, technology has moved on and its much more expensive. I would much rather spend that money on an extra day of shooting.

I’m hearing rumors of a Paranormal Activity reboot in 2016? Are those right or wrong? 

A reboot? No. We’re going to see Paranormal Activity 5 in 2016.

There’s a strong resistance element in this movie. Would you follow that in The Purge 3?

I’d like to. But I also think it would be really cool to do a Purge about year one. A prequel. What was the first Purge like? What was it like the first time the law went into effect?

You could see everyone being all tentative, “can I kill this guy?”

And we can bring Ethan back to life, which I’d love to do. But these are just my personal things I’d like to do. I’d definitely like to make another one.

I loved Creep and you’ve now got two more of those films on the way. How are they coming along?

They’re coming along great. We actually have the stories for both of them and we’re going to do them back to back. They’re coming along great.

Categories: Horror News

John Carpenter’s ‘The Thing’ Storyboard Comparisons!

Wed, 07/16/2014 - 11:33

Completely under appreciated upon its release in 1982, John Carpenter’s The Thing is a frightening and visually stunning creature feature that’s easily one of the most beloved horror films of all time.

Proof is in the constant breakdowns of the film by genre fans across the globe. The latest comes courtesy of Vashi Nedomansky on his blog VashiVisuals in which he takes Michael Ploog and Mentor Huebner’s storyboards and places them next to footage from Carpenter’s final film, with DP work by Dean Cundey.

The detail and artistry of Ploog’s work up front, allowed the crew to have clear and defined goals on those frigid shooting days in both Alaska and Canada.

To demonstrate this point…I’ve taken two scenes from THE THING and laid down the storyboards next to the shots in the final edit of the film. The video below examines the discovery of the alien spaceship and the transformation of Norris in the shocking scene that still haunts me today. Just like Hitchcock worked with Saul Bass to create the famous shower scene in Psycho…Ploog crafted beautiful storyboards for Carpenter so that the time on set was best utilized to tell the story. Be it pencil to paper or an iPad app…filmmakers can share the envisionment of the worlds they are creating by using storyboards.

Check out this incredible 5-minute video below and then make tonight all about revisiting The Thing on home video.

Categories: Horror News

Michael Biehn Gets Revenge In the ‘Hidden In the Woods’ Trailer

Wed, 07/16/2014 - 11:05

We’re still awaiting release news for Patricio Valladares’ English-language remake of his Chilean horror film Hidden In the Woods, which now has another teaser trailer.

In the film, “Ana and Anny, two sisters whom have been raised in isolation under the atrocity of drug dealing and the incestuous obsession of their grim father. When they, tired of the abuse, call the police, he kills two officers and is put in jail. Free from their father, the girls now will have to escape from Tío Costello, the local drug lord trying to recover a large amount of drugs hidden in the woods.

Michael Biehn, Mark Burnham, Jennifer Blanc, William Forsythe, Richard Gunn, Caitlin Keats, Matthew Alan, Mark Gantt, Cheryl Hawker, Greg Ingram, Evie Louise Thompson, Grace Powell, Larry Carroll, Nick Nicholson, Jeremy JD Norton, Rebecca Torellas, Nick Bateman, and Cody Hackman star.

Categories: Horror News

Images of ‘The Dead 2′ Come Shambling In

Wed, 07/16/2014 - 10:59

Two years ago, filmmakers Howard J. Ford and Jon Ford took international audiences on a journey through a zombie-infected African veldt with The Dead. The Ford Brothers have now raised the survival stakes to new dramatic heights with the September 16th Blu-ray and DVD release of The Dead 2, which we now have cover art and images for.

A ship docks fresh from Somalia which contains one infected worker that passes unnoticed into the very heart of India’s overpopulated bustling streets, setting off an unstoppable chain of events. Meanwhile, American turbine engineer Nicholas Burton (Joseph Millson; Casino Royale) is working in the stark yet tranquil Indian countryside when he receives a call from his love Ishani, a local girl who lives on the outskirts of the slums of Mumbai and who has hidden their relationship from her tradition-minded father. She reveals she is now pregnant and scared for her life as chaos and terror have taken ahold of the cities as the dead return to life and attack the living. Nicholas has to battle his way across their 300 mile landscape filled with flesh-eating – and infectious – undead. With the help of young street kid Javed, he has to rely on his wits and sheer brute force to try and save them all, as the clock ticks off the minutes before the last flight out of a living hell…

Bonus features on The Dead 2 Blu-ray and DVD include The Making of The Dead 2 and deleted scenes.

Categories: Horror News