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Comic Book Review: “Wolf Moon” #3 – Is More Of The Same

Wed, 02/04/2015 - 14:40

“Wolf Moon” #3 begins with one of the most haunting sequences a horror comic has ever put together. It establishes a break neck pace that Cullen Bunn and Jeremy Haun don’t let up until the final page, it may be scarce on story but it’s one helluva great ride.

WRITTEN BY: Cullen Bunn

ART BY: Jeremy Haun

PUBLISHER:  Vertigo Comics

PRICE: $3.99

RELEASE: February 4, 2014

I can’t pinpoint where “Wolf Moon” staggers in the execution. On the one hand it’s a great premise that provides lots of action and on the other there doesn’t seem to be much depth outside the deaths on the page. We know that Dillon Chase is driven by vengeance, but we don’t know much else. Every interaction he shares with another person is driven by that vengeance.

In the off chance Cullen Bunn wanted to humanize Dillon he had many opportunities here and really only one of them work. There is a fleeting interaction with the exotic dancer, but he just presses for information. Later, though we see Dillon actually caring about the innocent bystanders in the mall it gives him some personality even as the werewolf tears the place to shreds.

There is a visceral beauty to “Wolf Moon.” Jeremy Huan takes death very seriously, and you can tell. His dizzying assortments of panels depicting death are the highlight of any issue, and he doesn’t really let up here. From the hallucinatory beginning to the final showdown in the mall, the ugly face of dismemberment seems to be a great home for Huan’s art. His clear and expressive work make death a total joy to behold, and I seriously couldn’t imagine anyone better suited for this series.

Every time I pick up an issue of “Wolf Moon” I’m excited. The premise is brilliant, the characters are well motivated, but I’m now starting to see some repetition at three issues in. I haven’t noted any growth in the characters, and there hasn’t really been any major surprises that compel me to keep reading, It’s a shame but the series has told the same story three times over, now.

I hope that the way this issue concludes provides a stage for a shocking turn of events at the midpoint of the series. I’m dying for some progression or reversal of expectations that will challenge everything I thought I knew.

For now, it’s giving me everything I know and love: the visceral action of a werewolf action movie but its forgetting the elements of any good horror story. A character needs to be compelling, challenging, and monstrous for okay horror to become something great. As it stands, “Wolf Moon” relies far too heavily on shock value to tell any sort of compelling story about the nature of man and beast.

It’s a missed opportunity, but not one that has to decide the fate of the entire series. Luckily we’re only three issues in, and the pacing might be the stuff of legend. I’ll stick around for a while yet; I just hope we dig a little deeper next month.

Categories: Horror News

5 Skull Comic Review: “Nameless” #1 – A Dense And Exotic Horror From Grant Morrison

Wed, 02/04/2015 - 14:31

Reviewed By Eric Switzer. The creative power house behind the critically acclaimed “Batman Inc.” reunite to bring us one of the strangest, most inventive series you’ll ever have the good fortune to be consumed by. “Nameless” #1 is unequivocally the kind of eery, dense, exotic experience that only the mind of Grant Morrison could provide.

WRITTEN BY: Grant Morrison
ART BY: Chris Burnham

PUBLISHER: Image Comics

PRICE: $2.99

RELEASE: February 4, 2015

Reading Grant Morrison is a lot like trying to see the hidden image in a stereograph: If you try to force yourself to see it you’ll strain your eyes and become frustrated, but if you have patience, work the muscles, learn to recognize patterns, and let go of the normal way you see things the true image will slowly start to present itself.

I’ve read a lot of Grant Morrison’s work (“Animal Man”, “The Invisibles” “Flex Mentallo”) and I haven’t always understood it, but I’ve always found it endlessly intriguing, and meticulously plotted.  The characters in “Nameless” tend to speak in a natural way.  Scenes are disconnected and end abruptly.  It is difficult to follow things in a chronological way because characters seem to disappear and reappear and talk at length about things that don’t really make sense.  I think most of Morrison’s work is kind of hard to follow, and yet I am so invested when I read them.  Embracing the confusion is just something you sign up for when you read Morrison.  You won’t be able to see every detail, but when you step back the big picture becomes clear.  Themes and patterns stick in your subconscious and the book becomes a part of you in a way.  This is the genius of Grant Morrison.

So what is “Nameless” about?  The first 3/4th of the first issue follow a man on a surreal chase through time and space from four fish men.  The man has stolen a dream key from the Veiled Woman.  He meets up with his benefactor, and is told his task was a test to see if he would be capable of protecting a team living on the dark side of the moon that has a plan to save Earth from an asteroid.  Thats the best I can do at describing the plot, but I’m doing the book a huge disservice because there are dozens of other details, places, names, and happenings going on here that bewilder me, and yet, I am completely invested in this story that I really don’t understand at all.  The book sort of hypnotizes you.

Chris Burnham’s work here is equally incredible and hypnotic.  I get really excited about layouts and panelling that contributes to the tone and style of the book and “Nameless” has some really unique and interesting stuff going on.  The juxtaposition between his expressive, sort of cartoony style and the horrific content here is creepy and enticing.

“Nameless” isn’t for everyone.  It is not passive reading, it requires time and investment.  This is the kind of dense, literary stuff that I wish everyone was reading more of.  I’m tempted to call it your vegetables, but its not a chore to read.  I guess its the whole meal: steak, potatoes, whiskey, and some alien looking veggies you can’t quite figure out.  But they’re fucking delicious.

Eric Switzer  is an aspiring filmmaker and screenplay writer living in Los Angeles.  His work tends to focus on the lighter side of entropy, dystopic futures, and man’s innate struggle with his own mortality.  He can be found on twitter @epicswitzer or reached via email at

Categories: Horror News

Comic Book Review: “Birthright” #5 – Hang On For Final Reveal!

Wed, 02/04/2015 - 14:20

Reviewed By Katy Rex. The worst part about “Birthright” #5 is that we won’t get a follow-up until April. Williamson has been playing with a balance of simultaneously building two distinct worlds and keeping mysterious secrets, and this end-of-the-arc issue brings it all to a climax.

WRITTEN BY: Joshua Williamson

ART BY: Andrei Bressan

PUBLISHER: Image Comics

PRICE: $2.99

RELEASE: February 4, 2015

A lot of comics would go from mid-battle in the previous issue to a single panel battle wrap-up so that the old issue can end suspensefully and the new issue can move on and be fresh. It’s a common strategy, and a logical one, and it’s one that I’m glad they completely ignore in issue #5 of Birthright. The issue starts with the battle between Mikey and Rya and the beast, in the past, and the battle between Mikey and the Ward, in the present. Both battles work to characterize Mikey as a whole and complex person; the past shows the boy he was and the innocence and compassion therein, and the present shows how far he’s willing to go, and his motivations for doing so. Plus blood and fire and swords are cool.

This issue also does a lot of work to develop the relationship between Mikey and Brennan. Brennan, in some strange way, still feels like the protective older brother of this full grown warrior man. He’s beginning to realize that Mikey is his brother and also might not be exactly what he seems. He’s dealing with this introduction of moral ambiguity exactly the way a big brother would; he’s not telling their dad, because that’s a tattletale move, and he’s not pushing Mikey on it, because he figures it’s secret for a reason, but he’s going to stand by his brother and protect him and maybe find out a little more about the secrets.

The art in this issue is consistent, and the character designs… I want to talk about the character designs, and the way they develop consistently with the characters as the characters change, but I don’t want to say what exactly I mean by that, because I don’t want to actually prepare you for the last panel of this issue. When you get there, you’ll see what I mean. As always, Adriano Lucas is kicking ass on colors, particularly the palette during the battle in the forest. The panel layout is creative enough to avoid monotony, but not complicated enough to inhibit the plot. The real strength, though, is very much the characters; the details of their appearance, their body language, their facial expressions, it all combines to convey the very real and complex human (and nonhuman otherworldly) characters realistically.

The main flaws I see in this issue are the parents. They are the least interesting, realistic, and believable characters of the series, but development over time could help flesh them out more and make them as engaging as the others. And not to repeat myself, but the last panel. You guys, the last panel. It’s a gorgeous splash, and it’s everything. It’s absolutely responsible for why I’m so mad about waiting two months for the next installment.

Katy Rex writes comics analysis at, and She also writes scholarly articles for various academic journals. She really likes butt jokes, dinosaurs, and killing psychos and midgets in Borderlands 2. She has a great sense of humor if you’re not an asshole. Twitter: @eotucomics Tumblr: Instagram: @katy_rex Email:



Categories: Horror News

Comic Book Review: “Imperium” #1- Rooting For The Bad Guy Is On The Rise

Wed, 02/04/2015 - 14:07

Reviewed by Brady Steele. Ever think that bad guys actually DO have good ideas on how to run things? Valiant Next shows readers how to do just this the right way with this week’s “Imperium” #1. It’s such a friendly way to show us all how we need to surrender to our betters that it’s eerily creepy to see how it will happen.

WRITTEN BY: Joshua Dysart

ART BY: Doug Braithwaite

PUBLISHER: Valiant Entertainment

PRICE: $3.99

RELEASE: 4 February 2015

Sure, enslaving mankind sounds bad when you say it out loud, but when you see the end results working out so well…maybe they should just take it all over. Thankfully, the Earth in the Valiant Universe has the powerful psiot Toyo Harada to bring about world peace HIS way. His subtle attempt, Harbinger, didn’t work out exactly as planned. Therefore, this time, Harada is employing more…morally loose individuals to achieve peace on Earth. This Imperium includes “an inhuman robot, a mad scientist, a murderous alien, and a super-powered terrorist”. Sounds like an excellent recipe for heaven on Earth, right?

Writer Joshua Dysart really has cooked up something special here to behold. This first issue shows us the happy ending at the very start. The world has never looked more idyllic and peaceful. It almost feels like the story is backwards but it’s just clever storytelling throughout. Half of this issue is in the future and half in the present. Seeing how the world gets to this utopia in the future looks to be an enthralling ride I’m eager to get into.

The art by Doug Braithwaite is a great choice. Braithwaite is terrific at future-tech scenery and designs as well as grimy war zones. The coloring by Brian Reeber and Dave McCaig really emphasizes the different eras skillfully. Plus the killer robot “Mech Major” who just wants to be called “Sunlight on Snow” looks big and scary and sounds like a comical serial killer. I can’t wait to see the other recruits and how they all mesh together.

Labels can be stifling at times. Hero. Villain. Maniac. Messiah. Psycho. Savior. History ultimately decides who is what. Having all these powerful individuals in one series certainly looks enthralling. Rooting for the bad guys looks like a trend on the rise for 2015 thanks to a book like this. Definitely another feather in the cap of the Valiant Entertainment line worth reading so pick it up.

Mr. Steele enjoys all things comics and imagination-based. Using his lifetime of comic-fu-dom for good, he imparts his knowledge for the universe to enjoy and for you, dear readers, to pass it on. Twitter: @mrbradysteele

Categories: Horror News

Comic Book Review: “The Goon: Once Upon A Hard Time” #1 – Promises Mayhem To Come

Wed, 02/04/2015 - 13:59

Reviewed by Brady Steele. Look out if you’ve wronged The Goon, especially this week.  The Goon: Once Upon A Hard Time #1 is as fitting a title you’ll read this week. After the uber-dark turn your favorite ugly-mugged tough guy’s life took in the last miniseries, this looks like he’ll be spiraling into somewhere very nasty.

WRITTEN BY: Eric Powell

ART BY: Eric Powell

PUBLISHER: Dark Horse Comics

PRICE: $3.50

RELEASE: 4 February 2015

The Goon and his gang have been really busy lately defending their town from all kinds of supernatural craziness. His enemies are definitely using some nastier tactics than his old adversary / now ally The Zombie Priest ever did. You break a man’s heart, you break his spirit. Does he now one of the oh-so-many lost that inhabit this mystically cursed, yet highly coveted locale? This new trek has the looks of some of the most dark and depraved seen in The Goon’s long history and that’s saying something.

Mastermind creator Eric Powell has made some perilous choices as the next plan of attack for our lug-headed hero. The lack of color only adds to the bleakness of this battle, its opponents and the general morale of those readers care about. As much of a downer as I’m making it sound, this book isn’t at all.

Powell is showing us how far gone The Goon and his state of mind are after his losses from the Occasion of Revenge storyline. It also shows us how truly terrifyingly dangerous he can be. Nothing is safe and it’s almost glorious to see an unhinged Goon take down everything in his way, including his own friends. Nothing and no one feels safe here which is thrilling to read. Get into this now and enjoy the mayhem and carnage that is sure to come.

Mr. Steele enjoys all things comics and imagination-based. Using his lifetime of comic-fu-dom for good, he imparts his knowledge for the universe to enjoy and for you, dear readers, to pass it on. Twitter: @mrbradysteele

Categories: Horror News

5 Skull Comic Review: “The Ghost Fleet” #4 – Shit Get’s Really Real

Wed, 02/04/2015 - 13:48

Reviewed By Torin Chambers. “Ghost Fleet” #4 gets real this month, swapping out hardcore action for an emotional rollercoaster. The best part? It works, it works really well. With each passing issue and the deeper we get into this story the more it strays from how it was originally presented. From seeing its original announcement at NYCC last year there’s no way I could’ve guessed it’d be going in the direction it now is. Which is in no way a negative, as this series has proven to be superbly intriguing.

WRITTEN BY: Donny Cates

ART BY: Daniel Warren Johnson


PRICE: $3.99

RELEASE: February 4, 2014

Initially we’re treated to a flashback showing Ward and Trace in an incredibly different time. Wards been drinking heavily in his car, too ashamed or too scared to enter his own home. Until he hears a scream and goes rushing in, hand on his gun, ready for anything. Except to deal with his wife’s cancer. Turns out Trace and Sara have been waiting for him for hours as he’s been out drowning himself in the drink. Trace takes him outside in the friendliest way possible and lays it all out for him, how he’s gotta step up and really be there for his wife. This whole scene is a real gut punch I was never expecting from Ghost Fleet, but one I welcome with open arms. (maybe that’s how they gut punched me so easily)

Later in the issue things get really gnarly and supernatural but I won’t spoil any of it because it’s totally rad. Another character is also introduced this issue, he beautifully takes care of the balls to the walls action for this month. How he ties into everything isn’t very clear but make sure to keep an eye on his t-shirt, trust me.

Meanwhile Lauren Affe’s colors add a surreal texture to the book that you really can’t find anywhere else in comics. It straddles the line between a old school pulp book and new school awesome.

The concept of this series has evolved into something tremendous and has built with every subsequent issue. Now that we’ve reached the fourth chapter everything that has been teased is coming together beautifully in a way that doesn’t feel forced but organically challenges every thing that came before in brand new ways. This is one stellar read. If you come to the series for amazing action scenes, you’ll find plenty to love this month, but if you linger a little longer you’ll find yourself immersed in an emotional and surprising read.

Donny Cates and Daniel Warren Johnson have truly hit their stride now, this is the best Ghost Fleet issue yet and I’m craving that next issue more than my many chemical dependencies.

Categories: Horror News

Comic Book Review: “Nailbiter” #10 – Marks A Weak Point For The Series

Wed, 02/04/2015 - 13:32

Reviewed By Torin Chambers. “Nailbiter” #10 shows the title has finally stumbled and produced a comparatively weak issue. 9 out of 10 isn’t a bad batting average, in fact it’s stellar, but not all stories are created equal. When stacked up against the incredibly high quality of previous issues this one stands out like a sore thumb. It’s a cramped and entirely too convenient tale that feels completely disconnected from the Nailbiter we’ve come to love. It’s muddled at best and incomprehensible at worst.

WRITTEN BY: Joshua Williamson

ART BY: Mike Henderson

PUBLISHER: Image Comics

PRICE: $2.99

RELEASE: February 4th, 2015

Picking up relatively soon after last issues infinitely unsettling cliffhanger. The children’s bus driver, Mister Crowe, has gone mad and intends to kill all of the kids with the twisted logic that he’s saving their souls, so then they can’t grow up to be serial killers. Sheriff Crane tries to calm the parents who’ve all gathered at the children’s school demanding answers and justice, and rightfully so.

Crane is soon joined by Finch and Agent Barker looking to help in any way they can. This is where the issue goes off the rails. The local priest is going off again as he always does which leads Crane to pressuring him into helping them. He says he might know a place where Crowe liked to pray. Then the next page they’re just there, the hunt for this guy took all of two pages and really one sentence. It’s all much too convenient, not to mention what was Crowe doing that whole time? Was he just patiently sitting there with a bus full of crying kids waiting for the cavalry to show up and try to stop him?

The location must be somewhere out of the way which means it can’t be a hop and a skip away from the school or people would’ve seen the bus. So now that the good guys are perfectly positioned to save the kids Crowe drives them into the lake. Obviously Crane and Finch dive in after to save the bus full of kids, but as they do so Agent Barker does absolutely nothing. This is an entire bus full of kids that just plunged into a lake so Crane and Finch could definitely use help, or not. Somehow they manage to save all of the kids in what seems like an incredibly short amount of time.

Then Crowe somehow manages to save himself but they leave one of the kids out there with him, why? Crane is clearly shown swimming away from the child, who’s out in the water about 5 feet from the psycho who just tried to drown all the kids. It doesn’t make any sense to me. This whole scene is a mess, a tangled mess.

The issue does pick up a bit after this and the ending is totally rad, but not good enough to save the issue. It’s a rare misstep from Williamson but one I’m sure he’ll bounce back from going forward. Nailbiter fans will still find some nuggets of fun here but this is will definitely be remembered as a black sheep.

Torin Chambers is a rad dude from the nineties who does film stuff or something. Thomas the Tank Engine is his favorite transformer. Find him on Twitter @TorinsChambers


Categories: Horror News

[EXCLUSIVE] Kane Hodder Joins 80′s Slasher Game ‘Summer Camp’

Wed, 02/04/2015 - 13:00

Gun Media has revealed the man behind the mask in their upcoming 80′s themed slasher game Slasher Vol. 1: Summer Camp, and it’s a name that fans of the Friday the 13th films should easily recognize. Kane Hodder — Jason Voorhees himself — will be donning a different mask in this game, but his duty will be the same: kill, kill kill.

“Honestly, who else could we have chosen for the role of the killer?” explains Wes Keltner, co-creator of Summer Camp. “Several people have worn the mask, but in our eyes, there was only one. Kane has the body type, the presence and demeanor that personify the unrelenting, undying killing force we’re after for Summer Camp.”

With Kane Hodder and FX legend Tom Savini (Dawn of the Dead, From Dusk till Dawn) involved, I don’t understand why the world hasn’t exploded already.

“Everyone has their own skills. One of mine happens to be killing people on screen. When Wes and the team behind Summer Camp came to me, I jumped at the chance to bring my skills to gamers around the world. Combined with the fact that Savini is on board and Manfredini is doing the soundtrack? This is a no-brainer.”

Hodder gets it.

Summer Camp is one of a handful of upcoming horror games we have to look forward to in what looks like a slasher game renaissance.

It’s getting a little confusing though, with the similarly titled Splatter Camp, the recent announcement of a Friday the 13th video game, and the issues it’s had with Last Year.

This isn’t the kind of mess that slasher fans have come to expect from the genre, but if we can get a few great horror games out of all this, it’ll be worth it. With everything it has going for it, Summer Camp isn’t likely to disappoint.

Categories: Horror News

Comic Review: “Escape From New York” #3 – Tons Of Action And Severed Limbs

Wed, 02/04/2015 - 13:00

Reviewed By Jorge Solis. With twisted glee, “Escape From New York” #3 delivers tons of action, guns blazing, and cut-off limbs flying everywhere. The one-eyed Snake Plissken has a whole new set of problems as he attempts to make his latest getaway. I’ve waited a long time  for a sequel to “Escape From L.A.” and it’s finally here.

WRITTEN BY: Christopher Sebela

ART BY: Diego Barreto

PUBLISHER: Boom! Studios

PRICE: $3.99

RELEASE: February 4, 2015

Trapped in the hellhole state of Florida, Snake Plissken has to raise an army from a bunch of dim-witted recruits. War is coming and the Twins have an actual nuke ready to blast everyone away. With a bomb attached to his collar, Snake has to figure out how to get to the nuke, without getting himself killed. But then, why save the world, when Snake already knows there’s nothing worth living for?

What I really found interesting is how writer Christopher Sebela takes Snake back to his solider days. In the opening pages, Snake gives a beatdown to his recruits, who are nothing more than weaklings. He reminds them that soldiers are meant to fight for the mission and their reward is a trip back home alive. But none of his recruits bother to listen; they just want to know what happened in the Big Apple.

Sebela twists the narrative by having Snake break his own rules. Fighting his destiny to be a leader, Snake has to save the day, even though he’s not interested in doing so. Sebela continues with the themes about an ex-solider finding a mission worth fighting for.

Artist Diego Barreto delivers a military training camp that is reminiscent of recent war movies, such as “Jarhead.” Notice how none of the fresh recruits have any muscle and they look young in their twenties. The recruits are always in awe when they look at the legend himself. The heat blisters as Snake runs around the basic training camp, with no cover from the sun.

Barreto keeps the action moving at a fast pace. You feel the hits as Barreto captures the punches and kicks in extreme close-ups. The best sequence in the issue is when Snake has to break out of a room by riding on top of a chandelier.

“Escape From New York” #3 is a fun and quick read. I’m really looking forward to the next issue.

Categories: Horror News

[TV] The Flash: “Crazy For You” – Review

Wed, 02/04/2015 - 12:50

By Brady Steele / twitter: @mrbradysteele.The latest episode of ‘The Flash’ entitled ‘Crazy for You’ has a lot going on in it. Like a good comic book, subplots are coming to a boil and even more subplots are being planted. Viewers finally see some progression on plot points that have been languishing around since nearly the beginning of this series. Plus, our speedster finally has real difficulty against his adversary of the week: Peek-a-Boo! Who is that? Don’t worry, you’ll find out…

The ladies pretty much take over this episode which is a great contrast to see. Ironically, the one character that normally gets a great deal of screen time, Iris West (Candice Patton), is put on the backburner this time out. Barry (Grant Gustin) has finally stopped pining for her and finds out there’s plenty of fish in the sea after all. No spoilers from me, BUT, it is nice to see them include more people from ALL the Flash’s timelines. One spoiler I will give viewers: there is karaoke in this episode. You’ve been warned.

Major geek points and kudos go out to the writers who definitely know their Flash history. Peek-a-Boo was a character created during producer Geoff Johns’ inspired run on The Flash comic book series that, as we can see here, has potential for so much more than robbing banks for gangsters. She’s got a fantastic power (teleportation) and it’s cool to see the creators use it in a different way than others have before.

As I mentioned earlier, subplots are starting to percolate more and more. This show really feels like a comic book with so many things going on herein. One prime example is the slow and methodical discoveries surrounding Martin Stein and Ronny Raymond’s fates. The hook at the end of this episode in particular unquestionably got me very excited as to which Rogue is coming next. Like The Flash himself, you can feel the momentum building and the storylines picking up the pace.

Between this show and Arrow, DC Comics on the CW definitely are doing a bang-up job at world-building. The producers of these shows are channeling a build up to an early 1980s era Justice League of America vibe (no pun intended) with at least four members already on screen in one capacity or another (Green Arrow, The Flash, The Atom and Firestorm). I hope they take their time and that that pipe dream doesn’t mature for another few seasons. This episode wasn’t too mushy or too comic-book-heavy either so I was pleasantly surprised once again how they balance both so well for a new show.

Categories: Horror News

Watch The First Teaser Trailer For Netflix’s “Daredevil” Now!

Wed, 02/04/2015 - 12:38

This morning marks the release of the first trailer for Netflix and Marvel’s first collaboration “Daredevil.” It’s everything you could want in a teaser, it’s short, sweet and to the point and edited beautifully. It exceeds my expectations and has my excitement for the series at an all time high.

Blinded as a young boy but imbued with extraordinary senses, Matt Murdock (Charlie Cox) fights against injustice by day as a lawyer, and by night as the Super Hero “Daredevil” in modern day Hell’s Kitchen, New York City.

This is a grounded, authentic, suspenseful and edgy action drama featuring a great cast that includes:

o Charlie Cox as Matt Murdock / Daredevil

o Vincent D’Onofrio as Wilson Fisk

o Rosario Dawson as Claire Temple

o Deborah Ann Woll as Karen Page

o Elden Henson as Foggy Nelson

o Vondie Curtis Hall as Ben Ulrich

o Scott Glenn as Stick

o Ayelet Zurer as Vanessa Marianna

o Bob Gunton and Leland Owlsey

o Toby Leonard Moore as Wesley

Marvel’s Daredevil is one of the best known properties of the street level heroes and will be the the first of four epic live-action adventure series (Marvel’s A.K.A. Jessica Jones, Marvel’s Iron Fist, and Marvel’s Luke Cage, all leading up to the teaming of the main characters in Marvel’s The Defenders) that delves into the backstory of how Matt Murdock evolves into Daredevil.

Marvel’s first original series on Netflix is Executive Produced by series Showrunner Steven S. DeKnight (“Spartacus”, “Buffy: The Vampire Slayer”, “Angel”) and Drew Goddard ( “Cabin in the Woods,” “Lost,” “Buffy The Vampire Slayer”, in addition to writing the first two episodes of Daredevil), along with Jeph Loeb (“Marvel’s Agents of S.H.I.E.L.D.,” “Smallville,” “Heroes”), who also serves as Marvel’s Head of Television. The series is produced by Marvel Television in association with ABC Studios for Netflix.

The tone of the series is noticeably different than the rest of the Marvel Cinematic Universe. There’s blood here, and lots of it. I had expectations that the series would be a little darker, but this is something else. From this short teaser it looks like we’re getting an uncompromising look at street level crime from Daredevil, and watching as he pushes into a world he doesn’t really understand. I’m kind of bummed we don’t get to see much Kingpin or the use of Daredevil’s senses but I’m sure we will see more in the weeks to come.

Now the biggest question becomes who will be the first to binge all this episodes come April 10th.

Categories: Horror News

Check Out This Beautiful Acoustic Cover Of Metallica’s “The Call Of Ktulu”

Wed, 02/04/2015 - 12:30

Russian guitarist Igor Presnyakov has been making a solid name for himself on YouTube, uploading fantastic guitar covers of popular rock, metal, and pop tracks. And now he’s taken on one of Metallica‘s most eerie and sinister tracks: “The Call Of Ktulu”.

The track appears on the band’s 1984 thrash classic Ride The Lightning and the name was suggested by then bassist Cliff Burton, who was inspired by the H.P. Lovecraft novel “The Shadow Over Innsmouth”. It is also the last Metallica song to feature writing credit for Dave Mustaine of Megadeth.

Categories: Horror News

‘Lost River’ Poster a Tunnel of Terror

Wed, 02/04/2015 - 11:35

Warner Bros. has also shared this awesome one-sheet for Drive star Ryan Gosling’s directorial debut, Lost River, which opens April 10, 2015.

Lost River stars Christina Hendricks, Saoirse Ronan, Eva Mendes, Iain De Caestecker, Matt Smith and Barbara Steele.

The film is set against the surreal dreamscape of a vanishing city. Billy, a single mother of two, is swept into a macabre and dark fantasy underworld while Bones, her eighteen-year-old son, discovers a secret road leading to an underwater town. Both Billy and Bones must dive deep into the mystery, if their family is to survive.

Also check out the new trailer below.

Categories: Horror News

[TV] More CW Horror: “Cheerleader Death Squad”

Wed, 02/04/2015 - 11:30

The CW is going horror crazy, it’s just too bad they aren’t making anything for me (or so it appears). With that said, I really hope some of you are excited!

In addition to “Tales From the Darkside”, which could be insanely cool, they also announced a pilot from JJ Abrams, “Dead People”, and have “iZombie” coming this quarter.

Next up is “Cheerleader Death Squad”, from “Desperate Housewives” and “Law & Order: Special Victims Unit” producers Marc Cherry, Neal Baer, Dan Truly and Sabrina Wind, says Variety.

The one-hour pilot follows a former CIA agent-turned-teacher who realizes that his elite students at a Washington, D.C., prep school have high level access through their personal connections — and trains them to be his eyes and ears in the world of international espionage so he can make his way back into the CIA.

Categories: Horror News

‘Faults’ Poster Will Fracture Your Mind

Wed, 02/04/2015 - 11:15

Screen Media Films has set March 6, 2015 as the release for Riley Stearns’ psychological thriller Faults, starring Mary Elizabeth Winstead and Leland Orser. A nationwide theatrical release accompanied by a day-and-date VOD platform release.

Winstead portrays a cult member whose family recruits a deprogramming specialist played by Orser.

We have two extremely positive reviews here on Bloody, both here and here.

The Playlist has the theatrical one-sheet for Faults, which premiered at South by Southwest, and also stars Beth Grant, Chris Ellis, Jon Gries and Lance Reddick.

Snoot Entertainment’s Keith and Jessica Calder produced along with Winstead. The film was executive produced by Brian Joe and co-produced by Chris Harding and Roxanne Benjamin.

Categories: Horror News

Possessed Clown Highlights ‘Poltergeist’ Sneak!

Wed, 02/04/2015 - 11:00

They’re finally here!

USA Today shared the first ever images from the Gil Keenan-directed Poltergeist, allegedly a pseudo-sequel, that will open in theaters on July 24, 2015.

To be released in 3-D, Jared Harris will play Carrigan, a larger than life TV personality who left the world of academia behind to become the star host of basic cable TV show “Haunted House Cleaners.”

Sam Rockwell, Rosemarie DeWitt, Saxon Sharbino and Jane Adams also star.

Legendary filmmaker Sam Raimi (producer) reimagines and contemporizes the classic tale about a family whose suburban home is invaded by angry spirits. When the terrifying apparitions escalate their attacks and take the youngest daughter, the family must come together to rescue her.

Poltergeist has been rated PG-13 for “intense frightening sequences, brief suggestive material, and some language.”

Do you think the new clown is scarier than the one in Tobe Hooper’s original?

Thanks to Bloody reader Michael M. for the heads up.

Categories: Horror News

My Enemies & I “Wolves Teeth” Teaser (Exclusive)

Wed, 02/04/2015 - 11:00

Today brings another entry into our exclusive weekly series of teasing the upcoming My Enemies & I EP Sick World, which comes out March 10th!

Last week we teased “Victims”, which I labelled, “…one of the heaviest tracks on the album.” If you haven’t heard it, head over here to give it a listen.

For this week’s clip, we’re teasing the track “Wolves Teeth”, which boasts an anthemic chorus before giving us just the briefest taste of a fast-paced verse, complete with pounding drums and raging lyrics.

My Enemies & I online:

Tour dates with Arcane Haven and Alaya
Feb 16th | Pittsburgh, PA Keynote Cafe
Feb 17th | Beckley, WV Muncheez Bar & Grill
Feb 18th | Richmond, VA Canal Club
Feb 19th | Fayetteville, NC The Drunk Horse Pub
Feb 20th | Spartanburg, SC @ Ground Zero
Feb 21st | Evansville, IN The Hobo Jungle
Feb 22nd| Sauget, IL @ Pop’s

Categories: Horror News